I have a hard time believing that it was all Michael through that whole movie. Why would Karen Faye- his makeup artist- have such issues against this movie if it was a really genuine film.
Why would Janet not bother to see the movie? Why did LaToya and Joe ignore the movie? [Edited 8/23/10 21:49pm] | |
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Karen had an issue with the film as she felt that Michael would only have wanted the world to see the finish product as he was a perfectionist.
Janet didn't see the film as the pain of her brother's death was too real and raw to see.
La Toya and Joe - I don't know why as I haven't read any of their thoughts about it.
Also of the brother's whilst all of them went to the premier Jackie didn't go into the actual viewing as he felt it was too raw still for him.
As I am sure you understand this was their brother and son dying, and to have a film out of his last rehearsals was probably a very real pain for them to confront.
I understand you have a difficulty believing it was MJ all the way through, but when you factor in that a lot of the stuff show in out of chronological sequence then you start to understand some of the fluctuations in appearance and weight.
Also if there was a double - that person would be making big time money now as an impersonator - and no one is that good at covering Michael.
"I'm not human I'm a dove, I'm ur conscience. I am love" | |
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I thought Jackie saw it and Tito was the one that didn't see it? That's how I remember it on Jackson Family Dynasty | |
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[img:$uid]http://www.designfreebies.org/wp-content/uploads/2009/07/michael-jackson-digital-art-4.jpg[/img:$uid] [Edited 8/23/10 23:25pm] | |
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Pretty much. | |
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I think Jackie said he didn't see it. | |
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I was listening to Sunset Driver and it made me wonder, is it officially an OFF THE WALL outtake? I once saw on some MJ website that it was actually an outtake from either Destiny or Triumph. It's possible it can be an outtake for one of the 3, if not, ALL 3.
Destiny (1977-1978) Off The Wall (1978-1979) Triumph (1979-1980)
MJ was working on OTW while he was working on both Destiny and Triumph albums. | |
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It sounded 1982-ish to me like he was preparing that one for the Thriller album... then again who knows. It's just that the sound was more modern than the demos from the Destiny/OTW sessions. It was likely probably for Triumph but who knows? [Edited 8/23/10 23:35pm] | |
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I do remember reading that the "demo" that leaked is in fact from 1982, but you know how they like to switch years around (see For All Time being put on Thriller 25 as a Thriller outtake when it was recorded during Dangerous session) | |
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True. | |
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Makes me wonder. Bboy, we need your assistance! lol | |
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He IS in the building. | |
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We were talking about it on MJJVault awhile back. I think it's like the case of Streetwalker. Michael recorded it for that particular album but then reworked it later on. Not to mention Sunset Driver is a studio demo and worked on by Michael and Greg Philliganes and they used alot of synth and percussion in their demos together, but's definitely possible that an earlier version from the Off The Wall sessions
I just found out that the version of In The Back on The Ultimate Collection is the early version. Michael and Brad Buxer worked on it more and there's a more finished version apparently "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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Yall Mickey Fickeys still talking about Michael?
(I just typed that so that I could hold my space in the thread). Although I'm your biggest fan...I'm also your biggest critic. Can you deal with that? | |
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Yeah, Mike did look way too skinny, pale etc. But looking at Prince these days, he seems to be as skinny. On the other hand, if Mike didn´t sleep, of course, he´s not gonna look fresh and all that. I think it was him in TII. "When Michael Jackson is just singing and dancing, you just think this is an astonishing talent. And he has had this astounding talent all his life, but we want him to be floored as well. We really don´t like the idea that he could have it all." | |
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Interesting. | |
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http://www.usatoday.com/tech/gaming/2010-08-24-mjgame24_ST_N.htm | |
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You are correct. As I was writing this (at work) a little voice in the back of my mind was saying it was Tito. Thanks for the correction.
Swa "I'm not human I'm a dove, I'm ur conscience. I am love" | |
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Blood on the Dance Floor
With the HiStory tour still swirling around the globe, Blood On The Dance Floor seemed like a quick (some might argue) rushed release to quickly follow and keep the momentum going. Perhaps knowing that a short time between albums was a rare thing when it came to Michael, Sony cobbled together this strange mix of remix material and new songs – though just how new was debatable.
Blood On The Dance Floor was initially recorded as part of Dangerous and didn’t see the light of day until 6 years later here. With a beat reminiscent of Remember The Time (and bass groove of Do The Bart Man) Jackson layers his vocals in almost hushed tones in the verses before moving into full voice in the chorus. As if seducing the listener in the same way the song’s temptress does, the song slinks along and teases with the promise of more but doesn’t truly realise its potential. A tad generic in its composition it is a solid track but offers nothing new of fresh to Jacksons catalogue.
Thankfully Morphine did offer something new. Dark, and eerie, Morphine is one of Jackson’s most experimental and perplexing songs. Half seductive hard hitting industrial funk, half dreamscape orchestral, the song has a rough edge to it that sharpens its teeth as Michael bites off the lyrics and spits them out. Almost abrasive the track grabs the listener and doesn’t let go only offering moments of respite as Michael sings “trust in me, just in me” in soothing and seductive tones. Partly confessional, the song gives us a peek into Michael’s darker side retelling (and foretelling) his addiction to pain killers and Demerol and contains samples from Jackson’s favourite film The Elephant Man. It’s as if in each verse Michael layouts out all the factors in his life that are pushing him to the edge; the mistrust, the paranoia, the double crosses, those just after another cut and then when the song drifts off to a sweeping orchestral break the soothing appeal of the drug itself is on display before the come down back to reality kicks back in. Morphine will always be a song that is close to the bone, but like all great art it has a boldness to it and tension.
Whereas Morphine pushed into new territory. Superfly Sister sounded dated from the very first beat. For some reason it feels not quite finished, and more of a demo guide that a finished song. Its funky vocal groove has Michael working his way through the verses without taking a breath before sliding into the chorus. With its tale of lust and sexual manipulation on display the song has a rawer funk edge to it than some of his other work of the time, but ultimately it sounds like a poorer sister to many of the tracks on Dangerous. Not so Superfly after all.
For many fans there will always be a debate between Ghost and Is It Scary? For mine, Ghost offers a richer listening experience. With a hard to resist groove that swings its way through the verses before thumping home in the chorus. The vocal harmonies also feel richer as they ask “who gave you the right to share my family tree”. Lyrically Michael seems to be taking aim at certain members of his family with reference to back stabbing jealousy and selling him out. But of course, in typical Michael style he wraps all this anger and venom into an irresistible song that makes you want to get up and move.
With a soothing introduction Is It Scary soon turns ominous and threatening as wind slowly builds, doors creak and the beat shuffles along. Michael’s lyrics here share similar themes with Ghost, but this time seems to reflect the wacko jacko role the world has created for him. Half asking if this is the role they want him to play, and half taunting that well if that’s the case you ain't seen nothing yet Michael teases “if you want to see eccentric comedies, I’ll be grotesque before your eyes”. The chorus with a harder rockier feel flips the subject matter and lays out the thought that perhaps the strange and curious creature is not Michael but the public that almost demand oddities from him. At times Is It Scary packs a bit of a punch, and stretches Michael musical canon but at the same time seems to dwell a little too much in the same themes of Thriller, and Threatened. Maybe this time round though his anger and feeling of being victimised was warranted.
The rest of the album featuring remixes is a bit hit and miss as most fail to bring a fresh perspective to the tracks of HiStory, although credit must be given to including two non singles in the form of Money and 2Bad which were some of HiStory’s strongest moments.
Not quite a new album, nor a convincing remix project, Blood On The Dance Floor remains an oddity in the Jackson collection that save for Morphine (and perhaps Ghost) doesn’t really add anything new and inventive to his catalogue. Gone was the emotional rawness of HiStory with it’s painfully personal lyrics (again Morphine is the exception) in stead Michael seems content to drift back into a world of visual and lyrical fantasy to convey his message and focuses more to finding his place back on the dance floor. Whether or not it is to be considered an album, I am thankful that Michael was brave enough to include Morphine and confront some of his demon's so courageously in song. For that reason alone BOTD is a must have.
"Morphine"
He got flack baby Kick in the back baby A heart attack baby I ain’t your rival
A hot kiss honey He's dug the ditch baby You make me sick baby So unreliable
Such a swine baby All down the line daddy I hate your kind baby So unreliable
A hot buzz baby He wants the buzz baby Another drug baby You so desire
Trust in me Trust in me Put all your trust in me You're doin' morphine
Hoo!
He’s got the place baby Kicked in the face baby He hate your race baby You're just a liar
Your every lick baby Your dog's a bitch baby You make me sick baby You talk survival
Another cut from me Another book baby I got to work baby You just a rival
A razor blade daddy Right up your leg daddy You're throwing shade daddy So undesirable
Trust in me Just in me Put all your trust in me You're doin' morphine
Go'on babe
Relax This won't hurt you Before I put it in Close your eyes and count to ten Don't cry I won't convert you There's no need to dismay Close your eyes and drift away
Demerol Demerol Oh God he's taking Demerol Demerol Demerol Oh God he's taking Demerol
He's tried Hard to convince her To give more of what he had Today he wants it twice as bad Don't cry I won't resent you Yesterday you had his trust Today he's taking twice as much
Demerol Demerol Oh God he's taking Demerol Hee-hee-hee Demerol Demerol Oh my His God is Demerol Hee Oooh
Oh!
He got hit baby Your dog's a bitch baby You make me sick baby You are a liar
Is truth a game daddy? To win the fame baby It's all the same baby You're so reliable
Trust in me Trust in me Put all your trust in me She's doin' morphine
Hoo!
You just sit around just talkin' nothing You're takin' morphine Hoo! Go'on baby You just sit around just talking about it You're takin' morphine Hoo-hoo! Just sit around just talking nothing about it You're takin' morphine You just sit around just talking about it You're taking morphine You just sit around just talkin' nothin' And takin' morphine
Hoo-hoo I'm going down baby You're talkin' Morphine
Go'on baby! Hoo! Hoo! Morphine! Do it! Hoo! He's takin' morphine Morphine! Morphine!
"I'm not human I'm a dove, I'm ur conscience. I am love" | |
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I feel Sunset Driver gives me the same Vibe as the songs from The Wiz or Off the Wall so I believe i was written for Off The wall greatly. Possibly Triumph since the album combined the sounds of Destiny and OTW as MJ admitted in Moonwalk though I believe it stands on it's own.
I never believed in the doubles theory at all, but sometimes he just looked very different in the scene with the silver jacket, orange pants and sunglasses though I think it was lighting and weight. I think it was Joe who was saying he won't see the movie and trying to say it was a double, but he was also claiming Omar was his son, so I don't take him seriously with anything
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I love how on Sunset Driver he's working "the word is out that you're doing wrong".
That line along with "throwing rocks to hide your hands" has appeared in a few MJ songs. "I'm not human I'm a dove, I'm ur conscience. I am love" | |
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yeah I caught that too, it reminded me of the Bad extended mix with all those adlibs | |
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"TOLD ya that you been doing wrong" - 2 Bad [Edited 8/24/10 2:04am] | |
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And in..... "I'm not human I'm a dove, I'm ur conscience. I am love" | |
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I remember my friend who gave me HIStory for my birthday was telling me about 2bad and singing it before she gave it to me, and I was like "but he already did Bad" and thought of it as a 'part 2' maybe that's why he put a 2 in it on purpose, 2Bad instead of Bad 2, or cause things were too bad at that point, and too bad cause no one got to him like they wanted cause he's that 'bad-ass' [Edited 8/24/10 3:23am] | |
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Janet didn't watch the movie because of the pain seeing her brother alive instilled in her.
Joe and Latoys were the ones who started the doubles rumors. They were the ones who, as soon as they realized they were not getting a paycheck (remember the schemes Joe came up with in order to get a % of the movie?) started this whole "there are body doubles in the movie" B.S..
Karen Faye, prior to Michael's death, was amazingly excited over the concerts. She would talk about how strong and ready Michael was and how she looked forward to the 02 dates. Then MJ dies and Faye's tone completely changes.
The truth is: Michael was strong and ready for the concerts. The "he was weak, uncapable, drugged, forced and frail" was invented by some vultures (we all know who those 4 are) as soon as they realized they couldn't worm their way into AEG's payroll and as soon as their Texas pay-per-view concert was denied by MJ.
EVERYBODY who was in contact with Michael claims he was strong, healthy and ready. Then, on the other hand, you have the likes of Latoya, Leonard Rowe, Oxman and Joe saying the contrary. Someone is lying and we know DAMN WELL who is doing so. It's not as if the ones who rant about MJ's invented poor health didn't have an agenda that includes creating a lawsuit against AEG in hopes to get an enormous payday. | |
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"When Michael Jackson is just singing and dancing, you just think this is an astonishing talent. And he has had this astounding talent all his life, but we want him to be floored as well. We really don´t like the idea that he could have it all." | |
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There's no way Michael was capable of doing 50 shows. At the most he could have done 10, but the promoters thought it would generate more money for them by adding more shows and we all know that its all about the money.
When you have some doctor giving propofol to somebody on daily basis for no valid reason, that is not healthy by any means.
And did you not hear what Klein said on TMZ to Harvey, he said the family was trying to get him help right before he died. He also forbid Harvey to say the name of the doctor who was going to treat Michael for rehab. And also how about how Grace had talked to Klein.
[Edited 8/24/10 8:51am] | |
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The only doubles in TII is in the SC Dome Project scenes where he's sliding down the banister and also the silhouette with the dancers may be a double.
Every other scene is THE Michael Jackson. Anybody who thinks otherwise obviously doesn't know what he looks like very well. Any self-respecting fan can spot a lookalike a mile off. | |
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