Maybe another issue with Mariah is that she came on the scene at a time when there are seemingly tons and tons of one hit wonders and/or studio artists that were dominating pop music at the time. Of course, the exceptions to this were Prince, MJ and a handful of others. But, the vast majority were studio artists.
I think Mariah was popular in the early 90s because a lot of people were impressed with her vocal range and she wasn't doing 90s style dance music (but she started doing remixes that eventually took on that sound)
My point is that maybe Mariah just happened to come of age in a strange time in music. She also had no competition to speak of during that time as well. Her only competition was the one who came before her and that was Whitney Houston. Whitney's ability to capitvate audiences and eventually cross over into movies helped her stay afloat.
Mariah needs to find a specific niche to reinvent herself in and stick to it. She's got the talent but I think as long as she's trying to do songs with 2 Chainz or whatever, she might miss her opportunity. Trolls be gone! | |
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If an act write songs or own masters to records that don't sell much, they can't make money. Also, many recording acts are in the hole to a label: for studio time, advances, music videos, promotion, etc. An advance is a loan, not a salary or free money. The label charges all the expenses to the act. The record has to sell a certain amount before the performer can get any royalties. Many don't sell enough for the label to recuperate what they spend, so the act doesn't get out of the red. . The major labels sometimes release albums to fail on purpose for different reasons - for a tax write off, to shut up complaining performers, or to keep them in debt. They can also refuse to release material turned in to them for any reason, but the label still owns it, and the labels have remixed songs without the knowledge of the performer and put it out. People think the performers have power or say over their music, but they usually don't. They're just employees of the record label. That's why their music is considered "work for hire" and the label owns it, unless the act self-releases it. But such acts generally don't have the reach or big money of a major to get them on the radio or TV. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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but it's not just about "promoting" an album.Don't the fans deserve the chance to see their favorite artist or band in a live setting? Personally,I enjoy concerts and I'd be very disappointed if my favorite artists didn't go on the road.Listening to a CD at home is one thing,but seeing a complete concert is another whole experience. | |
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That's really interesting and you address a few things that I was thinking about the other day while reading this thread. Mariah never struck me as the best entreprenuer but I was wondering if she ever did her own producing or even bothered to start her own studio. I also think your point about the record companies putting out lame music for their profit and to keep them in debt is right on the money.
I think another tactic that record companies use is to keep the performer high on drugs and alcohol. Did you ever see the documentary on TV One about the Debarge family? They said at one point, the record company was paying them in CRACK cocaine. I think record companies have hangers-on who are on the payroll from the company that always have a supply of some sort around them at all times. Trolls be gone! | |
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people like Mimi and Streisand have that freedom to decide whether or not to tour,a freedom I'm sure most veteran artists would love to have
Do you really think that veteran artists like Prince,Madonna and Paul McCartney have to tour? These people are filthy rich and they have that same freedom that you mentioned,and yet they still choose to tour.Performing is in their blood.They can't just "stop" doing it. | |
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I see both sides of this. I think Mariah was more confident in launching a tour with Mimi. We have certainly seen other artists go on tour without a current hit and the tour flopped. | |
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Well, don't we have to take into consideration that these folks have to pay taxes AND we can assume that most of what they have earned is tied up in assets? We really don't know how much tax-free income they have laying around (which is ZERO). There are ways of getting around it with charitable donations but it seems like most of them might tour to maintain their current lifestyle. Trolls be gone! | |
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But they were performing before getting a deal. The Beatles were together in some form for years before getting a deal and constantly giging. Some people are studio acts, then there are others like The Grateful Dead who are more known for their concerts than their records. Back in the 1970's, Steely Dan avoided doing concerts, but they seem to tour all the time now since getting back together. Look at Live From Daryl's House. Hall & Oates are long pass their commercial popularity, but Daryl Hall liked performing and paid for the show himself and put it online. Now it's on TV. I don't know if he has the same control as before though. You mentioned Paul, but George Harrison didn't like touring and rarely did in his solo career. John Lennon didn't tour either, but Paul did with Wings. George was mostly a recluse, but he did get involved in the movie business. Paul wanting The Beatles to tour again and do concerts was one of the reasons the group broke up, because the other 3 weren't interested. The rooftop concert was a compromise. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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I agree. I have an expensive seat to see Fleetwood Mac reunited with Christine McVie. I think she could have stayed retired in her cottage if she wanted to, but they are really excited to tour! | |
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Plus
being bought out of contract with Virgin Records $28 Million signing with Island Records afterwards $24 Million
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didnt madonna sign one of those 360 deals? she has no choice but to tour, live naion has to make their money back, same with jayz, he ends one tour and goes right back out, his last concert was kinda pitiful i wanted my money back. | |
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you mean payola and 99 cent singles? | |
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Everyone pro-Motolla is referring to her conservative presentation and non-hip hop production, arguably most massively appealing, the nucleus of her original fanbase. | |
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Wait a minute. Don't you all remember those comments that Prince said about how Mariah was getting ripped off by her record company because she was in some sort of record deal that was going to pay her $100 million for four albums? I think he was saying something about studio fees, not getting royalties, etc. and he showed how the deal wasn't as lucrative as it seemed at the time. Trolls be gone! | |
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It worked for Mariah ealier career and most recently for Susan Boyle and Adele. 99.9% of everything I say is strictly for my own entertainment | |
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This was going on during the time that people were saying that MC was a rip-off of Whitney Houston. Once she left Tommy, you really started to see her turn into what she probably wanted to be all along. Trolls be gone! | |
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Yeah,Madonna signed a 360 deal with Live Nation.A deal like that makes sense for someone like her....an artist who likes touring and is known for putting on impressive shows.She's a hard worker.I can't comment on Jay Z,since I've never seen one of his concerts | |
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You're missing my point. Veteran artists of a certain caliber who have sold ridiculous amounts of records, written their own songs, own their masters, invested their money wisely, etc. have the freedom to decide whether they want to tour or not. It is their choice. If Mimi was really in need of money, she would be out touring and would be doing very well. She got paid millions of dollars to sit on her behind for a few weeks as a judge on American Idol. She simply doesn't need the money. If you can make a bunch of money from TV apperances so you can go home and be with your children rather than touring, it's a no-brainer. Again, Mariah has young children now so as a responsible mother, she may not want to travel across the world for months at a time touring if she doesn't have to. And I'm sure there are many other personal factors that artists take into consideration as far as deciding on a tour. Some may LOVE touring while others prefer the studio. [Edited 6/19/14 6:41am] "It's not nice to fuck with K.B.! All you haters will see!" - Kitbradley
"The only true wisdom is knowing you know nothing." - Socrates | |
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If she wants to preform she should do a Vegas residency. Stay in 1 spot, have your fans come to you. 99.9% of everything I say is strictly for my own entertainment | |
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I am with u 100%, kit! The new album is da BOMB! I love her voice, I love how she writes 99% of what she records (smart move on HER part) and I love the connection she shares with her fans. She's legendary. I always had a soft spot for that 5-octave voice in all of its skillful musicality. I don't care about charts, flops, strapless, ill-fitting gowns or the like. I care only for and about her undeniable talent and you're right. Sales do NOT = quality. Hungry? Just look in the mirror and get fed up. | |
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I think your comment kind of reminds me how charts, hits, etc. may end up becoming less and less relevant. Unfortunately, what this might mean for music in the future is that we will hear less and less from new artists. After all, new artists are measured by sales but since fewer people are buying music, it's really hard to measure who is popular and who is just benefiting from heavy marketing and promotion. Maybe it's always been that way but the music landscape is definitely changing Trolls be gone! | |
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SeventeenDayze said:
This was going on during the time that people were saying that MC was a rip-off of Whitney Houston. Once she left Tommy, you really started to see her turn into what she probably wanted to be all along. But her motivation to drive herself musically and her discipline as a singer fell apart as the years went on. She has become lazy and it reflects in her performances. Do you see her performing to that same potential as she once used to back when she was under Sony? I understand if she wanted her own creative freedom, but something is lacking now At least during Butterfly and Rainbow era when her image was changing, the dedication and discipline was still there. [Edited 6/21/14 17:03pm] [Edited 6/21/14 17:05pm] | |
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how about just getting rid of the charts. whats really the purpose anyway other than bragging rights and extra promo.fans these days act more like a&r people, they look forward to the soundscan results and 1st week sales seem to be more important than the actual music. | |
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Yeah I've been wondering about that as well. Maybe she's just lost her hunger for that kind of thing, or as you said, perhaps it was the pressure from Sony that resulted in different outcomes for her during that time. Maybe around the mid-00s things were starting to change but she still had hits during that time. I think she's still got it but it boils down to management, sexism and a changing music landscape. Trolls be gone! | |
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