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80s songs that would smash today? Billie Jean comes to mind as it's the definition of a timeless record
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After the New Edition movie aired this year, a few of their songs & albums re-entered the Billboard charts like Can You Stand The Rain & Candy Girl. I'm not sure they would actually get airplay as new songs today though, especially not Candy Girl. Can You Stand The Rain might get Adult R&B airplay today. I don't see much from the 1980s getting radio airplay today unless they are remixed into a current sound, sort of like they did with Elvis Presley songs like A Little Less Conversation & Rubberneckin' or those Verve compilations of remixed old jazz songs. The original mixes of the Elvis songs weren't likely to become a hit in the modern era. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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'Careless Whisper'. Timeless saxophone. Not a big fan of this song, but I have to respect it. 'Never Tear Us Apart'. Nothing has aged about this song. 'Livin' on a Prayer'. I know it can be considered as big hair rock song with classic hymn chorus, but it could appeared in any time frame and people would still consider it a hit. It is damn well-written song. 'Rhythm Nation'. Great sound without compromise between being so popular and being an amazing song in terms of music craft. 'In the air Tonight'. Not obsessed with it, however I have to gave the credit where it's deserved. I wouldn't be surprised if it was a new song. Construction of the song is well thought. 'Wanna Be Startin' Somethin'. You can learn a lot about rhythm and beat just hearing this song. Whole 'Appetite for Destruction' album. Breathe of fresh air everytime I listen to it. 'Sweet Sixteen'. Again: well written song without any gimmicks, just guitar which 'cause the sound very irresistible. 'Fast Car'. Nothing about this song put it just in the 80's. Beautiful, moving, poetic.
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Prince, MJ's, Madge's and Janet's hits would have likely hit big today. Prince's signature hits are particularly inimitable. Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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Never gonna give you up | |
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"Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything." --Plato
https://youtu.be/CVwv9LZMah0 | |
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Going by the current Top 40, the songs on here are not likely to become big hit singles today. I don't think there's a hard rock song on the entire Hot 100 singles chart. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Nope, but real rock is still out there...if someone looks for it. "Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything." --Plato
https://youtu.be/CVwv9LZMah0 | |
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If you have to look for it, then it can't be a smash then. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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No, but it means "real" music is still being created by artists who care. "Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything." --Plato
https://youtu.be/CVwv9LZMah0 | |
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That isn't what the OP asked though. Expecting a 1980s hard rock song to be a hit today is like expecting Engelbert Humperdinck to get Top 40 airplay in 1987. Metallica got on the Grammy broadcast because they did a duet with Lady Gaga and then their mike didn't work. I doubt they would have been shown on the TV broadcast by themselves. VH-1 had That Metal Show, and Rock Lives, but they got cancelled because of low ratings. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Good point. "Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything." --Plato
https://youtu.be/CVwv9LZMah0 | |
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my album: https://soundcloud.com/theroseparade
2004-2008 demos: https://soundcloud.com/th...aradedemos | |
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Pfff, not many I am afraid. Times have changed and so have people's preferences and artist's production styles.
Maybe WDC and Kiss could possibly still chart in this era, but even these two Prince iconic songs would sound different and likely 'out of place' at today's Top 40 radio stations. Although -in all honesty- these songs sounded different already when they were released back in the 80's, so who knows? RIP Prince: thank U 4 a funky Time... | |
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When Doves Cry.
Cars.
Kiss would tank.
All you others say Hell Yea!! | |
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Rap has been the rock music for the younger generations since the 1990s, but I don't see the rapping styles & sounds from the 1980s being mainstream popular now either. Kurtis Blow, Beastie Boys, Tone Loc, Eric B & Rakim, Run DMC, LL Cool J and other hip hop acts popular then won't get airplay with the same songs now. If DJ Jazzy Jeff & The Fresh Prince came out with songs like Parents Just Don't Understand & I Think I Can Beat Mike Tyson today, it's not as likely The Fresh Prince would have gotten a TV show or became a movie star. Dancing rappers are not really a thing now, so there goes the careers of Heavy D & The Boyz, Kid n Play, MC Hammer, Salt n Pepa, Big Daddy Kane, etc. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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my album: https://soundcloud.com/theroseparade
2004-2008 demos: https://soundcloud.com/th...aradedemos | |
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Sure, we may be getting old as fuck, but do young people still know something about music history? How many 50s/60s songs would have charted in the 1980s? Actually... Quite a few. There were films about Jerry Lee Lewis and Richie Valens that sent Great Balls of Fire and La Bamba back into the charts. Roy Orbison had a hit with You Got It. And he was with The Travelling Wilburys, who also had a hit with Handle With Care. We had BB King playing with U2. Carlos Santana with John Lee Hooker. Gary Moore with Albert King. Even Muddy Waters had a posthumous hit with Manish Boy thanks to a jeans commercial. I heard all of that on the radion when I was 16-18 and that's how I discovered the blues.
Can you imagine radio nowadays with a Katie Perry song followed by a Muddy Waters song? [Edited 5/16/17 11:27am] [Edited 5/16/17 11:36am] | |
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I think songs like these might have a chance because they could marketed as EDM. But I'm not sure that EDM is as popular on Top 40 radio now as 2 or 3 years ago, trap beats is in now. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Today's equivalent of that is Straight Outta Compton which is currently the highest grossing music biopic. NWA came out in the late 1980s, which is around the same amount of time between those movies and the 1950s when Jerry & Richie were popular. There's also a upcoming Tupac Shakur movie. Ice Cube has a new version of the game show Hollywood Squares called Hip Hop Squares and The Roots is the house band for the Tonight Show now. When Johnny Carson was on it, he had Doc Severinsen, who had a more big band easy listening sound. Also several rappers have become mainstream popular actors in a way Elvis Presley, Madonna, Ringo Starr, & Prince couldn't. Elvis movies made money for awhile, but in most of them he was basically playing himself. Hip hop has influenced American mainstram culture in a way rock didn't as well. Rock sold a lot in the past, but primarily to a certain demographic. AOR stations played few women and non-white acts. Some forms of rock like prog rock & heavy metal had a mainly white male audience. There might have been a large audience that could buy a lot of rock albums or attend their concerts, but technically it was not a mainstream one. A lot of those rock bands didn't have Top 40 airplay like Iron Maiden and Rush. You have to have big hits on the Hot 100 to be mainstream. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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my album: https://soundcloud.com/theroseparade
2004-2008 demos: https://soundcloud.com/th...aradedemos | |
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Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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namepeace said:
I see the 1980s as a glitzier, more colorful incarnation of the 1960s as they were. | |
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my album: https://soundcloud.com/theroseparade
2004-2008 demos: https://soundcloud.com/th...aradedemos | |
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What I miss in today's popular music are bands. Groups of people jamming in the basement and learning the skills of playing and writing... Toay I only hear producers and DJs and concepts... I guess that's another sign o' the times... If James Brown or Bob Dylan auditioned on Idols, no way in hell they would make it... Music has become a trick... a product... I can't really blame Prince for wanting to get away from that... | |
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Now let's see if anyone picked up the Judith Hill reference in my post... | |
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Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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Yeah, but like I mentioned with Elvis, they put out remixes with currently popular acts to get new audiences to buy it. The entire Michael & Xscape albums are another sign of this. They didn't release the original mixes as the albums, but Xscape has a deluxe version that does have the original versions. As a single, a duet (and music video) with Justin Timberlake was released and that is what I heard played on the radio. Michael has been accused of having 3 songs that are not even sung by Mike. Motown also released a remix album of Jackson 5 era stuff a few years ago. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Dasein said:
-The 60's introduced an influx of UK acts to the US with the British Invasion. The 80's did the same with the Second British Invasion. -The 60's saw black music go mainstream on a major, recognizable scale with the likes of Motown, setting the stage for the 70's where R&B, soul, funk and disco were prevailing genres. The 80's started off with mostly white acts receiving the lion's share of the spotlight but as black artists began to be thrust back onto center stage, the music scene became diverse again. Just like the 60's set the stage for black music to be huge in the 70's, the 80's set the stage for black music, namely R&B and hip hop to be dominant genres in the 90's. -Many artists who would go on to define the 80's were born or were kids in the 60's and grew up on Motown and the British Invasion. It stands to reason that many of them were influenced by the sounds of their childhood and you can hear it in their music. Many British acts in particular wore the influence of black music on the sleeve (Phil Collins, George Michael, etc.). To sum it up, black and British acts were major forces for both musical eras; in both cases, black acts had to cross over to appeal to the mainstream [white] audience with pop music steeped in soul and R&B but were able to succeed with the pure incarnations of which by decade's end. British acts set the stage by introducing new musical techniques and genres which define their respective decades(a different variation of rock/pop in the 60's and new wave/synth-pop in the 80's). There's also the fact that the music video medium was discovered in the 1960s and of course was revolutionized in the 1980s. | |
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We never know, what or what not could be a hit nowadays. | |
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