Identity said:
Cinnie said:
Nope, he was honored just the same. He always told that story.
That's remarkable. Did anyone bother to tell him that Rod Temperton wrote "Thriller"?
Basslines usually aren't penned by songwriters. Bassline creation is usually part of the "Arranging" period, which come under the umbrella duties of the Producer ( or he/she would hire an arranger etc)
Im pretty sure Q, used a variety of arrangers, mostly for hornz and keyboards. But he over saw it, and told them what to do. Q's said numerous times that he took the elements of Give it to me baby,
and threw them in thriller. Mind you this was when the copyright law entailed that a violation was a work that borrowed more than 75% of a melodic idea. (might be 85% I don't remember.) I just know there was alot of leeway. Pretty much you can change a few notes, the key its in, and you'd be safe. With basslines you have even more leeway, because bass isn't really a "melodic" instrument so they tend to be more lenient. Unless you blatantly rip it off like V-Ice did with "Ice Ice baby" He tried to get away with it by using the very same rule by claiming he changed one note ( a lie, which wouldn't exonerate him anyway)
IE if you change the chord structure and key and just keep the overall rhythm, your pretty much safe.
BUT even when your safe from copyright harm, its always good form to say who influenced the track. All music has influences, and they should all be respected. |
"...I used to play with Rick back in the day. They (Prince & Rick) also recorded a song together. I heard about a minute of it back in 85. Rick's engineer Tom Fly played it for me but got scared
Rick would hear it and fire us! Too bad there was a lot bad blood between them, the song was a MONSTER jam. but it's long lost now, maybe Prince will release it someday..."
...