Just like the white winged dove... | |
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John Fogerty: Centerfield You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Sting: I'm So Happy I Can't Stop Crying You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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"Your Lonely Heart" Natalie Cole from her "I Love You So" album, 1979. Hungry? Just look in the mirror and get fed up. | |
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Was btw penned by Kenny Rogers iirc? | |
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From The LP/CD Elvis Country: Just Music-No Categories-Enjoy It! | |
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According to the record I have, Lionel wrote Stuck On You by himself. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Thank you~ For years I thought I was the only one | |
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Prince's songs "The One U Wanna C", "When You Were Mine", and "Raspberry Beret". I'm surprised no country singers have done covers of these. The only Prince country cover song I can think of is Le Ann Rimes doing "Purple Rain". | |
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I don't hear anything country in Doo Wa Diddy & Who'd She Coo. I wouldn't even call them country funk. If you're talking about the harmonica in Doo Wa Diddy, that sounds like blues style to me, not country. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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The guitar lick in "Who'd She Coo" is really twangy and country sounding to me, and there's even some jangly acoustic guitar in the background, too
I always thought "Do Wa Diddy" sounded more blues-influenced than country, too. | |
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It's kinda rockabilly, but the other song not at all. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Yep his frasing in that song always reminds of Kenny's work.
I sometimes borrowed Lionel's "Can't Slow Down" lp from my sister, and always after having heard the closing guitar chords from "Stuck On You" fast-flipping the a-side, looking out listening to "Love Will Find A Way" lol. | |
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Lionel wrote Lady and a few other songs for Kenny, and Kenny also sang on We Are The World which was co-written by Lionel with Mike Jackson. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Yeah, now that you mention it
That reminds me about reading it somewhere before. Saw some cool footage of behind the scenes of "We Are The World" on youtube a while back. Rolling Stone magazine had an extended article printed too. Great photo btw of Kenny with Kim Carnes and James Ingram in the albums & singles topic
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Endless Love was written for The Commodores, but was turned down by the rest of the group, and I think Lady was a rejected Commodores song too. Kenny asked Lionel to write a song for him, and Lionel gave him Lady and I think Lionel produced it too. At least Kenny said Lionel was in the studio with him. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Aha, I see. Always interesting to read the back story of a song. Tried to find online the musician's lineups for "Endless Love" and "Lady", but couldn't yet find any more details about them for the soundtrack and the compilation.
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Tina Turner: What You Get Is What You See | |
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Lionel Richie and Kenny Rogers Hang in a Tent, Recall the Birth of 'Lady'
June 20 2012, 4:54 PM ET
SPIN went backstage with Das Racist, chauffered the Black Lips, pitched a tent with EMA, and visited the campgrounds w...anny Brown at Bonnaroo this year, but we weren't knocked nearly speechless until we were standing in a small tent with Kenny Rogers and his special guest, R&B legend Lionel Richie. We sent a few nervous texts to our parents (mom freaked, dad wondered if Richie remembered meeting him in Vegas a few years ago), fiddled with cameras, and remarked on the Tennessee mist. Then we realized these dudes are old friends and they pretty much interviewed themselves.
Today on Richie's 63rd birthday, we'd like to give you a gift. Read on for the tale of how the two first met.
Kenny: "He's Lionel. People get us confused all the time."
SPIN: "How did you two first meet?"
Kenny: "I asked him to write me a song and he said he didn't really do that. So I told him it would sell 5 million copes and well, that changed his mind."
Kenny: "He comes to me and says the he tried to do this with the Commodores and starts playing 'Lady' and I told him I couldn't believe they turned that song down!"
Kenny: "So we're in the studio and I'm doing the first verse and I'm looking to…"
Kenny: "I'm saying, 'Where's the second verse?' Then someone tells me Lionel's in the bathroom writing it because he works best under pressure."
Kenny: "There was another song you wrote me, too."
Lionel: "If that wasn't bad enough I then wrote him a second song, it was 'Stuck On You.' "
Lionel: "To redeem myself I have to come back now with a hit record for Kenny. I'm putting this out there, it's coming soon!"
You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Kenny also sang background vocals on Lionel's, "My Love". "Love is like peeing in your pants, everyone sees it but only you feel its warmth" | |
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Isn't this what broke up the original version of the Commodores? Lionel kept writing ballads and they wanted to be a funk band, but the ballads became hits for other people? | |
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I just can't get you off of my mind. Lenny Kravitz. | |
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Cheers Micky, shorttrini and DerekH for your posts
I'll read the chat of Kenny and Lionel tomorrow with cup of | |
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Wait a second--there's an album of this? | |
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Yep, it's from 2006 bluegrass tribute album:
You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Okay, well, it's not all Roth. That's a relief. At least from the performance in the clip, he had no idea how to adjust his vocal to make it work. I might enjoy some bluegrass veresions of Van Halen songs, but I don't think he could make it work.
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Andy is a four letter word. | |
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Fun read cheers! | |
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