Author | Message |
Hendrix - Voodoo Chile (live) | |
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Niiiiice one. There was one week I listened to this song at least once a day. | |
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Which version you prefer? This one always goes along with the funk heads but I love the bluesy longer one... | |
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The longer 15 minute one on the album. It's such a trip. | |
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Yessir. That version takes me somewhere. That and "Sex Machine" from Sly and the Family Stone were the heaviest songs that closed out the '60s. I mean it's just... ... | |
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I swear something was in the water back then...The Beatles, JB doing his thing, Sly, Jimi...not to mention The Rolling Stones, etc... | |
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True... there was something alright. But I get what you're saying. | |
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That could be it, never even thought of that. We should bring the drugs back, but we'd probably just get 200 BPM trance. | |
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All they need is lean and shrooms, they'll be good. | |
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The 15 minute version is orgasm of the ears, minds & everywhere else LOVE IT Pistols sounded like "Fuck off," wheras The Clash sounded like "Fuck Off, but here's why.."- Thedigitialgardener
All music is shit music and no music is real- gunsnhalen Datdonkeydick- Asherfierce Gary Hunts Album Isn't That Good- Soulalive | |
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I always liked Axis because of the songwriting but it was when Hendrix stopped with all the on-stage histrionics and became a blues/soul musician, instead of an "act" that I enjoyed his music.
So the live at the Fillmore albums and the Woodstock stuff are awesome. Hendrix is one of those musicians whose star will always have that lingering lustre.... | |
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Interesting you said that because I did feel he had expanded beyond the gimmicks that he used to become popular in the US (the fire incident and the guitar theatrics at Monterey Pop). I also feel his albums after Are You Experienced definitely showed his growth. He seemed more connected to his R&B origins in the rest of his albums... | |
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That's what I was saying: he progressed from showmanship first, guitar player second to serious musician expressing social commentary first, un- interested in onstage antics.
In '67, he came on the scene with the pink feather boas, humping the speakers, lighting his gits on fire, etc. It wasn't until '69-'70 that he became a more serious musician, concerned with Black people attending/not listening shows/ listening to his music.
He started hanging out with Miles Davis towards his death (who was influenced by Hendrix during the early '70s) and I want to think that Hendrix would have transitioned himself into making more thought provoking music (i.e. jazz). | |
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Yeah you wonder what would've happened had he survived 1970. | |
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