someone else also sang it..... her name escapes me at the moment
and She's Trouble was later given to Musical Youth AND Scott Baio "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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Had Michael released an album in '85, he and Freddie would've had time to record a full studio version of State Of Shock. The version with Mick would've never happened "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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I heard the version with Freddie but I think I prefer the Mick Jagger version | |
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I still think this may be the answer. | |
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[img:$uid]http://stylealchemy.com/ruminations/wp-content/uploads/2009/10/bowiedisapproves.gif[/img:$uid]
Think of The Jacksons and Queen on one track. KILLER
I like the production on the finished track but I think had Freddie been on it, it would've been better "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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It's a shame the way his family dragged him into the Victory project.He was riding high with 'Thriller' and didn't need his brothers anymore.In 1984,nobody was thinking about the Jackson brothers! I wish he had never done that project.
Speaking of film projects...in the 80s (post-Thriller),I recall hearing about a planned movie called 'MidKnight' in which Michael would play the title character,who was a dancer with special powers.Does anyone remember hearing about this? It's too bad that Michael never really ventured into movies,but I guess his lavish music videos were sorta like mini-movies anyway. | |
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He was gonna work on another album (he started working on the album that became Bad in '83), making a broadway show (it's said that Streetwalker was originally for a play he was gonna produce titled "Street Dandy") and films (Captain EO, Peter Pan)
"We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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MidKnight! I remember reading about it when I was REALLY little
My friend who runs the site "The Michael Jackson Archives" has news clippings as far back as 1966. Reading about all the "planned collaborations" and "upcoming projects" is interesting "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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I think I answered that a page back lol but yeah he was trying to get focused on film. Of course the Victory thing distracted him from everything. | |
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I think it sounded like an interesting project! | |
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I think so too
Had certain things not happened (And I'm talking as far back as the Thriller album), things would've been different
I have a soft spot for the Victory Tour because it's obvious his ass wasn't going to tour for Thriller
1985 and 1986 could've been focused on film and stageplay projects
1987-88 would've been for Bad, no doubt
1989-90 could've been another film project
1991-94 would've been for Dangerous and the Ghosts film. He would've finished the Dangerous tour by doing the dates he had planned for Australia and the US
HIStory would've been released but as a greatest hits album in 1994
another album in '95 or '96........ "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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that actually would have been amazing, i think. the song kind of makes sense for that. | |
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I still think a EP release in December 1984 would have been a good idea.
Although 1984 was definitely Prince's year, Michael would have still been able to sell millions of copies AND make money off of the holiday season. Releasing 3 singles (1 in December '84, 1 in February '85, 1 in April '85) would have been enough to maintain fans' interest until the release of the Bad album in 1986. | |
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an EP in 1984,huh?
I have a similiar idea.Let's assume that 'Victory' never happened and MJ went on a solo tour in 1984 (The 'Thriller" World Tour).In December of that year,he could have released a dazzling 2-LP 'Live' album,with about three or four new studio tracks,"State Of Shock" being one of them. | |
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Michael would never...
I can't see him doing EPs. Hell I doubt anyone was making EPs in the 1980s. | |
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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Besides those... | |
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By today's standards, the first 3 albums by The Time are EPs. Each album only had 6 tracks a piece. | |
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Right. Like I said, if you did 6 full tracks back then, it wasn't considered an EP hence why I made my "no one was making that many EPs in the '80s". | |
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I agree,EPs were not Michael's style.He always wanted to make a BIG STATEMENT with his music.EPs wouldn't allow him to do that.For him,it was all or nothing | |
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The Time's albums were the same length as the average album of the period. It's just that most acts didn't make 10 minute songs then. I remember some 1970's disco and jazz albums had 3 or 4 songs, sometimes 1 song taking up a whole side. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Wasn't Thriller still riding high during 1985 anyway? A new album would have most likely bombed because every one would have been trying to compare it to Thriller | |
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YES! | |
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The Jacksons as a group never really crossed over, and were seen as a R&B group. Back during that time R&B was like some tribe in the jungle to the mainstream public who listened to pop Top 40 (at least in the USA). You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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I'm checking mjjcharts.com right now
The earliest charting debut they have for Thriller is Christmas 1982 at #11, 3 weeks after the album was released.
It went back to #1 in December 1983, 54 weeks after it's chart debut, and stayed at #1 until March '84. It dropped out of the Top 10 in May '84 e It dropped out of the Billboard 200 at 199 in Fall or Winter '84.....so yeah I think it was still doing well in the beginning of 1985, probably selling a couple thousand copies by February 85
that was the most math I've done in the past couple of days
http://mjjcharts.com/USAMichaelalbumruns.htm "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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If he would have dropped another album at the end of '85, People would have bought it up easily. I gaurantee most of the backlash came from the fact that all the singles were from 'Thriller'. New MJ was [& still is as long as it's really MJ singing] always a good thing.... | |
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..and the Victory Tour. People basically blamed the promoters and Michael (not the other brothers) for the controversy behind the ticket system. Fans accused him of being selfish and turning his back on his fans "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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...and ladonna jones was the catalyst which inspired michael to openly critique the system. the wisdom of a child, indeed... | |
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which they did with all the albums after thriller anyways. | |
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pretty much .. even MJ was trying to break his own record with that album .. | |
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