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Thread started 07/04/11 9:46am

MickyDolenz

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Tasha Taylor

This is her new song.

[Edited 8/24/11 13:10pm]

You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton
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Reply #1 posted 08/01/11 7:11am

Identity

Taylor talks about her new release.

I had no idea that she's the Wailer Johnny Taylor's daughter.

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Reply #2 posted 08/01/11 9:32am

MickyDolenz

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Identity said:

I had no idea that she's the Wailer Johnny Taylor's daughter.

There's some pictures of when she was young in this video.

You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton
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Reply #3 posted 08/12/11 6:38pm

MickyDolenz

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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton
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Reply #4 posted 08/18/11 9:35pm

MickyDolenz

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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton
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Reply #5 posted 08/24/11 1:10pm

MickyDolenz

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Pedigree will tell—in rhythm and soul, it’s bred in the bone.


Tasha Taylor, the youngest daughter of pioneering R&B artist, Johnnie Taylor is having a breakout year with the release of her first solo CD, TAYLORMADE.


And the magic will continue into 2011, when Tasha will make her Broadway debut, creating the role of Margie Hendrix in “Unchain My Heart,” the new musical based on the life and music of Ray Charles, set to open in the spring.


An entertainment triple threat, Tasha is a multi-talented musician, actor and performer. As a musician she is the complete package, an accomplished singer, songwriter, musician and now, the executive producer of TAYLORMADE.


Early R&B artists like Johnnie were often confronted with financial inequalities and social indignities, but they persevered; the rich heritage of their music dominating popular music today. One of Stax Records’ major artists, Johnnie Taylor, remained on the road for four decades to make a living, provide for his family, and keep his music alive.


Tasha began traveling with her family on tour as a child and was continually surrounded by music legends. Johnnie, by example, also instilled the concepts of dedication and hard work in pursuit of his music career. He never pushed his children to follow an artistic career...but that decision was taken out of his hands when Tasha decided early on to carry on his musical legacy.


“I just remember being on the side of the stage…A LOT!” remembers Tasha. “Watching dad work shows with so many great artists…The Jackson 5, Natalie Cole, Sister Sledge, Johnnie Guitar Watson…and so many others over the years.”


Johnnie chose Dallas, Texas, Tasha’s childhood home, as home base because it was smack dab in the path of his winter and summer tours. Dallas provided the opportunity to spend some time at home with his family, parking the tour bus in the back driveway. Dallas gave up everything it had to offer, and subsequently Tasha moved to the northeast, enrolling in the Theater Department at Boston University. After semesters of polish and Shakespearean training, Tasha recommitted herself to follow her father’s muse. Was Hollywood or New York going to be her new home? A flip of a coin sent her west.


Within a relatively brief time, she acquired on the job training, and the accoutrements of an entertainment career, coaches, agents, managers, producers, the gamut of services available to those who come to town with Talent.


Tasha adds, “My dad always told me that it was called show business for a reason. It’s 90% business and 10% show. If you don’t know your business…you’re in trouble!”


She has been busy as a featured guest on acclaimed network fare such as “House,” and “Ugly Betty,” and in indie films, “Dimples” and “Heaven Ain’t Hard to Find.” As a composer, her original music has been featured on “Men In Trees” and “Lipstick Jungle.” Tasha also performs live in concert, showcasing her fabulous voice in venues as diverse as the Detroit Blues Festival, New Orleans’ Jazzfest and for Friends of New Orleans at the 2008 Democratic National Convention.
She has shared the bill with rhythm, blues and soul icons such as Aretha Franklin, Allen Toussaint, Taj Mahal, Carla Thomas, Susan Tedeschi and Buckwheat Zydeco, and Voice of the Wetlands—Tab Benoit and Donald Harrison. She also performs regularly with Jim Belushi and Dan Aykroyd in their Blues Brothers engagements and on the road with Jack Mack and The Heart Attack.


This year Tasha hooked up with producers Stuart Benjamin, Rob Arbittier and Gary Adante and headed for the recording studio to cut a new soul album in loving memory of her dad who passed away in 2000. Employing some of the hippest, heavy-duty cats she could wrangle, with award-winning bassist Nate Watts as musical director, the result, TAYLORMADE, is thirteen, funky, unforgettable tracks, written, co-produced, arranged and performed by Tasha Taylor. There is only one cover song on Tasha’s incredible album. On it, she duets with her father Johnnie, in a throwback to his first million-selling hit on Stax, “Who’s Making Love,” who even accompanies her on the video!


You can’t stop the rhythm of the music if the beat is in your soul. The lineage remains intact…and Daddy would be proud. So, if you haven’t heard of Tasha Taylor yet, you should have. And after TAYLORMADE and her Broadway debut…you will!

You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton
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