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Thread started 09/21/11 3:30pm

HAPPYPERSON

2011 Year-To-Date U.S. Album Sales

1. 21 ADELE 3,419,261
2. BORN THIS WAY LADY GAGA 1,774,624
3. THA CARTER IV LIL' WAYNE 1,184,103
4. SIGH NO MORE MUMFORD & SONS 1,161,930
5. MY KINDA PARTY JASON ALDEAN 1,127,497
6. WATCH THE THRONE JAY-Z & KANYE WEST 836,021
7. DOO-WOPS & HOOLIGANS BRUNO MARS 800,696
8. TEENAGE DREAM KATY PERRY 778,749
9. 4 BEYONCE 764,812
10. NEVER SAY NEVER: THE REMIXES (EP) JUSTIN BIEBER 730,331
11. F.A.M.E. FIST BROWN 727,706 -
12. PINK FRIDAY NICKI MINAJ 721,568
13. LOUD RIHANNA 701,032
14. SPEAK NOW TAYLOR SWIFT 692,140
15. NOW 37 VARIOUS ARTISTS 677,973
16. FEMME FATALE BRITNEY SPEARS 671,558
17. RECOVERY EMINEM 609,267
18. MY WORLD 2.0 JUSTIN BIEBER 592,008
19. GREATEST HITS…SO FAR! P!NK 584,706
20. NOW 38 VARIOUS ARTISTS 582,363
21. YOU GET WHAT YOU GIVE ZAC BROWN BAND 577,347
22. ROLLING PAPERS WIZ KHALIFA 570,352
23. WASTING LIGHT FOO FIGHTERS 568,086
24. NEED YOU NOW LADY ANTEBELLUM 555,289
25. HELL: THE SEQUEL (EP) BAD MEETS EVIL 515,929
26. 19 ADELE 477,403
27. THIS IS COUNTRY MUSIC BRAD PAISLEY 470,581
28. LASERS LUPE FIASCO 464,492
29. DREAM WITH ME JACKIE EVANCHO 458,935
30. THE BAND PERRY THE BAND PERRY 419,734
31. NOTHING LIKE THIS RASCAL FLATTS 419,342
32. I REMEMBER ME JENNIFER HUDSON 391,107
33. LUNGS FLORENCE + THE MACHINE 386,195
34. LATE NIGHTS & EARLY MORNINGS MARSHA AMBROSIUS 371,329
35. THE BEGINNING BLACK EYED PEAS 366,942
36. BORN FREE KID ROCK 357,142
37. BROTHERS BLACK KEYS 355,462
38. HELLO FEAR KIRK FRANKLIN 349,094
39. SONGS FOR JAPAN VARIOUS ARTISTS 345,000
40. KIDZ BOP 19 KIDZ BOP KIDS 334,763
41. LEMONADE MOUTH SOUNDTRACK 330,275
42. CHIEF ERIC CHURCH 327,751
43. HEMINGWAY'S WHISKEY KENNY CHESNEY 327,609
44. THE LIGHT OF THE SUN JILL SCOTT 326,622
45. THE FAME LADY GAGA 322,689
46. MY BEUATIFUL DARK TWISTED FANTASY KANYE WEST 321,056
47. HOT SAUCE COMMITTEE PART TWO BEASTIE BOYS 316,915
48. LOVE LETTER R. KELLY 313,000
49. WHEN THE SUN GOES DOWN SELENA GOMEZ & THE SCENE 304,742
50. RED RIVER BLUE BLAKE SHELTON 301,146

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Reply #1 posted 09/21/11 3:35pm

lastdecember

avatar

HAPPYPERSON said:

1. 21 ADELE 3,419,261
2. BORN THIS WAY LADY GAGA 1,774,624
3. THA CARTER IV LIL' WAYNE 1,184,103
4. SIGH NO MORE MUMFORD & SONS 1,161,930
5. MY KINDA PARTY JASON ALDEAN 1,127,497
6. WATCH THE THRONE JAY-Z & KANYE WEST 836,021
7. DOO-WOPS & HOOLIGANS BRUNO MARS 800,696
8. TEENAGE DREAM KATY PERRY 778,749
9. 4 BEYONCE 764,812
10. NEVER SAY NEVER: THE REMIXES (EP) JUSTIN BIEBER 730,331
11. F.A.M.E. FIST BROWN 727,706 -
12. PINK FRIDAY NICKI MINAJ 721,568
13. LOUD RIHANNA 701,032
14. SPEAK NOW TAYLOR SWIFT 692,140
15. NOW 37 VARIOUS ARTISTS 677,973
16. FEMME FATALE BRITNEY SPEARS 671,558
17. RECOVERY EMINEM 609,267
18. MY WORLD 2.0 JUSTIN BIEBER 592,008
19. GREATEST HITS…SO FAR! P!NK 584,706
20. NOW 38 VARIOUS ARTISTS 582,363
21. YOU GET WHAT YOU GIVE ZAC BROWN BAND 577,347
22. ROLLING PAPERS WIZ KHALIFA 570,352
23. WASTING LIGHT FOO FIGHTERS 568,086
24. NEED YOU NOW LADY ANTEBELLUM 555,289
25. HELL: THE SEQUEL (EP) BAD MEETS EVIL 515,929
26. 19 ADELE 477,403
27. THIS IS COUNTRY MUSIC BRAD PAISLEY 470,581
28. LASERS LUPE FIASCO 464,492
29. DREAM WITH ME JACKIE EVANCHO 458,935
30. THE BAND PERRY THE BAND PERRY 419,734
31. NOTHING LIKE THIS RASCAL FLATTS 419,342
32. I REMEMBER ME JENNIFER HUDSON 391,107
33. LUNGS FLORENCE + THE MACHINE 386,195
34. LATE NIGHTS & EARLY MORNINGS MARSHA AMBROSIUS 371,329
35. THE BEGINNING BLACK EYED PEAS 366,942
36. BORN FREE KID ROCK 357,142
37. BROTHERS BLACK KEYS 355,462
38. HELLO FEAR KIRK FRANKLIN 349,094
39. SONGS FOR JAPAN VARIOUS ARTISTS 345,000
40. KIDZ BOP 19 KIDZ BOP KIDS 334,763
41. LEMONADE MOUTH SOUNDTRACK 330,275
42. CHIEF ERIC CHURCH 327,751
43. HEMINGWAY'S WHISKEY KENNY CHESNEY 327,609
44. THE LIGHT OF THE SUN JILL SCOTT 326,622
45. THE FAME LADY GAGA 322,689
46. MY BEUATIFUL DARK TWISTED FANTASY KANYE WEST 321,056
47. HOT SAUCE COMMITTEE PART TWO BEASTIE BOYS 316,915
48. LOVE LETTER R. KELLY 313,000
49. WHEN THE SUN GOES DOWN SELENA GOMEZ & THE SCENE 304,742
50. RED RIVER BLUE BLAKE SHELTON 301,146

i like the Selena Gomez cd


"We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F
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Reply #2 posted 09/21/11 4:24pm

smoothcriminal
12

Go Adele!

The sales are horrible though.

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Reply #3 posted 09/21/11 4:30pm

GeminiBrown

avatar

HAPPYPERSON said:

1. 21 ADELE 3,419,261
2. BORN THIS WAY LADY GAGA 1,774,624
3. THA CARTER IV LIL' WAYNE 1,184,103
4. SIGH NO MORE MUMFORD & SONS 1,161,930
5. MY KINDA PARTY JASON ALDEAN 1,127,497
6. WATCH THE THRONE JAY-Z & KANYE WEST 836,021
7. DOO-WOPS & HOOLIGANS BRUNO MARS 800,696
8. TEENAGE DREAM KATY PERRY 778,749
9. 4 BEYONCE 764,812
10. NEVER SAY NEVER: THE REMIXES (EP) JUSTIN BIEBER 730,331
11. F.A.M.E. FIST BROWN 727,706 -
12. PINK FRIDAY NICKI MINAJ 721,568
13. LOUD RIHANNA 701,032
14. SPEAK NOW TAYLOR SWIFT 692,140
15. NOW 37 VARIOUS ARTISTS 677,973
16. FEMME FATALE BRITNEY SPEARS 671,558
17. RECOVERY EMINEM 609,267
18. MY WORLD 2.0 JUSTIN BIEBER 592,008
19. GREATEST HITS…SO FAR! P!NK 584,706
20. NOW 38 VARIOUS ARTISTS 582,363
21. YOU GET WHAT YOU GIVE ZAC BROWN BAND 577,347
22. ROLLING PAPERS WIZ KHALIFA 570,352
23. WASTING LIGHT FOO FIGHTERS 568,086
24. NEED YOU NOW LADY ANTEBELLUM 555,289
25. HELL: THE SEQUEL (EP) BAD MEETS EVIL 515,929
26. 19 ADELE 477,403
27. THIS IS COUNTRY MUSIC BRAD PAISLEY 470,581
28. LASERS LUPE FIASCO 464,492
29. DREAM WITH ME JACKIE EVANCHO 458,935
30. THE BAND PERRY THE BAND PERRY 419,734
31. NOTHING LIKE THIS RASCAL FLATTS 419,342
32. I REMEMBER ME JENNIFER HUDSON 391,107
33. LUNGS FLORENCE + THE MACHINE 386,195
34. LATE NIGHTS & EARLY MORNINGS MARSHA AMBROSIUS 371,329
35. THE BEGINNING BLACK EYED PEAS 366,942
36. BORN FREE KID ROCK 357,142
37. BROTHERS BLACK KEYS 355,462
38. HELLO FEAR KIRK FRANKLIN 349,094
39. SONGS FOR JAPAN VARIOUS ARTISTS 345,000
40. KIDZ BOP 19 KIDZ BOP KIDS 334,763
41. LEMONADE MOUTH SOUNDTRACK 330,275
42. CHIEF ERIC CHURCH 327,751
43. HEMINGWAY'S WHISKEY KENNY CHESNEY 327,609
44. THE LIGHT OF THE SUN JILL SCOTT 326,622
45. THE FAME LADY GAGA 322,689
46. MY BEUATIFUL DARK TWISTED FANTASY KANYE WEST 321,056
47. HOT SAUCE COMMITTEE PART TWO BEASTIE BOYS 316,915
48. LOVE LETTER R. KELLY 313,000
49. WHEN THE SUN GOES DOWN SELENA GOMEZ & THE SCENE 304,742
50. RED RIVER BLUE BLAKE SHELTON 301,146

lol

Good music makes me happy.
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Reply #4 posted 09/21/11 7:56pm

neoretro7

avatar

GeminiBrown said:

HAPPYPERSON said:

1. 21 ADELE 3,419,261
2. BORN THIS WAY LADY GAGA 1,774,624
3. THA CARTER IV LIL' WAYNE 1,184,103
4. SIGH NO MORE MUMFORD & SONS 1,161,930
5. MY KINDA PARTY JASON ALDEAN 1,127,497
6. WATCH THE THRONE JAY-Z & KANYE WEST 836,021
7. DOO-WOPS & HOOLIGANS BRUNO MARS 800,696
8. TEENAGE DREAM KATY PERRY 778,749
9. 4 BEYONCE 764,812
10. NEVER SAY NEVER: THE REMIXES (EP) JUSTIN BIEBER 730,331
11. F.A.M.E. FIST BROWN 727,706 -
12. PINK FRIDAY NICKI MINAJ 721,568
13. LOUD RIHANNA 701,032
14. SPEAK NOW TAYLOR SWIFT 692,140
15. NOW 37 VARIOUS ARTISTS 677,973
16. FEMME FATALE BRITNEY SPEARS 671,558
17. RECOVERY EMINEM 609,267
18. MY WORLD 2.0 JUSTIN BIEBER 592,008
19. GREATEST HITS…SO FAR! P!NK 584,706
20. NOW 38 VARIOUS ARTISTS 582,363
21. YOU GET WHAT YOU GIVE ZAC BROWN BAND 577,347
22. ROLLING PAPERS WIZ KHALIFA 570,352
23. WASTING LIGHT FOO FIGHTERS 568,086
24. NEED YOU NOW LADY ANTEBELLUM 555,289
25. HELL: THE SEQUEL (EP) BAD MEETS EVIL 515,929
26. 19 ADELE 477,403
27. THIS IS COUNTRY MUSIC BRAD PAISLEY 470,581
28. LASERS LUPE FIASCO 464,492
29. DREAM WITH ME JACKIE EVANCHO 458,935
30. THE BAND PERRY THE BAND PERRY 419,734
31. NOTHING LIKE THIS RASCAL FLATTS 419,342
32. I REMEMBER ME JENNIFER HUDSON 391,107
33. LUNGS FLORENCE + THE MACHINE 386,195
34. LATE NIGHTS & EARLY MORNINGS MARSHA AMBROSIUS 371,329
35. THE BEGINNING BLACK EYED PEAS 366,942
36. BORN FREE KID ROCK 357,142
37. BROTHERS BLACK KEYS 355,462
38. HELLO FEAR KIRK FRANKLIN 349,094
39. SONGS FOR JAPAN VARIOUS ARTISTS 345,000
40. KIDZ BOP 19 KIDZ BOP KIDS 334,763
41. LEMONADE MOUTH SOUNDTRACK 330,275
42. CHIEF ERIC CHURCH 327,751
43. HEMINGWAY'S WHISKEY KENNY CHESNEY 327,609
44. THE LIGHT OF THE SUN JILL SCOTT 326,622
45. THE FAME LADY GAGA 322,689
46. MY BEUATIFUL DARK TWISTED FANTASY KANYE WEST 321,056
47. HOT SAUCE COMMITTEE PART TWO BEASTIE BOYS 316,915
48. LOVE LETTER R. KELLY 313,000
49. WHEN THE SUN GOES DOWN SELENA GOMEZ & THE SCENE 304,742
50. RED RIVER BLUE BLAKE SHELTON 301,146

lol

Album sales is laughable but glad that Adele is number one and has surpassed the overpushed Lady Gaga.

Happy for Bruno Mars

LOL at Beyonce's album

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Reply #5 posted 09/22/11 12:21am

hls2000

Why do people say the album sales numbers look bad? What were the numbers like "back in the day"? Also, how do artists make money nowadays w/ music often available for free, like spotify and facebook music? This is an honest question - not rhetorical.

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Reply #6 posted 09/22/11 12:28am

chamber

avatar

hls2000 said:

Why do people say the album sales numbers look bad? What were the numbers like "back in the day"? Also, how do artists make money nowadays w/ music often available for free, like spotify and facebook music? This is an honest question - not rhetorical.


"Back in the day," there would have been at least 10 albums on that list of 50 that would've had sales of 5 million+. Adele's 3.4 million would have been considered just slightly above 'average'...and there would be few albums listed that sold under a million.

[Edited 9/22/11 0:32am]

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Reply #7 posted 09/22/11 12:34am

hls2000

Oh wow! Thanks for info. Have the numbers been this low for while, or just this year?

So how do the artists make money nowadays, besides concerts?

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Reply #8 posted 09/22/11 12:43am

chamber

avatar

Album sales reached an all time peak in 1999-2001; since 2002 they have been on the decline -- but it's only been in the last three or four years (during the rise of iTunes, and the fall of retail music stores) that albums have been lucky to sell a million stateside.

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Reply #9 posted 09/22/11 2:36am

leonche64

hls2000 said:

Why do people say the album sales numbers look bad? What were the numbers like "back in the day"? Also, how do artists make money nowadays w/ music often available for free, like spotify and facebook music? This is an honest question - not rhetorical.

This is a legitimate question. The music industry has the mentality that it is entitled to our money, just like in the past. The decline is due to the fact that there are more musical options. Those companies that used to make beepers and pagers are also not making the money that they used to, if at all. They have not changed the way they do business but the market has changed. Artist never made the money that they deserved from the record companies. You see a lot of folks on tour now, that is where they get the majority of their money from. The scene has flipped. Before, an artist would tour to promote an album and increase sales. Today, the album is released to get you to come out to the show.

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Reply #10 posted 09/22/11 2:44am

mynameisnotsus
an

It's pretty amazing that Adele has sold 3.1 million copies of 21 in the U.K as well. Haven't they learned to steal music there yet?

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Reply #11 posted 09/22/11 3:31am

rialb

avatar

Is it safe to assume that Katy Perry's Teenage Dream sold quite a few copies in 2010 that are not included in the above total? Surely an album featuring five number one singles has cracked one million is sales?

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Reply #12 posted 09/22/11 5:16am

Identity

The data relates to 2011 only.

The chart does not include cumulative sales of albums initially released in 2010. Katy Perry and Rihanna have sold over 1M copies of their individual albums, to cite two examples.

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Reply #13 posted 09/22/11 5:20am

Identity

rialb said:

Surely an album featuring five number one singles has cracked one million is sales?

Perry has sold 1.8 million copies of Teenage Dream, according to Soundscan.

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Reply #14 posted 09/22/11 5:23am

Javi

GeminiBrown said:

HAPPYPERSON said:

1. 21 ADELE 3,419,261
2. BORN THIS WAY LADY GAGA 1,774,624
3. THA CARTER IV LIL' WAYNE 1,184,103
4. SIGH NO MORE MUMFORD & SONS 1,161,930
5. MY KINDA PARTY JASON ALDEAN 1,127,497
6. WATCH THE THRONE JAY-Z & KANYE WEST 836,021
7. DOO-WOPS & HOOLIGANS BRUNO MARS 800,696
8. TEENAGE DREAM KATY PERRY 778,749
9. 4 BEYONCE 764,812
10. NEVER SAY NEVER: THE REMIXES (EP) JUSTIN BIEBER 730,331
11. F.A.M.E. FIST BROWN 727,706 -
12. PINK FRIDAY NICKI MINAJ 721,568
13. LOUD RIHANNA 701,032
14. SPEAK NOW TAYLOR SWIFT 692,140
15. NOW 37 VARIOUS ARTISTS 677,973
16. FEMME FATALE BRITNEY SPEARS 671,558
17. RECOVERY EMINEM 609,267
18. MY WORLD 2.0 JUSTIN BIEBER 592,008
19. GREATEST HITS…SO FAR! P!NK 584,706
20. NOW 38 VARIOUS ARTISTS 582,363
21. YOU GET WHAT YOU GIVE ZAC BROWN BAND 577,347
22. ROLLING PAPERS WIZ KHALIFA 570,352
23. WASTING LIGHT FOO FIGHTERS 568,086
24. NEED YOU NOW LADY ANTEBELLUM 555,289
25. HELL: THE SEQUEL (EP) BAD MEETS EVIL 515,929
26. 19 ADELE 477,403
27. THIS IS COUNTRY MUSIC BRAD PAISLEY 470,581
28. LASERS LUPE FIASCO 464,492
29. DREAM WITH ME JACKIE EVANCHO 458,935
30. THE BAND PERRY THE BAND PERRY 419,734
31. NOTHING LIKE THIS RASCAL FLATTS 419,342
32. I REMEMBER ME JENNIFER HUDSON 391,107
33. LUNGS FLORENCE + THE MACHINE 386,195
34. LATE NIGHTS & EARLY MORNINGS MARSHA AMBROSIUS 371,329
35. THE BEGINNING BLACK EYED PEAS 366,942
36. BORN FREE KID ROCK 357,142
37. BROTHERS BLACK KEYS 355,462
38. HELLO FEAR KIRK FRANKLIN 349,094
39. SONGS FOR JAPAN VARIOUS ARTISTS 345,000
40. KIDZ BOP 19 KIDZ BOP KIDS 334,763
41. LEMONADE MOUTH SOUNDTRACK 330,275
42. CHIEF ERIC CHURCH 327,751
43. HEMINGWAY'S WHISKEY KENNY CHESNEY 327,609
44. THE LIGHT OF THE SUN JILL SCOTT 326,622
45. THE FAME LADY GAGA 322,689
46. MY BEUATIFUL DARK TWISTED FANTASY KANYE WEST 321,056
47. HOT SAUCE COMMITTEE PART TWO BEASTIE BOYS 316,915
48. LOVE LETTER R. KELLY 313,000
49. WHEN THE SUN GOES DOWN SELENA GOMEZ & THE SCENE 304,742
50. RED RIVER BLUE BLAKE SHELTON 301,146

lol

lol
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Reply #15 posted 09/22/11 5:30am

Identity

^

the image

[Edited 9/22/11 5:47am]

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Reply #16 posted 09/22/11 5:06pm

hls2000

leonche64 said:

hls2000 said:

Why do people say the album sales numbers look bad? What were the numbers like "back in the day"? Also, how do artists make money nowadays w/ music often available for free, like spotify and facebook music? This is an honest question - not rhetorical.

This is a legitimate question. The music industry has the mentality that it is entitled to our money, just like in the past. The decline is due to the fact that there are more musical options. Those companies that used to make beepers and pagers are also not making the money that they used to, if at all. They have not changed the way they do business but the market has changed. Artist never made the money that they deserved from the record companies. You see a lot of folks on tour now, that is where they get the majority of their money from. The scene has flipped. Before, an artist would tour to promote an album and increase sales. Today, the album is released to get you to come out to the show.

So can good artists (good songs, good performers) make more money now than they did under record companies? I do quite feel bad about "stealing" music, getting it for free, musicians have been underappreciated since at least the time of Homer, but then I'd like to know who's losing the money - the "industry" or the musicians.

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Reply #17 posted 09/22/11 5:33pm

thesexofit

avatar

Adele's album seems to be the "coffee book" table album this year in the US and UK. Not surprising for UK, but Iam surprised the US has taken to her second album as well as it has.

Personally I find her music abit dull, though I did like "chasing pavements", a song that did little business in the US to my knowledge?

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Reply #18 posted 09/22/11 5:53pm

728huey

avatar

Awesome sales for Adele woot! but disappointing overall. Only five albums managed to go platinum this year so far. disbelief Having said that, it appears the massive free fall in album sales has sort of reached a bottom, but it's been a huge fall.

typing

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Reply #19 posted 09/22/11 5:58pm

thesexofit

avatar

Bytheway, Adele's "21" album has gone 10x platinum in the UK (making it in the topsellers all time list in UK). Thats 3 million. And they say UK album sales are down but compared to the US LOL.

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Reply #20 posted 09/23/11 2:35am

leonche64

hls2000 said:

leonche64 said:

This is a legitimate question. The music industry has the mentality that it is entitled to our money, just like in the past. The decline is due to the fact that there are more musical options. Those companies that used to make beepers and pagers are also not making the money that they used to, if at all. They have not changed the way they do business but the market has changed. Artist never made the money that they deserved from the record companies. You see a lot of folks on tour now, that is where they get the majority of their money from. The scene has flipped. Before, an artist would tour to promote an album and increase sales. Today, the album is released to get you to come out to the show.

So can good artists (good songs, good performers) make more money now than they did under record companies? I do quite feel bad about "stealing" music, getting it for free, musicians have been underappreciated since at least the time of Homer, but then I'd like to know who's losing the money - the "industry" or the musicians.

Format problem. See following post.

....................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................

[Edited 9/23/11 5:28am]

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Reply #21 posted 09/23/11 5:27am

leonche64

hls2000 said:

leonche64 said:

This is a legitimate question. The music industry has the mentality that it is entitled to our money, just like in the past. The decline is due to the fact that there are more musical options. Those companies that used to make beepers and pagers are also not making the money that they used to, if at all. They have not changed the way they do business but the market has changed. Artist never made the money that they deserved from the record companies. You see a lot of folks on tour now, that is where they get the majority of their money from. The scene has flipped. Before, an artist would tour to promote an album and increase sales. Today, the album is released to get you to come out to the show.

So can good artists (good songs, good performers) make more money now than they did under record companies? I do quite feel bad about "stealing" music, getting it for free, musicians have been underappreciated since at least the time of Homer, but then I'd like to know who's losing the money - the "industry" or the musicians.

Very good question. The way it worked was that a record company was basically a bank. You as an artist receive an advance (loan), in order to "sign" with that company. The company would then provide you with the means to make a product (record). All charges incurred were put on the artist project account and billed to the project. So when an album production cost was $100,000, and the artist received a $50,000 advance, they are on the hook from the start for that 150 large. The record companies also charged the printing cost, travel and promotion expenses to the project. That is how some artist can have hit records with nothing financial to show for it. As we know, most records are not "hits." This leaves the artist in a very precarious situation, as they now owe the record company for the cost of production. In the past, they would tour and promote the album hoping to get enough sales to put them in the black. And if it is a hit, a typical contract may call for a 200% recovery of outlay for the company and a small percentage of net profit points for the artist after that. Which through creative accounting, may never materialize.

Back in the 1980's, one of the first artist to buck that trend was MC Hammer. He gets a lot of flack for blowing 23 million in 3 years, but how did he make that money to begin with? He self- produced his first album and sold it direct to the crowds at his shows. He turned down the first few record deals he was offered because he would have had to take a pay cut. At that time James Brown had been on tour for 30 years and never made 23 million in his career, much less a 3 year period.

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Reply #22 posted 09/23/11 5:38am

Musicslave

leonche64 said:

hls2000 said:

So can good artists (good songs, good performers) make more money now than they did under record companies? I do quite feel bad about "stealing" music, getting it for free, musicians have been underappreciated since at least the time of Homer, but then I'd like to know who's losing the money - the "industry" or the musicians.

Very good question. The way it worked was that a record company was basically a bank. You as an artist receive an advance (loan), in order to "sign" with that company. The company would then provide you with the means to make a product (record). All charges incurred were put on the artist project account and billed to the project. So when an album production cost was $100,000, and the artist received a $50,000 advance, they are on the hook from the start for that 150 large. The record companies also charged the printing cost, travel and promotion expenses to the project. That is how some artist can have hit records with nothing financial to show for it. As we know, most records are not "hits." This leaves the artist in a very precarious situation, as they now owe the record company for the cost of production. In the past, they would tour and promote the album hoping to get enough sales to put them in the black. And if it is a hit, a typical contract may call for a 200% recovery of outlay for the company and a small percentage of net profit points for the artist after that. Which through creative accounting, may never materialize.

Back in the 1980's, one of the first artist to buck that trend was MC Hammer. He gets a lot of flack for blowing 23 million in 3 years, but how did he make that money to begin with? He self- produced his first album and sold it direct to the crowds at his shows. He turned down the first few record deals he was offered because he would have had to take a pay cut. At that time James Brown had been on tour for 30 years and never made 23 million in his career, much less a 3 year period.

nod He speaks the truth...

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Reply #23 posted 09/23/11 9:17am

bigd74

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Now 37 and Now 38, do these comps sell in the US then? i thought it was just a UK thing.

cool

She Believed in Fairytales and Princes, He Believed the voices coming from his stereo

If I Said You Had A Beautiful Body Would You Hold It Against Me?
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Reply #24 posted 09/23/11 11:12am

hls2000

leonche64 said:

hls2000 said:

So can good artists (good songs, good performers) make more money now than they did under record companies? I do quite feel bad about "stealing" music, getting it for free, musicians have been underappreciated since at least the time of Homer, but then I'd like to know who's losing the money - the "industry" or the musicians.

Very good question. The way it worked was that a record company was basically a bank. You as an artist receive an advance (loan), in order to "sign" with that company. The company would then provide you with the means to make a product (record). All charges incurred were put on the artist project account and billed to the project. So when an album production cost was $100,000, and the artist received a $50,000 advance, they are on the hook from the start for that 150 large. The record companies also charged the printing cost, travel and promotion expenses to the project. That is how some artist can have hit records with nothing financial to show for it. As we know, most records are not "hits." This leaves the artist in a very precarious situation, as they now owe the record company for the cost of production. In the past, they would tour and promote the album hoping to get enough sales to put them in the black. And if it is a hit, a typical contract may call for a 200% recovery of outlay for the company and a small percentage of net profit points for the artist after that. Which through creative accounting, may never materialize.

Back in the 1980's, one of the first artist to buck that trend was MC Hammer. He gets a lot of flack for blowing 23 million in 3 years, but how did he make that money to begin with? He self- produced his first album and sold it direct to the crowds at his shows. He turned down the first few record deals he was offered because he would have had to take a pay cut. At that time James Brown had been on tour for 30 years and never made 23 million in his career, much less a 3 year period.

Thanks. It's a good analogy - record company = bank, with unconscionable "interest rate." But you wrote that MC Hammer sold his record direct to the audience at shows. What happens now when people don't buy records (as the 2011 album sales numbers show). Is the money just from the concert tickets? How much can an artist make after paying venue, promotion, etc. for the concerts? I just want to be educated so I know where my money goes when I spend it.

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Reply #25 posted 09/23/11 1:55pm

rialb

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hls2000 said:

leonche64 said:

Very good question. The way it worked was that a record company was basically a bank. You as an artist receive an advance (loan), in order to "sign" with that company. The company would then provide you with the means to make a product (record). All charges incurred were put on the artist project account and billed to the project. So when an album production cost was $100,000, and the artist received a $50,000 advance, they are on the hook from the start for that 150 large. The record companies also charged the printing cost, travel and promotion expenses to the project. That is how some artist can have hit records with nothing financial to show for it. As we know, most records are not "hits." This leaves the artist in a very precarious situation, as they now owe the record company for the cost of production. In the past, they would tour and promote the album hoping to get enough sales to put them in the black. And if it is a hit, a typical contract may call for a 200% recovery of outlay for the company and a small percentage of net profit points for the artist after that. Which through creative accounting, may never materialize.

Back in the 1980's, one of the first artist to buck that trend was MC Hammer. He gets a lot of flack for blowing 23 million in 3 years, but how did he make that money to begin with? He self- produced his first album and sold it direct to the crowds at his shows. He turned down the first few record deals he was offered because he would have had to take a pay cut. At that time James Brown had been on tour for 30 years and never made 23 million in his career, much less a 3 year period.

Thanks. It's a good analogy - record company = bank, with unconscionable "interest rate." But you wrote that MC Hammer sold his record direct to the audience at shows. What happens now when people don't buy records (as the 2011 album sales numbers show). Is the money just from the concert tickets? How much can an artist make after paying venue, promotion, etc. for the concerts? I just want to be educated so I know where my money goes when I spend it.

Well, others could probably give you more information but the new standard seems to be 360 deals. What this means is that in addition to getting a cut of record sales the lables now get a piece of touring and merchandising revenues. When 360 deals were first introduced they were fairly controversial but I believe that virtually all new acts that sign to a major label are now agreeing to them.

If you want to support your favourite artists you would probably be better off illegally downloading their music and sending them ten dollars to make up for it. wink

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Reply #26 posted 09/27/11 2:49am

leonche64

hls2000 said:

leonche64 said:

Very good question. The way it worked was that a record company was basically a bank. You as an artist receive an advance (loan), in order to "sign" with that company. The company would then provide you with the means to make a product (record). All charges incurred were put on the artist project account and billed to the project. So when an album production cost was $100,000, and the artist received a $50,000 advance, they are on the hook from the start for that 150 large. The record companies also charged the printing cost, travel and promotion expenses to the project. That is how some artist can have hit records with nothing financial to show for it. As we know, most records are not "hits." This leaves the artist in a very precarious situation, as they now owe the record company for the cost of production. In the past, they would tour and promote the album hoping to get enough sales to put them in the black. And if it is a hit, a typical contract may call for a 200% recovery of outlay for the company and a small percentage of net profit points for the artist after that. Which through creative accounting, may never materialize.

Back in the 1980's, one of the first artist to buck that trend was MC Hammer. He gets a lot of flack for blowing 23 million in 3 years, but how did he make that money to begin with? He self- produced his first album and sold it direct to the crowds at his shows. He turned down the first few record deals he was offered because he would have had to take a pay cut. At that time James Brown had been on tour for 30 years and never made 23 million in his career, much less a 3 year period.

Thanks. It's a good analogy - record company = bank, with unconscionable "interest rate." But you wrote that MC Hammer sold his record direct to the audience at shows. What happens now when people don't buy records (as the 2011 album sales numbers show). Is the money just from the concert tickets? How much can an artist make after paying venue, promotion, etc. for the concerts? I just want to be educated so I know where my money goes when I spend it.

The system is still in place. The record companies are still taking the lions share of the money in the industry. Artist will typically make a touring deal separate from the record companies, or with a better deal than they get for the record sales. That is why you can often see performers from different record companies on the same show. Artist are not really missing that money, because it was never theirs anyway. That is why we see them branching out into different areas. Puffy sells Vodka, Jay Z sells liquor, and Sammy Hagar sells Tequila, and everybody is trying to sell clothing. But the tour is where the rubber meets the road. AC/DC, Bon Jovi, U2 have each come off of massive tours recently that generated hundreds of millions in ticket sales. These guys are pretty much finished selling records in any meaningful way, but are playing to their strengths in the current atmosphere. I give you 2 great examples. Luthor Vandross and Patti Labelle. They had notoriously bad deals with their record companies, but each made millions on tour.

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Reply #27 posted 09/27/11 3:08am

SquirrelMeat

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mynameisnotsusan said:

It's pretty amazing that Adele has sold 3.1 million copies of 21 in the U.K as well. Haven't they learned to steal music there yet?

Good job we don't steal as much. The british music industry fund the talent school that Adele came out of.

.
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Reply #28 posted 09/28/11 12:19pm

hls2000

leonche64 said:

hls2000 said:

Thanks. It's a good analogy - record company = bank, with unconscionable "interest rate." But you wrote that MC Hammer sold his record direct to the audience at shows. What happens now when people don't buy records (as the 2011 album sales numbers show). Is the money just from the concert tickets? How much can an artist make after paying venue, promotion, etc. for the concerts? I just want to be educated so I know where my money goes when I spend it.

The system is still in place. The record companies are still taking the lions share of the money in the industry. Artist will typically make a touring deal separate from the record companies, or with a better deal than they get for the record sales. That is why you can often see performers from different record companies on the same show. Artist are not really missing that money, because it was never theirs anyway. That is why we see them branching out into different areas. Puffy sells Vodka, Jay Z sells liquor, and Sammy Hagar sells Tequila, and everybody is trying to sell clothing. But the tour is where the rubber meets the road. AC/DC, Bon Jovi, U2 have each come off of massive tours recently that generated hundreds of millions in ticket sales. These guys are pretty much finished selling records in any meaningful way, but are playing to their strengths in the current atmosphere. I give you 2 great examples. Luthor Vandross and Patti Labelle. They had notoriously bad deals with their record companies, but each made millions on tour.

So your response is basically, money still goes to companies, not the artist. Except for concert ticket sales? Do they get to keep more of the money from performances? Alright, thanks.

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Reply #29 posted 09/28/11 2:59pm

kittenmoon

Yay for Chris Brown, Adele, and Bruno! I didn't realize how popular Nicki's album was though. It was "ok."

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