independent and unofficial
Prince fan community
Welcome! Sign up or enter username and password to remember me
Forum jump
Forums > Music: Non-Prince > Aaliyah Cover Feature/Wax Poetics #59
« Previous topic  Next topic »
  New topic   Printable     (Log in to 'subscribe' to this topic)
Author

Tweet     Share

Message
Thread started 08/04/14 6:46pm

mikemike13

Aaliyah Cover Feature/Wax Poetics #59

Wax Poetics Magazine Remembers Aaliyah’s Musical Legacy and Examines Her “Eternal Soul”
“Princess of R&B”
Story Online on August 5th
Print Edition On Sale August 13
New York, NY – August 4, 2014 – As Hollywood reshuffles the casting deck for a posthumous bio-pic on R&B star Aaliyah, the summer issue of Wax Poetics delves into the singer’s background and career as it celebrates the 20th anniversary of her debut album Age Ain’t Nothing But A Number (Jive Records,1994). In his cover story “Eternal Soul,” veteran journalist Michael A. Gonzales fuses exclusive content from interviews with the late singer with recent recollections of those who guided her career, to reveal fresh insights into her short life.
Gonzales lays claim to being the first print journalist to interview the vocalist, just as her professional career was taking off. Having first met the singer at a Motor City Sheraton back in 1994, Gonzales says, “Aaliyah was a sweet, shy young lady. But I could tell immediately that she was serious about her art.” After going on to achieve fame as a singer and actress, Aaliyah died on August 25, 2001 at the age of 22 in a plane crash that also killed the pilot and eight other passengers.
Gonzales has a storied career as a journalist, having covered popular culture for more than 20 years and interviewing countless R&B legends, including Barry White, Curtis Mayfield and Sade. “When I first heard the R. Kelly-produced Age Ain’t Nothing But a Number, I was already comparing Aaliyah to pop legends Diana Ross, Dionne Warwick, Marilyn McCoo and Janet Jackson. She had a soothing and slightly-reserved soprano that was pop while still being soulful.”
Featuring stunning images shot by celebrity photographer Jonathan Mannion (Nicki Minaj, Jay-Z), “Eternal Soul” largely focuses on the singer’s musical legacy while briefly touching upon the sex scandal surrounding Aaliyah and her musical mentor R. Kelly. Covering the time-period between her first two albums Age Ain’t Nothing But a Number and the groundbreaking One in a Million, the article was culled from interviews Gonzales conducted from 1995 to 2005 with the late singer as well as R. Kelly, Wayne Williams, Timbaland, Missy Elliott, and Kelly’s former music teacher Lena McLin.
The chorus of voices Gonzales interviewed to compose “Eternal Soul” also includes Michael J. Powell, who produced Aaliyah’s earliest demos and is also best known for Anita Baker’s Rapture album; Jeff Sledge, former Jive Records A&R man, photographer Terrence A. Reese, who shot the Age Ain't Nothing But A Number album cover; engineer Jimmy Douglass who has worked with producer Timbaland since the beginning of his career; Jason King, inaugural and founding faculty member of The Clive Davis Institute of Recorded Music; fledgling artist/singer Courtney Noelle, the first lady of Wiz Khalifa's Taylor Gang; Bill Banfield, composer and professor at the Berklee College of Music and pop journalist Elon Johnson.
Features:
Producer, songwriter, and organist Edwin Birdsong is the anonymous genius behind some of jazz-funk's most cosmic moments. Influenced by Larry Levan and the New York club scene, Birdsong's left-field boogie anthem "Cola Bottle Baby" would become fodder for both Daft Punk and Kanye West, and his bare funk breakbeat track "Rapper Dapper Snapper" would nod hip-hop heads for years, bringing Birdsong's grooves to a new global audience.
Rinder and Lewis had a knack for creating commercial, crossover disco, hiding behind various monikers like El Coco and Le Pamplemousse. Ultimately, they chose to reveal their true identities on a string of records that would allow them to realize a more artistic vision of disco that played to their strengths-stripped-down drum-and-synthesizer tracks that pioneered the cosmic dance.
Terry Reid passed on the opportunity to become the front man of Led Zeppelin, choosing to carry on as a solo act that never paid off with the heights of fame and fortune of his musical pals, yet he recorded two soulful folk-rock masterpieces and has become known as an artist's artist.
The story of the notorious NYC bathhouse Continental Baths is the story of disco. The Baths would birth the careers of dance icons Larry Levan and Frankie Knuckles, two young DJs who were soaking in the nascent disco scene of the early '70s-and who soon got their own shot behind the decks, ultimately influencing the dance scene in immeasurable ways.
As one half of production duo Flyte Tyme Productions, Jimmy Jam, along with partner Terry Lewis, changed the landscape of popular music and the sound of radio forever. The duo's attention to their craft and changing times saw an evolution in their sound through the latest technology, yet their secret to success was unique, tailor-made productions for each artist.
Wax Poetics is a quarterly American music magazine dedicated to vintage and contemporary jazz, funk, soul, Latin, hip-hop, reggae, blues, and R&B in the crate-digger tradition. Wax Poetics #59 can purchased through their online store beginning August 5th.
“Eternal Soul” by Michael A. Gonzales http://www.waxpoetics.com/magazine
  - E-mail - orgNote - Report post to moderator
  New topic   Printable     (Log in to 'subscribe' to this topic)
« Previous topic  Next topic »
Forums > Music: Non-Prince > Aaliyah Cover Feature/Wax Poetics #59