I never said that
One of your previous posts you implied that Michael cared about sales alone... THAT IS TRUE but he ALSO strived to put time in the artistic quality of his albums. So its not like he just came out with albums just because he cared about sales. After Thriller, Michael strived to grow as an artist, songwriter and producer.
I love all his albums but Thriller is not even my favorite album from him and I would not even rank it as his best album out of his catalogue. | |
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Yeah...no. Beat It wasn't R&B.
As for him being "R&B oriented", well why didn't they call him the King of R&B then? | |
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Me neither. He was a pop star but his music was eclectic. He experimented with a wide range of genres. Any real Michael Jackson fan knows this. [Edited 11/30/12 16:09pm] | |
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This shut it down right here
Still get goosebumps looking at this | |
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Elizabeth Taylor may be incorrectly taught her speech? | |
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That's part of the reason why Mike, Lionel Richie, Tina Turner, Billy Ocean, Whitney Houston, etc could get constant Top 40 pop airplay. Look at Kool & The Gang. When they were doing jazzy style mostly instrumental music, they didn't get that much pop airplay. But when JT Taylor got in the group, they started to add a more pop style and they got a lot of airplay on pop radio and later MTV. Groups and singers that were more straight R&B or funk didn't get the same pop radio airplay, but were popular on R&B radio like Lakeside and Teddy Pendergrass. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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I don't know... It's that after a while Michael wanted to be just referred to as King of Pop. Rock and Soul was omitted by 1991. | |
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Exactly. That has always been the norm. Michael was smart. He knew what sold. Motown, the label that first made him popular, knew what was needed to make an artist successful. That's why so many of its artists broke cultural barriers with their music. Even Marvin, who is probably considered the grittier of the artists that made Motown popular, was referred to as a pop artist after a while (the UK press often called Marvin a pop star prior to his death). If he was just an R&B artist, he would've just performed for the audience that was made for it. Pop meant you reached all people. | |
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lol and I never said he cared about sales alone. That was his main goal, that's all I said. | |
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unreal talent | |
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Just because your pop doesnt necessarily mean an artist cant do other genres Thats just like that whole ridiculous arguement with calling Stevie Wonder a POP artist, well yea he is popular but he has done other genres and enough of other genres to be given a different title. POP simply means catering to alot of people and yes there are some artists I would personally say fits that title and no other genres but artists like MJ, Stevie experimented with Rock, R&B, Folk, Jazz, Soul, Dutch etc so its absurd to just simply box them in as POP and not acknowledge the other genres they have done. You can cater to alot of people or be a pop star through other non popular subgenres as well i.g Funk, Jazz etc. MJ is the King of Pop only because his music reached alot of people but he experimented with a wide range of genres. | |
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I don't hear people calling Stevie a pop artist? | |
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There is nothing wrong with being Pop. | |
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I remember when this album was first released.It was December 1982,a time when there was so much amazing music on the radio.I liked the album,but I had no idea that it would go on to become the biggest album of all time.Michaelmania of 1983 was unlike anything I had ever seen! It was insane This album had massive appeal and it crossed over like no other album did before it.And this is one of those albums that lasted forever!! It was released in late 1982 and seemingly stayed "hot" until about early 1984 (when everyone was trippin' off the "Thriller" video).It's interesting to note that,all the songs on this album except for two,were released as singles.And one of those ("The Lady In My Life") still received alot of radio airplay and became a Quiet Storm favorite.
We'll never see another "Thriller" in our lifetime.I can't imagine any current artist being able to do what Michael did and achieve those same heights.That's a once in a lifetime thing. | |
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In the past, people on this forum were arguing Stevie Wonder was a pop star so I just used that as an example to prove a point.
There is nothing wrong with artists who are POP but its a problem when people over generalize the term for an artist that experiments with many genres. Popularity doesnt necessarily make you a one genre artist. Now that is the case for some but for MJ that isnt the case. If someone wanted to call him a R&B star, a Rock star etc I could see that because he has made enough of those particular genres but in his case its far complicated because he has done so many subgenre type songs to just classify him as a one genre artist.
[Edited 11/30/12 16:37pm] | |
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That's all I meant about Stevie when I said he was a pop artist. He wasn't just R&B so what are you blabbing on as if being pop is bad? | |
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I am not babbling about anything and NEVER insisted was pop bad in that postbut when other people insisted he was an R&B artist you implied he wasnt. I only argued that he could easily be called R&B as well because he has enough of that in his catalogue despite some pop songs. And that is not want you implied in that other thread. [Edited 11/30/12 18:09pm] | |
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Lemme ask you a question, carousel, if I can... do you know what you type sometimes? Because as much as you claim it's stupid to refer to someone as pop, at the same breath, you said pop covers all genres. That's what I was saying with Stevie, what I was saying with Michael. But you had to turn it around and say that I was dismissing them as just pop artists. As if being pop is a bad thing yet you were pretty much saying what I was saying. If you're gonna argue with anyone about pop or popular artist, then think about what you're saying. If you're considered an R&B artist, that means you only perform to that particular genre of listeners and have no hope of crossing over. That's why I say Michael wasn't an R&B artist and he proved that with Thriller. He was a crossover artist from the days of "I Want You Back". If he was simply R&B in the modern sense, he wouldn't have captivated the world as he did. He performed R&B, pop, rock, funk, dance, soul, etc., etc. That's what it means to be pop. That's why Michael Jackson is known as "the king of pop". | |
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(CNN) -- Eddie Van Halen sits on a sofa in his home studio, smoking an electronic cigarette and reminiscing about the 30th anniversary of Michael Jackson's masterpiece album, "Thriller." "It seems like yesterday, doesn't it," he says softly. "It would have been fun to work with him again." Van Halen was a surprise guest on "Beat It," the album's third single. His blazing guitar solo lasted all of 20 seconds and took half an hour to record. He did it for free, as a favor to producer Quincy Jones, while the rest of his Van Halen bandmates were out of town. "I said to myself, 'Who is going to know that I played on this kid's record, right? Nobody's going to find out.' Wrong!" he laughs. "Big-time wrong. It ended up being Record of the Year." The Rock and Roll Hall of Famer recently revealed to CNN what went on behind-the-scenes of his iconic collaboration with the King of Pop. CNN: When Quincy rang you up, you thought it was a crank call. Eddie Van Halen: I went off on him. I went, "What do you want, you f-ing so-and-so!" And he goes, "Is this Eddie?" I said, "Yeah, what the hell do you want?" "This is Quincy." I'm thinking to myself, "I don't know anyone named Quincy." He goes, "Quincy Jones, man." I went, "Ohhh, sorry!" (Laughs) I asked, "What can I do for you?" And he said, "How would you like to come down and play on Michael Jackson's new record?" And I'm thinking to myself, "OK, 'ABC, 1, 2, 3' and me. How's that going to work?" I still wasn't 100% sure it was him. I said, "I'll tell you what. I'll meet you at your studio tomorrow." And lo and behold, when I get there, there's Quincy, there's Michael Jackson and there's engineers. They're makin' records! CNN: Did Quincy give you any direction about what he wanted you to do? Van Halen: Michael left to go across the hall to do some children's speaking record. I think it was "E.T." or something. So I asked Quincy, "What do you want me to do?" And he goes, "Whatever you want to do." And I go, "Be careful when you say that. If you know anything about me, be careful when you say, "Do anything you want!" I listened to the song, and I immediately go, "Can I change some parts?" I turned to the engineer and I go, "OK, from the breakdown, chop in this part, go to this piece, pre-chorus, to the chorus, out." Took him maybe 10 minutes to put it together. And I proceeded to improvise two solos over it. I was just finishing the second solo when Michael walked in. And you know artists are kind of crazy people. We're all a little bit strange. I didn't know how he would react to what I was doing. So I warned him before he listened. I said, "Look, I changed the middle section of your song." Now in my mind, he's either going to have his bodyguards kick me out for butchering his song, or he's going to like it. And so he gave it a listen, and he turned to me and went, "Wow, thank you so much for having the passion to not just come in and blaze a solo, but to actually care about the song, and make it better." He was this musical genius with this childlike innocence. He was such a professional, and such a sweetheart. CNN: That collaboration surprised a lot of people. Van Halen: I'll never forget when Tower Records was still open over here in Sherman Oaks. I was buying something, and "Beat It" was playing over the store sound system. The solo comes on, and I hear these kids in front of me going, "Listen to this guy trying to sound like Eddie Van Halen." I tapped him on the shoulder and said, "That IS me!" That was hilarious. CNN: How did you explain to the guys in Van Halen what had happened? Van Halen: I just said, "You know. (Shrugs) Busted!" "Dave, you were out of the country!" "Al, you weren't around!" I couldn't call anyone and ask for permission. Unfortunately, "Thriller" kept our album, "1984," from going to No. 1. Our album was just about ready to go No. 1 when he burned his hair in that Pepsi commercial, if you remember that. And boom, he went straight to No. 1 again! CNN: Is there an album since then that has shaken things up in the same way? Van Halen: Wow, I don't know. CNN: Some people cite Nirvana's "Nevermind" has one that caused a musical shift. Van Halen: But still not like that. Not that crossed over to such a mass audience. Nirvana was huge, but it didn't appeal to everyone. I have a lot of respect for Michael. He's going to be sorely missed. I'd be curious as to what he'd be doing right now. CNN: I believe Quincy has said he paid you in two six packs of beer. Van Halen: Yeah, something like that. Actually, I brought my own, if I remember right. I don't even think I'm credited on the record. It just says, "Guitar solo: Question Mark" or "Guitar solo: Frankenstein" (the name of his guitar). CNN: Did you ever hear from Quincy again? Van Halen: At the very end, Quincy wrote me a letter thanking me. It was signed, "The F-ing Blah Blah Blah," which I still have. It's very funny.
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People seem to forget that Michael was 13 years into his career by the time Thriller came out. He had already crossovered. Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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The Jacksons' Triumph album didn't get a lot of pop radio attention, even though it came out after Off The Wall, but it was popular with the R&B audience. I think The Jacksons as a group were more considered R&B and not pop. I remember hearing Body and The Hurt from Victory a lot on the R&B station, but not on the pop one, where they just played State Of Shock. Technically "pop" is short for "popular music". Because there is not much in common in the music of Bing Crosby, Louis Armstrong, Nat King Cole, Elvis Presley, KC & The Sunshine Band, Run DMC, Madonna, Kenny Rogers, Styx, ect, but they were all the "pop stars" of their day. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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I agree. The Jacksons were definitely more rooted in the R&B side of things. Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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And also Motown didn't just cater to the R&B audience. Berry Gordy was like "this is the Sound of Young America, not Black America". People called Motown "polished soul" trying to insult but they actually were right about Motown. Berry Gordy was one of the first to say, "no this won't cater to just blacks or cater to just whites, this will cater to everyone." Michael Jackson and Stevie Wonder were graduate students in learning this. Berry wanted his artists to be popular, i.e., pop artists. Michael Jackson was already a pop legend when he friggin' did "A-B-C, as easy as 1-2-3..." "Mainly R&B" my ass. [Edited 11/30/12 16:50pm] | |
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Yeah the Jacksons when they left Motown became more R&B oriented. Michael singing "Find Me a Girl" and (before he left Motown, "All I Do Is Think of You") was definitely more R&B than say "I'll Be There". All of their albums before Victory were R&B albums. Off the Wall had a pop edge that Destiny didn't. | |
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Exactly. Mike's "true" R&B period was 1973-1981. Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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And really his only period where he was "mainly R&B". After that, he was a pop artist. Pop meaning popular. Also pop meaning all genres. Also pop meaning GOOD. Being mainly R&B wasn't a bad thing, it just wasn't selling as big lol but just good enough to get by which if you're someone who obsesses about being big as Michael Jackson was not good at all. | |
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Pop is negative to people now so most don't want to claim it. I'm happy Michael didn't cared and just did whatever he wanted to do musically. | |
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Michael kept hearing "sell-out" all his career but he kept on moving lol | |
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I have a book on MTV and they clearly point out that "Pass The Dutchie" by Musical Youth was the first black video on their channel it began airing in late 1982,several weeks before '1999' and 'Thriller' were even released. | |
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I never said pop covers all genres for ALL POP artists
because ALL POP artists do not experiment with MANY genres as MJ and Stevie Wonder did ... SOME do but not ALL. Each pop star and just in general every artist is different
I was speaking on those specific artists alone (MJ and Stevie Wonder) because those specific artists experimented with different genres. Thats not ALWAYS going to be the case for every pop artist, R&B artist etc. You can have a R&B artist that experiments with other genres they do not necessarily have to be pop stars. Hell, you can have a blues artists that does hip hop or experiment with rock so its not exclusively just pop artists who experiment with other genres.
I never implied POP was bad or at least wasnt try to but only suggested that those artists shouldnt just be boxed in as just one category because they have experimented with more than one genre. POP does not necessarily mean an artist that experiments with many genres because not all pop stars experiments with many genres.
Now the whole reason with why MJ is titled the KOP I already stated numerous of times again just simply argued that their genre classification can be debated because they did many genres and I dont think cross over appeal has anything to do with that especially if they started out as R&B to begin with but I understand your point.
ANY artists, R&B, Hip Hip, Blues, Jazz, can experiment with any other genre not just pop stars
Michael Jackson was a cross over artist that still had success and number one hits doing Dutch influenced songs and Rock influence songs.... the whole focus of my point did not necessarily just center around R&B but other genres that he could possibly be classified as instead of POP. I said I would not call him pop in the pure sense because he did many genres besides that but of course he is the KOP because of the mass appeal of his music despite that.
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