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Thread started 07/27/10 12:21pm

SoulAlive

Donna Summer's rejected 1981 double album 'I'm A Rainbow'

In the summer of 1981,Donna Summer went into the studio with her producers Girogio Moroder and Pete Bellotte to record a new album.It was a 2-record set titled 'I'm A Rainbow' and was scheduled to be released in the fall of '81.It would have been her second album on Geffen Records.However,when label head David Geffen heard the new music,he refused to release the album.Feeling that it was time for Donna to change producers and go in a more R&B direction,he paired her up with Quincy Jones for a "replacement album" that was released a year later.Bootleg cassettes of 'I'm A Rainbow' circulated for years among fans until it was finally released on CD in 1996.

To those of you who are fans,I'd like to know your thoughts on the rejected album.Do you agree with David Geffen? Was he wise or dumb for not releasing it? Would this album have done well in late 1981 when it was supposed to be released? What songs do you think would have made great singles?

I have mixed feelings about this album.I think half of it is very good,and half of it is mediocre.This is one case where a double album should have been shortened...there are at least ten strong songs here.These are my favorite songs:

***"A Runner With The Pack"---love the stripped down,New Wave sound of this song.An electronic masterpeice! The chorus and hook is so infectious and fun.Donna and Giorgio have done several songs like this before,but this one sounds fresh and invigorating.

***"I Believe In You"---The opener is a slick R&B duet with Joe "Bean" Esposito,the same guy who duetted with Donna on "Heaven Knows" a few years earlier.This one had alot of hit potential.It's simple and radio-friendly,unlike many of the more experiemental tracks.

***"True Love Survives"---This one sounds like an outtake from 'The Wanderer'.A perfect example of Giorgio's early 80s post-disco sound.

***"Walk On (Keep On Walking)"---If the album had been released as planned,I might have chosen this song as the first or second single.A strong,catchy pop number that would have done well on the radio in 81/82.With a powerful video,the MTV crowd would have been all over this.

***"Back Where You Belong"---One of the few songs on the album with a strong R&B flavor.Another potential single.

***"Sweet Emotion"---A beautifully arranged slow jam.Donna doesn't usually do songs like this,so it's a real treat to hear her in this setting.This is one track that might have received some attention on R&B and Quiet Storm stations back then.

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Reply #1 posted 07/27/10 12:48pm

SoulAlive

I'm a Rainbow
Studio album by Donna Summer
Released August 20, 1996 (original 1981 double album was never officially released. Released on single CD format in 1996)
Recorded 1981
Genre R&B
Length 72:50
Label Geffen (unreleased)
Mercury (1996 CD issue)
Producer Giorgio Moroder
Pete Bellotte


I'm a Rainbow is the ninth studio album (a double album) recorded by Donna Summer in 1981 that remained unreleased until 1996.

After making her name as the biggest selling and most important female artist of the disco era in the 1970s, Summer had signed to Geffen Records in 1980 and released the new wave-influenced album The Wanderer and I'm a Rainbow, a dance-oriented double album, was set to be its follow-up (Summer had gained much success during the 1970s with double albums). However Geffen were unhappy with the resultant effort and insisted that Summer part company with Giorgio Moroder and Pete Bellotte who had produced and co-written, and with whom Summer had been working since the early 1970s. She was instead paired up with producer Quincy Jones and begun work on the 1982 self-titled album.

Over the years, certain songs from I'm a Rainbow sneaked out. "Highway Runner" appeared on the soundtrack to Fast Times at Ridgemont High the following year, and "Romeo" appeared on the Flashdance soundtrack (1983). Remixes of two further tracks appeared ten years later on the 1993 compilation album The Donna Summer Anthology - the title track (written by Summer's husband Bruce Sudano), and a version of "Don't Cry for Me Argentina" from Evita.

Bootleg copies of the album circulated among fans for years before the full album was finally released by Mercury Records, a division of Polygram, in 1996. The original album artwork, however, couldn't be located although it's been speculated whether the rainbow themed artwork of her 1982 LP may have been it. While dance-oriented music was a theme throughout the album, this was combined with several different musical styles, making it one of Summer's more diverse albums. Styles explored included 80's Brit synthpop like The Human League and Duran Duran, pop/rock, and ballads. It included a duet with Joe "Bean" Esposito, writing credits from Harold Faltermeyer, Keith Forsey, Sylvester Levay, Summer's husband Bruce Sudano as well as the usual Summer/Moroder/Bellotte team.

Several of the shelved songs were licensed to other artists. The Real Thing covered "I Believe in You" late 1981, Anni-Frid Lyngstad of ABBA recorded "To Turn the Stone" (produced by Phil Collins) for her 1982 solo album Something's Going On, and the track was also included on Joe "Bean" Esposito and Giorgio Moroder's 1983 album Solitary Men, while Amii Stewart recorded "You to Me" and "Sweet Emotion" for her self-titled album the same year.

TRACK LISTING

No. Title Writer(s) Length
1. "I Believe (In You)" (Duet with Joe Esposito) Harold Faltermeyer, Keith Forsey 4:31
2. "True Love Survives" Pete Bellotte, Donna Summer 3:38
3. "You to Me" Bellotte, Sylvester Levay 4:40
4. "Sweet Emotion" Bellotte, Levay 3:45
5. "Leave Me Alone" Faltermeyer, Forsey 4:06
6. "Melanie" Giorgio Moroder, Summer 3:40
7. "Back Where You Belong" Faltermeyer, Forsey 3:53
8. "People Talk" Moroder, Summer 4:16
9. "To Turn the Stone" Bellotte, Moroder 4:21
10. "Brooklyn" Bellotte, Levay, Summer 4:36
11. "I'm a Rainbow" Bruce Sudano 4:07
12. "Walk On (Keep on Movin')" Bellotte, Moroder 3:51
13. "Don't Cry for Me Argentina" Tim Rice, Andrew Lloyd Webber 4:29
14. "A Runner With the Pack" Bellotte 4:08
15. "Highway Runner" Moroder, Summer 3:29
16. "Romeo" Bellotte, Levay 3:19
17. "End of the Week" Bellotte, Levay 3:39
18. "I Need Time" Bellotte, Moroder, Summer 4:24

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Reply #2 posted 07/27/10 1:04pm

SoulAlive

As I indicated earlier,I think the album would have worked better as a single,10-track album.If you remove tedious,lackluster songs like "You To Me" and "I Need Time" and instead focus on the strong tunes,you'd wind up with a tracklist that looks like this:

SIDE 1---

I Believe (In You)

True Love Survives

People Talk

Back Where You Belong

Sweet Emotion

SIDE 2---

Walk On (Keep On Walkin)

A Runner With The Pack

I'm A Rainbow

End Of The Week

To Turn The Stone

With this tracklkist,the album would have been an easier sell.Let's face it...in 1981,there aren't too many people who would have rushed out to the record store to spend $12 for a double LP by Donna Summer.Trim it down to a kickass 10-song tracklist and you got a decent album that would have at least reached gold staus,as 'The Wanderer' had done.

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Reply #3 posted 07/27/10 2:49pm

pzlyprk

Not a bad set of songs from her usual team at the time, but I do think Geffen had a point (although I'm not fond of record bosses pulling that kind of power play). I'm a fan of the Moroder team's work (Moroder, Bellotte, Faltermeyer and Forsey), but by that time the overall sound on the radio was definitely changing and Moroder really hadn't changed his sound all that much (albeit, his team's work was very influential in hindsight). Maybe everyone involved really thought that there was a bit of a "brand" to the Summer/Moroder collaboration, and they needed to maintain that. Definitely understandable (as big as she was at the time).

My biggest thought when I saw this post was that I cannot imagine 1982 without "Love Is In Control (Finger On The Trigger)." That is one of my favorites (for Donna Summer and as a Quincy Jones production). While I don't think the self-titled album that was released was one of Summer's or Jones' best, it was/is a fun album. And I'd probably still pick that album over "I'm A Rainbow."

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Reply #4 posted 07/27/10 3:04pm

SoulAlive

I agree,the self-titled,Quincy Jones-produced album is much more satisfying than 'I Am Rainbow'.
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Reply #5 posted 07/27/10 4:23pm

JackieBlue

avatar

Yikes! Was not feeling that first song at all but once I heard her voice on I Believe all was right again. That's a nice track.

Been gone for a minute, now I'm back with the jump off
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Reply #6 posted 07/27/10 4:46pm

SoulAlive

"A Runner With The Pack" is quirky,but it's alot of fun lol I'm thinking that they should have used it in the 'Flashdance' movie instead of the less inspired "Romeo".
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Reply #7 posted 07/27/10 9:47pm

mimi2

SoulAlive said:

As I indicated earlier,I think the album would have worked better as a single,10-track album.If you remove tedious,lackluster songs like "You To Me" and "I Need Time" and instead focus on the strong tunes,you'd wind up with a tracklist that looks like this:

SIDE 1---

I Believe (In You)

True Love Survives

People Talk

Back Where You Belong

Sweet Emotion

SIDE 2---

Walk On (Keep On Walkin)

A Runner With The Pack

I'm A Rainbow

End Of The Week

To Turn The Stone

With this tracklkist,the album would have been an easier sell.Let's face it...in 1981,there aren't too many people who would have rushed out to the record store to spend $12 for a double LP by Donna Summer.Trim it down to a kickass 10-song tracklist and you got a decent album that would have at least reached gold staus,as 'The Wanderer' had done.

I agree. I don't think they should have just shelved this album since there are some great tracks on it. All they needed to have done was remove the weak songs. I like Donna's 1982 album as well, but I wish she had released these tracks in '81. She surely would have had even more chart topping hits in her resume.

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Reply #8 posted 07/27/10 11:10pm

leecappella

avatar

As a full blown Donna Summer fan, I was disappointed to hear that there was a Donna Summer cd that did not get released back in 1981. If it was out there, I wanted to hear it. If I didn't like jazz and she released a jazz cd, I would want to hear it. I then would likely start liking jazz. I love just about anything this woman does. So, when I'm A Rainbow was finally released, I could not wait to hear it. I like just about every track on I'm A Rainbow. My least favorite would be To Turn The Stone followed by, I Need Time. These two I listen to the least. My favorite tracks are True Love Survives, You To Me, Leave Me Alone, Melanie, A Runner With The Pack, Highway Runner, and Romeo. All the others, I like. I just don't listen to them to the degree that I listen to my favorites. If singles had been released from this cd, my choices would have been any and all of my favorites. David Geffen was not pleased with I'm A Rainbow. This was probably due to his expectations for Donna as compared to her success in the 70's. Her 80's releases weren't as successful. She Works Hard For The Money being the exception. Donna is a versatile vocalist, but that does not guarantee success. Whatever she may be asked to do by a record company, I'm sure she can deliver. However, as an artist, no one wants to have their songs shelved after they were inspired, created, recorded, and finalized in the mix. I would love for Donna to be able to do whatever she wants musically. As far as Geffen's decision goes, it was his right to do what he did. He owned the record company. It was a business decision. An artist is, in a sense, is owned by a record company. It can be tough. An artist is born, creates, dreams, and has a passion for their work to be heard. To get to the level major recording artists get to can be a dream come true. But there appears to be a price for a lot of those creative individuals. Donna's song, Be Myself Again speaks of one of those prices. David Geffen did what he thought he should have done. Who knows what kind of success I'm A Rainbow could have had back in 1981? It may have bombed. It may not have. Sometimes, though, for a singer/songwriter, it's more important to be able to record the songs one wants to. Donna was saying something with I'm A Rainbow. To have it shelved was probably like sharing your heart with someone and that someone showing no concern for what was being said to them. The album was disregarded. In turn, her feelings were disregarded on some level. Being the Donna Summer fan that I am, there is no album by her that I don't like. There are some songs that I don't listen to as much as others, but, as a whole, I love whatever she puts out. If it were up to me, David Geffen would have released I'm A Rainbow. However, because the songs were not as he would have liked them to be, he canned it. Never mind the fact that although he didn't like the album, it could have still done well commercially in its day despite his personal feelings concerning it.

And, yes! I am still on vacation:)


[Edited 7/27/10 16:22pm]

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Reply #9 posted 07/31/10 12:58pm

LiveToTell86

Unfortunately it sounds outdated and is overlong. Moroder peaked in the disco era and the label was right, she had to move on, so at least she could score a few 80s hits.

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Reply #10 posted 07/31/10 10:24pm

SUPRMAN

avatar

leecappella said:

As a full blown Donna Summer fan, I was disappointed to hear that there was a Donna Summer cd that did not get released back in 1981. If it was out there, I wanted to hear it. If I didn't like jazz and she released a jazz cd, I would want to hear it. I then would likely start liking jazz. I love just about anything this woman does. So, when I'm A Rainbow was finally released, I could not wait to hear it. I like just about every track on I'm A Rainbow. My least favorite would be To Turn The Stone followed by, I Need Time. These two I listen to the least. My favorite tracks are True Love Survives, You To Me, Leave Me Alone, Melanie, A Runner With The Pack, Highway Runner, and Romeo. All the others, I like. I just don't listen to them to the degree that I listen to my favorites. If singles had been released from this cd, my choices would have been any and all of my favorites. David Geffen was not pleased with I'm A Rainbow. This was probably due to his expectations for Donna as compared to her success in the 70's. Her 80's releases weren't as successful. She Works Hard For The Money being the exception. Donna is a versatile vocalist, but that does not guarantee success. Whatever she may be asked to do by a record company, I'm sure she can deliver. However, as an artist, no one wants to have their songs shelved after they were inspired, created, recorded, and finalized in the mix. I would love for Donna to be able to do whatever she wants musically. As far as Geffen's decision goes, it was his right to do what he did. He owned the record company. It was a business decision. An artist is, in a sense, is owned by a record company. It can be tough. An artist is born, creates, dreams, and has a passion for their work to be heard. To get to the level major recording artists get to can be a dream come true. But there appears to be a price for a lot of those creative individuals. Donna's song, Be Myself Again speaks of one of those prices. David Geffen did what he thought he should have done. Who knows what kind of success I'm A Rainbow could have had back in 1981? It may have bombed. It may not have. Sometimes, though, for a singer/songwriter, it's more important to be able to record the songs one wants to. Donna was saying something with I'm A Rainbow. To have it shelved was probably like sharing your heart with someone and that someone showing no concern for what was being said to them. The album was disregarded. In turn, her feelings were disregarded on some level. Being the Donna Summer fan that I am, there is no album by her that I don't like. There are some songs that I don't listen to as much as others, but, as a whole, I love whatever she puts out. If it were up to me, David Geffen would have released I'm A Rainbow. However, because the songs were not as he would have liked them to be, he canned it. Never mind the fact that although he didn't like the album, it could have still done well commercially in its day despite his personal feelings concerning it.

And, yes! I am still on vacation:)


[Edited 7/27/10 16:22pm]

If it were a business decision, his personal feelings wouldn't be involved.

I don't want you to think like me. I just want you to think.
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Reply #11 posted 07/31/10 10:38pm

SoulAlive

Donna has said that,when this album was cancelled,it was like "having a miscarriage".This experience soured her relationship with David Geffen."I don't go into the studio to have an album canned",she said.

[Edited 7/31/10 15:39pm]

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Reply #12 posted 08/01/10 3:10am

leecappella

avatar

SUPRMAN said:

leecappella said:

As a full blown Donna Summer fan, I was disappointed to hear that there was a Donna Summer cd that did not get released back in 1981. If it was out there, I wanted to hear it. If I didn't like jazz and she released a jazz cd, I would want to hear it. I then would likely start liking jazz. I love just about anything this woman does. So, when I'm A Rainbow was finally released, I could not wait to hear it. I like just about every track on I'm A Rainbow. My least favorite would be To Turn The Stone followed by, I Need Time. These two I listen to the least. My favorite tracks are True Love Survives, You To Me, Leave Me Alone, Melanie, A Runner With The Pack, Highway Runner, and Romeo. All the others, I like. I just don't listen to them to the degree that I listen to my favorites. If singles had been released from this cd, my choices would have been any and all of my favorites. David Geffen was not pleased with I'm A Rainbow. This was probably due to his expectations for Donna as compared to her success in the 70's. Her 80's releases weren't as successful. She Works Hard For The Money being the exception. Donna is a versatile vocalist, but that does not guarantee success. Whatever she may be asked to do by a record company, I'm sure she can deliver. However, as an artist, no one wants to have their songs shelved after they were inspired, created, recorded, and finalized in the mix. I would love for Donna to be able to do whatever she wants musically. As far as Geffen's decision goes, it was his right to do what he did. He owned the record company. It was a business decision. An artist is, in a sense, is owned by a record company. It can be tough. An artist is born, creates, dreams, and has a passion for their work to be heard. To get to the level major recording artists get to can be a dream come true. But there appears to be a price for a lot of those creative individuals. Donna's song, Be Myself Again speaks of one of those prices. David Geffen did what he thought he should have done. Who knows what kind of success I'm A Rainbow could have had back in 1981? It may have bombed. It may not have. Sometimes, though, for a singer/songwriter, it's more important to be able to record the songs one wants to. Donna was saying something with I'm A Rainbow. To have it shelved was probably like sharing your heart with someone and that someone showing no concern for what was being said to them. The album was disregarded. In turn, her feelings were disregarded on some level. Being the Donna Summer fan that I am, there is no album by her that I don't like. There are some songs that I don't listen to as much as others, but, as a whole, I love whatever she puts out. If it were up to me, David Geffen would have released I'm A Rainbow. However, because the songs were not as he would have liked them to be, he canned it. Never mind the fact that although he didn't like the album, it could have still done well commercially in its day despite his personal feelings concerning it.

And, yes! I am still on vacation:)


[Edited 7/27/10 16:22pm]

If it were a business decision, his personal feelings wouldn't be involved.

That may be true, sometimes. Sometimes it's hard not to have personal feelings involved. They can be disguised and presented as business. However, what I meant by what I said was that it could have been a successful release for her despite his feelings that it would not be a success release had it been released at that time in 1981. Assuming that was the reason for not releasing it in the first place.

[Edited 7/31/10 21:27pm]

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Reply #13 posted 08/01/10 3:10am

leecappella

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SoulAlive said:

Donna has said that,when this album was cancelled,it was like "having a miscarriage".This experience soured her relationship with David Geffen."I don't go into the studio to have an album canned",she said.

[Edited 7/31/10 15:39pm]

True that!

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Reply #14 posted 08/03/10 12:35pm

SoulAlive

mimi2 said:

SoulAlive said:

As I indicated earlier,I think the album would have worked better as a single,10-track album.If you remove tedious,lackluster songs like "You To Me" and "I Need Time" and instead focus on the strong tunes,you'd wind up with a tracklist that looks like this:

SIDE 1---

I Believe (In You)

True Love Survives

People Talk

Back Where You Belong

Sweet Emotion

SIDE 2---

Walk On (Keep On Walkin)

A Runner With The Pack

I'm A Rainbow

End Of The Week

To Turn The Stone

With this tracklkist,the album would have been an easier sell.Let's face it...in 1981,there aren't too many people who would have rushed out to the record store to spend $12 for a double LP by Donna Summer.Trim it down to a kickass 10-song tracklist and you got a decent album that would have at least reached gold staus,as 'The Wanderer' had done.

I agree. I don't think they should have just shelved this album since there are some great tracks on it. All they needed to have done was remove the weak songs. I like Donna's 1982 album as well, but I wish she had released these tracks in '81. She surely would have had even more chart topping hits in her resume.

Yep,I think they should have just re-worked the tracklist,trimmed it down to a 10-track album,and released it.Using the tracklist that I came up with,I can easily find three strong singles: "I Believe In You","Walk On (Keep On Walkin)" and "Back Where You Belong".There's no reason why those three songs could not have become big hits in late 1981/early 82.

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