TonyVanDam said: vainandy said: That's another thing that helped kill disco. Every young crowd since the days of rock and roll has wanted to be cool, hip, and rebellious. When you get dorky people like this making a disco record, then it makes the genre seem less "cool" and makes the young listener afraid that they will be labelled a nerd or a dork if they listen to it. I have always wished someone extremely dorky and "white" like Debbie Boone who made "You Light Up My Life" or Barbara Streisand would make a shit hop record and help the genre seem less "cool" and "rebellious" to these young listeners so they would turn away from it like so many did with disco. However, since the days of Shitney, the "safe" artist has no longer been seen as uncool. Hell, there have been even numerous Disney hits since those days and you don't get no more uncool than that. Hell, we would have slung a Disney record up against the wall back in the day and stomped on it. . . . [Edited 6/17/09 20:58pm] Well we did have Vanilla Ice at one point. But instead of "killing" hip-hop/rap with his hip-pop style, he simply convince most of his white audience to embrace the gangsta-style of Dr. Dre & Snoop Dogg, since slowing the music tempo down while they're smoking weed and drinking beer OR malt liquor was more "black", "hood", "ghetto", & "real" than that corning stuff Vanilla Ice was doing. FUCK Vanilla Ice! | |
- E-mail - orgNote - Report post to moderator |
Timmy84 said: TonyVanDam said: Well we did have Vanilla Ice at one point. But instead of "killing" hip-hop/rap with his hip-pop style, he simply convince most of his white audience to embrace the gangsta-style of Dr. Dre & Snoop Dogg, since slowing the music tempo down while they're smoking weed and drinking beer OR malt liquor was more "black", "hood", "ghetto", & "real" than that corning stuff Vanilla Ice was doing. FUCK Vanilla Ice! I like Vanilla Ice. | |
- E-mail - orgNote - Report post to moderator |
coolcat said: Timmy84 said: FUCK Vanilla Ice! I like Vanilla Ice. Shall I bring Ganon? Just joking. | |
- E-mail - orgNote - Report post to moderator |
Timmy84 said: coolcat said: I like Vanilla Ice. Shall I bring Ganon? Just joking. What was that?? | |
- E-mail - orgNote - Report post to moderator |
Harlepolis said: brooksie said: Harle you KNOW things have gotten out-of-control when a singer like Merman gets into the act. That's like Aretha cutting a Snoop Dogg joint. Some things should NEVER happen!
Well Ms.Everthing did the unthinkable while we're at it There's something VERY wrong in this pic, guess what it is? maybe somebody beat me to it but those fuckin boots? | |
- E-mail - orgNote - Report post to moderator |
vainandy glad you checked in. This is right up your alley!
The sad part about rap and even Shitney is that it was White folks that blew it up and kept it going. LOL...if it was down to Blacks and the rnb charts, I think a more traditional rnb sound would have re-emerged. Unfortunately, there's far too much reason to crossover which means either hip hop OR adult contemporary. Good news is that I think people are in a mood for a drastic change. Many younguns have a thing for pre hip hop sounds in rnb, rock, etc...for them, the old is the new. bboy said A professor of mine was talking about the disco era and said the music was repetitive and offered no real artistic merit, it was just shallow danceclub music and was a rip off of funk
Does this professor have ANY idea about the evolution of popular music and what it signifies in terms of cultural shifts? Honestly, he must think the world ended w/ Pink Floyd or ELP. If he knew anything, he'd know that it represented a radical shift by putting previously marginalized minorities front and center. Disco was one of the only forms of music to date who's perfomers were not overwlehmingly male, white, or suburban. Let's not forget its 1st and still loyal fan base was NOT heterosexual either. Disco is one of the 1st things that gays openly blew up. It proved that not only were they there, but also a serious consumer base. That hardly says "shallow" to me. Disco was the LAST time that so many minorities were so absolutely invisible. That's what the whole kerfuffle of Disco Sucks was about. The genies were out of the bottle! For the record, there were plenty of straight white dudes who dug disco. "Saturday Night Fever" was truthful in this regard! [Edited 6/17/09 21:48pm] | |
- E-mail - orgNote - Report post to moderator |
bboy87 said: Harlepolis said: Well Ms.Everthing did the unthinkable while we're at it There's something VERY wrong in this pic, guess what it is? The cowboy boots? Re-Re was looking smashable in this picture see | |
- E-mail - orgNote - Report post to moderator |
brooksie said: vainandy glad you checked in. This is right up your alley!
The sad part about rap and even Shitney is that it was White folks that blew it up and kept it going. LOL...if it was down to Blacks and the rnb charts, I think a more traditional rnb sound would have re-emerged. Unforunately, there's far too much reason to crossover which means either hip hop OR adult contemporary. bboy said A professor of mine was talking about the disco era and said the music was repetitive and offered no real artistic merit, it was just shallow danceclub music and was a rip off of funk
Does this professor have ANY idea about the evolution of popular music and what it signifies in terms of cultural shifts? Honestly, he must think the world ended w/ Pink Floyd or ELP. If he knew anything, he'd know that it represented a radical shift by putting previously marginalized minorities front and center. Disco was one of the only forms of music to date who's perfomers were not overwlehmingly male, white, or suburban. Let's not forget its 1st and still loyal fan base was NOT heterosexual either. Disco is one of the 1st things that gays openly blew up. It proved that not only were they there, but also a serious consumer base. That hardly says "shallow" to me. Disco was the LAST time that so many minorities were so absolutely invisible. That's what the whole kerfuffle of Disco Sucks was about. The genies were out of the bottle! For the record, there were plenty of straight white dudes who dug disco. "Saturday Night Fever" was truthful in this regard! the guy also classified Michael Jackson, Prince, and Madonna as "Dance Pop" and said that of the 3, Madonna is the most successful ("She's the only one who has been on the covers of major magazines every year for the past 25 years") Matter of fact, he completely ignored Prince, downplayed MJ, and said Donny Hathaway, Roberta Flack, and The Isley Brothers didn't hold much significance "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
- E-mail - orgNote - Report post to moderator |
I haven't said anything about those cowboy boots and that dress (hoping they'd go away or that I mistook it), but unless she was doing Dolly Parton does disco, that cover alone would ensure a fail. Re looks hot tho, nevertheless. | |
- E-mail - orgNote - Report post to moderator |
coolcat said: Timmy84 said: Shall I bring Ganon? Just joking. What was that?? I don't know. Some kind of meme on YouTube. | |
- E-mail - orgNote - Report post to moderator |
brooksie said: For the record, there were plenty of straight white dudes who dug disco. "Saturday Night Fever" was truthful in this regard! So what happened that changed all that... | |
- E-mail - orgNote - Report post to moderator |
bboy87 said: brooksie said: vainandy glad you checked in. This is right up your alley!
The sad part about rap and even Shitney is that it was White folks that blew it up and kept it going. LOL...if it was down to Blacks and the rnb charts, I think a more traditional rnb sound would have re-emerged. Unforunately, there's far too much reason to crossover which means either hip hop OR adult contemporary. bboy said Does this professor have ANY idea about the evolution of popular music and what it signifies in terms of cultural shifts? Honestly, he must think the world ended w/ Pink Floyd or ELP. If he knew anything, he'd know that it represented a radical shift by putting previously marginalized minorities front and center. Disco was one of the only forms of music to date who's perfomers were not overwlehmingly male, white, or suburban. Let's not forget its 1st and still loyal fan base was NOT heterosexual either. Disco is one of the 1st things that gays openly blew up. It proved that not only were they there, but also a serious consumer base. That hardly says "shallow" to me. Disco was the LAST time that so many minorities were so absolutely invisible. That's what the whole kerfuffle of Disco Sucks was about. The genies were out of the bottle! For the record, there were plenty of straight white dudes who dug disco. "Saturday Night Fever" was truthful in this regard! the guy also classified Michael Jackson, Prince, and Madonna as "Dance Pop" and said that of the 3, Madonna is the most successful ("She's the only one who has been on the covers of major magazines every year for the past 25 years") Matter of fact, he completely ignored Prince, downplayed MJ, and said Donny Hathaway, Roberta Flack, and The Isley Brothers didn't hold much significance Man I wish I was in California... ...so I can hit him with my shoe, dirty bastard, how dare he say Donny, Roberta and the Isleys weren't shit, you old wanna-be-young think-you-too-smart-than-the-students ass! | |
- E-mail - orgNote - Report post to moderator |
heybaby said: bboy87 said: The cowboy boots? Re-Re was looking smashable in this picture see then homegirl discovered the wonders of cheeseburgers, pizza, and chocolate pudding.....and it went all bad "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
- E-mail - orgNote - Report post to moderator |
bboy87 said: the guy also classified Michael Jackson, Prince, and Madonna as "Dance Pop" and said that of the 3, Madonna is the most successful ("She's the only one who has been on the covers of major magazines every year for the past 25 years") Matter of fact, he completely ignored Prince, downplayed MJ, and said Donny Hathaway, Roberta Flack, and The Isley Brothers didn't hold much significance This dude seems to have a problem w/ Black folks. I guess Jimi Hendrix was a lesser technical guitar player than EC and Muddy Waters was a passing fluke! Chuck Berry...he stole his shit from Buddy Holly! Motown was also a somewhat successful record company. Pat Boone kicked Lil Richards' ASS! (This is just how his line of thinking sounds....jerk.) On the MJ-Madonna thing, what an idiot! MJ gets more coverage than Madonna in the world. MJ is probably the most famous person alive...and even when Di was alive, I couldn't tell ya who got more coverage. The world is bigger than People or Rolling Stone, Mr. Prof...buy a clue. [Edited 6/17/09 22:07pm] | |
- E-mail - orgNote - Report post to moderator |
vainandy said: I think that was why they resented disco because these were black artists that were making big money because disco was all over the radio and whites were buying it and funk was only on black radio and bought mainly by blacks only. And it still remained that way after the death of disco. I can definately see the resentment because the disco artists were crossover artists and going after the crossover crowd. I was pissed as hell my damn self when I started seeing a lot of artists following Shitney Houston's lead and going after that crossover crowd because when everyone has finally crossed over, there's no funk left. However, I see it differently when it comes to Shitney though because disco may have been a crossover genre but the music was fast, funky, and danceable just like funk was and it was because I was a disco lover first that I even got into funk. With Shitney though, she was the complete opposite. She was going after the old dorky white crowd and slowing shit down to the ancient days of elevator music. I guess you could say that disco is the main form of music I like because everything I liked after it such as funk and house music resembled disco in some kind of way. Shitney came along and just got everyone completely away from anything dance related. Hey, it's fine to crossover but only if you crossover in a good way, not a dull way. People may say..."hey you've got a different set of rules when it comes to something crossing over if it's something you like"....well maybe so but if they don't like it...hey, fuck 'em. Whoever said life was fair. I'm glad you said this because disco was really the 1st FULLY crossover music. It was popular w/ all ages, races, and it offered an upbeat cheerful vibe that people were in need of. If you wanted to experince it "live", clubs were the place for it, not stadiums. As I said earlier, rock had gotten too morose, pretentious, and lacked much intimacy. They didn't call it "arena rock" for nothing. No coinkidink that Disco Sucks happened at a stadium. | |
- E-mail - orgNote - Report post to moderator |
bboy87 said: heybaby said: see then homegirl discovered the wonders of cheeseburgers, pizza, and chocolate pudding.....and it went all bad AFTER she: 1.) quit alcohol 2.) quit smoking Menthols 3.) her father getting shot, then put into a coma, only to die five years later 4.) men dumping her or her getting frustrated easily with the men in her life 5.) possible bouts with depression 6.) emotional reactions to ALL of her siblings dying (especially Carolyn and Cecil at early ages) You know I've joked about her for so long but seriously I think a lot of things caused Aretha to blow up when she did. | |
- E-mail - orgNote - Report post to moderator |
vainandy said: Women didn't dominate in quite the same way in the girl group days...besides they were singing "female appropriate" lyrics. Disco divas were singing about sex, drugs, and not necessarily hanging around on some guy. In disco, they were talking about relationships on THEIR terms. How many women in genres before that really did outside of blues? Oh you hit the nail dead on the head with that statement. Those disco ladies were some hard strong bitches, they had attitude, they were slutty, and weren't afraid to show it. They were the type of women I absolutely love. The complete opposite type of woman than the goodie two shoes little cheerleader type holding her books to her breasts and picking petals off a rose saying "If he loves me...if he loves me not" that came along in 1985 and helped women to start dominating again. Hell, it was like taking all the women off the corner singing about "Bad Girls" and brought back the sickening innocent ones that sing shit about "My Boyfriend's Back and You're Gonna Be In Trouble". Alot of those lyrics also applied to gay men...so that made it all the more interesting. You mentioned Debbie Boone (Pat Boone's daughter...ick) and I had to laugh cuz she and Marie Osmond, Tenelle, the Dawn singers, Olivia Newton-John etc...were so typical of how women pop artists were back then, both in lyrics and looks. These disco chicks were like compared to them. Harle before disco, Marie Osmaond was HUGE. Does that tell ya something? | |
- E-mail - orgNote - Report post to moderator |
brooksie said: vainandy said: Oh you hit the nail dead on the head with that statement. Those disco ladies were some hard strong bitches, they had attitude, they were slutty, and weren't afraid to show it. They were the type of women I absolutely love. The complete opposite type of woman than the goodie two shoes little cheerleader type holding her books to her breasts and picking petals off a rose saying "If he loves me...if he loves me not" that came along in 1985 and helped women to start dominating again. Hell, it was like taking all the women off the corner singing about "Bad Girls" and brought back the sickening innocent ones that sing shit about "My Boyfriend's Back and You're Gonna Be In Trouble". Alot of those lyrics also applied to gay men...so that made it all the more interesting. You mentioned Debbie Boone (Pat Boone's daughter...ick) and I had to laugh cuz she and Marie Osmond, Tenelle, the Dawn singers, Olivia Newton-John etc...were so typical of how women pop artists were back then, both in lyrics and looks. These disco chicks were like compared to them. Harle before disco, Marie Osmaond was HUGE. Does that tell ya something? Don't forget Karen Carpenter. Today, we look at her music in a new light but her record label didn't know what to do with her and they had her as some goody-two-shoes granny-clothes wearing chick. After she tried to go the OTHER route with her solo album, they bashed her and shelved it. | |
- E-mail - orgNote - Report post to moderator |
Timmy84 said: bboy87 said: then homegirl discovered the wonders of cheeseburgers, pizza, and chocolate pudding.....and it went all bad AFTER she: 1.) quit alcohol 2.) quit smoking Menthols 3.) her father getting shot, then put into a coma, only to die five years later 4.) men dumping her or her getting frustrated easily with the men in her life 5.) possible bouts with depression 6.) emotional reactions to ALL of her siblings dying (especially Carolyn and Cecil at early ages) You know I've joked about her for so long but seriously I think a lot of things caused Aretha to blow up when she did. Don't forget all the issues surrounding her two kids born before she qas 17. Aretha's such a complex person. Aretha's upbringing is one of the most unique in popular music. I'd love for a great bio of her to come out. | |
- E-mail - orgNote - Report post to moderator |
Karen Carpenter...how could I forget her? In the 70s, it was kinda Holly Hobby'd "homespun" that seemed to rule the day. | |
- E-mail - orgNote - Report post to moderator |
Wow, didn't know that. | |
- E-mail - orgNote - Report post to moderator |
brooksie said: Timmy84 said: AFTER she: 1.) quit alcohol 2.) quit smoking Menthols 3.) her father getting shot, then put into a coma, only to die five years later 4.) men dumping her or her getting frustrated easily with the men in her life 5.) possible bouts with depression 6.) emotional reactions to ALL of her siblings dying (especially Carolyn and Cecil at early ages) You know I've joked about her for so long but seriously I think a lot of things caused Aretha to blow up when she did. Don't forget all the issues surrounding her two kids born before she qas 17. Aretha's such a complex person. Aretha's upbringing is one of the most unique in popular music. I'd love for a great bio of her to come out. Unfortunately a REAL bio of her won't come out until she leaves us. Don't get Harle started on the autobiography she put out which she REFUSED to talk about her personal life. Ever since 1968 when TIME printed out that her mother abandoned her when she was six (which to this day Aretha said was a lie), she has refused to go into detail of her personal life thinking they may miscontrue what was going on with her. And yeah I almost forgot about the kids and the domestic abuse she suffered at the hands of her first husband. I just found out Aretha was arrested twice in her life, she was arrested once for a DUI and then again for disturbing the peace. She definitely has lived a complex life. The way she sung those songs in the '60s and '70s, you KNEW Ree-Ree had problems! [Edited 6/18/09 8:04am] | |
- E-mail - orgNote - Report post to moderator |
Ironic with this thread discussing disco and Nile and company had trouble getting in to Studio 54. | |
- E-mail - orgNote - Report post to moderator |
Timmy84 said: bboy87 said: then homegirl discovered the wonders of cheeseburgers, pizza, and chocolate pudding.....and it went all bad AFTER she: 1.) quit alcohol 2.) quit smoking Menthols 3.) her father getting shot, then put into a coma, only to die five years later 4.) men dumping her or her getting frustrated easily with the men in her life 5.) possible bouts with depression 6.) emotional reactions to ALL of her siblings dying (especially Carolyn and Cecil at early ages) You know I've joked about her for so long but seriously I think a lot of things caused Aretha to blow up when she did. i didn't know any of that. | |
- E-mail - orgNote - Report post to moderator |
brooksie said: Karen Carpenter...how could I forget her? In the 70s, it was kinda Holly Hobby'd "homespun" that seemed to rule the day.
When Karen tried to take a risk (this was during her bout with anorexia nervosa and during Richard's rehab stint after his addiction to quaaludes) with her solo career with Phil Ramone, she and Phil got egg in their faces. I always said when they shelved her album, that was the beginning of the end of her life. She never took criticism of her music well, she took it real personally too. | |
- E-mail - orgNote - Report post to moderator |
Timmy84 said: brooksie said: Don't forget all the issues surrounding her two kids born before she qas 17. Aretha's such a complex person. Aretha's upbringing is one of the most unique in popular music. I'd love for a great bio of her to come out. Unfortunately a REAL bio of her won't come out until she leaves us. Don't get Harle started on the autobiography she put out which she REFUSED to talk about her personal life. Ever since 1968 when TIME printed out that her mother abandoned her when she was six (which to this day Aretha said was a lie), she has refused to go into detail of her personal life thinking they may miscontrue what was going on with her. And yeah I almost forgot about the kids and the domestic abuse she suffered at the hands of her two husbands. I just found out Aretha was arrested twice in her life, she was arrested once for a DUI and then again for disturbing the peace. She definitely has lived a complex life. The way she sung those songs in the '60s and '70s, you KNEW Ree-Ree had problems! Yeah, Re won't let something serious come out in her lifetime, but by the time she's gone, it'll probably be too late. So many folks who knew her, esp. when young, are already dead. The Rev Franklin stuff...that's what she's REALLY afraid of, I suspect. The way she sung those songs...so sexual, so knowing, so longing. Nobody's quite like her. | |
- E-mail - orgNote - Report post to moderator |
brooksie said:
vainandy glad you checked in. This is right up your alley! It sure is. Disco was my first love and it was absolutely rediculous the way they blew up those disco records in that baseball stadium and the whole "Disco Sucks" movement that happened afterwards. If you notice in the video footage of that incident, every one of them were the typical straight white male that has been traditionally intolerant of anything they consider "different" such as minorities and gay people. That crowd appealed to the people at home watching television that were just like them but were listening to disco without really paying attention to the fact that they were listening to a black and gay form of music. And they really used that "gay" aspect to kill it with their slogan "Disco Sucks". I think that's the first time I ever heard the word "sucks" to refer to something that someone doesn't like. Before the "Disco Sucks" slogan, the only time I ever heard the word "sucks" was when straight people were referring to homosexual sex acts. After that incident, I started hearing the word "sucks" used to refer to anything that people don't like. A group of arrogant people starting an incident at a national televised event can definately influence the attitude and tastes of the viewers. As Gloria Gaynor has said for years since that incident...."If they always hated disco so much, where did they get all those disco records to blow up". The sad part about rap and even Shitney is that it was White folks that blew it up and kept it going. LOL...if it was down to Blacks and the rnb charts, I think a more traditional rnb sound would have re-emerged. Unfortunately, there's far too much reason to crossover which means either hip hop OR adult contemporary.
I think if black artists had not become so obsessed with crossing over in the late 1980s that a totally drastic type of new sound may have emerged. I mean, damn near every new form of music in this country has been invented by black people and other minorities. Instead, these labels just want to keep the same old shit going on endlessly forever and ever. Good news is that I think people are in a mood for a drastic change. Many younguns have a thing for pre hip hop sounds in rnb, rock, etc...for them, the old is the new.
I think the internet is eventually going to be the thing that gets styles changed. Record labels can control style changes as long as they are the only outlet that controls it. But with the internet, hopefully people making music in genres that the labels refuse to sign will get some recognition and become popular. Disco is one of the 1st things that gays openly blew up. It proved that not only were they there, but also a serious consumer base. That hardly says "shallow" to me.
And that's one thing I really loved about disco. It totally shattered the stereotype that we were all dorky nerdy ass types who were into Judy Garland and show tunes. It showed that we could throw down and throw down hard. Actually, we throw down harder than straight people. I first noticed that in the 1990s when straight people were listening to all this slow ass shit hop as slow as elevator music and we were in the clubs throwing down to some fast ass house music. Andy is a four letter word. | |
- E-mail - orgNote - Report post to moderator |
xlr8r said: Ironic with this thread discussing disco and Nile and company had trouble getting in to Studio 54.
Well he got his back in "Le Chic". That just goes to show ya what it was like back then . | |
- E-mail - orgNote - Report post to moderator |
xlr8r said: Ironic with this thread discussing disco and Nile and company had trouble getting in to Studio 54.
That was a very colorful story! Word was Neil and Bernard were trying to get in 54, which was NOTORIOUS for their door policy and their lack of compassion obviously, and they said they were guests for Grace Jones, the door man still wouldn't let them budge. So angry, they went to the bar, got a little drunk, returned to their apartment and Nile got his guitar and started screaming "AH...FUCK OFF!" while playing the riff. Bernard looked over and said "hey man let's write a song". The song was originally called "Freak Off" (as a protest record), Nile then alter the lyrics and renamed it "Freak Out" and gave a sly mention to Studio 54: "Just come on down to '54' Find a spot out on the floor Ah...FREAK OUT!" The rest is music history! | |
- E-mail - orgNote - Report post to moderator |
brooksie said: Timmy84 said: Unfortunately a REAL bio of her won't come out until she leaves us. Don't get Harle started on the autobiography she put out which she REFUSED to talk about her personal life. Ever since 1968 when TIME printed out that her mother abandoned her when she was six (which to this day Aretha said was a lie), she has refused to go into detail of her personal life thinking they may miscontrue what was going on with her. And yeah I almost forgot about the kids and the domestic abuse she suffered at the hands of her two husbands. I just found out Aretha was arrested twice in her life, she was arrested once for a DUI and then again for disturbing the peace. She definitely has lived a complex life. The way she sung those songs in the '60s and '70s, you KNEW Ree-Ree had problems! Yeah, Re won't let something serious come out in her lifetime, but by the time she's gone, it'll probably be too late. So many folks who knew her, esp. when young, are already dead. The Rev Franklin stuff...that's what she's REALLY afraid of, I suspect. The way she sung those songs...so sexual, so knowing, so longing. Nobody's quite like her. Yeah I always wonder about the Rev. Franklin stuff. Anyway, yeah, about Aretha and her singing, the same can be said about Patti, Gladys, Tina and Etta... | |
- E-mail - orgNote - Report post to moderator |