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Songs in which the vocal delivery is suspiciously similar to another singer? This may sound weird, but lately I've been hearing a lot of similarites between Michael Jackson and Whitney Houston specifically in their vocal styling. Undoubtedly, I'm sure Whitney was influenced in some way by Michael, however, when I listen to the songs:
and
...Some of Nippy's "hee-hees!" "hoos!" and growls are reminiscent of Michael Jackson's styling and ad-libs, epsecially in the following songs:
This got me thinking, what are some other songs in which the vocal delivery is suspsiciously similar to another singer? [Edited 12/5/14 11:26am] | |
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Stevie Wonder was doing that in the early 1970s on songs like Maybe Your Baby. . Elvis Presley: Vince Everett ~ Such A Night Queen ~ Crazy Little Thing Called Love Donna Summer ~ The Wanderer any song by Dread Zeppelin . Sam Cooke: Steve Perry, Gerald Alston (Manhattans), Rod Stewart, Johnnie Taylor, Terence Trent D'Arby Jackie Wilson: Howard Huntsberry (Klique), Elvis Presley Marion Williams: Little Richard Little Richard: Paul McCartney Karen Clark: Faith Evans Chaka Khan: Toni Smith Stevie Wonder: George Benson, Charlie Wilson, George Michael, Jay Kay (Jamiroquai) Glenn Lewis ~ Don't You Forget It . Charlie Wilson: Aaron Hall & other new jack swing singers Babyface: Tony Rich ~ Nobody Knows Sugarfoot Bonner: Lionel Richie, Larry Blackmon George Jones: Randy Travis Frank Sinatra: Landau Eugene Murphy Melle Mel: Genesis (Phil Collins) ~ Mama James Brown & Etta James: Wayne Cochran
You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Wow, thanks! A lot of these I didn't even realize! I would also add Carl Carlton under Stevie Wonder. I also knew about Michael Jackson getting his styling from Stevie Wonder, as well. | |
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Double post, sorry. [Edited 12/5/14 19:49pm] | |
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I hear whitney wannabee's all the time. | |
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Marvin Gaye: Christión, El DeBarge (1990s), Jermaine Jackson (late 1970s) Luther Vandross: Jaheim Teddy Pendergrass: Colonel Abrams John Lennon: Julian Lennon Eddie Levert: Gerald Levert Eddie Kendricks: Damon Harris Frankie Valli (Four Seasons): 1970s era Bee Gees Minnie Riperton: Shanice Wilson (Shanice's 1st album was kinda Control era Janet Jackson), Mariah Carey, Chante Moore Rotary Connection & 5th Dimension: Corinne Drewery (Swing Out Sister) New Edition: Four By 4, New Kids On The Block Ice T: Freedom Williams (C+C Music Factory) Michael Jackson: Kathy Sledge, Denise Pearson, Ralph Tresvant, Jesse D. (Force MDs), Alfonzo Jones, Troop Dreamboy: (Melvin Riley) Ready For The World Jermaine Stewart: Tevin Campbell Stephanie Mills: Maxine Jones You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Debra Laws: Terry Ellis You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Have you seen and heard the commercial for the "Big Hero 6" movie?
http://youtu.be/A_-3ieQKtS0
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Frank McComb sounds eerily like Donny Hathaway, but it's just his natural voice. He's a talented jazz artist in his own right. | |
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Prince's "trademark" yelp (like in the beginning of "Sexuality") came DIRECTLY from Betty Davis' song "Dedicated To The Press"!!!!! | |
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Billie Holiday: Erykah Badu Tiny Tim: Robert Smith (The Cure) Nat King Cole: early Ray Charles, Charles Brown, Diana Krall Al Jarreau: Kem You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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One of the best voices in music Don't laugh at my funk
This funk is a serious joint | |
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You can't get any more suspiciously similar than this.
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^ Man, is this guy for real? I don't know what's worse: the fact that he's trying to emulate 1980 Michael on an 1988 record, or that the intro is jacking some of the stylings of the 'Liberian Girl' instrumentation. . Anyway, I always found the following to be needless emulation of a certain style: fastforward to the 2:30 mark: . http://www.youtube.com/watch?v=G4QzM9KqCQU . Back around those days, there was something fishy going on with a couple of British boybands/girlgroups that would have one black member who would be the token rapper. Blue tried the same thing with Simon Webb in their early days. It's funny that they have Shaznay rap a verse on 'I Know Where It's At' and have her imitate the style of Left Eye from TLC, who was hugely popular among younger audiences at the time, and was also safer to reference than ladies like Lil' Kim, Da Brat, or Foxy Brown. UK artists rapping in American accents in mainstream music was soon on its way out, when UK hip hop and 2step/garage found its way into the ears of the larger audience and was using British inflections and slang. . I don't want your rhythm without your rhyme | |
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Madonna: Alisha, Regina
You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Run DMC: Devine Sounds You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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This guy sounds just like.....Ralph Tresvant. Thanks for the laughs, arguments and overall enjoyment for the last umpteen years. It's time for me to retire from Prince.org and engage in the real world...lol. Above all, I appreciated the talent Prince. You were one of a kind. | |
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. Which I guess means that we're coming full circle, considering that in New Edition's early days, Ralph tried his best to sound like little Michael Jackson. Not that he had Mike's volume or control, by any means. . . . I don't want your rhythm without your rhyme | |
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. Seeing Whitney's 'So Emotional' in the thread starter post reminds me of something else. There was an album track by the same title on Christina Aguilera's album (1999). Now Christina's 'So Emotional' is quite distinct from Whitney's song. However, in 2003, Japanese R&B singer Emyli had a song on her own debut album, called 'Eien Nante', which was basically a beat-jack of Aguilera's 'So Emotional'. Now it happens quite often that the producing team behind a J-Pop act will 'borrow' a beat from an American pop or R&B tune and have the singer sing Japanese lyrics over it. In Emyli's vocal style, even beyond 'Eien Nante', one can hear the influence of Christina Aguilera. In this case, it's not a bad thing; again as with Ralph Tresvant, Emyli doesn't quite have the vocal volume to produce the belting notes that Aguilera is known for. But she is a talented singer in her own right. . I personally even feel that 'Eien Nante' is an improvement over the source material it draws from; the emotional arc is more grandiose and the ad libs are more heartfelt, where 'So Emotional' is one of the more easily overlooked tracks on Christina's debut. . Another artist who took a lot of vocal cues from Christina Aguilera (especially in her early days) is Indonesian singer Agnes Monica. This is her 2005 single 'Bukan Milikmu Lagi'. . I don't want your rhythm without your rhyme | |
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What is this trash?
Vocal: 0 Song: 0 Music production: 0 Choreography: 0 Style & Fashion: 0 Total score: 0 | |
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