Musician9 said:
Well, sorry to disagree with your Prof, but the Dave Mustaine's and Yngwie Malmasteen's of the world do not list either of those players as influences, having said that, even if they like thos eplayers it doesn't mean it's present in their style. For example, I love Alan Holdsworth but nothing in his playing is present in my style, mostly because his stuff is extremely intricate in nature, but I enjoy his music. There's this weird worship of the Blues, and I'm a blues player myself, that contends that every music style known to man from the 20th century onwards owes everything to it, and I just have to disagree. Plenty of documentation to show numerous American styles developing simultaneously in the South. Remember, without Celtic folk, i.e. Scottish and Irish laborers working alongside the former slaves there would be no Blues at all, that's a great study that doesn't get its proper due, but none of my argument takes anything away from the Blues, it's wonderful, marvelous, earthy and occasionally boring, but fun to play for beginners. My 2 cents worth... I wish you well on your musical journey... Well i guess after reading this, one can assume that there was no music genre in Africa before slavery. So, according to you Celtic folk did a favor to american blues. Welcome to the field of history ! The Ignorant asserts,The learned doubts,The wise thinks.
Aristotle | |
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Around 6:00 of this 2006 VH-1 documentary Tony Iommi from Black Sabbath says they were playing bluesy jazz at first You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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