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Falco ~ Auf Der Flucht You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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ahhh nice. A real gem. This early Falco stuff is really excellent; he is definitely an underrated new wave/pop artist IMHO.
Love Zuviel Hitze and of course Der Kommissar
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Prince's Classic Finally Expanded The Deluxe 'Purple Rain' Reissue http://www.popmatters.com...n-reissue/ | |
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Many people don't know Falco did this originally in German, and only know the English remake by a group named After The Fire. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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I know, it's a shame. But the After the Fire version was a Top 5 hit in the US and Falco's didn't make much of a commercial impact, so it's understandable.
I much prefer Falco's original, although I think ATF did a nice job with it. * * *
Prince's Classic Finally Expanded The Deluxe 'Purple Rain' Reissue http://www.popmatters.com...n-reissue/ | |
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I used to listen to Falco a lot in the 80's. One of my favorites was the 10 minute version of The Sound Of Musik that was on the maxi single. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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oh yes, I had that maxi single as well, and it is indeed brilliant. i was a big fan as well. i loved "Falco 3" and "Emotional" as well. * * *
Prince's Classic Finally Expanded The Deluxe 'Purple Rain' Reissue http://www.popmatters.com...n-reissue/ | |
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During the electrofunk/boogie funk era of R&B, approximately 1982 to late 1986, Falco was one the best white imitators/users of electrofunk style synth pop. He was a Justin Timberlake of that period. There is a lot more of that white "blue-eyed" electrofunkish pop from Hall & Oates and European groups/soloists than most people have discovered or remembered.
I have "Auf Der Flucht" in an Itunes list where its beat pattern is easily compatible to follow "Papa Don't Preach" and to precede "Someone For Me" by Whitney Houston (produced by Jermaine Jackson and sounds quite similar to Jermaine's "Let Me Tickle Your Fancy")
In the early/mid 80s there was a lot of funk-ish music crossing from the R&B chart to the US and, more frequently,the UK pop charts and vice-versa.
David Bowie's "Lets Dance" got to # 14 on the US R&B chart in 1983.
U.S. R&B/Funk diva Melba Moore had her "Love's Comin At Ya" reached #15 on the UK pop chart in 1982 while it did not appear on the US pop chart. These examples are only few of dozens of examples. A few more examples, the US R&B Chart: "Shock the Monkey", "She Blinded Me with Science" "Out of Touch."
You may find that it is worth the time to take a look and listen at the song lists thathave been posted to Itunes Ping that meld together rhythmically & stylisticallycompatible early/mid 80s R&B/funk songs and early/mid 80s synth pop/new wavesongs. Lots of music that was either forgotten or not ever learnedof but was very enjoyable or would be very enjoyable if it was rediscovered or discovered for the 1st time by people that enjoy this type of music. People like you?
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^^??????? You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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