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Forums > Music: Non-Prince > Delia Derbyshire feat. Barry Bermange ~ Falling
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Thread started 05/19/12 4:58pm

MickyDolenz

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Delia Derbyshire feat. Barry Bermange ~ Falling

You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton
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Reply #1 posted 05/19/12 5:36pm

UncleGrandpa

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Five years ago when lime-wire was around, I downloaded some of her recordings just for kicks. She had some interesting concepts and works to say the least, too bad she doesn't get wide recognition. Its similar to Laurie Anderson, her style is a bit too bizarre for mainstream tastes.

Jeux Sans Frontiers
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Reply #2 posted 05/19/12 6:08pm

MickyDolenz

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Alice Shields was also doing this eletronic sounds and tape loops thing during that time.

You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton
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Reply #3 posted 05/20/12 9:10am

MickyDolenz

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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton
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Reply #4 posted 05/20/12 9:33am

mask

Delia Derbyshire is also responsible for the ambient synth-soundscape that opens "Eye No" on the Lovesexy album.

She is uncredited on the liner notes.

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Reply #5 posted 05/20/12 12:01pm

MickyDolenz

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mask said:

Delia Derbyshire is also responsible for the ambient synth-soundscape that opens "Eye No" on the Lovesexy album.

She is uncredited on the liner notes.

It wasn't that common to credit samples in the 1980s, though. It has been said that the Paul's Boutique album is really what got the attention of copyright holders.

[Edited 5/20/12 12:34pm]

You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton
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Reply #6 posted 05/21/12 11:22am

mask

MickyDolenz said:

mask said:

Delia Derbyshire is also responsible for the ambient synth-soundscape that opens "Eye No" on the Lovesexy album.

She is uncredited on the liner notes.

It wasn't that common to credit samples in the 1980s, though. It has been said that the Paul's Boutique album is really what got the attention of copyright holders.

[Edited 5/20/12 12:34pm]

Prince didn't "sample" Delia Derbyshire,he lifted a whole minute and a half of one of her compositions and used it to open his LoveSexy album.

Imagine if someone took the first minute and a half of,let's say,"1999" and used it on their album,untouched.

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Reply #7 posted 05/21/12 12:26pm

MickyDolenz

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mask said:

MickyDolenz said:

It wasn't that common to credit samples in the 1980s, though. It has been said that the Paul's Boutique album is really what got the attention of copyright holders.

Prince didn't "sample" Delia Derbyshire,he lifted a whole minute and a half of one of her compositions and used it to open his LoveSexy album.

Imagine if someone took the first minute and a half of,let's say,"1999" and used it on their album,untouched.

Well, Rick James sued MC Hammer, but Prince didn't. razz The length doesn't matter though, it's still considered a sample. Michael Jackson was sued about the classical recording (almost 2 minutes long) at the beginning of Will You Be There, which wasn't originally credited and used without permission.

You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton
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Reply #8 posted 05/21/12 11:09pm

Cinny

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This winter I attended a showing of a Delia documentary. I only knew her recordings with The White Noise.
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