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Thread started 08/25/10 1:08am

Identity

Heart: Interview + Album News

[img:$uid]http://i35.tinypic.com/28a88eb.jpg[/img:$uid]

August 25, 2010

Even as rock music struggles to regain its early vitality and creative pulse, Heart isn't losing heart. After 35 years, the Seattle band that blazed a trail for female rockers refuses to coast or pull over.

On Aug 24th, sisters Ann and Nancy Wilson, the group's only remaining founders, unveil 13th studio album Red Velvet Car, their first since 2004's Jupiter's Darling.

Intimate, intense and anchored by Ann's powerhouse vocals and Nancy's aggressive guitar, the album recalls such groundbreaking works as 1976 debut Dreamboat Annie, 1977's Little Queen and 1978's Dog & Butterfly.

Car may be new, but the odometer is maxed out.

"This is a traveling album with old-fashioned grooves and songs that have to do with where we've been," says Ann, 60, pointing to road tunes Wheels and Death Valley.

Lyricist Nancy, 56, says the transit theme is literal and figurative, personal and universal.

"It's the ache and loneliness of modern life," she says, huddled next to Ann on a couch in the Sunset Marquis hotel bar. "The character of the world now seems to be travel. There's less a feeling of the stay-at-home family that plays Monopoly or even watches TV together. Everyone disappears into private technology. You're in a vehicle, in a comfort zone, on your way through something."

The Wilsons, who've toured all summer and have dates booked through 2010, know a thing or two about travel. Daughters of a Marine father, they moved frequently as kids but didn't learn how to live out of a suitcase until rock stardom set them on a continuous cycle of recording and touring. They've sold more than 30 million albums and piled up 21 top 40 hits, starting in the '70s with Crazy on You, Barracuda, Magic Man and Straight On.

Their legacy and finances secure, they could easily retire or ride the oldies circuit.

"They've got fire and commitment and never want to lose the idea that they are creative, vital musicians," says Car producer Ben Mink, who also produced albums by K.D. Lang, Feist and Barenaked Ladies, as well as Ann's 2007 solo disc, Hope & Glory. "Their talent is off the map, and a lot of it comes from being natural. They're like the Everly Brothers. They don't really have to work out harmonies. They just read each other's genetic code."

And while contemporary hitmakers rely on Auto-Tune, Pro Tools and drum machines, Heart kept the beat without studio pacemakers.

"You have to acknowledge that it's 2010, but you can't get too clever with technology," Mink says. "Their fans are too smart and have too much history with Heart. I tried to get incredible performances, something that's honest to the moment and keeps the integrity."

Playing To Their Strengths

With rock mired in radio silence and sluggish sales, will Red Velvet Car roll off the lot? "I have a naïve belief that if something is honest and catchy and good, it will make it out in the world," Mink says.

Ann laments how waning radio support sends so many worthy records into a "black hole."

"The business is hard to pin down, and everyone is scrambling to be heard," she says. Heartened by positive reaction, including a thumbs-up in Rolling Stone, "it feels like there might be a snowball's chance in hell this time," Nancy says. "If it can get from us to people's ears without stalling in between, it will be fine.

"There's an appreciation for bands that are human," she says. "People tell us, 'Wow, you actually sing and play!' Pop acts are going by so quickly, the sense of disposability is overwhelming. The sound of pop today is stunning. It's found a whole new color in music. But it's about the sound, not about people."

Mink got to the heart of Heart by focusing on, but not exaggerating, core strengths.

"It was gratifying to hear us sound like us," Ann says. "Most other producers we worked with said, 'Come on, Ann, just belt it out, knock down the wall with your voice.' Ben was more, 'Hold back, let's bring your soul out. You don't have to be a sledgehammer.' That was valuable to me."

The trio's ethic of going for sincerity, bold acoustic rock and a vibrant live sound embodied "pre-'80s Heart," Nancy says.

The '80s delivered Heart's only chart-toppers, 1985's self-titled album and singles These Dreams and Alone, plus such hits as Who Will You Run To, Never and What About Love.

But it's not a phase they embrace with unconditional pride. Adapting to the MTV revolution, they tilted toward pop, collaborated with outside writers, joined the parade of video vixens and "slightly bruised our holy artistic integrity," Nancy jokes.

The early days had been tough enough in a male-dominated genre that tended to see women as eye candy or not at all.

Heart's first label fanned rumors that the Wilsons were lesbian lovers in a risqué tabloid-style ad depicting the bare-shouldered pair above the caption: "Heart's Wilson Sisters Confess: 'It Was Only Our First Time!' "

"We felt exploited every single minute," Ann says. "We have always fought it by taking every opportunity to be ourselves. We'd get nasty and say stuff people wish we wouldn't.

"In the '80s, our band was fading away, and we thought we'd have to jump overboard. The subservience is so insidious, sometimes you don't see it happening until you look around and go, 'wait, I'm wearing a corset, I've got on false fingernails and stilettos, and my back's killing me. Why am I doing this?' "

Nancy interjects, "And I'm paying the bill for two days of inordinately expensive video!"

"It was a survival technique," Nancy says. "New hair, new management, get the stylist, reinvent. It was a fun costume party at first, but by the end of the '80s, because it had been such a cocaine- and ego-driven thing, it devoured itself. We ran back to Seattle with our tail between our legs, in debt even though we'd made more money than ever."

During the video chapter, Ann, who had put on pounds since Heart's arrival, was swaddled neck to ankles and pressured by record executives and even band members to lose weight. While annoyed by the fixation on her heft rather than her hefty voice, she was more riled by the industry's handling of Nancy.

"It stuck in my craw that they treated her as a sex object because she's a beautiful blond woman," Ann says. "It was always, 'Come on, babe, simper for us.' The worst stereotypic, sleazy, greasy things. Once we got to the end of our rope, we put on the combat boots."

In 2002, Ann underwent Lap-Band (adjustable gastric band) surgery. To please herself.

"There was no pressure from anywhere at that point," she says. "I've gone through my whole career being talked about, and I could have gone on being talked about. The company offered the surgery for free if I'd talk about it, and I figured I might help other people. I got my eating under control. I still go up and down, but I don't pig out. It helped me train myself."

'Rock Mom' Living

Dieting, sexism, cratering CD sales and lung-crushing corsets have been minor challenges compared with juggling a globe-trotting career with motherhood, both women say.

Nancy and filmmaker Cameron Crowe, married since 1986, have 10-year-old twin boys and live in Los Angeles. Ann is a single mom to a daughter, 19, and son, 12, in Seattle.

"With the kindly help of a therapist, I have come to realize I don't have to feel guilty about having this calling," Ann says. "I was called to be a mother, and I was also called to be a singer. And I cannot desert either one."

Nancy turns to Ann and says: "I need to go to your therapist. When I became a mom, I was a little naïve. It's a little lonely being a rock mom in a soccer-mom world."

Ann adds sympathetically: "And the stay-at-home moms are wary of rock moms. You can cut the vibe with a stick."

They've found one remedy to ease the pain of home tugging at their Heart strings.

"You never really adjust, but it helps to have each other, big time," Ann says. "I can tell when one little muscle in Nancy's face starts to twitch, it's time to knock it off for the day."

Despite a revolving lineup (the duo currently is backed by a guitarist, bassist, keyboardist and drummer), Heart has yet to be rocked by sibling rivalry.

"We never argue," Nancy says. "There's no time for drama like that. You have to get on with the business of life."

The Wilsons hope to keep Heart going regardless of the industry's unpredictable swings. Sisterhood is forever, and for now, Heart's in the right place.

"I started writing an autobiography a couple years ago, but I found myself getting really cranky," Nancy says. "I realized I wasn't ready to sum it up. Looking back felt wrong."

Ann, who also abandoned a memoir, chimes in, "I felt that, too! The story doesn't have an ending yet."

http://www.usatoday.com/l...5_CV_N.htm

[Edited 8/25/10 15:11pm]

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Reply #1 posted 08/25/10 1:19am

TRON

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yes

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Reply #2 posted 08/25/10 2:34am

JamFanHot

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These gurls are 60????????????????

Fuck YEAH.....love em.

Funk Is It's Own Reward
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Reply #3 posted 08/25/10 7:09am

abigail05

I've been waiting a long time, six years in fact!

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Reply #4 posted 08/25/10 7:34am

NoVideo

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Looking forward to getting this. A shame the interviewer had to ask Ann about her weight issues. I mean, for real?

* * *

Prince's Classic Finally Expanded
The Deluxe 'Purple Rain' Reissue

http://www.popmatters.com...n-reissue/
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Reply #5 posted 08/25/10 9:25am

thekidsgirl

avatar

JamFanHot said:

These gurls are 60????????????????

Fuck YEAH.....love em.

They still rock too nod

I saw them perform earlier this month and it was an awesome show!

If you will, so will I
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Reply #6 posted 08/25/10 2:33pm

Wowugotit

Overall I like Heart though they have had their fair share of shitty albums through the years. I hope the new album isn't another one to add to the list. The new single "WTF" isn't anything I'd want to hear more than once.

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Reply #7 posted 08/25/10 4:29pm

Nick715

Wowugotit said:

Overall I like Heart though they have had their fair share of shitty albums through the years. I hope the new album isn't another one to add to the list. The new single "WTF" isn't anything I'd want to hear more than once.

Same here. I love their stuff from the 70's, 80's and 90's.

I'm not feeling these new songs, and I heard that Nancy is singing lead on most tracks. That's another turnoff to me. Ann is the vocalist I love. Oh well.

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Reply #8 posted 08/25/10 4:44pm

errant

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saw them last year at the state fair. fucking AWESOME.

"does my cock look fat in these jeans?"
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Reply #9 posted 08/25/10 4:51pm

alphastreet

I was considering seeing them at Casinorama. Maybe another time.

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Reply #10 posted 08/25/10 4:53pm

errant

avatar

alphastreet said:

I was considering seeing them at Casinorama. Maybe another time.

no. go see them

"does my cock look fat in these jeans?"
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Reply #11 posted 08/25/10 4:59pm

lastdecember

avatar

The album is great, great playing great great fucking harmonies, i mean CAN any females do harmonies anymore with layering them, how about fucking singing them, if you want that listen to Heart, if u want LAYERING listen to...well pick a female


"We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F
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Reply #12 posted 08/25/10 5:02pm

alphastreet

the past 3-4 years I was considering it even though I just loooove 3 songs (Alone, What About Love, Never) but felt I love them enough to see them perform

[Edited 8/25/10 17:02pm]

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Reply #13 posted 08/26/10 9:30am

funkpill

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Reply #14 posted 08/26/10 10:01am

Timmy84

If I had to pick my favorite of the two, Nancy's great and all but Ann's voice does something to my soul. mushy I'm gonna get me a collection (and the new album if it's in stores) and rock out. headbang


Thanks.

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Reply #15 posted 08/26/10 2:19pm

lastdecember

avatar

Timmy84 said:

If I had to pick my favorite of the two, Nancy's great and all but Ann's voice does something to my soul. mushy I'm gonna get me a collection (and the new album if it's in stores) and rock out. headbang


Thanks.

Ann to me is the greatest voice that is NEVER talked about, she blows the roof off to this day!


"We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F
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Reply #16 posted 08/26/10 2:27pm

johnart

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cool cool

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Reply #17 posted 08/26/10 5:46pm

Timmy84

lastdecember said:

Timmy84 said:

If I had to pick my favorite of the two, Nancy's great and all but Ann's voice does something to my soul. mushy I'm gonna get me a collection (and the new album if it's in stores) and rock out. headbang


Thanks.

Ann to me is the greatest voice that is NEVER talked about, she blows the roof off to this day!

Sixty and still making girls take notes. Female singers should learn a thing or two from Ann... she's up there on my list of the greatest singers of all time. That girl's voice got so much soul. nod music

[Edited 8/26/10 17:47pm]

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Reply #18 posted 08/26/10 6:49pm

alphastreet

their voices really really touch me too, I could feel the sadness in Alone and wanted to recapture that so badly when singing

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Reply #19 posted 08/26/10 8:00pm

Timmy84

[img:$uid]http://www.austinchronicle.com/binary/729d/scaled.heart.jpg[/img:$uid]

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Reply #20 posted 08/26/10 8:18pm

funkpill

Timmy84 said:

[img:$uid]http://www.austinchronicle.com/binary/729d/scaled.heart.jpg[/img:$uid]

yup....still having trouble love

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Reply #21 posted 08/26/10 8:57pm

Poplife88

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I am absolutely in love with Ann's voice. I would love to see them live someday.

I prefer 70's Heart over the 80s. I rock out to Magic Man, Crazy For You, Barracuda, Kick It Out and the others. 80's Heart was always cheesy imo. But Ann's voice ALWAYS saves those songs.

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Reply #22 posted 08/26/10 11:27pm

Gunsnhalen

cool Glad these gals are still making music biggrin

Pistols sounded like "Fuck off," wheras The Clash sounded like "Fuck Off, but here's why.."- Thedigitialgardener

All music is shit music and no music is real- gunsnhalen

Datdonkeydick- Asherfierce

Gary Hunts Album Isn't That Good- Soulalive
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Reply #23 posted 08/27/10 8:41am

sextonseven

avatar

My top five Heart songs:

1. These Dreams

2. Dream Of The Archer

3. Magic Man

4. What About Love

5. Alone

Another one of my favorite Heart songs is one neither written nor performed by them as Heart:

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Reply #24 posted 08/27/10 3:31pm

Nick715

lastdecember said:

Timmy84 said:

If I had to pick my favorite of the two, Nancy's great and all but Ann's voice does something to my soul. mushy I'm gonna get me a collection (and the new album if it's in stores) and rock out. headbang


Thanks.

Ann to me is the greatest voice that is NEVER talked about, she blows the roof off to this day!

Does Ann sing lead on other songs other than WTF? I read a while back that Nancy was singing lead on most of these new tracks.

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Reply #25 posted 08/27/10 3:38pm

TD3

avatar

NoVideo said:

Looking forward to getting this. A shame the interviewer had to ask Ann about her weight issues. I mean, for real?

The interviewer is an idiot. rolleyes

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Reply #26 posted 09/01/10 8:15am

Identity

Heart

August 30, 2010

Los Angles Times Album Review: Red Velvet Car

Perhaps it shouldn’t come as a surprise that the new Heart album — one of only two the group has released over the last decade and a half — is as strong as it is. Outlasting expectations comes naturally to Ann and Nancy Wilson, who in the mid-’80s transformed Heart from the lean hard-rock act responsible for "Magic Man" and "Barracuda" to the slick power-ballad factory behind "These Dreams" and "What About Love."

Still, rare is the band doing work this good at such an advanced age; rarer still is the band doing it, as Heart does on "Red Velvet Car," without employing a sober return-to-roots approach.

The best tunes here are as fun — and as delightfully trashy — as anything in the Heart songbook: In "WTF," Ann flexes her powerful She-Ra vocals over Nancy’s killer fuzz-grunge riff; "Queen City," an ode to the Wilsons’ native Seattle, features a chorus lyric composed in large part of pirate slang. Later, "Death Valley" earns its title with some gorgeous evil-angel harmony singing.

"Red Velvet Car" also emphasizes Heart’s mystical-folkie side in cuts like the slow-burning title track and "Sand," which the Wilsons first performed with their acoustic side project, the Lovemongers. But even there you can hear a joy and a sense of humor in the music that distinguishes it from the grim output of so many heritage acts.

Thirty-four years after the band’s debut, Heart’s dreamboat sails on.

Track listing:

1. There You Go
2. WTF
3. Red Velvet Car
4. Queen City
5. Hey You
6. Wheels
7. Saffronia's Mark
8. Death Valley
9. Sunflower
10. Sand

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Reply #27 posted 09/01/10 8:48am

sag10

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Love the Wilson sisters.

Saw them last year, and the year before... Ann's voice is so amazing.

^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^
Being happy doesn't mean that everything is perfect, it means you've decided to look beyond the imperfections... unknown
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Reply #28 posted 09/01/10 11:51am

lastdecember

avatar

Identity said:

Heart

August 30, 2010

Los Angles Times Album Review: Red Velvet Car

Perhaps it shouldn’t come as a surprise that the new Heart album — one of only two the group has released over the last decade and a half — is as strong as it is. Outlasting expectations comes naturally to Ann and Nancy Wilson, who in the mid-’80s transformed Heart from the lean hard-rock act responsible for "Magic Man" and "Barracuda" to the slick power-ballad factory behind "These Dreams" and "What About Love."

Still, rare is the band doing work this good at such an advanced age; rarer still is the band doing it, as Heart does on "Red Velvet Car," without employing a sober return-to-roots approach.

The best tunes here are as fun — and as delightfully trashy — as anything in the Heart songbook: In "WTF," Ann flexes her powerful She-Ra vocals over Nancy’s killer fuzz-grunge riff; "Queen City," an ode to the Wilsons’ native Seattle, features a chorus lyric composed in large part of pirate slang. Later, "Death Valley" earns its title with some gorgeous evil-angel harmony singing.

"Red Velvet Car" also emphasizes Heart’s mystical-folkie side in cuts like the slow-burning title track and "Sand," which the Wilsons first performed with their acoustic side project, the Lovemongers. But even there you can hear a joy and a sense of humor in the music that distinguishes it from the grim output of so many heritage acts.

Thirty-four years after the band’s debut, Heart’s dreamboat sails on.

Track listing:

1. There You Go
2. WTF
3. Red Velvet Car
4. Queen City
5. Hey You
6. Wheels
7. Saffronia's Mark
8. Death Valley
9. Sunflower
10. Sand

its a very strong record, tracks like "Wheels" and "There You Go" show off their playing as a band, "WTF" is like an old school Heart song, while "SAND" shows off the classic harmonies, there are 2 bonus tracks at iTunes full album only.


"We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F
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Reply #29 posted 09/01/10 12:04pm

rmartin70

errant said:

saw them last year at the state fair. fucking AWESOME.

Yeah, I saw them at the Warfield in SF last year and they put on a great show.

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