naffi said:

95. Bizarre Love Triangle by New Order [Edited 8/25/12 3:42am]

96. Roxy Music - "Editions of You"

"Editions of You" is a full-on assault from start to finish. The opening keyboard chords gel with a downright dangerous bass line to foster a formidable groove behind Bryan Ferry's maniacally delivered lyrics. After three raucous verses, three absolutely absurd solos erupt- Andy Mackay's saxophone blisters, Phil Manzanera's guitar shredding boils and Brian Eno's VCS3 scalds new sounds to send the song careening into a wonderfully colorful splendor. Bryan Ferry returns for another verse, and even he can hardly keep up as he reckons "this crazy music drives you insane" just before Brian Eno usurps control yet again. The song is attacked with limitless abandon, and it strikes me as more visceral, exciting and threatening than the punk music it supposedly inspired.

[Edited 8/25/12 9:08am]

Great job so far @Hudson & @Byron.

97) Fugees - Ready Or Not

98) This Woman's Work - Kate Bush

99: Tom Petty & The Heartbreakers- Breakdown

Simply and short song, but it's just so good! at least I think so, I can listen to this song in non stop repeat!

[Edited 8/25/12 9:07am]

100) Eric B. & Rakim - Paid In Full

[img:$uid]http://img.photobucket.com/albums/v286/supernova638/th_invisiblegif.gif[/img:$uid]

[Edited 8/25/12 9:32am]

102.) "Casanova Brown" - Teena Marie

103) Johann Sebastian Bach - Die Kunst der Fuge




During the latter years of his life Bach gradually withdrew inwards, producing some of the most profound statements of baroque musical form.

Music for adventurous listeners

tA

Tribal Records

105) Wolfgang Amadeus Mozart - Leck mich im Arsch

Translates to "Lick me in the arse."

[Edited 8/25/12 8:57am]

[img:$uid]http://img.photobucket.com/albums/v286/supernova638/th_invisiblegif.gif[/img:$uid]

[Edited 8/25/12 12:58pm]

106. Reminiscing ~ Little River Band

107. Sketches Of Spain- Miles Davis

Skid Row - 18 & Life

Red Hot Chili Peppers - Under The Bridge

110) Anne Murray - You Needed Me

111) Charlie Christian - Swing To Bop




Previously relegated to a chordal rhythm style by the limitations of the acoustic instrument, jazz guitarists could now revel in the volume, sustain, and tonal flexibility provided by amplification. Charlie quickly realized the potential of the electric guitar, and developed a style which made the most of the unique properties of the instrument. When Charlie arrived in Los Angeles, he was only allowed a brief audition and he was not even allowed the time to plug in his amp. Goodman was not impressed so Hammond decided to sneak Charlie onstage later that night during a concert at the Victor Hugo. This made Goodman angry and he responded by launching into "Rose Room," which he assumed Charlie would be unfamiliar with. Charlie performed an impressive extended solo on the piece. This impressed Goodman and Charlie was let into the band.

Charlie was a hit on the electric guitar and remained in the Benny Goodman Sextet for two years (1939-1941). He wrote many of the group's head arrangements (some of which Goodman took credit for) and was an inspiration to all. The sextet made him famous and provided him with a steady income while Charlie worked on legitimizing, popularizing, revolutionizing, and standardizing the electric guitar as a jazz instrument. After working at nights with Goodman, Charlie would seek out jam sessions. He discovered a club in Harlem, Minton's, located on New York's West 118th Street. The club was located in a former dining room in the Hotel Cecil and was established by retired saxophone player Henry Minton. Minton hired fellow saxophonist and former bandleader Teddy Hill to manage the place. Hill hired a rhythm section which included Thelonious Monk and Kenny Clarke. At Minton's Charlie played with such greats as Dizzie Gillespie, Charlie Parker, Thelonius Monk, Joe Guy (trumpet), Nick Fenton (bass), Kenny Kersey (piano), and Kenny Clarke (drums). Charlie impressed them all by improvising long lines that emphasized off beats, and by using altered chords. He even bought a second amp to leave at Minton’s. Jamming sessions would usually last until about 4 A.M. and Minton’s became the cradle of the bebop movement. Charlie's inventive single-note playing helped popularize the electric guitar as a solo instrument and helped usher in the era of bop.

http://www.duke.edu/~tnp/biograph.html
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Music for adventurous listeners

tA

Tribal Records

112) Horses In My Dreams - PJ Harvey

[img:$uid]http://img.photobucket.com/albums/v286/supernova638/th_invisiblegif.gif[/img:$uid]

[Edited 8/25/12 16:06pm]

We must be the only site on the internet where a list could get this far without a single mention of The Beatles...

113) A Day In The Life - The Beatles

NOTE: This video is for the LOVE remix of the song, which I consider to be the best version.

^^^^ Thats my favorite Beatles song

114) Donna Summer-Last Dance

I was going to post that song! Went with Horses instead

Surprised this one hasn't been submitted yet...

Bee Gees - Stayin' Alive.

116: Parliament- Flashlight

I cant believe Staying Alive and Flashlight are now getting named on this list CLASSICS

Tons of classic obvious songs are being overlooked on this thread... It took me at #113 to mention a Beatles song; and still, nobody has mentioned a Marvin Gaye song except the early hit "I Heard It Through The Grapevine"... it's odd.

But I'm enjoying all the stuff I've never heard of.. that's what I like best about this thread.