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Digitial music vs cds, vinyls, distribution of music today vs yesterday, etc.
[Edited 8/26/12 20:06pm] | |
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I think the biggest problem is "the leak" because no one can wait for the official digital or physical copy to arrive, and the first thing available for a new release is the illegal download. | |
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And the leak is most likely done by the label the same way "promos" were done for CD's, but perhaps to ensre the artist stays indebted to the label by making it harder to break even or profit. If they can't then they have to stay for a few more albums or get dropped. THese labels aren't stupid. They're quite aware that an artist who's sold 15,000 copies can do just the same now independently and keep most the profits. The ones who DON'T know that? The artists. | |
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Labels take advantage of their artists by leaking their music before it gets out. I don't even believe that a person who don't work for a label actually knows how to hack that type of information. We gotta be wary about who's doing what. | |
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So people steal the music, yes, but only because evil labels leak it first.
Somehow they want people to illegally download the music instead of buying the albums at the stores
Sorry but still don't get it | |
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How else do they get it then? | |
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That's why I have never felt that I truly owned a song unless I have it on vinyl. I never liked cassettes because I could make a cassette myself. Even before CD burners and recorders, it just didn't seem like a CD was something to take the place of vinyl because CDs were so small. Plus, those CD cases reminded me a lot of cassette cases so that was a turnoff to. To me, something smaller could never take the place of something that used to be previously bigger. I like everything bigger....bigger houses, bigger cars, bigger stereo systems,.....and bigger uh..... I could never be satisfied with a format that I could record myself such as cassettes or CDs. It just seems like a waste of money to buy something pre-recorded on a format that you could have recorded yourself and had a copy to carry with you for portable devices and also have the original vinyl at home for the big sound system. And vinyl sounds better anyway.
As for how I feel about people "stealing" music these days by downloading it illegally, if the music scene was still great, I wouldn't like it because I would know that if an artist doesn't make money, they no longer continue to record and release albums. But considering that the music scene these days is the dullest that it has ever been in music history, I'm 100 percent for illegal downloading and encourage everyone I know to do so because today's so-called artists ain't shit and don't deserve the money. Keep on downloading, break the labels, and send the no talent artists back to McDonald's where they belong. . . . [Edited 8/25/12 15:38pm] Andy is a four letter word. | |
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vainandy's Coprophiliac Theory: Today's music is shit, so people, go and download it illegally.
...cause everyone loves downloading shit, right? | |
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I think it's great, it allows artists who wouldn't have had the opportunity otherwise to have their music disetrbuted digitally. I'm afraid of Americans. I'm afraid of the world. | |
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lol thing is I think you have to like the shit you're downloading. Why would anyone download shit they don't like already? | |
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Well that's what Bandcamp and Soundcloud are for... | |
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The pluses of each:
Digital Music- Very portable and incredibly easy to get for free (there's many artists who's music I wouldn't have otherwise)
CDs- Somewhat portable, can be put in cars, and I love the bookets
Vinyl- Big and smells old | |
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What if it's new? I have the new Van Halen record and it doesn't smell old at all. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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I didn't think anybody still made vinyl records | |
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Jack White makes them all the time. | |
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Who? | |
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[img:$uid]http://images2.wikia.nocookie.net/__cb20110114064610/glee/images/8/8e/DID_I_STUTTER_BITCH.PNG[/img:$uid] | |
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That was Jack White I posted. | |
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Jack White's a woman? | |
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[img:$uid]http://imgboot.com/images/EYEdentity/denzelcant.gif[/img:$uid]
I'm done with you tonight lol | |
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They do, but they're costly. The Van Halen album cost me 36 dollars, and it's red vinyl. Some record companies still make cassettes, my mom buys them from a mail order catalog. Occasionally, an act will even get an 8-track release. There's a local record store that sells new release vinyl. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Vain, I have to say I miss the vinyl record days. Even though putting that little disk in the center of the '45s' was a pain in the ass. I used to love the colorful vinyls, like the ones another orger posted on this thread. The only vinyl I own right now is the Purple Rain vinyl. My sisters have about 3 crates of 7 inch vinyl records, they refuse to part with. I mean I think the digital age is cool, but not the same as having the physical copies, B-sides, and the creative work that went into the album covers of vinyl records. I am not that fond of cds, but deal with them becasue they're the closest thing to having a physical copy of an artists's music.
As far as independent artists taking the reins and promoting their own music, rather than depending on record labels, there seems to be many options open to them, but then there's a lot of work in self-promotion, and getting booked into clubs, especially when many don't have the funds to heavily promote. So options like youtube, myspace, Facebook, and social media sites open the doors for exposure, in comparison to musicians/artists before the 90s, who basically depended on recordl labels/execs to give them the opportunity for exposure.
I do think however, with the state of the music industry, we will not see as many musicians/artists become legends like the Prince/MJ/Madonna/Hendrix/Santana/Rolling Stones/Beatles/EWF, etc., because like I mentioned, many music lovers can obtain the music for free and copy it for their friends. Not to mention the bootlegs. As far as radio, well, it's not like they promote up and coming artists today, at the rate they did back-in-the day, and all the music basically sound the same The Rihannas, Beyonces, Katy Perrys, all sound alike, and most of the mainstream pop music, have that electronica, noisy sound, nothing magical, interesting, inspiring or different. Even though there are some artists whose names are known, radio isn't playing their music, that's what's the difference between yesterday's music and today. About 7 years ago I took to myspace and other social media sites to find various music, that didn't 'sound the same' as what the radio was playing. I found some interesting independent artists, whose music I still listen to, through myspace, when myspace was on the roll. Now I may go to youtube, and other sites to do the same, and have had some friends recommend some artists to check out on youtube. You'd be surprised at the many independent artists on those sites, whose music is worth playing on radio.
Anyway, thanks to all who contributed to this thread. You've all made some interesting point. Please continue to share your opinions. | |
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There are plenty of reasons to download music that you don't like. If you have friends that like bullshit music, you can download it for them and burn it onto a blank CD for them. You can download it for nephews or neices. A parent can download it for their kids. Hell, if a perfect stranger on the street likes bullshit music, do a nice gesture for him and download him some of the bullshit music he likes. All these things help prevent those people from going out and buying that bullshit music because the goal is to break the bullshit artists and prevent them from making money. You can't stop people from liking bullshit music but you can help them to not buy it so the bullshit artists won't make any money. Every little download helps. . . . [Edited 8/26/12 8:18am] Andy is a four letter word. | |
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Very good views and thoughts and i know people LOVE the ease of digital and the fact that they dont have to buy a huge rack to store their cds or albums or even tapes anymore, so i think people are missing something in all this.
I recently saw an interview with Richard Marx while he was promoting his latest work, and i think the interviewer asked them the question that every artist OLDER gets asked, what do u think of how music is put out now. Well Richard replied in a way that was from a genuine music lover, not in angry way that was "MUSIC IS GETTING STOLEN" because there are still sales and touring money made, if you put the stuff out yourself there is profit. But Richards answer was "When I was a kid, music was LIKE THIS (meaning a big album)" then "When i was recording and getting into the business and having my own kids, music shrunk to THIS (meaning a small disc), NOW "Music has almost disappeared its this little box picture on your ipod of mp3 player" and he also continued to say "That music had lost its meaning in peoples life because there is so much to compete with in other forms of media etc.." and referenced something I THINK we all can identify with he said " you know i love the Foo Fighters and if they have a new record I'll buy it first day, but i may not listen to it right away" now that is a perfect sum up of how music has lost its meaning BECAUSE of the ease of getting it and not even knowing you have gotten it. "We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F | |
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Thanks for that. I agree with him. As much as it's cool to purchase a song off the internet. I just always feel something is missing. To know it's just left on my computer, and then later I might copy it on cd in case of computer issues down the road, then transfer it to my music player, where it remains, with no album cover, history of the song, etc., etc
I mean I think the digital age is great for new artists being able to market themselves, and reach a broader audience, rather than waiting for a record label or rec exec to discover them. But then let's say they obtain a major audience on their own through the internet. When it comes to booking in clubs/venues for live performances, wouldn't they still need the help of promoters or record label execs or the backing and promotion of an already, established musician to back them up? I am wondering how it works from there, since there are so many artists doing self-promotion, but when it comes to getting actual booking in clubs/venues to further promote, don't you think it becomes more difficult at that point, if they don't have good financial backing from a major promoter or someone in that league that could help back them financially? | |
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That's the part I don't get. I see that as a downfall. It takes the fun out of the anticipation of it when leaked. Why leak the whole track before it goes on sale? If they did a snippet of it, then that would be smarter, but I would prefer 'no leak', and wait for the actual release date. I think the 'leaking' process interferes with sales. Sadly, though I don't see how 'leaking' or 'stealing music' can be prevented in this digital age of music. | |
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Wow, just looking at those vinyls makes me want to start creating a new vinyl collection. I'm actually thinking of purchasing a stereo set with a record player included. | |
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On the record version of this album, there's a couple of tracks that's not on the CD. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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