Scott Weiland and his new band The Wildabouts played the El Rey Saturday Night. They took the stage at 11:15 pm. The opening acts were Stocklyn (9pm), Vox Waves (9:40pm), Blondfire (10:20pm). Each band’s set was 30 minutes with the Wildabouts having an hour 15 minute set. The Wildabouts consist of drummer Joey Castillo (Queens Of The Stone Age), Tommy Black (Golden State), and new guitarist Nick Maybury (Michelle Branch, Perry Farrell, Madden Brothers) who came in to replace Jeremy Brown who tragically passed away at the age of 34 just a day before the album came out. As always Weiland continues to reinvent himself vocally and appearance wise making Velvet Revolver, Stone Temple Pilots, and Wildabouts 3 different versions of Weiland. Regardless of the band Weiland is a great front man and has a great audience. This audience included crowd surfers and audience members that got onstage who were escorted out shortly after.

Weiland opened with Stone Temple Pilots song “Crackeman.” Other STP songs included “Meatplow,” “Big Bang Baby,” “Vasoline,” and ended with “Unglued.” At the end of the show Castillo threw apart his acrylic kit in a Keith Moon fashion. Although there’s been some bad comments on Weiland’s performance recently, the only thing wrong was the mic level or sound mix. The show itself was great and the band is perfect. When the show ended there was paid for meet and greet and signing that took place. It was much more than just taking a photo with the artist, fans got to talk with Weiland and the band.

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L.A Reid slams ‘The X Factor’ as the worst thing he ever did: ‘I lowered my bar’

L.A. Reid says the worst thing he ever did was sign on to “The X Factor.” The Epic exec slammed the now-canceled Fox TV talent show spearheaded by Simon Cowell, saying his short stint on the show was a mistake. Reid’s comments came at a breakfast chat in Cannes, according to The Hollywood Reporter on Saturday. “It’s the worst thing I’ve ever done,” Reid said of his two seasons on “The X Factor” from 2011 to 2012.

Photo by Neilson Barnard/Getty Images for BMI

While Reid admitted he had fun working on the first season of the show, he revealed that season 2 was more complicated because he was trying to run a record label at the same time. He also blamed the show for affecting his taste in music, saying, “It almost destroyed it. It completely threw me off.” Reid said he actually had to lower his bar when he worked on the show, and he took on Simon Cowell’s musical taste, which doesn’t exactly sound like a compliment.

While L.A. Reid says “The X Factor” was the worst thing he ever did, he also blamed Cowell for setting the show up for failure when he announced that he expected to get 20 million viewers for its 2011 premiere. The show was instead watched by 14 million viewers, which would normally be considered a big success. “The X Factor” was canceled after three seasons and multiple changes to the judges’ panel.

One of the worst things L.A Reid did while on “The X Factor” was mistake one of Demi Lovato’s songs for an old fashioned ballad. After Cowell’s contestant, Drew Ryniewicz, covered the Disney star’s song, “Skyscraper,” Reid chastised Cowell for saddling his contestant with "songs for people that are 40." “Why are you doing songs that are so old? You’re so young,” a clueless Reid asked the teen contestant. Cowell promptly told Reid to shut up, while Paula Abdul explained the song was actually by teen pop star Lovato.

L.A. Reid hinted that “The X Factor” was the worst thing he ever did when he first announced he was leaving the show. At the time, Reid told Access Hollywood he had been neglecting his duties as chairman and CEO of Epic Records, and he added of his decision to quit the TV talent competition: "It saddens me a little bit, but only a little bit."

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We all know that this year’s Bonnaroo Music & Arts Festival, June 11-14 in Manchester, Tennessee, will be headlined by Billy Joel, Mumford & Sons, Deadmau5. And with more than 100 artists playing throughout each day the choices and schedule conflicts will, once again, be a frustrating reality. So, let’s highlight these 9 musical happenings this year that shouldn’t be missed:

--Throwback SuperJam Dance Party: This eclectic grouping seems more like a great party guest list than a compatible set for a late night Saturday jam session -- Pretty Lights, Run-D.M.C.'s Darryl McDaniels and Metallica bassist Rob Trujillo will lead Jack Antonoff (Bleachers, fun.) Chance the Rapper, Reggie Watts, Jamie Lidell, Eric Krasno, John Medeski, Karl Denson, Oteil Burbridge, Robert "Sput" Searight (Snarky Puppy), Brian Coogan and Brownout Horns with special guests Cherub and Rhiannon Giddens. But, at Bonnaroo what doesn’t make much sense on paper normally works very well onstage.

--Bluegrass Situation SuperJam featuring Ed Helms and Special Guests: Yes, actor Helms is also banjoist Helms and, once again, he hosts an all-day roots revival on Sunday in That Tent. He’ll be joined by Shakey Graves, Hurray for the Riff Raff, Sturgill Simpson, Bela Fleck & Abigail Washburn, Punch Brothers, and Jerry Douglas presents the Earls of Leicester. At the end it’s time for an epic jam with everyone invited.

--The New Basement Tapes: With Marcus Mumford (Mumford & Sons), Jim James (My Morning Jacket) and Rhiannon Giddens all performing separate sets on Saturday, it wouldn’t be much of a surprising to find them together onstage to perform something from the album, “Lost on the River,” which consisted of songs created that were based on unused Bob Dylan lyrics during his time living in Woodstock.

--Earth, Wind & Fire: I don’t care when their commercial peak was, EWF’s song such as “September,” “Shining Star” and “Boogie Wonderland” will bathe Bonnaroovians with timeless soul and musical joy.

--Old School Bonnaroo: While the festival has moved beyond its original jamband personality, the lineup still features a nod to those early days with Medeski, Scofield, Martin & Wood, Jerry Douglas presents the Earls of Leicester, Bela Fleck & Abigail Washburn.

--Guster: Even after two decades the quartet continues to display prime melodic chops on current single, “Endlessly” to go along with its quirky, self-deprecating stage presence.

--Houndmouth: The Indiana act made its ‘roo debut in 2013 at one of the smaller club stages. This year, the band’s graduated to That Tent on Thursday. Expect the crowd to go crazy for the can’t-get-it-of-your-head song “Sedona.”

--Royal Blood: The bass and drums duo sound thunderous but with a clever use of a fuzz pedal and other effects they still knock out worthwhile songs.

--“Birdman” with Antonio Sanchez: Wrongly ignored by the Academy of Motion Pictures and not receiving an Oscar nomination for his musical score to the Best Picture winning film, percussionist Sanchez will offer live accompaniment to a screening of the film.

For more information on Bonnaroo, visit www.bonnaroo.com/.

A poem written by Jim Morrison is up for auction, and it is expected to sell for up to $80,000. The handwritten poem was found among the late Doors frontman’s possessions in the Paris Hotel where he died in 1971, according to a report posted on Thursday by USA Today. The poem is written on both sides of the last page torn out of a thick notebook, and it’s expected to reach between $60,000 and $80,000 at an online auction by rock memorabilia auctioneer Paddle8, The auction runs through June 25.

Morrison’s notebook was originally intact, but it has been sold in pieces over several years. The page being sold at the Jim Morrison poem auction is numbered but not dated, and it is thought to be one of the last things the legendary Doors singer ever wrote. In what seems chilling now, give Morrison’s fate, the poem ends with the line "Last words, Last words out." The notebook was found inside Jim Morrison's "Fascination Trunk," which contained books and other notebooks that once belonged to the late musician.

Morrison was 27 years old when he was found dead in a Paris hotel in 1971, but his cause of death was never determined and no autopsy was performed. The Doors frontman was known for his heavy drug use and drinking, but last year singer Marianne Faithfull told Mojo magazine that her former boyfriend, a heroin dealer named Jean de Breiteuil, accidentally killed Morrison with a lethal dose of heroin. Faithfull previously wrote about Jean de Breiteuil in her autobiography, describing him as “the dealer to the stars.” Breiteuil died of a drug overdose in Morocco in 1971.

Faithfull’s theory on Morrison’s sudden death contradicts one put forth by a club manager, Sam Bernett, who once claimed Morrison died in a bathroom at his club and was then carried back to his Paris hotel. The Jim Morrison poem auction comes just a few weeks ahead of the 44th anniversary of the legendary singer’s death.

Susan Olsen's Brady Bunch secrets were revealed in a recent interview, and no one was safe from her shocking revelations about the beloved family-friendly television series. From the outside, it looked like the actors and actresses who starred in the 1970s era sit-com were having good clean fun. However, Susan Olsen's Brady Bunch secrets indicate that some of the on-set antics weren't actually as wholesome as they appeared.

According to a June 12, 2015 report from News.com.au, Olsen herself and the little boy who portrayed Bobby Brady, Mike Lookinland, engaged in make-out sessions in the television family's prop doghouse, and they were only nine years old at the time. Middle siblings Jan and Peter (Eve Plumb and Christopher Knight) also hooked up during their time on the show.

Susan Olsen's Brady Bunch secrets included Maureen McCormick and Barry Williams, too. The actress and actor who played eldest siblings Marcia and Greg once enjoyed a romantic relationship, but Williams reportedly really wanted to woo Florence Henderson, a.k.a. Mrs. Brady. Olsen said Henderson didn't go for it, despite rumors over the years that the mother-son duo did enjoy a brief affair.

The 53-year-old actress spilled the beans on more than just on-set romance. She also explained that the cast didn't earn a whole lot of money portraying the iconic television family. They even had to pay for their own parking during the first season that the show aired. According to Celebrity Net Worth, the actress who portrayed Cindy Brady has an estimated net worth of $3 million. She disclosed that she and her husband once made a living growing and selling marijuana.

Susan Olsen's Brady Bunch secrets also involved former cast members and their current relationships, specifically mentioning that McCormick and Plumb never really got along. Today, the former television sisters don't even bother to speak. Speaking of McCormick, she allegedly let a fellow actress Susan Cowsill take the blame for shoplifting when they were all students at Hollywood Professional School.

As for the Brady Bunch family patriarch Robert Reed, it appears that the entire cast knew he was gay, but no one was willing to talk about his secrets. "He never meant for us to know," Susan Olsen revealed. "He never ever had any intentions of coming out of the closet and I think he might have been mortified to know that we knew."

That pioneering jazz saxophonist/composer Ornette Coleman left a huge mark on jazz players of all stripesd is summarized by top New York trumpet player Barry Danielian.

“My first thought in relation to Orenette is gratitude,” says Danielian, who’s played with artists including Tower of Power, Bruce Springsteen and Blood, Sweat & Tears.. “I remember the first time I heard his music when I was in high school: It was the two recordings The Shape of Jazz to Come [1959] and This Is Our Music [1960]. I didn't understand it at all and it was way different than most of what I was listening to at the time. That said, I was really drawn to it. I became a big fan and although I don’t think it’s obvious in my playing, Don Cherry was someone I listened to a lot, and was very inspired by.”

Don Cherry, of course, was Coleman’s trumpeter. Coleman died Thursday at 85.

“If it had to put it in a word or two,” continues Danielian of Coleman, “I would say sincerity and honesty. That's what I felt. They were being themselves and playing what was true to them. As I've gotten older I think of that band-- Ornette, Cherry , [bassist Charlie] Haden , [drummer Billy] Higgens and later [Ed] Blackwell--and how courageous it must have been to just say, ‘This is who we are. This is what we're creating.’ Remember at that time NO ONE was playing like that and there is always a type of gravitational pull, even in jazz, to sound like what is happening* at that time. Miles' band, Trane's band, Art Blakey, Horace Silver.....you can go down the list of Jazz icons at that time and none of them sounded like Ornette or his band.”

As avant-garde as Coleman was, it’s no surprise that he appealed to the most foreward thinking or rock bands, NRBQ.

“I never thought he was far-out,” says co-founder Terry Adams. “His music sounded so regular to me, and as soon as I heard it we put a couple songs—‘Humpty Dumpty’ [from This Is Our Music] and ‘Ramblin’ [1959’s Change of the Century]—into the NRBQ replertoire. They were natural and organic and melodic.”

Besides NRBQ, “Everyone from John Coltrane to Leonard Bernstein recognized the importance of what Ornette was doing,” continues Danielian. “I told a non-musician friend just yesterday that there are musicians who change the way people think about playing their specific instrument, there are those whose playing influences people on every instrument, and there are musicians who change the way we think about playing music. Ornette was both, and his influence continues to reverberate. In a very real way he connected us more deeply to the DNA of black music--blues and swing--and at the same time freed us to be open to any possibility. There is a very small list of people who have done that. He is one of them.”

“And a sweet, humble, beautiful man with a generous and open spirit,” concludes Dainielian. “I dare say a musical saint!”

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Micky Dolenz of the Monkees may be known for his music, but that's not what he was doing at this year's "Dwell on Design LA" convention at the end of May. Dolenz, who started the furniture design and production companyDolenz and Daughters Fine Furniture with his daughter Georgia, appeared with her at the May 30 at the Los Angeles Convention Center where both emceed a panel discussion on design titled “A Return to Craftsmanship with Georgia and Micky Dolenz.” At the event, the father-and-daughter team shared their designs and their dedication to carrying on the tradition of craftsmanship in the design world. They also took questions from the packed audience.

The "Dwell on Design" convention, which is held annually and sponsored by Dwell magazine, drew designers, architects and design enthusiasts from all over the country. The magazine calls “Dwell on Design LA” America’s largest design event and says the 2014 event was attended by over 30,000 people. The convention features cutting-edge products, design industry leaders and thousands of experts in the field of design.

In an interview in 2014, Dolenz talked about how the father-daughter furniture design company came about. “I've always had a workshop in my house. And I've always done a lot of woodwork and metal work and electronics and all kinds of stuff. And one of my daughters, Georgia, is quite handy with tools and stuff like that and learned how to do that in a theater degree. And one day we were building a coffee table for her boyfriend, and I joked and said, 'We should start a company Dolenz and Daughters Fine Furniture'." The company was founded in 2013.

The American Film Institute honored comedic legend Steve Martin on Saturday, June 13 with a broadcasting of their presentation of the Life Achievement Award as well as a tribute to the artist on TBS.

Late Saturday night, notable heroes of comedy attended to short speeches honoring the man, myth and legend that is Steve Martin through personal stories of influence and inspiration -- growing up with the comedy stars records and movies -- and experiences working together and how the comedian brought something fresh and bright to everything he did.

Diane Keaton, Jack Black, Conan O'Brien, Steve Carell, Tina Fey, Martin Short and Carl Reiner were among the list of creative voices whom had either been touched by Martin in a profound way, influencing their own careers, or had the privilege themselves of working alongside him. Their shared experiences were a touching part of a lengthy night filled with laughs and endearing smiles as fond memories of the past flashed before the screen- the telling the stories of a great comedian with nostalgia and fervor.

Born in 1945, Martin grew up in the heyday of the great comedy geniuses- a word he lovingly described after a lifetime of work (both successful and not) as "...someone who never gets involved in comedy." Though Martin was often described as such (a genius) throughout the night by several of his peers and colleagues.

Martin was presented the award at the night's end by Mel Brooks, another professed genius of comedy who's body of work kept us laughing throughout the 20th century in films like The Producers, Blazing Saddles and History of the World, Part I. Upon its acceptance, Martin left his audience with an appropriate quote from Jack Benny:

"I don't deserve this award, but I have arthritis and I don't deserve that either."

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How does a young artist have a hit single, land a record deal, sell-out a headlining club tour, and get invited to open for the Imagine Dragons on their current Smoke + Mirrors tour, all before turning 21? Meet Halsey, Brooklyn’s own Ashley Frangipane, who has achieved relative overnight success despite the two years of perseverance to get where she is today.

When you’re 20, two years is not overnight. But when running the gauntlet of the music industry, it might as well be. This was no accident, nor did Halsey simply fall into her success. Everything she has achieved so far has been through a dedicated effort, a passionate desire to succeed, and stout confidence in her marketing and musical ability, not to mention the love and support of family, friends, and fellow collaborators. All the while, adhering to the cornerstone of her conviction, never being anything but honest and true to herself.

In a recent phone interview the night after Halsey opened for the Imagine Dragons and Metric at the Moda Center in Portland, Oregon, which marked the official start of the Imagine Dragons 2015 North American tour, Frangipane admitted her fatigue after a whirlwind few days preparing for the tour and the late night celebration after the first night’s performance. A tired, yet engaged Frangipane regrouped to share more about the excitement of playing her first arena show and the momentum of her thriving career.

From the sold-out night clubs to jumping to the arena stage, no doubt, is a huge step for any artist. Given the Halsey trio of Frangipane, keyboardists and pad controller Greg Stero and drummer Nate Lotz where surrounded by the Imagine Dragons massive stage set, including eight elaborate 30-foot digitally projecting triangular columns bordering the perimeter of the stage, it looked like were playing in a fortress. It gave the band plenty of room to showcase their soulful electric pop sound that weaved seamlessly between grooving pop, dance, and alternative sounds.

The 7-song opening set was a veritable sampler of the band’s music as they covered tracks from both the recent EP release Room 93, and featured songs from her upcoming album Badlands, to be released in the fall, and available to pre-order through iTunes. The release will coincide with her headlining tour later this year.

With a relaxed comfort, Halsey gave a spirited performance to the early crowd who packed around the stage walkway that extended 30 feet in front. In her customary shiny turquoise blue two-piece top and shirt, coordinated with her trademark matching blue hair, the young artist embraced the big stage like a veteran. Starting the evening off with the gritty “Castle” and strolled the stage while motioning to the crowd.

Halsey continued her evenly paced set with four songs from her Room 93 EP, including the learned awareness of “Hold Me Down”, and the song that has ignited her career, the gutsy independence of “Ghost”. Despite the expressive lyrics and natural storytelling of her music, the songs are finely fashioned in an alternative electro-pop that effectively compliments the lyrics. Even with noted comparisons to artists like Lourde and Banks, the latter of which Halsey has expressed a desire to work with, Frangipane is her own persona and projects a style that renders an earnest balladry that’s reflective, accessible, vulnerable yet decidedly confident and passionate.

In her ascent from night club to arena, Halsey sang confidently relaxed, and moved gracefully around the stage. She was prepared and had a game plan for her first arena appearance, explaining, ”I think, just generally, adding a bit more energy. The cool thing about my show and me is that I’m a writer, and I’m a writer first if I don’t have music. It’s great to go in and figure things out the cool things in each song because I have songs on the EP that are a little bit more vibey, a little bit more dark and chill that are for smaller club environment and a festival environment. And I have some songs that are bigger and poppier, and to be honest, they were songs I didn’t prefer to play live as much as the vibier songs. I got to really appreciate them fully last night when I played them in a room that size.” Ever the student to the process she added, “It’s all a learning experience for me.”

Halsey quickly points out that it was just 18 month ago she was playing to be people who had no idea who she was. Fast forward a year and she headlining a sold out club tour, and that meant a different approach to her music. Going from no one knowing who she was, to those who did the second time around, Halsey is using this tour to showcase herself in the best way possible. She expressed sincere gratitude for the fans that have come to see her and knows who she is playing to by adding, “If I go out there and am myself and I do what makes me comfortable and what I think is true to my artistry and they don’t like it, then that’s fine. I walk off stage and I know there’s nothing there’s nothing I could have done differently. But not to try to cater to a certain crowd, then I walk off stage wondering ‘Maybe I should have been myself?’, and so I want to avoid that at all costs.”

On her webpage, Halsey has a succinct bio entry. “I am Halsey. I will never be anything but honest. I write songs about sex and being sad.” Simple and straightforward. By showing loyal and new fans alike, she confirmed her mission statement during her performance. She is who she says she is. Graciously accepting the compliment offered, Halsey replies “I guess it’s about finding a sense of authenticity. When I first started writing songs a lot of people are saying to me you write one hell of a pop song. I think at first I kind of resented that and I was like, ‘No, I don’t want to be a pop artist. I want to be a pop star! No, this isn’t what it’s about.’ But I found a happy medium between music with a pop sensibility and music I think has dignity, that I think is true and has a storytelling element to it. It really is just about having that authenticity for me. Whether it’s writing songs, being on stage, being interviewed, meeting fans – I just try to be myself which is kind of exhausting because almost feels like it never shuts off.”

She acknowledged the duality of performers, real versus artistic, and knowing the challenge to be on all the time. But she chooses the simple approach by being herself and offered, “I’m kind of me all the time, and it’s definitely exhausting.” With reflective laughter she continued, “It’s been working for me so far and people seem to receive it really well, and that’s the greatest blessing an artist can ask for, is that people accept them for who there are.”

With the release of her Room 93 EP on Spotify, she offers commentary for each track. Her warmth and matter-of-fact approach reveals her youthful spirit. She is equally engaging when interviewed by a young fan, Piper, on Kids Interview Bands video, and reveals her playful side. One might wonder where the seductive empowerment and sensitive vulnerability come into play when approaching writing and performing. Frangipane asserted, “I don’t think that one of me has to be a certain way and another of me has to be a certain way. It’s all the same person. I think that’s what people forget a lot when they’re dealing with artists. I’m a human and I’m multidimensional, if I was the perfect form of anything I’d be boring. If I was a free spirit all the time I would be boring, I would lack depth. If I was dark and enigmatic all the time then I would lack relatability.”

She uses an example of everyday interactions, from your local barista who is in a bad mood or the door you hold open for someone else. You would perceive them differently depending on their present state of being just as you would be. Like someone who does interviews. Thus, we form an opinion through that experience. With a light sigh, revealing this isn’t the first time the subject has come up, she calmly answered, “It’s not about balancing vibe or personality. Some days I am more playful than others and some days I’m a little bit more reserved. I think that every person who interviews me or every fan who meets me gets a unique experience because I’m a human. Just like every person who meets you gets a unique experience.” And further touching on some of the darker elements in her lyrics, she explained, “I’m multidimensional, but at the same time I think my music is dark because, my music being that way allows me to be a little more light-hearted and having a jump in my step in the day because I’m not carrying that baggage. The therapy for me with that baggage is putting it in my music so I get it out of me. And I kind of exercise my demons, if you will, by putting it into songs. It lets me live a little more easily.”

Halsey is quick to understand how the machine works and is appreciative of all involved, especially when being interviewed. Because honey still attracts more bees than vinegar. But there’s nothing pretentious in her demeanor. Given the conversation, you are most likely to get Halsey’s ‘A’ game, with the understanding a favor is being done for her, as word spreads to those who have yet to discover the young songstress. But she reasserts her core beliefs and adds, “Again, I think that plays back into the authenticity and honesty of it all. I’m not one thing. I don’t have to worry about staying on brand or staying true to what everyone thinks is my artist personality is because I have a bunch of personalities and I’m a person and that what this project is about, me being a person, you know?”

In continued discussion on the effects of the music industry, especially for a new artists, and what she’s already experienced, Halsey stays in the present and speaks self-assuredly, “I don’t think that I could ever be unhappy because it’s not up to the industry to decide my success, that’s up to me, you know. If I write songs that I’m happy with and finish my album, Badlands, that’s out in August. I’m so excited for everyone to have it.” And without concern about whether it digestible or too weird, alternative or pop, light-hearted or dark, because it’s all there. She concluded with, “At the end of the day, I’m happy with my record. And I think it’s the best record I could have possibly put out. The same thing I thought when I finished my record is the same thing I think about when I step out on stage. If I make myself happy and do everything in my power, then I can’t be upset if it doesn’t land because there’s nothing more I could have done.”

Frangipane marvels in the realism of her adventure. “This project took off way faster than I thought it was going to. I inked my record deal 365 days ago and I played in arena last night and the Imagine Dragons are giving me the opportunity of a life time to be able to do this thing. I surprise myself every day.” Spoken with awe and slight disbelieving laughter, she shared, “When I see pictures of myself on stage and see people who like my music, it’s incredible to me that I don’t look as out of place as maybe I might feel. I’m just here to write music. And I guess I kind of approach it the same way I did before there was a record deal, before there was a fan base, before there was anything, and write what I want to say. And it’s the only form of therapy I’ve ever known.”

An artist always hopes their music reaches its intended audience and is able to make that connection to establish themselves and their career. Admittedly, Halsey was amazed at her sudden recognition. Especially in light of being passed over during a tryout for a major musical show. The producers dismissed her textured and ebbing voice, stating she couldn’t sing pop music. She had a niche voice, catering to a single audience. Ironically, it was those same producers who wanted to work together after hearing the single “Ghost”. Upon their offer, Halsey candidly replied, “No, thanks. Sorry.”

Frangipane continued sharing how her career changed after “Ghost” got airplay. “It was an interesting process, and I think it was definitely interesting for everyone to see because I put that song online last January (2014) and charted in the Top 40 on the Alternative charts overnight. I had no fan base, didn’t have a record deal. I didn’t have a manager, I had nothing. I got a few quotes for a third party distributer.” And in the every present world of DIY music marketing, she laughed while saying, “I paid my money to have it be allowed on iTunes and I made all my artwork myself on Photoshop!”

And it was the first time I was every put out as Halsey, and it just blew up overnight and was getting machine love and blog love from these really, really incredible taste makers. And that night, the night I put the song on iTunes I got email from five record companies.” Recounting the memory with nervous laughter she continued, “And I panicked! I called my friend Anthony, who was setting me up with studio sessions via friends at the time, and I was like, ‘Can you pretend to be my manager? What are we going to do? I don’t know what I’m doing.’ So he and I went into work the next and started taking label meetings. And he was sitting with his legs crossed and his hands in his lap saying, ‘Oh, yes’, acting as cool as can be, without having any idea what he was doing. Like I have any idea of what I’m doing! Just totally, totally clueless. Literally, like two 13 year old kids who just won the lottery or something. And we told them all that we wanted to wait. They said they wanted to put it into development and sign a development deal. Pretty much own half of whatever I made, and make me the artist they wanted me to be.” With humor and exasperation Frangipane continued, “I’m like, ‘F-that!’ I didn’t have a record deal yesterday, and if I don’t have one tomorrow I’m not going to be going to be upset. I’m not going to do that. So we waited a couple of months.”

Frangipane recalls a couple months later when Sirius called and throws “Ghost” into their rotation, because they believed in Halsey, which struck her as revolutionary. “We don’t live in a day of age where the radio plays what they think is good, we live in a day of age when the radio plays what record companies are paying million dollar marketing campaigns behind. It’s all political so the day of picking up the phone was, really, honestly inspiring to me. It kind of made me realize there are people in this industry who believe in music and believe in artist development stories, and even seeing people grow. And it started because I was on Sirius. And we went back to these record companies, and said, ‘This happened and I didn’t have you, so why do you want to be a part of this project?’

And with the experience, Halsey developed a new outlook and approach that landed her at her new home and label with Astralwerks. Frangipane was exuberant. “They’re incredible. Just like a big family and they do it how I want all the time. It was the best experience possible for me because it wasn’t like, look what we did for you. It was a bunch of people who signed me as a cute electro-pop act and let it grow and let it take it’s time. They were waiting for me to come into myself. And then it happened. And they kind of turned around and said, ‘Wow, look what you did when we weren’t paying attention to you’. And it was a really vindicating moment for me. Not that they weren’t supportive as all hell as they could possibly be, they let me do whatever I wanted.”

With continued amazement Frangipane shared, “I handed them my album because they had heard two songs on it before I delivered it. They had no idea what I was making.” Hearty laughter ensued, “I could have handed them experimental frickin’ house yodeling. I could have given them any record and they trust you. ‘Make whatever you want’. Again, this goes back to idea of Sirius playing my song before I had a deal, it was their immediate support.” Her continued gratitude is reflected in the appreciation of her music being played alongside personal inspirations of artists like of Ariana Grande.” But Frangipane is quick to note, “I guess it pays off because we are all really proud of what we built. We still have a really, really long ways to go, hopefully. But if not, I put out a record I’m really proud of.” And with humble satisfaction she concluded, “So, it’s all good.”

Much has been learned during the whirlwind ride of Halsey. When asked about sharing words of encouragement to new artist, she promptly responded saying, “Make sure that you always follow your gut instinct cause 9 times out of 10, your way is going to work. And you never, ever, ever, ever see articles in the new industry from artist’s project who didn’t work or artist’s who’s projects fell through that are saying, ‘I don’t know what happened, man. I did everything my gut was telling me to, I followed my heart, I was true to myself, and my project just f-in’ tanked!’ What you really hear people saying is, ‘I let someone else dictate my project and I listened to people and let them take control of it, and now I wish I would have stayed true to myself.’ A project rarely fails when an artist is being themselves. Even though the temptation to do what is popular, to do what people with more authority are telling you to do, stay-true- to-yourself because nine times out of ten you can’t fail.”

As the interview comes to the end, a whole new touring experience begins. Different cities, new venues, new people. And as Halsey embraces the excitement of new horizons, there is much to look forward to. Frangipane reflects on the pending journey and sincerely replied, “Learning from them (Imagine Dragons and Metric) as much as I can. Learning from people who lived this dream and lived this life way, way longer than I have. And try and soak up everything I can just about how they act, how they carry themselves, how they control the crowd, what they are doing because I have an incredible amount of respect for them. I definitely have their music and listened to it on iTunes before I even thought I wanted to be a musician and before I knew what I was going to do. They spoke to me, and they still do. It’s just incredible to be sharing this experience with them.”

In a dream come true, nothing is lost on what the new tour experience offers. By Frangipane’s girlish, giddy laughter, you sense she must be pinching herself often. She continued with her thoughts and expressed, “I can’t believe I get to be on every day of the tour, like it’s a one-time thing or I won a contest, like battle of the bands. It’s just really bizarre to me. But they’re just incredible and really supportive and I’m very fortunate that I keep getting lucky with people who care about me as much as I respect and admire them.”

Unless you have dedicated yourself to searching out new bands coming through Portland, you probably missed her when she played with The Kooks and Priory in November 2014. And if you didn’t make it to the Moda Center, you are still in luck. Halsey will be returning to Portland in the fall, late October - November at the Wonder Ballroom. Keep track of this talented, young artist. She’s a woman on a music mission.

Most people associate the martial arts genre with Asian cinema, but there are not only varying arts around the world; there are also rising action stars as well. In 2006 director Ernesto Diaz Espinoza teamed up with then unknown star Marko Zaror to unleash the first South American martial arts film Kiltro. Over the years this team has delivered more of their signature action, but Espinoza has also stepped out of the genre with his segment short in The ABCs of Death. Now Espinoza and Zaror have teamed up once again for their latest martial arts action film Redeemer. I had the chance to sit down with this pioneer in South American martial arts filmmaking to discuss his career and Redeemer.

Bobby: Where the idea of the Redeemer came from?

Ernesto: Marko and I wanted to work together again since Mandrill and we were looking for a concept that we haven’t done before. We got this idea of the former hitman that was searching for redemption. We were looking for motivation for the character that we never used before and redemption was the way we wanted to go.

Bobby: This is like the third or fourth time that you and Marko have worked together. How did your working relationship come together?

Ernesto: Marko and I have been friends since high school. We made a couple of short films in high school and then we started to make real movies. It’s always just been two friends making movies just now it is professional and the real deal, but it’s the same relationship as it was back then. It feels the same as when we started.

Bobby: With some of the previous collaborations like Kiltro and Mirageman you guys focused more on the superhero element, but here it had a grittier tone. Did you have to change up your process in developing these different types of films?

Ernesto: It’s pretty similar, but in this one we wanted to take the best of our other movies and put it together here. The experience of the other movies was really helpful to approach the shooting of these fight scenes. Because we always have a short time to shoot here because of the conditions we have here in Chile, we wanted to use the time the best way could to shape the fight scenes and the experience of the other films was the key that made that happen.

Bobby: You have a very old school approach to the action style. Is this by design or does it just kind of happen that way with the people you work with?

Ernesto: It comes from two things. One is to try and find a way to replace the budget problem with ideas to make a fight scene look different from the Hollywood movies. We want to look different because we cannot imitate. We don’t want to be a cheap version of those big movies. We want to have a unique look and way of shooting. The other factor is that when you have a martial artist like Marko in front of the camera, you have to take advantage of his talents and what he can do without wires and all of that stuff. When you have that talent you don’t have to fake it or do any camera angle tricks you just shoot what he can offer and do.

Bobby: A lot of the martial arts films that come along don’t focus as much on the action anymore as the story. This one has a ton of action and the story to back it up. When you are writing do you try to find ways to work in an action sequence or just let it happen as you tell the story?

Ernesto: It’s a mix of those two things. Obviously when we approach a martial arts film we want to have as many fights as we can, but they have to make sense with the story. If it doesn’t make sense then it is going to hurt the movie. I tried to create a story where these fight scenes are organic to it.

Bobby: The idea behind this character is perfect for a franchise character. Are there any plans or hopes to revisit this character?

Ernesto: Yes, we have thought about that. We don’t know if it’s going to be a sequel or a story before, like a prequel or something. I see this like a modern western where he has been traveling town to town solving things in every town he stops in so maybe we can tell more of those stories.

Bobby: I love that idea. Without spoiling the film, one of the coolest aspects is his ritual to decide if he should help people or not. That aspect is very clever and emotional. Where did that idea come from?

Ernesto: That was a very old idea that I had since maybe high school. When I was studying filmmaking the idea of this guy playing that in the morning to see if he deserved to live one day more and how was he going to live that day. From there I mixed it with this story of redemption and it came together.

Bobby: One of the coolest things about this movie is that he says so much with just his expressions and fighting as opposed to his mouth. It adds so much more punch to the overall character and finished product.

Ernesto: I’m glad you appreciated that because that is the way Marko expresses himself so we wanted to use that in the movie.

Bobby: We know Marko does martial arts, but do you do any training as well?

Ernesto: (laughs) No, no, no, I’m just a martial arts movie fan. Marko has taught me some, but just basics. I don’t train.

Bobby: I know you are promoting Redeemer, but do you have anything else coming up that you can tell us about?

Ernesto: I am working on two or three more ideas. One of them is with Marko maybe another martial arts modern western similar to Redeemer or a sequel and a couple of others that are more into the gangster genre.

Bobby: I love your films and think this might be the best one you guys have made yet. I wish you all the luck and appreciate you taking the time to speak with me.

Ernesto: Cool man, thank you very much.

Check out Redeemer in theaters and VOD now.

Duran Duran's new album, "Paper Gods," will be released Sept. 18 in the United States, the band announced June 15 on its official website and social media. The album, Duran's 14th studio effort, will be available Sept. 11 in the rest of the world.

"Paper Gods" features the work of producers Nile Rodgers and Mark Ronson, both longtime Duranies, as well as Josh Blair and Mr Hudson. The album includes guest stars Janelle Monae, former Red Hot Chili Peppers guitarist John Frusciante, Kiesza, and Lindsay Lohan, among others.

Fans of the band won't have to wait until September to hear the first single, "Pressure Off" featuring Monae. That song is available to buy digitally this week, the band said. In the meantime, the Mirror UK offered a preview of the single.

Keyboardist Nick Rhodes and bassist John Taylor told duranduran.com that the band harks back to the New Romantic superstars' early sounds on "Paper Gods." “It’s great to be able to lift people’s spirits — and your own — with a strong shot of pure pop, but the world we live in isn’t all just made of that stuff, so it seems natural to me that we have kept one foot in the darker, more Gothic side of life,” Rhodes said. “We found a whole new level of inspiration on this album.”

"Paper Gods" has been in the works since 2013. “We’ve allowed ourselves the time to make music that we can be proud of,” singer Simon Le Bon said. "The only rule is it’s got to be music you can live with for the rest of your life.”

The "Notorious"-era funk of "Pressure Off" joins other tunes such as "Only In Dreams" on the new album. "We’re fortunate to be able to be inspired by our own back catalogue – not many bands can say that," drummer Roger Taylor said.

Duran also revealed the album's artwork, a collaboration overseen by China Chow and created by Los Angeles artist Alex Israel. Images featured in the artwork are iconic ones from the band's career: the cherry ice cream smile of "Rio," the Sumo wrestler from the "Girls on Film" video, the ice cream cone from "Perfect Day."

Details of the album's release date follow news last week that the band would be embarking on tours of the U.S. and U.K. this summer.

Every year in Culpepper, Virginia, there is a workshop called Mostly Lost, where existing footage from random silent movies is screened for film historians in an attempt to identify the film and place it in its historical/cultural context. The identification of lost films has rescued many silent movies from obscurity. So much material from the era of silent movies is lost; it is exciting for film buffs when even a fragment of sought after material is discovered in private collections. They can turn up in unlikely places. Only a few years ago, a Charlie Chaplin movie from his first year in films was found in a garage sale by historian/archivist Paul Gierucki.

It has just been announced at the most recent Mostly Lost workshop in June of 2015, a long lost reel from a two-reel Laurel and Hardy comedy, “The Battle of the Century” (1927) has been found among the belongings of a deceased film collector. “The Battle of the Century” has quite a recent history. It is best known by modern audiences in truncated form, first from an anthology of silent comedy released in the 1950s, and subsequent home video releases containing this footage.

A bit of the film’s recent backstory: In 1957, producer Robert Youngson put together a compilation of classic silent comedy footage entitled “The Golden Age of Comedy.” While it contained no footage of such heavyweights as Charlie Chaplin, Buster Keaton, or Harold Lloyd, it presented wonderfully funny material with the Keystone cops, Harry Langdon, Will Rogers, Ben Turpin, and several other comics from the teens and twenties who were being forgotten by the fifties. This low budget production played big city art houses at first, but the response was so favorable, its release was extended, and Youngson went on to make more such movies. Critics were almost unanimous in singling out the Laurel and Hardy footage from “Golden Age of Comedy” as the anthology’s highlight. One of the scenes came from their 1927 pie fight film “The Battle of the Century.” For years, this was the only footage available, as reports indicated the film was in terrible condition and Youngson preserved what he could with the existing material. What we got was a good portion of the climactic pie fight. In 1979, some earlier footage from the film, featuring Laurel in a boxing match (with Lou Costello sitting in the audience as an extra) was found and restored to the Youngson footage.

In 2004, a noted film collector by the name of Gordon Berkow passed away. His estate included over 2000 16mm films that he had been acquiring since the 1950s. Film composer and historian Jon Mirsales discovered among Mr. Berkow’s films the complete second reel of “The Battle of the Century” containing not only the pie fight footage that Youngson offered, but all of the second-reel footage presumed lost. It is on 16mm film, but struck from the original 35mm negative. The footage has been placed in the custody of Serge Bromberg of Lobster Films for restoration. For persons with an interest in cinema’s rich history, this is a truly important find.

Apparently there are plans to eventually make a more complete version of "The Battle of the Century" available on DVD. But the initial news is exciting and allows us to realize that the many sought after films still considered lost could perhaps someday be discovered and identified.

According to The Hollywood Reporter, Warner Bros. announced on Monday that British actress Katherine Waterston will play the female lead in the highly anticipated Harry Potter spinoff, “Fantastic Beasts and Where to Find Them.” Waterston is best known for her roles in “Inherent Vice” and the upcoming Steve Jobs biopic. She will portray a witch named Tina, or Porpentina, opposite Eddie Redmayne’s Newt Scamander.

Unlike previous Harry Potter films and novels, which were set primarily in London, “Fantastic Beasts” will take place in the U.S. According to Warner Bros., the screenplay, written by J.K. Rowling, involves Newt, a magizoologist, meeting Tina in New York City as he travels to study magical creatures. Harry Potter director David Yates—who directed the last four installments—will direct “Fantastic Beasts,” which is due in November 2016. The movie and its story come from Newt Scamander’s Hogwarts textbook, “Fantastic Beasts and Where to Find Them.” No official word on whether there will be a novel, though with the movie due in a little less than 18 months, it’s safe to assume that if there is a book version, it will come after the motion picture’s release.

Harry Potter means big bucks to the movie industry and the many facets of movie merchandising, so it should come as no surprise that the spinoff will beat least a trilogy. Wave that wand, Hermione, there’s lots o’ cash to be made here! In case you must know and can’t wait for “Fantastic Beasts” to be released, the movie will hit the big screen on November 18, 2016. Let’s hope J.K. writes screenplays as well as she writes books.

Monkee Jam 2016, a gathering of fans that will feature a celebration of The Monkees' 50th anniversary, will take place on June 4, 2016 in Atco, New Jersey, organizer Jodi Ritzen announced June 16. “This is really about the fans,” she said. The event, which will be be held outdoors on a farm at 672 Old White Horse Pike in Atco, organizers says, to mimic that of Woodstock. Tickets for the convention are now available at the official event website,

The event, produced by the group who have presented past Monkees and Brady Bunch conventions, will feature several Monkees tribute bands, including the Characters and the Blue Meanies. Other bands, guests and surprises will be announced over the next few months.

"What we are most excited about " says Ritzen "is putting together the largest Monkees Walk ever recorded. The plan is at 6 p.m, we will go straight across the farm of which the event is being held to recreate the famous Monkees walk that we have been doing since 1966.”

Along with music, vendors, trivia and reuniting with fans from around the world, there will also be a showing of the classic film “Head” on the movie screen. "We are looking to do exactly what has been done with the classic 'Rocky Horror Picture Show' where fans dress in costume and interact with the movie." says Ritzen.

Last year's convention featured all three living members of the Monkees – Micky Dolenz, Mike Nesmith and Peter Tork. The three Monkees announced a joint tour during the event.

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Legendary songwriting team of Gamble and Huff named SongHall co-chairmen

The legendary “Sound of Philadelphia” songwriting team of Kenneth Gamble and Leon Huff—known popularly and professionally as Gamble & Huff--have been elected co-chairmen of the the Songwriters Hall of Fame (SHOF), and will now utilize their visibility, commitment, achievement and artistic contributions in furthering the interests of the organization and of songwriting and music communities everywhere.

Songwriters Hall of Fame

"I am absolutely delighted with the election of Kenny Gamble and Leon Huff--among the greatest and longest-lasting songwriting teams in music history--as the co-chairs of the Songwriters Hall of Fame," said SHOF president/CEO Linda Moran this morning. "I have no doubt that the prestige and magical touch that Kenny and Leon have brought to all things musical will start a wonderful new chapter for our organization."

In a joint statement, Gamble and Huff said, “We are extremely honored and proud to serve as chairmen of this very prestigious organization, the Songwriters Hall of Fame. Songwriting is the very core of who we are creatively in the music industry. Therefore, this co-chairmenship position and honor means a lot to us as we honor and proudly support all our fellow songwriters everywhere. More importantly, we look forward to working with Linda Moran and the Songwriters Hall of Fame board of directors to promote this great organization and its mission to honor and support its prolific array of songwriters associated with it. As we have experienced, every hit record ever produced always started with us as great songwriters first!”

Gamble & Huff were inducted into the Songwriters Hall of Fame in 1995. In 2014, they received the organization’s greatest honor, the Johnny Mercer Award, exclusively reserved for a songwriter or songwriting team who has already been inducted in a prior year, and whose body of work is of such high quality and impact that it upholds the gold standard set by the legendary Johnny Mercer.

The pair have been writing music together for more than 50 years, their output totaling over 3,500 songs, including 30 chart pop and R&B hit singles and 50 gold, platinum and multi-platinum certifications. Their catalog includes hits such as The Supremes' "I'm Gonna Make You Love Me," "Don't Leave Me This Way" by both Harold Melvin & the Blue Notes and Thelma Houston, Jerry Butler's "Only The Strong Survive," "If You Don't Know Me By Now" by Harold Melvin & the Blue Notes and Simply Red, the O'Jay's "For The Love Of Money," Billy Paul's "Me and Mrs. Jones" and the theme song for Soul Train, "TSOP (The Sound of Philadelphia)."

They have won five Grammy Awards for their songwriting and have collected 86 BMI Pop and R&B Awards; they also founded Philadelphia International Records (PIR) as the outlet for their creative vision and the launching pad for the Philly Soul sound, a unique blend of R&B rhythms, sweet soul vocals, deep funk grooves, pulsing horn charts and lush string arrangements with melodic structures combining elements of pop, jazz and world music.

Gamble & Huff have been inducted into the Philadelphia Music Foundation's Walk of Fame, The Dance Music Hall of Fame and the The Rock & Roll Hall of Fame. They have received the Trustees Award from the National Academy of Recording Arts and Sciences, the Ivor Novello Award from the British Academy of Composers and Songwriters, and the Pop Icon Award from BMI. They continue to write songs together to this day.

Established in 1969, the Songwriters Hall of Fame bridges music's past and future, enshrining and celebrating musical pioneers while reaching out to the music community in grooming the next generation of songwriters.

[The Examiner contributes to the Songwriters Hall of Fame's newsletter.]

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Jill Scott's New Album Will Be Called 'Woman'; Reveals Cover Art and Release Date

DJ JUSMUSIC TUE, JUN 16, 2015 NEWS, R&B NEWS

Jill Scott has a greatest hits collection called 'Golden Moments' that arrived in stores today via Hidden Beach, but it looks like the music veteran is thinking new music. She took to Instagram earlier today (June 16) to share the album cover and release date for her upcoming fifth studio album, Woman.

"Love Village, here is the album cover for #WOMAN, which will be released on July 24th!," Scott writes.

The cover art showcases a facial close-up of the Grammy Award-winning singer/songwriter, which is shaded by the color blue with the text "WOMAN" repeated over her face.

'Woman' is heralded by the sultry new single, "Fools Gold," a tune that sees her journeying back to a time where she was mentally weak in a relationship.

In addition to the upcoming release, Jilly from Philly will launch a 25-city U.S. summer tour on July 13th in Pittsburgh, PA. The trek will make stops in big cities like Baltimore, NYC (Brooklyn), Atlanta, Houston, and Los Angeles before wrapping August 28th in Phoenix, AZ.

We're looking forward to hearing Jilly's new project!

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Kat DeLuna Gets Naked and Werks Her "Bum Bum" in New Video

DJ JUSMUSIC TUE, JUN 16, 2015 VIDEOS, R&B MUSIC VIDEOS0 COMMENTS

If you're an ass man (or woman), this video may have you hot and bothered.

Kat DeLuna strips down to her birthday suit and shows her "Bum Bum" in the visual for her new single featuring R&B crooner Trey Songz (who doesn't appear in the video). Sampling reggae artist Sister Nancy’s 1982 hit, in the clip, Kat puts the focus on her ASSets and lets her man know he "can get it every hour."

DeLuna is known for turning up the clubs with songs like "Whine Up!" and "Party O'Clock," and although "Bum Bum" is a slower tempo record, people will definitely get frisky to it.

About her new single, DeLuna says, "This song is evidence that music transcends generations, and for that I want to specially thank Sister Nancy for originating such an incredible song that left its musical imprint culturally for years to come. I hope 'Bum Bum' becomes your summer anthem!"

DeLuna is prepping her third studio album, the follow-up to 2010’s Inside Out, which was released exclusively in Belgium, France, Poland and Japan.

The Who has added another new date to their 2015 North American tourschedule. The legendary British rockers will perform their only Colorado show on Dec. 10 in Denver at the Pepsi Center.

According to an article posted June 18 at Hey Reverb, the Rock and Roll Hall of Famers will be making their first appearance in the city since their Quadrophenia Tour rocked the town back in 2013. The new show announcement comes on the heels of the legendary British rockers' decision to expand their 50th anniversary tour into December to accommodate three postponed shows from the spring leg, as well as two dates from their upcoming fall leg. The dates were moved so that frontman Roger Daltrey, who was stricken with swollen vocal chords in May, can have a few more days between shows to rest his voice.

Pre-sales for the Denver performance begin Mon., June 22 at 10 a.m. MT. Tickets go on sale to the public Fri., June 26 at 10 a.m. MT. Tickets are available at AXS. See below for The Who's revised 2015 North American tour schedule.

The multi-platinum sellers wrapped up the first North American leg of their 50th anniversary tour on May 30 in Queens, New York, Forest Hills Stadium. Following a short breather, The Who will begin a tour of Europe and the U.K., which will include a headline appearance at Glastonbury on June 28.

Produced by AEG Live, The Who Hits 50! Tour will return to North America on Sept. 14 in San Diego, California, at Valley View Casino Center. Tickets for all U.S. shows are available at AXS.

See below for The Who's revised 2015 fall North American schedule. For all the latest details on The Who, click here.

The Who Hits! 50 Tour 2015 fall North American schedule (rescheduled dates bolded):
Sept. 14 – San Diego, Calif., Valley View Casino Center
Sept. 16 – Anaheim, Calif., Honda Center
Sept. 19 – Las Vegas, Nev., The Colosseum At Caesars Palace
Sept. 21 – Los Angeles, Calif., Staples Center
Sept. 25 – Portland, Ore., Moda Center
Sept. 27 – Seattle, Wash., KeyArena At Seattle Center
Sept. 29 – Vancouver, British Columbia, Rogers Arena
Oct. 1 – Calgary, Alberta, Scotiabank Saddledome
Oct. 3 – Edmonton, Alberta, Rexall Place
Oct. 6 – Saskatoon, Saskatchewan, SaskTel Sports Centre
Oct. 8 – Winnipeg, Manitoba, MTS Centre
Oct. 10 – Minneapolis, Minn., Target Center
Oct. 13 – Milwaukee, Wis., BMO Harris Bradley Center
Oct. 15 – Chicago, Ill., United Center
Oct. 17 – Detroit, Mich., Joe Louis Arena
Oct. 19 – Toronto, Ontario, Air Canada Centre
Oct. 23 – Pittsburgh, Pa., Consol Energy Center
Oct. 25 – Newark, N.J., Prudential Center
Oct. 27 – New York, N.Y., Madison Square Garden Arena
Oct. 29 – Boston, Mass., TD Garden
Nov. 1 – Washington, D.C., Verizon Center
Nov. 4 – Philadelphia, Pa., Wells Fargo Center
Dec. 2 – Toronto, Ontario, Air Canada Centre
Dec. 4 – Louisville, Ky., KFC Yum! Center
Dec. 6 – St. Louis, Mo., Scottrade Center
Dec. 8 – Kansas City, Mo., Sprint Center
Dec. 10 – Denver, Colo., Pepsi Center
Dec. 13 – Oakland, Calif., Oracle Arena

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Sultry songstress Lianne La Havas delivers the brand new song and video for, "What You Don't Do," the latest single from her forthcoming second album, 'Blood'. In the accompanying breezy clip, directed by Leila & Damien de Blinkk, the British singer-songwriter rocks several springy outfits as she beautiful conveys the intimate and ambient lyrics.

"What You Don't Do," the follow-up to previously released single, "Unstoppable," was produced by Matt Hales of Aqualung. The relationship record continues to showcase Lianne's buoyant and wistful delivery

'Blood', which was inspired by Lianne's family's heritage, is slated to arrive on July 31 via Warner Bros Records, and follows her 2012 debut 'Is Your Love Big Enough?'

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Ginette Claudette - Saving Sunday

DJ JUSMUSIC MON, JUN 22, 2015 MUSIC, R&B MUSIC

Singer/songwriter Ginette Claudette unwraps the buttery, social media-inspired new single, "Saving Sunday." Produced by Swagg R'Celious, on the hard-hitting and soulful track, the budding singer oozes romantic and soothing lyrics about her adoring affections for her man.

"I'm saving Sunday for you / Music all through the house / I got your breakfast right there and nothing under my blouse / I'm saving Sunday for you / Wanna keep you around / Stay with me til the sun goes down"

That's a happy man!

Listen: https://soundcloud.com/gi...ay-ginette

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Janet Jackson comes back after 7 long years of no music with a new single called, “No Sleeep.”According to MSN Entertainment on June 22, this new single brings her back with her producers Jimmy Jam and Terry Lewis. The new single is everything the title says it to be when Janet brags, “Whenever we meet, we aint gonna get no sleep.” The song is described as a “steamy mid-tempo bedroom romp.”

In other news about Ms. Jackson is that not only has she returned after 7 years of no music to this new single she has released that promises a lot more when she drops her new album this fall, but she is also being honored with the Ultimate Icon: Music Dance Visual Award at the 15th annual BET awards. According to All Hip Hop, Jackson will be the first one to receive this award. What an honor that must be! Before Jackson accepts this amazing award, there will be a performance by Chris Brown, Tinashe, and Ciara who will all be paying homage to her.

Jackson goes on tour in November to promote her new album that will be available this fall. The new album will be available while she is on her Unbreakable World Tour.

Make sure to not miss Janet Jackson accept her award during the 15th Annual BET awards that will air June 28 at 8pm EST. The awards show on BET will be hosted by Black-ish stars Tracey Ellis Ross and Anthony Anderson. During the awards show, you can also see performances by the Empire cast, Nicki Minaj, Kendrick Lamar, Meek Mill, and Ne-Yo. Don’t miss out on this exciting event even if you have to set your DVR’s for it!

Aisha Tyler is set to join the cast of "Criminal Minds" for Season 11.Entertainment Weekly reported Monday, June 22 that the actress will have a recurring role during the upcoming new season.

Tyler joins the show following the departure of her former "Ghost Whisperer" co-star Jennifer Love Hewitt and the temporary absence of AJ Cook. Both actresses are pregnant, and Hewitt has left the series after one season, while Cook is going on maternity leave.

"Criminal Minds" showrunner Erica Messer has previously stated that Cook will be absent for about five episodes, with production on Season 11 starting in July. According to TV Guide, she has also toyed with the idea of having rotating agents, including bringing back some old faces.

In the new season, Aaron Hotchner (Thomas Gibson) interviews several candidates in an effort to replace Kate Callahan (Hewitt). Tyler's character, Dr. Tara Lewis, a psychologist with an eye on forensic psychology and its application toward the criminal justice system, proves to be the best applicant and ends up helping out the Behavioral Analysis Unit team in an investigation.

Dr. Lewis has studied and come face-to-face with psychopaths, interviewing them and determining if they are fit to stand trial. In the process, she made herself find the humanity inside these broken individuals in order to learn if there was a conscience behind their brutal crimes.

Tyler currently stars in FX's "Archer," serves as a co-host on "The Talk," and as host of "Whose Line Is It Anyway?" on The CW. Her other TV credits include "Friends," "Talk Soup," "CSI," "24" and the aforementioned "Ghost Whisperer." Season 11 of "Criminal Minds" premieres Wednesday, Sept. 30 at 9/8 p.m. CT on CBS.

Campaign organizer, Rosie Badgett, shared a message from Barbara Bain: "WOW! Hugs, hugs, hugs and more hugs all around...you guys are amazing. Such dedication and such diligence! There are not enough words to express my respect and gratitude.”

Loyal fans Paul Bens, Rebecca Eisenhuth, Rosie Badget, and Karen Ales created an Indigogo campaign to help with the funding. Without their hard work and the support of the fans, this would not have been possible. Paul, Rebecca, and Rosie took time out of their busy schedules to chat about their adventure with this project.

Q. Have you had the chance to stroll along the Hollywood Walk of Fame? How will it feel for you to see Barbara Bain’s well deserved star?

A. Rosie Badgett: As a matter of fact, just this past Friday, we were at the Stella Adler Theatre, which is right on the Walk of Fame, to see a wonderful play by Alexa Devman called "Three Stories" that Barbara directed as part of the Blank Theater’s Young Playwright's Festival.

A. Rebecca Eisenhuth: Back when we first began this whole campaign, we took a picture of Barbara outside that theatre standing in front of one of the empty stars. I remember thinking "One day."

A. Rosie Badgett: We got to talk to Barbara a bit Friday night and very briefly mentioned how the decision from the Hollywood Chamber of Commerce was due within the next few weeks. Little did we know it would only be a couple of days later that we'd have an answer.

A. Rebecca Eisenhuth: We were all just so terribly thrilled because Barbara so greatly deserves the honor.

Q. I know the answer will be “It was all worth it,” but exactly what went in to making this happen?

A. Rosie Badgett: Well, many years ago our friend Terry Bowers (the president of Barbara's Fan club back in the day) worked very hard and raised a lot of money to get Barbara a star. But as time went by, the costs associated with the star just kept increasing and the fundraising goal became seemingly insurmountable.

A. Rebecca Eisenhuth: Back in 1999, when we were planning "Breakaway: The Convention" for Space: 1999”, Terry and Barbara decided that the money Terry had raised should be donated to charity since the star seemed out of reach. So, over $10,000 was donated to charity in the names of Barbara and her ‘Space: 1999’ co-star, Barry Morse. So Terry is due big thanks for all the hard work and effort she put into that first attempt.

A. Paul Bens: Back in 2011, we all started planning another ‘Space: 1999’ convention and we thought about the star again. When we discussed it with Barbara, all of us were excited about it - Rosie, Becky, myself, our cohort Karen (who prefers to remain net-anonymous) and Barbara herself.

A. Rebecca Eisenhuth: We started a crowd-funding campaign. We knew it was an uphill battle and we started with zero money and had to raise over $30,000.

A. Rosie Badgett: But we were blessed by the response to the perks. So many people helped us out there.

A. Rebecca Eisenhuth: Yeah, John and Kathy, former presidents of the Space: 1999 Alliance, went through their storage and donated a lot of classic 1999 merchandise that we could use as "perks." Mateo Latosa of Powys Media jumped in and donated a ton of books, as did Blam! Ventures' Drew Gaska. Dealer Warren Friedrich jumped in with some nice donations as did Tim Mallett.

A. Paul Bens: I just know we're gonna forget someone. Apologies if we do.

A. Rosie Badgett: Don't forget Paul Stankevitch who recorded a video from Barbara for us while she was in the U.K.

A. Paul Bens: The outpouring of support was amazing from everybody, across all Barbara Bain fandoms: ’Mission: Impossible’, ‘Space: 1999’, all of them.

A. Rebecca Eisenhuth: So we spent some time with Barbara having her sign all these things and hearing great stories and having a wonderful time.

A. Paul Bens: But Barbara's fans really, really pulled through for us. I think in that first campaign, we raised over half the money we needed for the star. We were really overwhelmed by everyone's generosity.

A. Rosie Badgett And then Barbara went through her personal mementos looking for other items which we could use to raise the rest. And oh, boy! Did she have stuff!

A. Rebecca Eisenhuth: Original ‘Mission: Impossible’ scripts, magazines, lunchboxes and even the original sequined cheerleader outfit she'd worn for a ‘Mission: Impossible’ charity event in 1967.

A. Rosie Badgett: Barbara would pull something out and say, "Do you think anyone would have any interest in this?"

A. Rebecca Eisenhuth: Our jaws hit the floor at everything she gave us. Paul: We were floored. We knew that with all the stuff Barbara had given us, plus a dinner with her that we had planned as a perk, we would at least get close to the goal.

A. Rebecca Eisenhuth: That was a hoot. We have to thank Steve, Kathryn, Janet, Anita and Marianella for joining us for that dinner!

A. Rosie Badgett: It was many, many phone calls, emails, planning meetings, meetings to pack and mail “perks,” and such. A lot of hours, but it was also a lot of fun. It has been a labor of love for all of us, because Barbara is not only a wonderful actress, but also just such a lovely, warm human being.

A. Rebecca Eisenhuth: So, really, to get back to your initial question, do we have any special thanks...absolutely. Barbara, of course, and her daughter Susan Landau, really helped us out to reach people we hadn't reached, to and those who donated money (some of whom were celebrities) and to all the fans who rallied behind us and helped by donating money or simply spreading the word.

A. Paul Bens: If it wasn't for those fans, this could never have happened. Barbara has such a loyal fan base and each and every one of them came through not only for her, but for us as well. We are so incredibly grateful to each and everyone.

A. Rosie Badgett: Yes, thank you to all of you. And hopefully we'll see some of you at the induction ceremony.