It's hard for me to pick my favorite so I'll say it's a tie between "Miss u much" & "Black Cat"...The ONLY woman on the Planet that rivaled or even bested Janet's Beauty was Whitney Houston....
it's been said on here b4, that it hasn't aged well as an album. that Control sounds more "classic" but RN is more influential. Can't say I disagree, but this was some next level ish! She had folks locked IN! My crush was at an all time high. She killed on this tour too!
It's hard for me to pick my favorite so I'll say it's a tie between "Miss u much" & "Black Cat"...The ONLY woman on the Planet that rivaled or even bested Janet's Beauty was Whitney Houston....
wasn't even close for me. whitney's face/skin was flawless, but its those damn curves, ain't noboby touchin' Jan in that department. AND she's funky too! that ish is hot!
wasn't even close for me. whitney's face/skin was flawless, but its those damn curves, ain't noboby touchin' Jan in that department. AND she's funky too! that ish is hot!
Boomshackalacka...LOL...Spoken for truth...Janet has plenty of Booty & Thick legs...
It was always my favourite of her albums, and one that really seemed fresh and exciting to me when I was listening to it as a tweenie.
24 years on, though, I think we have to acknowledge that the comparison with What's Going On? and the like leaves it wanting. Marvin was able to sustain his concept over a whole album, exploring different shades of his question (social, spiritual, ecological, etc). Rhythm Nation 1814 is really a sort of 'concept EP' that quickly turns into a straight pop/R&B album. Nothing wrong with that; it's still a great album. Just that we often gush over it's 'socially conscious' credentials, overlooking the fact that there are really only 4 of the 12 songs that deal with anything of that nature (the last of which is unbearable!).
The title track and its video, and Miss You Much, were pathbreaking, though. You can still see the influence today.
"Not everything that is faced can be changed; but nothing can be changed until it is faced." - James Baldwin
It was always my favourite of her albums, and one that really seemed fresh and exciting to me when I was listening to it as a tweenie.
24 years on, though, I think we have to acknowledge that the comparison with What's Going On? and the like leaves it wanting. Marvin was able to sustain his concept over a whole album, exploring different shades of his question (social, spiritual, ecological, etc). Rhythm Nation 1814 is really a sort of 'concept EP' that quickly turns into a straight pop/R&B album. Nothing wrong with that; it's still a great album. Just that we often gush over it's 'socially conscious' credentials, overlooking the fact that there are really only 4 of the 12 songs that deal with anything of that nature (the last of which is unbearable!).
The title track and its video, and Miss You Much, were pathbreaking, though. You can still see the influence today.
I think that comment BOTH needed to be said and went without saying, if you know what I mean.
You're right; I see and hear the influence of RN on concept albums like New Amerykah 1 and 2, ArchAndroid and Electric Lady.
Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder
It was always my favourite of her albums, and one that really seemed fresh and exciting to me when I was listening to it as a tweenie.
24 years on, though, I think we have to acknowledge that the comparison with What's Going On? and the like leaves it wanting. Marvin was able to sustain his concept over a whole album, exploring different shades of his question (social, spiritual, ecological, etc). Rhythm Nation 1814 is really a sort of 'concept EP' that quickly turns into a straight pop/R&B album. Nothing wrong with that; it's still a great album. Just that we often gush over it's 'socially conscious' credentials, overlooking the fact that there are really only 4 of the 12 songs that deal with anything of that nature (the last of which is unbearable!).
The title track and its video, and Miss You Much, were pathbreaking, though. You can still see the influence today.
those socially conscious songs made a different in my life at the time...because those songs featuring that level of commentary was being phased out even then
I was thrilled when I heard them.....and I took those lyrics to heart because everything she expressed in those songs is holding much water today......
I rather have that than watching a young woman stroll on a wrecking ball in her video, and that type of effort leads to #1 distinction on the R&B and HIP-HOP/R&B charts
that's how far this thing has fallen, and now, ironically to get a #1 R&B hit today, you can't be authentic and it has to be about sexual content......that's how far black music and music as a whole has stooped.....
It was always my favourite of her albums, and one that really seemed fresh and exciting to me when I was listening to it as a tweenie.
24 years on, though, I think we have to acknowledge that the comparison with What's Going On? and the like leaves it wanting. Marvin was able to sustain his concept over a whole album, exploring different shades of his question (social, spiritual, ecological, etc). Rhythm Nation 1814 is really a sort of 'concept EP' that quickly turns into a straight pop/R&B album. Nothing wrong with that; it's still a great album. Just that we often gush over it's 'socially conscious' credentials, overlooking the fact that there are really only 4 of the 12 songs that deal with anything of that nature (the last of which is unbearable!).
The title track and its video, and Miss You Much, were pathbreaking, though. You can still see the influence today.
I think that comment BOTH needed to be said and went without saying, if you know what I mean.
You're right; I see and hear the influence of RN on concept albums like New Amerykah 1 and 2, ArchAndroid and Electric Lady.
Lol, I feel both affirmed and dejected. But, yeah, I know what you mean (I think ).
Briefly, since you mention it (and lest I be mistaken for someone lamenting that everything's gone downhill since the days of the great ones!), for me, a vastly underrated album like New Amerykah Pt.1 stands up pretty well to the comparison. A lot of Janelle's stuff, too.
"Not everything that is faced can be changed; but nothing can be changed until it is faced." - James Baldwin
It was always my favourite of her albums, and one that really seemed fresh and exciting to me when I was listening to it as a tweenie.
24 years on, though, I think we have to acknowledge that the comparison with What's Going On? and the like leaves it wanting. Marvin was able to sustain his concept over a whole album, exploring different shades of his question (social, spiritual, ecological, etc). Rhythm Nation 1814 is really a sort of 'concept EP' that quickly turns into a straight pop/R&B album. Nothing wrong with that; it's still a great album. Just that we often gush over it's 'socially conscious' credentials, overlooking the fact that there are really only 4 of the 12 songs that deal with anything of that nature (the last of which is unbearable!).
The title track and its video, and Miss You Much, were pathbreaking, though. You can still see the influence today.
those socially conscious songs made a different in my life at the time...because those songs featuring that level of commentary was being phased out even then
I was thrilled when I heard them.....and I took those lyrics to heart because everything she expressed in those songs is holding much water today......
I rather have that than watching a young woman stroll on a wrecking ball in her video, and that type of effort leads to #1 distinction on the R&B and HIP-HOP/R&B charts
that's how far this thing has fallen, and now, ironically to get a #1 R&B hit today, you can't be authentic and it has to be about sexual content......that's how far black music and music as a whole has stooped.....
[Edited 9/20/13 9:22am]
Yeah, they meant something to me, too, and I agree it felt like something of a 'statement' at the time. I also find the 'hoochie-isation' trend a depressing spectacle - made all the worse by the fact that that's now taken to be the way that young female artists declare their maturity and independence, with a whole load of guff about their 'empowerment'. (Contrast that with Janet's own coming-of-age assertion in 'Control' and the situation looks particularly grim.)
Part of me kinda wants to offer an optimistic thought on this, though, and say that, although that strand definitely isn't in the ascendant, maybe it didn't die off - and that Janelle, Erykah, Me'shell, some of the more 'conscious' rappers, etc, are still trying to 'say' something. In fact, maybe we need a thread on that to stop us getting too depressed.......
[Edited 9/20/13 10:08am]
"Not everything that is faced can be changed; but nothing can be changed until it is faced." - James Baldwin
those socially conscious songs made a different in my life at the time...because those songs featuring that level of commentary was being phased out even then
I was thrilled when I heard them.....and I took those lyrics to heart because everything she expressed in those songs is holding much water today......
I rather have that than watching a young woman stroll on a wrecking ball in her video, and that type of effort leads to #1 distinction on the R&B and HIP-HOP/R&B charts
that's how far this thing has fallen, and now, ironically to get a #1 R&B hit today, you can't be authentic and it has to be about sexual content......that's how far black music and music as a whole has stooped.....
[Edited 9/20/13 9:22am]
Yeah, they meant something to me, too, and I agree it felt like something of a 'statement' at the time. I also find the 'hoochie-isation' trend a depressing spectacle - made all the worse by the fact that that's now taken to be the way that young female artists declare their maturity and independence, with a whole load of guff about their 'empowerment'. (Contrast that with Janet's own coming-of-age assertion in 'Control' and the situation looks particularly grim.)
Part of me kinda wants to offer an optimistic thought on this, though, and say that, although that strand definitely isn't in the ascendant, maybe it didn't die off - and that Janelle, Erykah, Me'shell, some of the more 'conscious' rappers, etc, are still trying to 'say' something. In fact, maybe we need a thread on that to stop us getting too depressed.......
It would be nice to think she still has an interest in creating music with a message.Unfortunately, I don't think that's the case (although I would love to be proven wrong).
One of Janet's best albums, and a highly relevant album in today's world. Most of the topics on RN are still prevalent in the world today (homelessness, bigotry, violence against children, etc.). A classic for sure.
I think that comment BOTH needed to be said and went without saying, if you know what I mean.
You're right; I see and hear the influence of RN on concept albums like New Amerykah 1 and 2, ArchAndroid and Electric Lady.
Lol, I feel both affirmed and dejected. But, yeah, I know what you mean (I think ).
Briefly, since you mention it (and lest I be mistaken for someone lamenting that everything's gone downhill since the days of the great ones!), for me, a vastly underrated album like New Amerykah Pt.1 stands up pretty well to the comparison. A lot of Janelle's stuff, too.
Always feel affirmed because you beat me to the same comment!
I agree on Erykah and Janelle. Their albums, like RN, stand out among a large pool of forgettable albums.
Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder
This project slays anything Beyonce & Rhianna can ever do in a LIFETIME! I still feel Janet doesn't get her props enough as a female powerhouse/innovator, that she was back then. Its always Madonna. The tour that accompanied this album was the most amazing debut tour, I've ever seen by any artist...She SLAYED IT!!! I was so proud of her.....
[Edited 9/22/13 5:33am]
will ALWAYS think of like a "ACT OF GOD"! N another realm. mean of all people who might of been aliens or angels.if found out that wasn't of this earth, would not have been that surprised. R.I.P.
This project slays anything Beyonce & Rhianna can ever do in a LIFETIME! I still feel Janet doesn't get her props enough as a female powerhouse/innovator, that she was back then. Its always Madonna. The tour that accompanied this album was the most amazing debut tour, I've ever seen by any artist...She SLAYED IT!!! I was so proud of her.....
This project slays anything Beyonce & Rhianna can ever do in a LIFETIME! I still feel Janet doesn't get her props enough as a female powerhouse/innovator, that she was back then. Its always Madonna. The tour that accompanied this album was the most amazing debut tour, I've ever seen by any artist...She SLAYED IT!!! I was so proud of her.....
it was beautiful stuff wasn't it
Also unmatched....
will ALWAYS think of like a "ACT OF GOD"! N another realm. mean of all people who might of been aliens or angels.if found out that wasn't of this earth, would not have been that surprised. R.I.P.
Just an excellent album really, changed my expectations of music personally and obviously gave her bro something to think about for Dangerous. The music videos were really cool as well, I always thought she was Public Enemy for some reason, not so much the dancing but the cinematography was ace.