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Nelly Furtado
Seen last month at Toronto Film Festival: [img:$uid]http://i.dailymail.co.uk/i/pix/2015/09/15/22/2C54A56800000578-3235958-image-a-68_1442353059038.jpg[/img:$uid] | |
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“That’s the price you pay for being passionate about music and refusing to believe it’s your job all these years. It’s just still seeing it as a hobby. My poor manager. He’s suffered many grey hairs because of it. I’m just really hard headed and I just do what I want to do.” | |
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I am trying to figure out what she means, if "Big Hoops" was just tossed out there without a thought as to marketing or her audience? I thought it was a rather commercial effort. | |
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I've loved her since the beginning, and that big hoops song was garbage. | |
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I am just surprised she is taking the blame for it. It sounded EXACTLY like she WAS listening to her manager, yknow? | |
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I'm glad she knows it was a terrible song | |
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Hips don't lie. All you others say Hell Yea!! | |
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I think references to "Maneater" and "Big Hoops" are that of the writer, not the artist. And why is "Big Hoops" a mistake? I liked it better than "Maneater", which the writer thinks she should be making more of. The only problem I can see with the song is that subject-wise it isn't concise enough. | |
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Maneater was genius, no comparison there | |
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What's wrong with it though? Maybe people are listening to it through a crappy system. > I think this reviewer summed it up best. > Album reviews: Nelly Furtado goes for a jam-filled joyride on 'The Spirit Indestructible'Plus, Carly Rae Jepsen's strong 'Kiss'; and the Killers are fully realized on ' 'Battle Born.'Nelly Furtado "The Spirit Indestructible" (Mosely/Interscope) 3 1/2 stars Nelly Furtado would be more respected among tastemakers if her father were a Sri Lankan rebel, if she had been born and raised in a Brazilian favela or if she had burst out of Miami with the jumbo sound she presents on "The Spirit Indestructible." But, alas, she's Portuguese-Canadian and seemed to sneak onto the American charts like a Trojan horse, earning an early hit with "I'm Like a Bird" before gradually morphing into one of the more innovative and adventurous pop singers in North America. On her fifth studio album, "The Spirit Indestructible," Furtado teams with superstar producer-songwriter Rodney "Darkchild" Jerkins, Salaam Remi and Passion Pit founder Mike Angelekos to create a thick, jam-filled joyride with more emotional heft than all her peers save maybe Beyoncé. Madonna wishes she could make a record as vital and imaginative as even the lesser tracks on "Spirit." But who cares about lesser tracks when Furtado and Jerkins, whose work feels as vital and of-the-moment as his work with Destiny's Child, Brandy and Jennifer Lopez earlier in his career, are behind the wheel? Few save maybe longtime Furtado collaborator Timbaland — his work with her on her 2006 album, "Loose," confirmed that the singer understood a good funk jam. He's nowhere to be found, even if the record's got his label Mosley's logo on it. His absence, in fact, was worrisome given their musical chemistry, but Jerkins and company do him one better. At its best, as on the first single, "Big Hoops (Bigger the Better)," big rhythm envelops Furtado's voice, carrying her solid structures with flexed muscles down unpredictable paths. "Big Hoops" ends with a huge double-speed breakbeat, in fact, that nearly single-handedly reintroduces British drum & bass music into the 2012 lexicon after a decade of underground hibernation. This innovation is everywhere. On "Something," she rides a hollow tom-tom beat and a rubbery bassline toward bliss that wouldn't sound out of place at hot weekly beat night the Low End Theory, one that climaxes with a 16-bar cameo from rapper Nas. "Baby I could give you something," she sings in the chorus in grand understatement. Ever confident of her allure both as a woman and an artist, Furtado on "The Spirit Indestructible" proves nearly untouchable. — Randall Roberts | |
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This is great news as Nellstarr is a very talented woman and I love her to pieces. But come on the Hoops single and CD were just not that good. Honestly she should have just stuck with Timba instead and she most likely would have had a hit on her hands again. However, she was very distracted in her music direction and output after Loose. Her best will always be Whoa Nelly!
The greatest live performer of our times was is and always will be Prince.
Remember there is only one destination and that place is U All of it. Everything. Is U. | |
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But listen to "Loose" now. It's an album with big hit singles but to me doesn't hold up. Her career is known for its massive ups and downs though. She seems to rotate between massive smash followed by massive flop.
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True. The magic was there with Timbaland. I would have spent all that tour money to make another album with him again. Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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I say either rehook-up with Trak and field or go totally left. This guy is from Canada... >
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Her first album was the best. I don't like anything since then. To each their own though. Keep your headphones on. | |
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Furtado needs Timbaland back if she wants a comeback. The last album was a disaster. | |
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I wish I could provide more listener loyalty to Nelly Furtado as a solo artist because I loved her first album with Track And Field, but my favorite collaborations were always her with Timbaland (or his protogee Danja) on the beats. | |
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Is that Curly Fryz in this video? Maybe she should have guest rapped?
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Why does she sound like M.I.A.? | |
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Flip that around. She predates M.I.A. by 5 years. > Under-rated classics! >
[Edited 11/2/15 15:15pm] | |
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Didnt she perform during VH1's Divas Tribute to Aretha? | |
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