It's not about that. The point I am simply trying to make is nothing or no one will ever take away Michael's greatness. The man was/is a brilliant entertainer. People will talk about that man from now until the end of time but it won't stop me from bangin' "Baby Be Mine" or "Get On the Floor." | |
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I like this one ^^ [Edited 2/8/18 14:39pm] ♫"Trollin, Trolling! We could have fun just trollin'!"♫ | |
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thesoulbrother said:
Chief... I am not about to get on a message board and name drop! That's no secret that MJ borrowed, took, stole, or however the hell you wanna call it from other musicians! Regardless to what the man did, it DOES NOT diminish Michael Jackson's talents! It doesn't! Quincy Jones can say that Michael farted in his dinner and pissed on his leg but that ain't gonna take anything away from the fact that Off the Wall is a masterpiece. It won't take away from the fact that Michael Jackson is THE only entertainer that could make the hardest gangbanger sit in the front row and scream like a bitch! Trust me... Michael Jackson's legacy is safe and secure and will be for many years to come. If you don’t want to share a name that’s fine. That’s why I stated it’s your choice. As far as stealing goes, it seems MJs collaborators namely Bill Bottrell and Matt Forger. With that being said, why do you accept that at face value MJ ‘stole’ from other musicians? Are there instances where this is true, yes, but it’s not as much as Quincy claims. | |
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When it comes to Michael, it seems to be usually the differences between writing and arranging.
With Don't Stop Til You Get Enough, Michael wrote the song in full with Greg bringing in the 15 second bridge/transition in later. From the looks of it, Greg got the proper credit of arranging although because he helped Michael on that part, he could've very well gotten writing credit that was originally agreed upon
Did he lift pieces and use them in his work? Yep. Don't Stop Til You Get Enough and Shake Your Body were inspired by Got To Give It Up by Marvin Gaye
Itt happens, a lot of artists borrow. Doesn't change the fact that Michael was a great songwriter IMO [Edited 2/8/18 17:06pm] "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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Thanks for the receipts Keep Calm & Listen To Prince | |
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barbara taylor Retweeted Somebody tell me what medical school @QuincyDJones went to ? Since he is now an expert on vitiligo and knows more than Michael Jackson’s autopsy report ?
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Yeah not surprised to hear that, considering MJ couldn't play many instruments, but I agree Q is being a bit nasty. Still, I admire that in a sense, he is at that cranky grandpa stage where his stories are unabashed and he's going to be severe in his assessments, when I am that age I will also be taking a massive dump on people I know as publicly as possible with life-ruining scrutiny. I was just glad he didn't criticise Michael's finger-clicking, calling him the worst finger-clicker of all time or anything, I thought his snapping on Bad kept good time with the beats anyway, that was one instrument he could match Prince on even though he couldn't play piano, guitar, drums, etc. I'm afraid of Americans. I'm afraid of the world. | |
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PHOENIX Retweeted Donté Bland Exactly. That’s wherein the issue lies for me. Why would Quincy bring up Michael doing this and that but do so without implicating himself? He was the producer. It should’ve been “we stole music”, if anything... PHOENIX added, Keep Calm & Listen To Prince | |
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This revelation shouldn’t even be taken seriously, considering the culprit(s) (Quincy included) implicated in this alleged “theft” were also involved in various capacities with the production of the track said artist is being accused of “stealing” a bass line from lol. Michael’s own demo of “Billie Jean” dates back to 1981, the same year Hall & Oates “I Can’t Go For That” was released. Michael humbly admitted that he felt he “stole” the bassline from their song, and called Darryl Hall personally to request his permission to use it. Donna Summer’s “State Of Independence” (which is a cover produced by none other than Quincy Jones), would be produced and recorded in 1982. Many cooks were in the kitchen during the recording sessions for this track. Among the few were Bruce Swedien, Michael Jackson, ANNNNNDDDDD, Quincy Jones! That doesn’t even include the great session musicians who played on pretty much EVERY track from the “Thriller” album, which was subsequently being created BEFORE, DURING, and AFTER those very sessions for Donna’s track..hmmm lol... I say all this to say, let’s just give Q his flowers right now. His musical contributions are , without a doubt, tremendous. This is just one man’s opinion, and I don’t intend to sound all morbid, but these very candid and public moments of reflection may be a signal of some sort of finality in his life. He has seen many friends, family, and trusted collaborators come and go. | |
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He reminds me my grandpa who's older than Quincy. full lips, freckles, and upturned nose | |
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bboy87 said: When it comes to Michael, it seems to be usually the differences between writing and arranging.
With Don't Stop Til You Get Enough, Michael wrote the song in full with Greg bringing in the 15 second bridge/transition in later. From the looks of it, Greg got the proper credit of arranging although because he helped Michael on that part, he could've very well gotten writing credit that was originally agreed upon
Did he lift pieces and use them in his work? Yep. Don't Stop Til You Get Enough and Shake Your Body were inspired by Got To Give It Up by Marvin Gaye
Itt happens, a lot of artists borrow. Doesn't change the fact that Michael was a great songwriter IMO [Edited 2/8/18 17:06pm] I agree with what you’re saying but Quincy is making it seem like MJ was out there robbing people and not giving credit. That’s just not true. MJ didn’t do anything that you can accuse any other musical artist of doing | |
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Q wrote the Sanford and Son theme. All I care about. All you others say Hell Yea!! | |
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You a funny dude, 2freaky. Rest in Peace Bettie Boo. See u soon. | |
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and the Ironside Theme, and the Banacek theme, and The Bill Cosby Show theme, and theme music for Roots...not to mention several movie scores.... Q was The Man ... | |
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Happy B'day thesoulbrother your radio show is AMAZING Mr. Chris @soulbrothershow 11 hours ago About to celebrate my 43rd birthday on Sunday! So much to be thankful for! #birthday #birthdayboy #thankful #grateful #countdownto43
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I want this wall omg omg
I Just Came To Dance and Shade for Yall | |
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I also love ESPN'S Jalen & Jacoby's studio walls as well. Very impressive indeed [Edited 2/9/18 19:18pm] Keep Calm & Listen To Prince | |
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Say Say Say sounds like Promises Promises. All you others say Hell Yea!! | |
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2freaky4church1 said: Say Say Say sounds like Promises Promises. I think he co wrote it with or Paul McCartney wrote it. So are you calling Paul a thief as well. | |
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I wonder if Quincy is still angry about MJ's lawyer bringing up the demos in his lawsuit last year against the estate? Hence why he decided to trash MJ in that Vulture interview
Quincy Jones Testifies Against Michael Jackson Estate: ‘I Was Cheated Out of a Lot of Money’ [Edited 2/10/18 18:33pm] Keep Calm & Listen To Prince | |
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Here is an article from 2 years ago....how times have changed...Michael Jackson’s Producer Quincy Jones Regrets Bad-Mouthing Himhttp://www.wetpaint.co...s-1516847/
We all miss Michael Jackson. No one else can moonwalk and hit those high notes quite like the King of Pop did. And now, seven years after his death, producer Quincy Jones is opening up about the late singing legend and how he regretted some of the things he said after he died. "It is a tragic story. I said a lot of stupid things after he died,” he told the Guardian newspaper. Quincy had publicly claimed the singer wanted to be white and many times the two disagreed in the studio.
But despite these scuffles, the Grammy-winning producer insisted there was nothing but "extreme love, trust and respect" between them. He even recalls several funny stories involving MJ and his many crazy pets. "He would come to the studio with Muscles, his snake, chimpanzees ...I didn't like that. “The snake used to wrap itself around my leg. Man, I didn't like that at all. It would crawl across the console. I'm not into snakes.” But it gets better, as Quincy goes on to tell a tale about the day the snake escaped from his cage. Quincy JonesVerified account @QuincyDJones People will do anything 2 tarnish your name, reputation & success, but they can't touch your soul. #MondayMotivation
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How is Q to call MJ a "thief" when he stole Rick James's baseline of "Give It To Me Baby" for "Thriller." Did Q ever pay RJ other than tell him?! Goes to show how peeps are a world class trip of a mess! | |
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Everybody steals shit from everyone else, but at least with people like Sly, James Brown, Prince and even MJ, they bring enough originality to their own acts, plus they make things current. Music is just part of a process called evolution. Generally I defend Q as he is old and he was important in a lot of careers, especially Michael Jackson's and collateral repsect builds up I guess. . But after defending his ass in the mounting hostility in my moonlighting as an MJ fan, they got pissed, seriously most of us Michael Jackson fans are truly angry about this shit Q was saying, but I can see past it, still speaking ill of the dead is sad. Michael Jackson gave so much and his music was very important and he borught a lot of originality to it (His dancing, showmanship and awesome vocal power). I don't really feel Q is qualified to talk mess about Prince though as he never worked with him. Got some kind of love for you, and I don't even know your name | |
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First of all, wasn't he the producer of three of Michael's Albums? The second thing is, I am more pissed about what he had to say about MJ's surgerys. Michael had an illness, it was proven in the Autopsy. How QJ talked about it was disgusting.
I don't care so much about the fact that music was stolen. Everyone did it at one point. Bruno Mars builds a whole carreer on that. As long as the music's good, who cares? There'll always be some melodies that sound similar. [Edited 2/11/18 8:54am] | |
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exactly its listed in the offical Autopsy report and yet various celebs like Quincy and reporters like David Marchese chose to ignore it (he could have had followed-up question about that). [Edited 2/11/18 18:34pm] Keep Calm & Listen To Prince | |
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This is interesting....I never thought MJ tried to pass off like he was a gifted writer. I thought it was common knowledge that he greatly benefited from producers but at the end of the day, it was his stage presence and the way he capitvated people across the globe and across all demographics that is what set him apart really.... Trolls be gone! | |
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State Of Independence released same year as Thriller (1982)
Here is a home demo of Billie Jean from 1981.
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Home » Open letter to Quincy Jones Michael Gomes Last updated on February 12, 2018 at 11.12 am Let bygones be bygones. Let the dead RIP. That's a phrase that should right now be running in Quincy Jones' head. With all due respect to one of the greatest musicians and music producers of our times, I beg to differ with statements made by Quincy recently. In a conversation (with Vulture), Quincy has been ranting and raving about other legends from the musical fraternity. Mr Q (as he is fondly known in the industry) took pot shots at Michael Jackson, Jimi Hendrix, The Beatles and some other celebs. In my honest opinion, Mr Q has 'lost it'. Oh, Quincy, why are you raking up these issues now? Some of these artistes are not alive to defend themselves. So what's eating you? What is that you're not telling us? What's bothering you? We already know that you have won a suit over royalties against Michael Jackson's estate last year when a jury in Los Angeles awarded you $9.4 million in damages over an issue about being underpaid for a share of royalties for the use of music in the Jackson film This Is It as well as two Cirque du Soleil shows. Now, your teaming up with MJ was one of the most fruitful relationships in the history of pop music, a partnership that set the bar high and changed the face of pop forever. So why are you giving this historic pairing a bad name? Mr Q, you have to be more transparent and explain to music lovers why you didn't spill the beans about MJ's Machiavellian ways when the King of Pop created history in 1984 by becoming the first artiste to sweep the Grammys with a record haul of eight wins for Thriller. Why then are you now accusing him of stealing Billie Jean which you say is ripped off from a Donna Summer song. Were you not part of the Thriller process and turning MJ into a legend? If you didn't hold him in such high esteem, then why was this your statement after his death: "To this day, the music we created together on Off The Wall, Thriller and Bad is played in every corner of the world and the reason for that is because he had it all... talent, grace, professionalism and dedication. He was the consummate entertainer and his contributions and legacy will be felt upon the world forever. I've lost my little brother today, and part of my soul has gone with him." Let me tell you about the very song you have a bone to pick with. MJ was so confident of Billie Jean that he even went on record to say that, "A musician knows hit material. Everything has to feel in place. It fulfils you and it makes you feel good. That's how I felt about Billie Jean. I knew it was going to be when I was writing it." It doesn't matter what inspired his song. What's wrong with a little inspiration from somewhere? Even you perhaps drew inspiration from the greats of your times. You also said nasty things about Jimi Hendrix's Woodstock performance. You can't take away the fact that Jimi is as important to rock music as Andy Warhol is to pop art. The Beatles you said are not musicians. Every dance hall, radio station has danced to The Beatles' tunes, and in their heyday, they packed stadiums. At 84, with six decades of experience and perhaps a mansion full of trophies and awards and scholarships to show, why do you need to make such loose statements? Then again, showbiz is all about being in the news, and by habit, we guess that's what you are doing! You're just trying to stay relevant in the times... michael@khaleejtimes.com Keep Calm & Listen To Prince | |
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It isn't much a surprise to me that reporters ignore it. They always kicked him down. But that Quincy, who called Michael a brother when he died, jumps the bandwagon shocks me. And it's really sad. And that Jermaine works on a musical with that guy is another slap in the face. No wonder Paris went crazy with braindead people like that around her. | |
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I agree, people get so ridiculous when they think that one of their favs are somehow being maligned by the truth. Micheal just should have given more credit, where credit was due. It's that simple. [Edited 2/12/18 12:23pm] | |
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