I actually think this post is very uninformed.
You don't sound that familiar with the Black community so you probably shouldn't speak about something you are unfamiliar with, also, Elvis is not respected in Black culture because of what his brand represented in the 1950's. He was pretty much created to be a white water down version of Black talent. He was inspired by Black artists and performers but that still doesn't change that fact. The true pioneers of Rock N Roll got swept under the rug and didn't get the proper recognition that Elvis unfairly took way from them. He has never properly acknowledge the discrimination and unfair recognition that Black musicians in Rock N Roll received so you saying he is "gracious" toward these artists is an exaggeration.
Also, I actually agree with the metaphor the OP use to describe the way MJ and Prince were treated. Prince and MJ weren't given a choice. In Prince case, He had to serve the establishment or lose himself. He decided to give up his fame, government name, fortune, freedom as a stand against this injustice. Slavery, racism, discrimination, bigotry, subordination, etc has always been used as a way to control, marginalize and divide African Americans and this same idea is also embedded in the establishment and industry. They have also used these same methods to control and disempower Black musicians and artists in the industry. As a Black woman, I personally didn't find the metaphor offensive because in way they were slaves to the industry, MJ particularly. Having to constantly work, perform, entertain,make money for the White man (although you dont want too) for an establishment that defames, slander and hurts you. He unfornately ended up dying as a result. They were heros because they tried to fight for their freedom and they spoke up against this unfair treatment toward Black artists. THAT is what you do when you advocate and put your reputation on the line for a cause. This new claim that Elvis advocated and heavily supported Black musicians, songwriters, etc is a MAJOR exaggeration.
[Edited 6/9/17 3:29am] | |
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their freedom and they spoke up against this unfair treatment toward Black artists. THAT is what my album: https://soundcloud.com/theroseparade
2004-2008 demos: https://soundcloud.com/th...aradedemos | |
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Hmmm...You know that these are white people that payed payola in order to make the 4 OFF THE WALL singles top 10 right ? And same thing with Purple Rain ? And same thing with Thriller ? Same thing with Bad ? etc. . Or are you just ignoring the facts that totally contradicts your theory ?
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Are you really insisting Off the Wall, Thriller, BAD, Purple Rain was successful because of payola? Really? MJ and Prince were cross over acts and the industry/white people loved them BEFORE they began to use their platform to speak the truth about how racist the industry and establishment is and the industry tore them down (so how is that contradicting?). [Edited 6/9/17 5:13am] | |
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You really think MJ wrote "They Dont Really Care About Us" because he wanted money? The song was banned from the radio and he lost money and he was not at odds with his label. You really think Prince was thinking about money when he changed his government iconic name and fought his commercial label? He LOST money and clout? Prince was always socially conscious way before his fall out with his label.
I need a video, speech or direct quote that Elvis gave to masses, industry, etc about the discrimination and marginalize treatment of African American musicians. I NEED a quote from a major mainstream magazine or TV special where Elvis says on live television that Black songwriters and musicians write his music, and that the industry is racist towards Black artists AND that he is not the King of Rock N Roll and Chuck Berry and Little Richard is. If somebody can provide these substantial receipts I will retract my comments and say Elvis advocated for Black musicians because doing these things is REAL ADVOCATING. NOT taking a photo with Jackie Wilson, NOT saying you admire Jackie Wilson. Putting your reputation and status on the line to acknowledge a inequality or a group of people that are disempowered and speaking to the ones that marginalize them, using your platform to make more awareness to a problem and actively trying to minimize the issue, thats advocating. That article you posted proves nothing. [Edited 6/9/17 5:34am] | |
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Every artist become famous thanks to payola...Or else it would be a mess on the radio : every radio would be able to play massively different songs of the same album at the same time...There would be no real hits...Sadly or not, this is not the world we are living. . MJ was famous before OFF THE WALL, so he had already an audience. But it was thanks to payola at the first place, yes, even when he was with the J5. You can't have a top 40 without payola, sponsoring, etc. This has never been possible in the world we are living. . Even for Prince when he released TMBGITW, that cost him 2 million dollars in payola. Prince even get caught in the Uk with Good Life ! . It was Frank Dileo's job to make MJ's singles successful on american radio for Thriller and Bad. That's why when MJ fired him, LIBERIAN GIRL and LEAVE ME ALONE were not released in the US. . You should look closely at that part of history. . Jimi Hendrix and Bob Marley were glorified by white medias all over the world long before there were Prince and MJ on MTV. | |
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Slaves my ass. All you others say Hell Yea!! | |
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my album: https://soundcloud.com/theroseparade
2004-2008 demos: https://soundcloud.com/th...aradedemos | |
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Bolded is completely a false assumption and generalization. There are artists that have had Top 40 hits without Payola. Adele anyone? When her 21 album first came out it became successful through word of mouth. To an extent you are right about payola, however, you are giving it way to much credit in the successes of Thriller, Off the Wall and Purple Rain etc. Audiences during this period had more control over what got played on the radio and they were more involved in the success of albums. BOTTOM line, those albums were major successes becase they were stellar albums that people loved, not solely because of payola. The album sells speaks for itself so you can't give ALL the credit to payola.These albumsweren't forced down the masses ears, they were popular because people liked them and that is why they were successful. There is definitly more use of Payola now more than ever in this generation. Nobody wants to hear this trash that gets constantly played in rotation over and over again and I know its payola because these songs don't chart high and the music is not selling. This is a better definition of payola. No, you need to look more closely at how Black artists were treated by the industry historically instead of using this payola argument as a crutch. | |
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It just dawned on me.... why am I going back in forth with you about anything related to MJ? You foolishly argued that he was not a super star with J5 and Off the Wall so this explains perfectly this illogical and uninformed post concerning MJ. Its quite evident you don't know what the hell you are talking about when you talk about him. TDRAU is not the ONLY political song he has written and he has done other activism and social action things for marginalize individuals and Black people BUT again I wouldn't expect for you to know this since you dont know what you are talking about when you talk about him. The question is not whether Elvis is racist. The question is whether Elvis has advocated and stood up for Black musicians and entertainers that were discriminated and marginalized and he has NOT. He can be a fan of Jackie and James Brown all he wants but it means nothing if he did not use his platform to advocate for them since he copied everything they did.
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mjscarousal said:
Elvis never openly supported and advocated for the Black artists that inspired him. He has NEVER openly acknowledge any of the Black songwriters that wrote his music.
And before someone runs in here and post pictures of him and Jackie Wilson, being photographed is not the same as advocating and speaking out for Black artists.
Elvis gets flacked because most of his music, image, and performances were modeled off Black musicians and entertainers and he has never properly acknowledge and gave credit to these Black masterminds behind his work. NONE of the Black songwriters that wrote his music get paid for those classics. I have NEVER heard Elvis call Chuck Berry or Little Richard the true Kings of Rock N Roll and if he has please direct me to a quote or video. I have never watched a video where Elvis talks about the Black performers and entertainers that inspired him. Yall are giving him WAY to much credit. He is the eptiome of manufactured star. He took some photos with Jackie and James but that doesn't mean he was vocal and advocated for their accomplishments and impact on Rock N Roll, thats complete B.S.
[Edited 6/9/17 2:58am] You need to read more ... Elvis on Arthur Crudup : "I'd hear Arthur banging on his box, and if I ever get to the place he did, I'd be a real music man". I know in some circles it's the politically correct thing to bash Elvis, who even Chuck D acknowledged was a "great artist " #SOCIETYDEFINESU | |
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I respectfully disagree. If anything its politically incorrect to bash Elvis and this thread proves that. Elvis is widely held as the King of Rock N Roll. Elvis is looked at higher than Chuck Berry, Little Richard, Fats Dominos, etc in the Rock N Roll world. He is respected as a Rock N Roll pioneer in music circles and by the media. This is the problem, he gets to much credit for things he didn't start and he wasn't as talented as the afromentioned. This is not about bashing him, this is about giving credit where its due and acknowledging other Black pioneers that are not acknowledged. You constantly expressing what other Black artists have said about Elvis does not change the fact that he is overly credited for innovating things he did not create and establish himself in Rock N Roll. Again, I still do not see how he has vigorously advocated for Black musicians and artists. Did Arthur Crudup feature on any of his songs? Did Elvis create a documentary discussing how important Arthur was to Rock N Roll? Did he advocate that Arthur be promoted more by the industry?
Elvis was not innovative. He took from underrated Black songwriters, musicians and performers that were not credited or paid for and there is nothing wrong with acknowledging that. That is not bashing him. It is simply a fact that is apart of history and IMO, he could have used his platform more to put on other Black performers and musicians since he copied for a lot of them and he did not.
JUST like Prince, Stevie Wonder and MJ etc advocated and PUT on other unknown acts and acts that inspired them.... Elvis did not do that. Yall making him as some Great White Hope Savior for Black musicians, stop it please. He wasn't.. [Edited 6/9/17 13:57pm] | |
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my album: https://soundcloud.com/theroseparade
2004-2008 demos: https://soundcloud.com/th...aradedemos | |
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my album: https://soundcloud.com/theroseparade
2004-2008 demos: https://soundcloud.com/th...aradedemos | |
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Re the OP, the trend of artists preferring to own and distribute their own work rather than sell it to a record label does not begin with Prince, and does not really apply to MJ who was under contract his entire career. . There are examples of artist-run labels going back to the 60s, Herb Alpert's A&M and Sinatra's Reprise, or the Who's management starting Track Records and discovering Hendrix. The artists were superstars and in Sinatra's case, not necessarily involved in running the operation (Alpert was), and their signees got kind of traditional deals. But Herb & Frank certainly weren't worried about record label interference in their own albums. . Then you have the rise of punk and hip-hop in the late 70s and early 80s. Most big labels won't take a chance on that stuff so the people have to start their own companies, or work with tiny, practically homemade labels. They have a hard time getting noticed but over time, some of those acts start to get big through underground support. EDM mostly happens on homemade labels. Andsome of them get big enough to turn down multi million $ offers from labels, because they don't need the money or the promotion. . Prince is kind of interesting as one of the first big stars to not work with a label but release stuff directly to fans. But he got famous the usual way, signing away his life to the company in exchange for seed money and promotion. | |
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Yes, yall are.
Acknowledging influences is different from advocating and giving someone a platform. Elvis did nothing to advocate for those Black artists that pioneered rock n roll and Im sorry there is no excuse for that considering he copied most of everything they did. During the 1950's, those Black musicians were discriminated against and could have used the backing and clout of Elvis to help them if he TRULY felt they were the real kings. So I haven't seen anything Elvis has done that truly shows he advocated for those artists. If he truly felt that Fats Dominos was the true King of Rock N Roll why didn't he let Fats Dominos open for him? Why didn't he advocate that Fats Dominos perform on tv shows? Why didn't he advocate that Fats Dominos get played on White stations? He had the clout to do that and I don't buy that he did not want to be called the King of Rock N Roll because he often branded himself as that. Yall in here making it seem as though he did a lot to advocate for these Black pioneers and he did not. Also, where is the transcript to this so called press conference, I want to read it. [Edited 6/9/17 19:08pm] | |
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mjscarousal said:
Yes, yall are.
Acknowledging influences is different from advocating and giving someone a platform. Elvis did nothing to advocate for those Black artists that pioneered rock n roll and Im sorry there is no excuse for that considering he copied most of everything they did. During the 1950's, those Black musicians were discriminated against and could have used the backing and clout of Elvis to help them if he TRULY felt they were the real kings. So I haven't seen anything Elvis has done that truly shows he advocated for those artists. If he truly felt that Fats Dominos was the true King of Rock N Roll why didn't he let Fats Dominos open for him? Why didn't he advocate that Fats Dominos perform on tv shows? Why didn't he advocate that Fats Dominos get played on White stations? He had the clout to do that and I don't buy that he did not want to be called the King of Rock N Roll because he often branded himself as that. Yall in here making it seem as though he did a lot to advocate for these Black pioneers and he did not. Also, where is the transcript to this so called press conference, I want to read it. [Edited 6/9/17 19:08pm] Elvis didn't have any opening acts, of any race, when he returned to touring in 1969. We could "should have, could have" all day, and I suspect nothing short of Elvis quitting show business and saying only Black acts should play that type of music will satisfy you.... (Speaking of opening acts- I saw Prince in NYC on the 1999 tour in 1983, when he took the Time off the bill for fear that they would upstage him in the media capital of the world) #SOCIETYDEFINESU | |
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So? Prince put on many other Black musicians and bands and gave them opportunities and some of them became stars due to him giving them a platform, Elvis did not do that.
We know that Elvis admired Black artists but yall in here making it seem like he gave them full credit and told the industry they were the pioneers and went all out to advocate for them when he did not.
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my album: https://soundcloud.com/theroseparade
2004-2008 demos: https://soundcloud.com/th...aradedemos | |
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Both Michaeand Prince only "fight back" against the system when the system did not longer played by their rules, stop trying tomake them martyrs, | |
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Thank you everybody and everyone for your posts and point of views. With that being said, I'm glad to have gained knowledge and insight from that time period. Didn't mean for the Elvis thing to be so heavy in discussion but I wanted to read some opinions and like I said earlier no matter how much evidence you bring up once the older generation have made a decision it's a wrap. Only the youth will be more open to hearing all sides as we are still growing and learning. But Elvis generation within the black community will never see him as black rights musical Icon. Same thing for black artists also, look at Michael Jordan great NBA star outside of that he's considered a coon. Elvis stardom started when racism tension was extremely still high.
[Edited 6/10/17 19:44pm] [Edited 6/10/17 23:18pm] | |
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^ Most here are not black and your right they should not be talking to black people about their own culture. They stay trashing the Jacksons and Prince but they love to throw on capes for mediocre and wack artists. I don't take anything they say seriously. | |
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Much respect too to Sam Cooke. He would lay the blueprint for black artists in fighting for full ownership of their music. | |
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in 2017 as in contrast to 1987
as of today, I see just as many black people/music fans/social critics trash that family as anyone else does, and on some occassions they are at the forefront of the trashing...... | |
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I am talking specifically about this site. They trash the Jacksons but then they whine and cry when you criticize these mediocre singers. There is obviously a double standard when it comes to the Jacksons and some of it is racially motivated. | |
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[Edited 6/12/17 4:14am] my album: https://soundcloud.com/theroseparade
2004-2008 demos: https://soundcloud.com/th...aradedemos | |
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It seems like a lot people here don't know how the music industry works. People did not want to listen or support MJ or Prince when they were pointing out serious issues facing artists, now look at the industry now, people are lucky if the sell anything due downloading. Now it gets harder and harder make make money off of music. Any thing MJ or Prince got from their record company they got because the prove their worth and dare dream big. They did not settle for what ever the record company thought they should get or do. People should own their work because they created it and that is were the money is. Why do you think you have like 10 writers on one songs know of days? | |
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