Now that we have cleared it all up.... | |
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white men (and women) are guilty of EVERYTHING. Hell I'm glad I'm not 100% white... | |
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People of all races are guilty of something.
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I agree, but 00's males (both gay AND straight) are just soft and weak, in EVERY aspect. Pre-1990 generation all the way!
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wrong! | |
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Race card-pulling summa... | |
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I'm not a pussy.
I was born in the wrong generation though. | |
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Dude I miss the 60's. Me and the rest of the gang were the real deal. I miss those days... | |
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Wait... how OLD are you, man? | |
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shhh... (I'll tell you my secret):"Please allow me to introduce myself
...
lol I'm 26 and YES my generation sucks | |
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Got cha. But yep it does suck. | |
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lol Where did you grow up? My mom is a big clubber and she always told me that the best clubs were the gay clubs since those had the best music. She said one of the places she used to frequent all the time was Paradise Garage and they also used to play a lot of house music there as well, including disco back in the 70s. | |
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Wait. I thought most gay guys prefer fast dance music??? "It's not nice to fuck with K.B.! All you haters will see!" - Kitbradley
"The only true wisdom is knowing you know nothing." - Socrates | |
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I'm only 20, and even I know about the 'disco sucks' bumper sticker lol ''now watch what you say or they'll be calling you a radical, a liberal, a fanatical criminal'' | |
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The funny thing is, disco never went away. It just evolved into different forms. Local stations here in NYC(WKTU, KISS & WBLS) called it 'dance music' around 1981. | |
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Yep,disco never really died.They just changed the name to "dance music".The disco sound can also be heard in other genres like freestyle,electronica,etc. | |
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Not all of them. The gay community in terms of the way they listen to music are not that monolithic in their choices. Some are into rap, metal, punk, alternative, soul, gospel, R&B, jazz, etc. There's actually a category for artists who are gay and into punk, metal, etc., called "queercore". So yeah not all of them prefer "fast dance music". | |
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The "term" Popular Music is a BROAD field in the many eras we speak about. WHat was popular music in the 70's (Billy Joel,Neil Diamond,EltonJohn,DavidBowie,Stevie Wonder,Paul Simon) can not in all honesty be compared too POPULAR MUSIC of today, sorry, its got NOTHING to do with women buying or not buying, or how old we all are, its a freaking level of talent and what they came from. Im tired of granting the old "good and bad in all times" card everytime there is a discussion like this, because THATS not what is the topic, if you can honestly sit back and tell me that lineup of POPULAR against todays lineup of Justin Beiber and whomever is a real comparison, then please pass that joint your smoking. "We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F | |
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^ They don't deserve comparisons. Hell comparing them to other artists doesn't make the pop stars of today's generation any hopeful to last past 10 years. | |
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This is pretty much it in a nut shell... it has nothing to do with women | |
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That's exactly the best value of your generation 99% of my posts are ironic. Maybe this post sides with the other 1%. | |
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Oh, come on guys. You all know: 'She made me do it' 99% of my posts are ironic. Maybe this post sides with the other 1%. | |
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Excuse you?! | |
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This is an ignorant statement.
Nothing to do with women?
jUSTIN Biebb wants to speak with you You're so glam, every time I see you I wanna slam! | |
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Mr. Bieber's success is entirely warranted due to his extreme talent. The fact that he has the ability to make thirteen year old girls' panties soaking wet is just a happy coincidence. | |
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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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I actually credit his label...
Without it (and the help of Usher for trying to make him a whiter version of himself lol), he wouldn't have been as popular as he is now. Naturally with the promotion they gave him, Bieber was going to get success anyway.
I'm not even bothered by it anymore. It's something that happens every decade. | |
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Getting back to the original question posited on this this thread, the answer is....yes! And no.
Let me explain.
Since the beginning of recorded music, women (mostly young women) have been targeted by record companies for buying tons of music, because they make up the most devoted fanbase and have the most income. They also tend to identify much of their self-identity through music. (Does this mean that men and boys don't identify themselves through music? Of course not. They love music as much as women do, but they also have other outlets for self-expression, particularly sports.) But it's through music that women socialize with each other, and with men, whether it's sending love notes with their favorite lyrics, or dragging their reluctant boyfriends on the dance floor. Everyone is complaining about Justin Bieber being so hugely popular right now, particularly with girls, but he is no different from the Jonas Brothers who preceded him, or the Backstreet Boys, Nsync, New Kids on the Block, New Edition, Shaun Cassidy, Leif Garrett, Bobby Sherman, the Jackson 5, the Beatles, Elvis, Frankie Lymon, or even Frank Sinatra.
And the record companies have always been in the business of making as much money as possible from the music buying public, so they gear their A&R departments to find the most potentially lucrative music product they can find, which usually means a bunch of bland pop singers singing simple love songs and party anthems, because that's what appeals most to their targeted demographic (young females). They don't target males as much because their tastes are diverse, usually not radio friendly, and oftentimes rather dark in nature, which is not good for selling tons of albums and related stuff. There has always been a tilt towards female friendly pop music, but historically it has been balanced out a bit by having a few male skewing genres that sell enough to bring buyers into record stores. However, there have been times which have been overly female skewing (like the late 50's, mid 70's, late 80's, late 90's, and now) where it has been difficult to find any male skewing acts on the charts, and they have usually been followed by a period of heavily male skewing acts as a backlash to the female friendly pop music. Coincidentially, those times in which pop music was heavily male skewing have also been the most interesting musically (late 60's, early 70's, early 90's), as they launched adventorus music not previously heard in the mainstream (acid rock, hard rock, metal, funk, punk, alternative, grunge, hip-hop). But unlike most pop music phenomenons, which were top-down created by record labels and their teams of writers and producers, the male skewing acts have historically been created from the bottom-up, started by daring acts and pushed into the mainstream by raving fans. But once the major labels catch on to these groups, they create their own watered down acts to be more palatable to mainstream radio and music outlets.
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Women can't download. | |
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