I can respect your perspective. Although, this is how I look at it: Could any of those women have performed Whitney's songs better than Whitney? I don't believe so. Especially those whose vocality was limited to a very particular style (specifically jazz artists like Ella and Billie). But on the contrary, Whitney in, let's say 1987, could and did cover Aretha, Diana, etc, and did indeed perform their songs at a more superlative level. So yeah, she did have the best vocal instrument, and has proved that immensely. Therefore, back to my point, all this "shitney" name-calling crap is suited for nothing else besides a toilet. "You put water into a cup, it becomes the cup...Now water can flow or it can crash. Be water, my friend." - Bruce Lee
"Water can nourish me, but water can also carry me. Water has magic laws." - JCVD | |
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[Edited 2/7/11 18:57pm] | |
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Janet Won the most amount of Billboard awards for a female artist!In ONE NIGHT! and she was only 24!!!! | |
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lets get real... beyonce isn't that amazing of a singer... and all she does is shake her behind and pop her coochie... thats not that amazing... her dance moves you can see in the club....
Like I said, beyonce had to start off with Destiny's child, because she would NOT have made it alone during the 90s.... and she knows it.... if she could have you would NOT even know about Kelly or Michelle...
Beyonce just is a ghetto booty shaking girl who is attention and fame hungry... Beyonce would be like a Jody Watley and would only make it in the urban industry.... if this were the 80s or 90s.... | |
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BOB MARLEY, BUDDY HOLLY, THE DOORS AND MANY OTHER GREAT GROUPS/ARTISTS HAVE NEVER WON ONE GRAMMY IN THEIR LIFETIME SO WHAT'S YOUR POINT!?! | |
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This is just plain ignorance. You probably just heard Video Phone once on the radio and judged all her vocal talent on that one shitty song. Go look at my "Tribute to Beyonce's Vocal Control" thread or look that up on youtube and tell me she's still all tits and ass. | |
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This is just plain ignorance. You probably just heard Video Phone once on the radio and judged all her vocal talent on that one shitty song. Go look at my "Tribute to Beyonce's Vocal Control" thread or look that up on youtube and tell me she's still all tits and ass. | |
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actually, alisa already mentioned she used to be a beyonce fan and had her posters and everything | |
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The debate never started because you missed my point. My point as I said before wasn't Bey>>>Janet. My point was to show was in responding to this: ("Dangerous in love","B-day", and "I..am" aren't really what I would consider...Classic) with me saying that they are defining albums for her as Control, RN1812, VR and Janet are for Janet. Meaning that when people speak of the "Beyoncé legacy", they will speak of those albums in that light. BTW, I am not saying that DIL, B'day and IASF are on the same level as Janet's work quality wise. I am speaking in the context of her(Bey) impact on entertainment for her generation.
Since we acknowledge that Janet was an artist/entertainer before Bey was ever born, you can't even compare them musically and performing wise. You can prefer one over the other, but two different generations of entertainers. | |
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But that wasn't my point. My point is that Bey is getting there and even you said that she is on the path of getting there. | |
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Actually they do, compare the Knowles/Beyinces to the Jacksons as they do any black family that has some sort imprint on entertainment. You forget that Solange is a accomplished songwriter, producer in her own right and one day will take over her dad's label. I mean, even Bey's cousin who is her assistant has numerous songwriting credits on Bey's songs.
I don't compare the Jacksons to the Knowles/Beyinces but let's not downplay the Knowles/Beyinces either. The Jackson legacy speak for itself. | |
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Well, as I said Whitney had the better vocal instrument but Aretha, and Ella especially are such great musicians that they would be able to arrange their vocals that put their own signature on anything they grace their voice too. They are better "interpreters" than Whitney is, though Whit is a great interpreter herself.
I do agree with your last statement, calling her that is juvenile or low. | |
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She started with DC, yes but she was with them from when she was a kid. That's like saying that Michael Jackson needed the Jackson Five to be a star.You don't have to like her music, her performing style, her image but what I am saying is evident.
And secondly, if Beyonce would be like Jody Watley then why didn't Jody do what Beyoncé did and take it the level that Bey has? | |
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I remember some asshole on muchmusic saying after a Janet video that she's had a good career without needing her brothers to start out, I thought that was so rude! Both Beyonce and Michael were good with and without their group.
I wouldn't be surprised if Jody was an influence for her too, great artist. | |
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Just stop The Knowles family doesn't have a legacy and Solange is a flop hence why she's just DJing. The only one that will have a legacy in that family is Beyonce. So no, they don't compare to the Jacksons. The end. | |
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Never said that they did compared, what I said is a lot of times, the media compare them because of this: Her point really was that people tend to compare every black family that is entertainment to the Jackson story. You know, doing entertainment to get out of poverty. The stereotype of every black person who plays sports or does entertainment and is a pro at it.
Everyone knows that people love to compare Bey's dad with Joe Jackson in a degatory way and a lot of times, the media loves to sensationalize the Jackson story also. That's my point. | |
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That's a case of Jackson haters trying to have their cake and eat it too because one of the things that people tend to say of JJ is that if she wasn't a Jackson, she wouldn't be famous which is ridiculous because it was when she broke from her dad is when she became Janet. But that's what haters do. Nothing is amount of logic is going to get them see their foolishness.
And as for Jody, that wouldn't surprise me either. I actually liked Jody. Looking for a new love is my fave song from her. Though I have always seen Bey closer to Vanessa Williams(allmusic has VW as a musical influence of Bey's) than Jody, very versatile(can ride a beat vocally and try on different genres) though VW is not a "wailer" and growler like Bey is. But that's the closet comparision that I can truly think of for Beyonce and an artist from the 80s. | |
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Oh come on, if she wasn't a Jackson, with that weak voice of hers, she would not have been presented to Jimmy Jam and Terry Lewis. Her name got her in touch with the best producers in the land. Her success is a matter of name, luck, determination, good dancing skills and excellent producers. [Edited 2/8/11 10:44am] | |
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You know that's a bunch of bull too, she worked with very hot producers of the early 80's like Rene and Angela, and those first two albums were nice, but so many jacksons were coming out with albums then, plus we had Thriller, so the timing was just off. | |
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And what imprint has the knowles family left? | |
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You sure can't, because one has something over the other. And that is Talent. Janet was even taking control of her own career before Bey did! You simply stated that Beyonce is halfway through Janet's career and I simply replied "Ehh, Negative". And the Albums I stated broke GROUND for other artist. What did DIL,B-day, and I...am do? | |
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Then Maybe we should talk about everyone else's career in the Jackson Family, besides MJ and Janet . | |
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like i said great dancing skills and excellent producers. | |
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Oh please you need to take that nonsense elsewhere. If she was just "lucky" or getting somewhere on "name" alone, then she wouldn't be the icon that she is today. She has that "it" factor. Jimmy Jam said himself that Janet gambled on all of them. He said that he and Terry weren't exactly Quincy Jones when they produced Control, and that it was a gamble. It paid off. Janet is no puppet. She's written lots of songs, some of them her most famous. So, let me rephrase your last sentence: "Her success is a matter of talent, determination, excellent dancing skills, and collaborating with hungry up-and-coming producers and chorographers who wanted it as much as she did." [Edited 2/8/11 12:23pm] "Get up off that grey line" | |
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Stop being a drama queen. that is my opinion. Janet's Jackson's success was based on a number of factors I listed. I don't believe she's a great singer and I think her song writing ability wasmore hype and had more to do with the genius of JJ and TL. She even admitted to taking credit for songs she never wrote and she did not write one song for her last album. Her name, good dancing skills and the creativeness of her producers is what made her. If you feel that if she was not a Jackson the results would be the same (though I highly doubt) then its your opinion. | |
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She's never claimed to be a singer of Whitney-esque proportions. She does well with and is versatile with the range that she does have.
Fact: Janet wrote the lyrics to and came up with the melody of That's The Way Love Goes, her biggest #1
Fact: Janet came up with the melody for and co-wrote If
Fact: Janet writes often, and has penned the lyrics to several songs on her CDs
Fact: Janet wrote the lyrics to "All For You", her 2nd biggest #1
It's not hype. And, her last album was a rushed project financed by a label that, at the end of the day, didn't have her best interest at heart. The reason there are usually such large gaps in between her albums is that SHE'S the one pouring her life experiences into the lyrics and themes.
"Get up off that grey line" | |
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let's agree to disagree. [Edited 2/8/11 12:53pm] | |
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Not hype, you're wrong, get bent "Get up off that grey line" | |
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You forgot "IMO"
either way, whatever the reasons, we got good music out of it. [Edited 2/8/11 13:08pm] | |
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Not exactly. You can argue for Janet being the better all-around performer(because she's not a bad vocalist, actually) but Bey is the better vocalist and the more acclaimed one too. There is a reason why the woman has 8 vocal performance song Grammys to her name and yes, I know you are going to re-interate that she bought them but that's crazy thinking especially considering the one award she could buy, the Walk of Fame, she don't have. She is arguably the best female vocal arranger of her generation(age group 20-30) and her songs are built off of them no matter who the producer is. The only other one you can argue from this aspect especially in Contemporary R&B is Brandy(who is one record for giving Bey her due for vocal arrangments and vice-versa from Bey).
Also, as for your last question, the ground that she is broke is this: Musically, Beyonce’s best work takes the Hip Hop-meets-60’s soul sound pioneered by Lauryn Hill, and makes it danceable, club-ready, and pop-oriented. Listen to “Crazy in Love,” Beyonce’s crowning achievement musically, and you hear many of the same retro-influenced elements present in Hill’s “Do Wop (That Thing);” particularly the raw, live instrumentation, and those insistent, Motown-inspired horns that anchor the song. And while Dangerously in Love may be Beyonce’s most impactful album, B-Day is unquestionably her best, as she explores this interesting balancing act over the course of the entire record. Live instrumentation was employed for most of the songs on B-Day, as well as some sampling from 60’s and 70’s soul artists like Curtis Mayfield and Betty Wright, and they blend perfectly with a contemporary, fiery hip hop production style that gives the album a rich and musical, yet radio-ready personality; Ike and Tina-meets-Swizz Beats, if you will. Recorded in only two weeks, and comprised of just ten songs, the album’s brevity and clear vision give it a cohesiveness rarely found in most mainstream, pop albums. http://www.blackyouthproj...e-beyonce/
It's a sound that I affectionally call...Pop & Soul. In fact, read the whole blog entry that I posted in here[I didn't write it, someone else did and express what I am saying better than I ever could], it's very good stuff and shows the impact she has had on entertainment, music and the industry in general. In fact, look at Allmusic.com...I will post from them in fact: http://www.allmusic.com/a...ce-p349078 and http://www.allmusic.com/a...ld-p278369
Under the influences, if you count, you will 39 various artists influenced(followed) by her going back to her DC days. Not to mention, there are others(like Amerie, Adele, Jennifer Hudson, Maroon Five, Miley Cyrus, and Katherine McPhee for example). Oh yeah, even Toby Gad talked about how he grew up with Bey's music and that she(as well as Brandy) are influential to him also: http://www.youtube.com/wa...MQW9uMB_14
And yes, I know Janet is under both lists of who Bey is influenced by musically. Again, you have this impression that I am saying Bey>>>Janet. What I am saying, and been saying, time and again, about Bey's impact on music with her work. To deny that is to akin to a Beyoncé stan calling Janet, Trannet and ignoring her work because they are focus on stanwars rather than being objective about each artists/entertainers work. And I go on the fact that Bey, since 1997 has had a top 5 song on the BB 100 charts or that she is the only artist who has a #1 song for 10 consecutive weeks on that same chart as part of a group and as a solo artist, and that she has most weeks at #1 on that chart for a female artist last decade as well as being second all-time for a female(behind Mariah) and then having the most Grammy nominations for a female artist also. But those things won't convince you of her impact on music because your focus is to debate Janet's greatness over Bey's. You are doing the very thing that Jermaine Dupri did when he made that swipe at Bey.
One thing I agree with Alisa, if Janet never sold another record, it won't matter because her legacy is secure and I feel the same way about Beyoncé believe it or not. | |
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