That song is so beautiful and melancholic. I ´ve just listened to it on FB because a friend posted it.
" I´d rather be a stank ass hoe because I´m not stupid. Oh my goodness! I got more drugs! I´m always funny dude...I´m hilarious! Are we gonna smoke?" | |
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So, nobody's going to tell me about The Seeds of Summer Lawns?
I have to say, hearing the songs in their origin state is sheer heaven Esp, Shades of Scarlett and Don Juan's Reckless Daughter's Dreamland OMG.
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Are there any bootlegs I should be aware of? | |
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This version of "Edith and the Kingpin" from her 1980 live album, Shadows & Light easily trumps the one on Hissing. It just came on my iPod and Jaco Pastorius kills it on bass.
Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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And The Seeds of Hissing Lawns is comprised of demos from the original Hissing sessions. I haven't checked it out, but it has been getting a lot of talk from Joni fans for a while now. Have you checked out her 1980 live album, Shadows and Light? Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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Bought it, but haven't listened to it yet, live albums are the least played ones in my Ipod, and the only times I play are when I get a full understanding of the artist. I might check it out tonight when I get off work though, I've been hear plenty of good things about it.
And you should def check Seeds as soon as you can I was on the fence about the album until I heard its acoustic version. | |
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I dunno whether it was the dark time in my life when I first started exploring Hissing, or the whole urban malaise aesthetic of the project, but this album has always had a seedy, back-alley feel to me -- like the sort of head space to which the sex, drugs and socialite culture of the '70s in the big city might send you. And there's such pain in it.
I'm more removed from that space as I get older, but the album still serves me well when I want to wallow in some dark mood. Ὅσον ζῇς φαίνου
μηδὲν ὅλως σὺ λυποῦ πρὸς ὀλίγον ἐστὶ τὸ ζῆν τὸ τέλος ὁ χρόνος ἀπαιτεῖ.” | |
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Boy, it sure is never dull talking about Joni's music, simply because so far, people relate differently toward her music(or toward music in general, isn't it?).
See, Hissing is exactly the opposite of dark to me, now there're some solemn & melancholy moments here there, but on a larger scale there's a lot of hope between the lines/notes.
There's a lot of hope and courage to tackle the unknown in Hejira as well(at least, thats what I got from it) but this album has more of solitariness,,,,,,,I wouldn't call it dark though, just beautifully hunting.
Now her 80s albums are dark, angry and extremely confrontational. | |
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