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Goldie & The Gingerbreads / Isis My interest was piqued by Mickey Dolenz's post on the group Fanny. [img:$uid]http://i17.photobucket.com/albums/b59/jbodine/Music%20II/Female/Isis/IsisBand74b.jpg[/img:$uid] [img:$uid]http://i17.photobucket.com/albums/b59/jbodine/Music%20II/Female/Isis/Isis74.jpg[/img:$uid][img:$uid]http://i17.photobucket.com/albums/b59/jbodine/Music%20II/Female/Isis/Isis75.jpg[/img:$uid][img:$uid]http://i17.photobucket.com/albums/b59/jbodine/Music%20II/Female/Isis/Isis77.jpg[/img:$uid] ...Everybody Needs A Forever (from the 1974 debut release Isis) ...Bobbie & Maria (from the 1975 release Ain't No Backin' Up Now) ^This album was produced by legendary New Orleans producer Alan Toussaint.
[Edited 7/16/11 12:30pm] "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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I don't think Atlantic was considered a major label in the 1960's, just like Motown wasn't even though they had popular acts on it. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Maybe just a question of semantics in terms of PR. Based on my own purchases during that time period, Atlantic was pretty major.
Music for adventurous listeners "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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