TonyVanDam said: Timmy84 said: Desiree also mentioned something about which one had more crossover appeal, well how many mainstream pop folks know "Get the Funk Out Ma Face"? Oh please! THE only time The Brothers Johnson had crossover-pop appeal (beside Stomp!) is when they were behind the scenes studio musicians for Michael Jackson. Otherwise, they were too funky for the pop charts anyway. That's what I meant, Tony. | |
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TonyVanDam said: Timmy84 said: Desiree also mentioned something about which one had more crossover appeal, well how many mainstream pop folks know "Get the Funk Out Ma Face"? Oh please! THE only time The Brothers Johnson had crossover-pop appeal (beside Stomp!) is when they were behind the scenes studio musicians for Michael Jackson. Otherwise, they were too funky for the pop charts anyway. Actually, back during the disco era, "Strawberry Letter 23" was all over pop radio. This was before I switched to black radio in 1979. Andy is a four letter word. | |
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vainandy said: Actually, back during the disco era, "Strawberry Letter 23" was all over pop radio. This was before I switched to black radio in 1979. Besides that song, lol. | |
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The Oh, J's. PRINCE: Always and Forever
MICHAEL JACKSON: Always and Forever ----- Live Your Life How U Wanna Live It | |
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Timmy84 said: vainandy said: Actually, back during the disco era, "Strawberry Letter 23" was all over pop radio. This was before I switched to black radio in 1979. Besides that song, lol. Nope, no more. "Stomp" and "Strawberry Letter 23", that's all. Andy is a four letter word. | |
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vainandy said: Nope, no more. "Stomp" and "Strawberry Letter 23", that's all. That rests the case! | |
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