shorttrini said: daingermouz2020 said: Nor was I until while being deployed to Operation Desert Storm I heard"Distant Lover" I was so moved, It spoke to me and I've been hooked every since. Not every album but "Let's Get It On" "I Want You" and "Here My Dear" are the ones I feel the most connected to. For any man that's ever been through the trials ups and downs of a divorce and baby mama drama " Here My Dear" will speak to you. Your reason for liking an artist is probably the most accurate reason, because you connected with his music. This is one of the reason's why I started digging early Babyface. The songs that he wrote for himself and other people seemed to touched me. Babyface is not the greatest singer in the world, but Face had the ability to sing exactly whatever it was that I was feeling at the time. With Marvin, it was the same thing. I cannot listen to "What's Going On" or "Hear My Dear", without tearing up, because the words hit me like a freight train. Yeah ... I feel ya on Face "Whip Appeal" was my testimony at the time. | |
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daingermouz2020 said: shorttrini said: Your reason for liking an artist is probably the most accurate reason, because you connected with his music. This is one of the reason's why I started digging early Babyface. The songs that he wrote for himself and other people seemed to touched me. Babyface is not the greatest singer in the world, but Face had the ability to sing exactly whatever it was that I was feeling at the time. With Marvin, it was the same thing. I cannot listen to "What's Going On" or "Hear My Dear", without tearing up, because the words hit me like a freight train. Yeah ... I feel ya on Face "Whip Appeal" was my testimony at the time. Mine was "Water Runs Dry", the tune he wrote for Boys II Men". I was going through a really messy breakup at the time. Every time that song played, I would bawl like a baby, especially, at the line that goes, "Don't even say, I love you no more...cause sayin' how we feel, is no longer allowed". I felt this line the most, cause this is how I was feeling. I wanted to tell her that I still loved her, but felt that this was no longer allowed, due to the circumstances....I was like, how did he know how I was feeling. "Love is like peeing in your pants, everyone sees it but only you feel its warmth" | |
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Prince's falsetto is not influenced by Marvin Gaye...
His major influence comes from Earth Wind & Fire (Philip Bailey) !!! I'll die in your arms under the cherry moon... | |
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All 3 have subtle similarities and their own individual uniqueness...
and so what if Prince was influenced by famous, well respected musicians and vocalists... Everyone is influenced by others... big deal I swear the words "HATER" is wayyy over-rated...smh | |
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daPrettyman said: Brendan said: In Prince's more mysterious days I would completely agree that he was less than forthcoming with regards to influence. But after he built a name for himself he has mentioned many influences, especially if they were black of either sex or white women (Joni Mitchell he can't say enough good things about). Perhaps he doesn't do it as graciously as he should ("I would be nothing without this person and that person"), but he has given many interviews where he shows tremendous passion for the music of the past (he once indicated that George Clinton should be made president due to his enormous musical contributions.) But Prince does still seem to go out of his way to feign a complete lack of knowledge of almost anyone who is both male and white; especially those as popular as The Beatles. You certainly don't have to like The Beatles, but it's quite impossible to completely avoid them. But I can possibly understand a bit of where he's coming from when everyone and their brother seems to be praising some of these people already and you see your own race constantly misrepresented and undervalued. #!$@$ [Edited 5/20/09 19:45pm] In Prince's early days, he didn't have to mention where he got his influence from . It was so predictable. He used the mic stand like James, setup his band like Sly and did his own music. "Sexy Dancer" could have easily been a James Brown groove. Absolutely. Prince tried to prove a point once that he could all by himself sound like Sly and the Family Stone with “Make Your Mama Happy”. Well, for what’s it worth, I think he succeeded, but I believe it to be one of his least engaging songs. When he’s not just photo copying, he can be astonishing. I can’t remember ever reading anything about a Marvin Gaye grudge -- but if it remains true, that’s Prince’s loss at experiencing what I believe to be one of the 20 greatest musical catalogues in the western hemisphere during the 2nd half of the 20th century. But that’s the way we unfortunately all are wired at times. We hold grudges and hate and it alters our perceptions. But ultimately we're only limiting ourselves. == Proofread, sucker! == [Edited 5/22/09 0:42am] | |
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shorttrini said: daingermouz2020 said: Yeah ... I feel ya on Face "Whip Appeal" was my testimony at the time. Mine was "Water Runs Dry", the tune he wrote for Boys II Men". I was going through a really messy breakup at the time. Every time that song played, I would bawl like a baby, especially, at the line that goes, "Don't even say, I love you no more...cause sayin' how we feel, is no longer allowed". I felt this line the most, cause this is how I was feeling. I wanted to tell her that I still loved her, but felt that this was no longer allowed, due to the circumstances....I was like, how did he know how I was feeling. Can you listen to this song now or does it still feel the same? [Edited 5/22/09 5:10am] | |
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Timmy84 said: Guess what? The DeBarges weren't the only conflicted Christians:
Taken from Belgium in '81. The sexiest song he ever wrote (from my view) "I Want You" is a perfect example of this. It's a total study in the dichotomy of a conflicted soul, who on one hand is confessing how he is completely consumed by earthly sexual desire for his partner, then you have all these subliminal religious elements in the music: for example the backround vocals; it's all him, layered, and when you lift them from the rest of the song, you end up astonished because what you hear is practically a Gregorian chant. Marvin was an intensely conflicted fellow, indeed. | |
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daingermouz2020 said: shorttrini said: Mine was "Water Runs Dry", the tune he wrote for Boys II Men". I was going through a really messy breakup at the time. Every time that song played, I would bawl like a baby, especially, at the line that goes, "Don't even say, I love you no more...cause sayin' how we feel, is no longer allowed". I felt this line the most, cause this is how I was feeling. I wanted to tell her that I still loved her, but felt that this was no longer allowed, due to the circumstances....I was like, how did he know how I was feeling. Can you listen to this song now or does it still feel the same? [Edited 5/22/09 5:10am] That's a good question. While it does not evoke the same emotion, it does bring me back to that moment and the emotions of that moment. For me, if a song can bring me back to a certain time in my life, it is a great song. "Love is like peeing in your pants, everyone sees it but only you feel its warmth" | |
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Ottensen said: Timmy84 said: Guess what? The DeBarges weren't the only conflicted Christians:
Taken from Belgium in '81. The sexiest song he ever wrote (from my view) "I Want You" is a perfect example of this. It's a total study in the dichotomy of a conflicted soul, who on one hand is confessing how he is completely consumed by earthly sexual desire for his partner, then you have all these subliminal religious elements in the music: for example the backround vocals; it's all him, layered, and when you lift them from the rest of the song, you end up astonished because what you hear is practically a Gregorian chant. Marvin was an intensely conflicted fellow, indeed. Marvin didn't write "I Want You". Leon Ware and Arthur "T-Boy" Ross (Diana's brother) wrote it. Marvin heard them working on it and wanted it. They then wrote the album (with Marvin) about his relationship with Jan, Nona's mom. **--••--**--••**--••--**--••**--••--**--••**--••-
U 'gon make me shake my doo loose! http://www.twitter.com/nivlekbrad | |
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candy2277 said: Hi everyone. I was just thinking about some random things earlier today while listening to music. I was thinking about how similar El's and Prince's falsetto voices are similar to Marvin Gaye. If you listen closely to their ballads, you can hear Gaye's influence. The unique thing is that they both manage to channel the influence while creating their own style. I've heard music critics compare Debarge to Marvin but not Prince. Miles Davis is the only one that has in his autobiography. I know some will argue De Angelo and Maxwell. I disagree. De Angelo onlys in the sense that he channels Prince who channels Marvin. Maxwell is unique in that he combines a little of Prince and El who both again channel Marvin.
Sidenote: In Marvin's autobioagraphy he accuses Prince of copying his style. It really seemed like Marvin didn't like Prince. I have never heard Prince credit Marvin publically. Was Prince mad about what Marvin said about him in his auto bioagraphy? Then there is the Prince and Nona relationship. Well orgers agree or disagree? I'm open to all kinds of opinion. I just want a good discussion. No similarity between Gaye Prince or El. Prince copied a lot of different artists, hard to pinpoint one. | |
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bboy87 said: scriptgirl said: Marvin died in 84. Nona and Prince didn't hook up till the 90s. I also see no resemblance between Prince and Marvin, who I feel is overrated anyway. Marvin was probably just bitter towards Prince for I don't know what.I feel Donny Hathaway is a much better musician that Marvin, as is Curtis Mayfield.
[Edited 5/19/09 23:20pm] Marvin....overrated? I know that has to be the craziest comment i ever heard | |
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Where to begin? | |
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Strange comparison given how light El's body of work is compared to the other two. El De Barge certainly had/has the talent to compete w/ anyone (if you just want it that way), but he was at Motown in it's lowest ebb. That made all the difference. Marvin, even at the best of times in Motown's, had to fight for any artistic freedom there. His best work, IMHO, happened after Berry loosened up and was preoccupied by movies. The lack of artistic freedom can't be undetestimated when you're talking about artists doing their best work. Prince had a great deal from jump w/ no real pressure to fit into a sound or "crossover". Originally, he was rather an underground act and was marketed that way. IOW, it seems a bit unfair to compare the works of artists dealing w/ such vastly differing circumstances.
Personally, I like all three....they have totally differeing flavors (tho Marvin and El are of the crooner school) and Prince was/is on a funky rock vibe. Different stuff for different moods. | |
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IAintTheOne said: I remember when this forum had people who knew what the hell they were talking about.
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candy2277 said: Hi everyone. I was just thinking about some random things earlier today while listening to music. I was thinking about how similar El's and Prince's falsetto voices are similar to Marvin Gaye. If you listen closely to their ballads, you can hear Gaye's influence. The unique thing is that they both manage to channel the influence while creating their own style. I've heard music critics compare Debarge to Marvin but not Prince. Miles Davis is the only one that has in his autobiography. I know some will argue De Angelo and Maxwell. I disagree. De Angelo onlys in the sense that he channels Prince who channels Marvin. Maxwell is unique in that he combines a little of Prince and El who both again channel Marvin.
Sidenote: In Marvin's autobioagraphy he accuses Prince of copying his style. It really seemed like Marvin didn't like Prince. I have never heard Prince credit Marvin publically. Was Prince mad about what Marvin said about him in his auto bioagraphy? Then there is the Prince and Nona relationship. Well orgers agree or disagree? I'm open to all kinds of opinion. I just want a good discussion. If your memory goes back to the mid 80's - early 90's, there was an R&B group out of England called "Loose Ends". The leader of that group, a Carl something or another, channeled Marvin Gaye more than the aforementioned artists combined. On songs like "Love's Got Me" and "Don't You Ever Try To Change Me", who the inspiration for the vocals come from is unmistakable. | |
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daPrettyman said: Ottensen said: The sexiest song he ever wrote (from my view) "I Want You" is a perfect example of this. It's a total study in the dichotomy of a conflicted soul, who on one hand is confessing how he is completely consumed by earthly sexual desire for his partner, then you have all these subliminal religious elements in the music: for example the backround vocals; it's all him, layered, and when you lift them from the rest of the song, you end up astonished because what you hear is practically a Gregorian chant. Marvin was an intensely conflicted fellow, indeed. Marvin didn't write "I Want You". Leon Ware and Arthur "T-Boy" Ross (Diana's brother) wrote it. Marvin heard them working on it and wanted it. They then wrote the album (with Marvin) about his relationship with Jan, Nona's mom. I stand corrected in saying that he wrote the song, and will still assert that it is among the sexiest tunes he ever recored ( I am by the way, a tremendous fan of Leon Ware and knew of his imput on the song though I didn't know T'Boy's), that being said, the backround vocals when lifted from the rest of the song still resemble a Gregorian chant (splashed with a touch of doo wop). | |
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dseann said: candy2277 said: Hi everyone. I was just thinking about some random things earlier today while listening to music. I was thinking about how similar El's and Prince's falsetto voices are similar to Marvin Gaye. If you listen closely to their ballads, you can hear Gaye's influence. The unique thing is that they both manage to channel the influence while creating their own style. I've heard music critics compare Debarge to Marvin but not Prince. Miles Davis is the only one that has in his autobiography. I know some will argue De Angelo and Maxwell. I disagree. De Angelo onlys in the sense that he channels Prince who channels Marvin. Maxwell is unique in that he combines a little of Prince and El who both again channel Marvin.
Sidenote: In Marvin's autobioagraphy he accuses Prince of copying his style. It really seemed like Marvin didn't like Prince. I have never heard Prince credit Marvin publically. Was Prince mad about what Marvin said about him in his auto bioagraphy? Then there is the Prince and Nona relationship. Well orgers agree or disagree? I'm open to all kinds of opinion. I just want a good discussion. If your memory goes back to the mid 80's - early 90's, there was an R&B group out of England called "Loose Ends". The leader of that group, a Carl something or another, channeled Marvin Gaye more than the aforementioned artists combined. On songs like "Love's Got Me" and "Don't You Ever Try To Change Me", who the inspiration for the vocals come from is unmistakable. Carl Macintosh is his name and yeah you're right heavily influenced by Marvin I love the last track on the last album "Symptoms Of Love" Marvin is all over this track. wish it was a longer song. | |
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Ottensen said: daPrettyman said: Marvin didn't write "I Want You". Leon Ware and Arthur "T-Boy" Ross (Diana's brother) wrote it. Marvin heard them working on it and wanted it. They then wrote the album (with Marvin) about his relationship with Jan, Nona's mom. I stand corrected in saying that he wrote the song, and will still assert that it is among the sexiest tunes he ever recored ( I am by the way, a tremendous fan of Leon Ware and knew of his imput on the song though I didn't know T'Boy's), that being said, the backround vocals when lifted from the rest of the song still resemble a Gregorian chant (splashed with a touch of doo wop). Did you check out the reissue of Leon Ware's Musical Massage album? It has the original demos for that album and has some very good detailed notes about how I Want You and Musical Massage came about. **--••--**--••**--••--**--••**--••--**--••**--••-
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