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Acid Jazz: The 25th Anniversary Box Set
The multi-media package will give a thorough cross-section of Acid Jazz's quarter century of operation. Founded in 1987 by Eddie Piller with help from Gilles Peterson (and later Dean Rudlan), Acid Jazz explored an open-ended and hard-to-define sound at the meeting point of jazz, soul, funk and hip-hop. Over the years the label released hundreds of records by an incredibly diverse array of artists, from Dinosaur L to Gil Scott Heron to Cypress Hill. Whether the label came before or after the term "acid jazz" referred to a style of music depends on who you talk to, though Peterson is widely credited with coining the term. He tells the story this way: You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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interesting box, but weller and primal scream were never acid jazz, and those tracks certainly aren't | |
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this is a bizzare set. does nothing to clear up confusion about what exactly constitutes acid jazz. interestingly enough there was nothing by massive attack, tricky, portishead, etc. unless i missed it in my cursory glance. i'd have to come across a DEEP discount to holla at this set | |
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awesome "Lack of home training crosses all boundaries." | |
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What do they have to do with acid jazz? | |
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they are the names others mentioned to ME when I inquired about the label. not so much portishead, a couple songs perhaps, but yeah, ppl were saying it was a british coined genre if u will and massive attack and tricky in particular epitomized it. not saying its correct but from the conversations i had, ppl seem to agree they "fit the bill" | |
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massive attack was one of the first trip hop acts, they were far from acid jazz. portishead was also trip hop, and the weller track is a bit trip hop, especially the remix, you could maybe say the same for the scream, but that's more funk/rock than anything else. tricky used to be in massive attack but they fell out and he went solo. his solo stuff was a mix of trip hop and hip hop
http://en.wikipedia.org/wiki/Trip_hop
http://en.wikipedia.org/wiki/Acid_jazz
http://en.wikipedia.org/wiki/Acid_Jazz_Records
acid jazz was really just what was on the acid jazz label and stuff that sounded like it. the older stuff was tagged acid jazz in retrospect, but it's realy just the founding music that inspired it, like disco inspired house, but house isn't disco and disco isn't house | |
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so more importantly than the SOUND or what is "legimately" acid jazz vs. trip hop is the fact that Acid Jazz was an actual record LABEL, and this is a compilation of stuff that came out on THEIR label?? if that's the case, makes sense | |
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that's the thing, many of the artists weren't on the acid jazz label, like weller and scream. in fact looking at the tracklisting again, it looks like most of them weren't. maybe someone who remixed or produced some of the stuff was tied to the label, explaining the later stuff like cypress hill and will smith, which is not what i'd call acid jazz
i could understand putting on the early stuff before acid jazz to show it's roots, in a similar way to the story of the house sound of chicago multi cd set that has disco and hi nrg stuff and other prehouse music to show how the dance genre evolved into house then acid house and commercial pop/house. perhaps this is acid jazz's way of doing that
it's a shame there are too many 7" versions, and there are some great 12" extended versions of some tracks like too young to die so it's a shame the album versions are on | |
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Trip-hop is a direct rip-off of acid jazz, but at a much slower tempo. | |
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With that said, I like acid jazz. I already consider as THE real spin-off of jazz fusion (READ: motherf*** smooth jazz). | |
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