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Thread started 09/09/11 1:12am

AprilSkies

MINISTRY: The land of rape and honey

This album is fucking amazing, anyone else share my love x

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Reply #1 posted 09/09/11 1:21am

lazycrockett

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Hell fuckin Yeah!!!!!

The Most Important Thing In Life Is Sincerity....Once You Can Fake That, You Can Fake Anything.
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Reply #2 posted 09/09/11 1:24am

lazycrockett

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cool cool

The Most Important Thing In Life Is Sincerity....Once You Can Fake That, You Can Fake Anything.
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Reply #3 posted 09/09/11 1:29am

lazycrockett

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N lets remember where it all begin.

This thread will surely die.

The Most Important Thing In Life Is Sincerity....Once You Can Fake That, You Can Fake Anything.
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Reply #4 posted 09/09/11 1:33am

Timmy84

Definitely gonna check out...

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Reply #5 posted 09/09/11 1:47am

AprilSkies

lazycrockett said:

N lets remember where it all begin.

This thread will surely die.

Dude, We both sing from the same Hymn sheet you and i, PSALM69

Halloween is fuckin classic.. the early tax were cool too

Oh check this beastly performance, pump it...

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Reply #6 posted 09/09/11 2:20am

Gunsnhalen

Man 90's Ministry was brutal! some classic albums from there 90's putput.

Pistols sounded like "Fuck off," wheras The Clash sounded like "Fuck Off, but here's why.."- Thedigitialgardener

All music is shit music and no music is real- gunsnhalen

Datdonkeydick- Asherfierce

Gary Hunts Album Isn't That Good- Soulalive
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Reply #7 posted 09/09/11 11:00am

pzlyprk

Prefer the Wax Trax stuff (Halloween, All Day, etc.) and Twitch (love that one). Rape & Honey was kinda transitional -- some of the Twitch sound mixed with what we'd hear later on Mind is a Terrible Thing To Taste. I actually find myself listening to TMIATTTT more than Rape & Honey. It's still hard to believe that the same man was behind With Sympathy and Psalm 69. I'm not sure I buy a lot of Jourgensen's claims that WS was completely label-driven. It wasn't very far removed from anything else he had done at the time. I enjoy With Sympathy, nonetheless. I think it's been more "miss" than "hit" since 92 though. Curious, have you guys heard Alan's new version of Everyday Is Halloween? Never expected to hear him touch anything from before 88 ever again.

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Reply #8 posted 09/09/11 11:19am

rmartin70

I didn't know much about them until I saw them at Lollapalooza '92. They blew me away and I have been a fan ever since.

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Reply #9 posted 09/11/11 12:15am

AprilSkies

pzlyprk said:

Prefer the Wax Trax stuff (Halloween, All Day, etc.) and Twitch (love that one). Rape & Honey was kinda transitional -- some of the Twitch sound mixed with what we'd hear later on Mind is a Terrible Thing To Taste. I actually find myself listening to TMIATTTT more than Rape & Honey. It's still hard to believe that the same man was behind With Sympathy and Psalm 69. I'm not sure I buy a lot of Jourgensen's claims that WS was completely label-driven. It wasn't very far removed from anything else he had done at the time. I enjoy With Sympathy, nonetheless. I think it's been more "miss" than "hit" since 92 though. Curious, have you guys heard Alan's new version of Everyday Is Halloween? Never expected to hear him touch anything from before 88 ever again.

First time i heard that version, it's not really doing it for me, although i am always a firm believer that you should leave the classics alone

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Reply #10 posted 09/11/11 12:32pm

Timmy84

The Land of Rape and Honey is one amazing album!

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Reply #11 posted 09/12/11 4:42am

AprilSkies

"The mind is a terrible thing to taste" is a fucking amazing record also, give that a spin if you haven't heard it

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Reply #12 posted 09/12/11 5:17am

AprilSkies

who could forget this choice cut!

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Reply #13 posted 09/19/11 9:03am

sextonseven

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pzlyprk said:

Prefer the Wax Trax stuff (Halloween, All Day, etc.) and Twitch (love that one). Rape & Honey was kinda transitional -- some of the Twitch sound mixed with what we'd hear later on Mind is a Terrible Thing To Taste. I actually find myself listening to TMIATTTT more than Rape & Honey. It's still hard to believe that the same man was behind With Sympathy and Psalm 69. I'm not sure I buy a lot of Jourgensen's claims that WS was completely label-driven. It wasn't very far removed from anything else he had done at the time. I enjoy With Sympathy, nonetheless. I think it's been more "miss" than "hit" since 92 though.

I feel the opposite, that Twitch was the transitional record and The Land of Rape and Honey was the beginning of Ministry's harcore industrial sound. Because of that, I'm not a fan of Twitch, but do love the next three records. The older Wax Trax and synthpop stuff is very good too, just not that Twitch album in the middle.

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