It wouldnt be EWF if they did that..People are expecting the EWF that they knew up til that point. Which for any artist..You expect a certain sound..."Their Sound" .. So if they deviate from it..It can turn listeners off.. | |
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funkdoctorrock said:
It wouldnt be EWF if they did that..People are expecting the EWF that they knew up til that point. Which for any artist..You expect a certain sound..."Their Sound" .. So if they deviate from it..It can turn listeners off.. I just think that a 2-record set can be kinda boring if it stays in one place,musically.The majority of the songs on Faces all sound alike. | |
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just imagine if an entire side of that album was devoted to the jazzy,Afro and latin sounds that they do so well.It would have been an interesting diversion from the 4-minute R&B songs that make up most of the album.Double albums give you the room to do something like that. | |
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RJOrion said: mrwiggles said: Yeah he says he the book McKay was trying to challenge his authority. A couple of the horn guys did too. Then Al missed gig in South America. He said if he didn't let him go then the others might start the same shenanigans. Said he could not treat EWF as a democracy. He had to maintain total control of it was to work. i can dig that, but McKay was too important to their sound and songwriting...even the Emotions fell off after he left camp...he was the man behind joints like "Best Of My Love", "I Dont Wanna Lose Your Love" and "Flowers"...Maurice should have reached a compromise with that brother somehow... Apparently McKay was out and back at least a couple of times. After what Reese referred to as a "spanking" by The Funks at the disastrous Armory performance at DC in the early part of the decade, he knew he had to get Al back in the group. | |
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the song "Faces" is so long it took up almost a half of the 4th side, and it has the jazzy,Afro and latin sounds you mention, all in one song ...but yes a whole side, or a whole LP of EW&F Jazz joints would have been ill...you could even make a Best Of EWF Jazz playlist from their existing joints, starting maybe with:
Belo Horizante Caribou Runnin Faces Sun Goddess See The Light Honor The Magic Zanzibar Clover Africano Drum Song Energy Bad Tune
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but that's exactly the type of song that the album needed more of an entire side of complex,jazzy Afro/latin grooves.Would have made the album so much more interesting,imo.On a 2-record set,there's plenty of room to branch out and step out of their comfort zone.Many years ago,I recall Maurice saying that those amazing interludes that are on various EW&F albums....those actually go on for much longer,but they're edited down to fit on the album.On a 2-record set,space is not an issue! Give us those intriguing tracks! | |
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The general consensus among many EW&F fans is that Raise is "their last great album" or "the last album that really sounded like EW&F",but I'm one of those fans who thinks differently.I think they continued to make great music into the 90s,too.1993's Millenium is a very stong album that's filled with excellent songs.Unlike Heritage,there is no trendy,New Jack Swing production,hip-hop beats or unnecessary guest rappers.This is pure Earth,Wind and Fire.Highlights include "Love Across The Wire","Sunday Morning","Blood Brothers","Honor The Magic", and my favorite "Wouldn't Change A Thing About You".There's even a Prince-produced track "Super Hero".Who else really enjoys this album? | |
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Bloodbrothers is one of my fave EWF songs from the later years.... I remember at the time when Maurice first came out and told the world he had Parkinsons, and I thought, Chi-Town Blues was a decent way for Maurice to bow out if it the disease took its toll She Waits Show Me the Way DayDreamin Welcome Loves Dance
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SoulAlive, I'm in the "between the vision & fulfillment" chapter when Maurice first came to LA. His words and general attitude even excude the same energy in his music. I'm loving it so far. | |
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I could understand to with Maurice wanting to update EWF a bit because like you stated Cameo, Bar-Kays, Lakeside, and Midnight Star were starting to dominate R&B radio with their synth funk sound and Kool & The Gang was taking EWF spot on the charts as the universal pop band. I wasn't a fan of Electric Universe through and through but Magnetic and Moonwalk were the album highlights for me. I think Could It Be Right could have worked in 1980 following After the Love Has Gone but not in 1983. Don't laugh at my funk
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Changing Times was my shit. I actually draw some parallels with Changing Times and Magnetic. Roland Bautista played some kick ass guitar on both. Don't laugh at my funk
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I'll be honest I wouldn't consider Millenium great but is an interesting listen now considering the state of music now. In 1993 I know for a fact I wasn't the only EWF fan disappointed with Millenium. I remember I even bought the cassette because right away I only dug Even If You Wonder and Sunday Morning. The record store owner told me those were the only 2 songs he dug but I also started to dig Blood Brothers and Honor The Magic which was 2 short. I thought Divine was their attempt at New Jack on this album. I think they missed the ball when they released a weak pop tune Spend The Night as the second single instead of Even If You Wonder which took me back to the classic EWF sounding In The Stone. I will have to give this another listen because I do remember turning my nose up at most of the songs on Side 2. I think I kind of liked Chicago Blues a bit. During 1993 though I thought this was weird uneven listen and sadly when the band performed Sunday Morning on a few shows you could tell something wasn't right with Maurice. [Edited 3/17/18 21:00pm] Don't laugh at my funk
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Looking at the EWF period post Powerlight you tend to forget about The Promise and Illumination. Thanks All N All for reminding me. Maurice was all over The Promise as well as the signature EWF sound. I loved the interludes on the album. All In The Way, Hold Me , Never, She Waits, and Maurice was back at it on the Kalimba on Wiggle and The Promise interludes. To me the Promise was the last classic sounding EWF album but it's easy to forget about this album because of some of the bad period in between. I even liked some of Illumination but this album was the one album that they bought in outside producers. Album highlights include Pure Gold, Show Me The Way, and Love's Dance. Sadly this would be Maurice's last stint with the band in the studio. Don't laugh at my funk
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to me,the track "Electric Nation" sounds alot like "Changing Times"....but not nearly as good. | |
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"Wouldn't Change A Thing About You" should have been the second single,imo.It's a nice,breezy song where Philip Bailey absolutely shines.A really,really great song! | |
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before those albums,there was Avatar,released in the US under a different title,In The Name Of Love.What do you think of this project? I noticed that Maurice was singing less.A few songs feature guitarist Sheldon Reynolds taking the lead.
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I like the track "Keep It Real" [Edited 3/17/18 23:08pm] | |
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phunkdaddy said: Looking at the EWF period post Powerlight you tend to forget about The Promise and Illumination. Thanks All N All for reminding me. Maurice was all over The Promise as well as the signature EWF sound. I loved the interludes on the album. All In The Way, Hold Me , Never, She Waits, and Maurice was back at it on the Kalimba on Wiggle and The Promise interludes. To me the Promise was the last classic sounding EWF album but it's easy to forget about this album because of some of the bad period in between. I even liked some of Illumination but this album was the one album that they bought in outside producers. Album highlights include Pure Gold, Show Me The Way, and Love's Dance. Sadly this would be Maurice's last stint with the band in the studio. i cosign every word...Pure Gold and Show Me The Way, were 2 of the best EW&F songs in several years when they came out...Jimmy Jam & Terry Lewis (pure gold) and raphael saadiq (show me the way) were masterful in producing those 2 joints, and re-creating the classic EW&F vibe... | |
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i liked "In The Name Of Love"...it seemed like they had caught up with the rest of r&b and didnt sound so dated..."Revolution", "In The Name Of Love", "Right Time", "Fill You Up" were good songs...to me, this album was better than Millenium, Promise, or Heritage...Millenium had too much filler and sounded cluttered...and Promise sounded like they were trying too hard to sound like Earth Wind & Fire, if that makes any sense...In The Name Of Love was more cohesive and efficient...just like Illumination... | |
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Sheldon Reynolds was wack...i didnt like Roland Bautista (in his 2nd stint) either...any EW&F guitar player after 1980 only exacerbated how badly they missed Al McKay...Bautista was a good rock guitarist, but he didnt have the rhythmic feel, and couldnt "pick it", and couldnt play the melodic chord changes like McKay did..... [Edited 3/18/18 9:31am] | |
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I didn't care for Sheldon Reynolds either. I remember me and a homie was watching them perform on an awards show or something and he asked where the hell did EWF get that big doofus from. Roland was cool but neither of these cats were Al McKay or Johnny Graham. Show Me The Way came out a full year before the album was released. Phillip said in the liner notes(Illumination)it started out as a solo project with him before it morphed into an EWF album. Don't laugh at my funk
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"Got To Get You Into My Life" by Earth Wind & Fire (1978)----EW&F doing a Beatles song.....around the time that this song came out,that's when I realized how "big" Earth Wind & Fire were becoming.By this point,their songs were crossing over onto the pop charts and reaching the Top 10 with ease....and here they were,not only doing a Beatles song but also appearing in the 'Sgt.Peppers Lonely Hearts Club' movie.Their performance is a highlight of that film.1978 was a very big year for them.In addition to this song,they also had another monster hit ("September"),successful tour and a well-received 'Best Of' album. | |
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I gave Millenium a spin earlier today. Still dug a few songs but still majority of it was cluttered with filler like you said. I tried to get into Superhero but it's just too canned cheese for me. It just seemed like this album was all over the place with pop, New Jack, and too less of the EWF sound. My highlights from the album are Even If You Wonder, Sunday Morning, Honor The Magic, and the Kalimba interludes. Other decent songs Two Hearts, Blood Brothers, and Chicago Blues. Updated properly[Edited 3/19/18 17:34pm] Don't laugh at my funk
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Wow,I can't believe that Millenium isn't getting more love when I purchased that CD in 1993,I thought it was brilliant and I still do.It seemed liked Maurice learned his lesson after Heritage,took his time and crafted a strong,consistent EW&F album filled with great tunes.Neither of you guys mentioned the excellent,Thom Bell-written ballad "Love Across The Wire" or the breezy,melodic "Wouldn't Change A Thing About You".I demand that you both go back and listen to those two wonderful tracks | |
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All throughout the first half of 1987,I was hearing that Earth Wind & Fire had gotten back together and were recording a new album.I was thrilled.They had been gone since 1983 and I was really missing them.Maurice and Philip released solo albums during that time,but I was really longing for another EW&F album.Touch The World was released in the fall of '87 and I think it's a very good album.Highlights include the first single "System Of Survival","You And I","Victim Of The Modern Heart","Here Today And Gone Tomorrow",and "Evil Roy".One track,"Thinking Of You" (which was the second single) features the Emotions on background vocals and it sounds just like old times....classic EW&F sound.Unlike the previous album,Electric Universe,this time around they don't totally abandon their classic sound.They simply update it just a little and the results are very,very impressive. [Edited 3/18/18 23:23pm] | |
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i listened to Millenium today too..."Love Is The Greatest Story" is a great song..."Even If You Wonder" and "Sunday Morning" and "Honor The Magic" are really good songs...but the rest of the album is forgettable...youd figure a Prince/EW&F collaboration would be epic, but "Superhero" was almost disappointing...i try to make myself like it...Millenium is like an earlier version of The Promise...EW&F trying to force themselves to cook up the classic EW&F, when the original ingredients were gone... if Charles Stepney had lived on, and Al McKay and Larry Dunn never left, theres no telling how many more great albums they would have made...Stepney was negotiating to work with The Jacksons when he passed... | |
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SoulAlive said:
Wow,I can't believe that Millenium isn't getting more love when I purchased that CD in 1993,I thought it was brilliant and I still do.It seemed liked Maurice learned his lesson after Heritage,took his time and crafted a strong,consistent EW&F album filled with great tunes.Neither of you guys mentioned the excellent,Thom Bell-written ballad "Love Across The Wire" or the breezy,melodic "Wouldn't Change A Thing About You".I demand that you both go back and listen to those two wonderful tracks Have to give those 2 another try. I know it was one I skipped after a minute. Don't laugh at my funk
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this lp was out at a bad time in my life...i only remember getting into "System Of Survival" and seeing "Thinking Of You" getting played for the Soul Train Line on TV (thank you Rosie Perez )...i dont even listen to that lp much anymore...dark times... | |
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