vainandy said: [
nothing you can do.....
Don't be so sure of that. I personally may not be able to do anything about it but the death of it is definately possible. Just look what happened to disco. All it took was one famous DJ, a bunch of angry rock fans, and a record burning during a major sporting event to spark that death. The same could be done for shit hop if a major personality like Tom Joyner or Howard Stern had the balls to organize it. I do like the fact that shit hop is starting to enter into country music a little bit. If it ever starts getting bigger to the point that it begins to take over, those country fans would definately be the ones to fight back, especially since a large number of them are racist (like a lot of the previous disco haters were). I'm glad you made that comment. Why is it here to stay? Was big band or swing here to stay? Was the Motown Sound of the 60s? Was the soulful sounds of the early 70s? Was the disco era of the late 70s? Was the funk era of the late 70s/early 80s? Was the house music era of the late 80s/early 90s? You are right...r&b hasnt changed at all either really since hip hop came in. And the sad thing is alot of rappers turn producers are MAKING r&b tunes. People who dont know a thing and a 1/2 about an instrument. But Vain the 80's sounds are back..underground as of now but they are here. I see Black Eyed Peas are trying to bring electro back on "Boom Boom Pow"..so was Missy & Common. Straight Jacket Funk Affair
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vainandy said: Not really. A lot of us here came up in the funk era of the early 80s. A lot of the rap during that era reflected that era. A lot of the rap, well hell basically all of it, was basically funk itself with spoken lyrics rather than sung lyrics. Most of the songs had the same type drums or drum machines that the funk musicians were using. The songs had bass lines. Most of them were dance records. And I remember a lot of the rappers of the late 80s complaining that R&B stations would not play their music on the air. Well, a lot of that underground stuff during the late 80s was stripped down, sample heavy, and midtempo which later started sounding even worse and came above ground and took over in the 1990s. But while those rappers in the late 80s were complaining though, groups like Egyptian Lover, LA Dream Team, Whistle, Pretty Tony and Freestyle, were all over the R&B airwaves. Hell, I can see why. Those were actually songs rather than just a slow beat and sample with some talking over it. Yeah, rap got played over the air but only the rap that could compete with funk. It's when the little white boys (who never liked funk or R&B to begin with) got into rap (which was that slow and dull shit) that rap started growing to the point of taking over everything. . . . [Edited 5/20/09 14:11pm] whoa whoa andy take it easy man! i thought we knew each other better than this ...i'm not dumb dude, and believe it or not, i see all of your (see: you'all) arguments clearly, and understand the invironments that would create such opinions.. when i said "interesting"...i was just playing coy dude bottom line for me? ...just like "fucked up church folk" and "God": ...i find fault in the same things most of yall find fault in...but i still see evidence of life and truth EVERYWHERE (including between the lines of those we deem "guilty"..)...so i dont lose faith as easily as many of ya'll appear to've but, case in point, you dont have to explain it to me homie...yeah i began the thread as such, but it wasnt cuz i didnt already have an educated guess...i just wanted to recheck my hypothesis and btw, all ass shakin aside...even you, andy, might find value in my words/music... all you gotta do is say the word () | |
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SirPsycho said: ok...since no one answered my question/examples of sample occurrences...and this is a prince site...
how do you guys feel about 2pac's re-interpratation of Jamie Starr/The Time's "777-9311" here we have a song that is dancable, unapologetically thuggish, but basically a thematic continuation of the original subject matter for those that dont know...Pac was an admitted prince fan, and often played a big compositional part in the "beatmaking" process <==that being said, a thorough listen to his discography reveals a heavy prince influence (even if this particular song borrows the groove completely) Ok, something is just not quite right with that. Either Tupac is rapping too fast or off beat or the music has been speeded up too fast. Hate it. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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japanrocks said:
uh oh.....vaindaddy gives his 2 shitty cents one more time about hip hop Yep. And it won't be the last time either. It still dominates doesn't it? I'm still breathing ain't I? Like I said, it won't be the last time either. you sound like broken record man Maybe so, but one genre dominating the R&B world for damn near 20 years is the ultimate broken record. get over it..... Get over it, my ass. When did anything ever change by people "getting over it" and sitting back keeping their mouths shut? All I'm asking for is a complete style change. It doesn't even have to be a style that I like. But a natural style change without the hand of monopolized record labels and radio stations manipulating things is not too much to ask. it is here to stay..... I'm glad you made that comment. Why is it here to stay? Was big band or swing here to stay? Was the Motown Sound of the 60s? Was the soulful sounds of the early 70s? Was the disco era of the late 70s? Was the funk era of the late 70s/early 80s? Was the house music era of the late 80s/early 90s? What makes shit hop so much greater than these other styles of music that it deserves to be "here to stay" forever and ever. Do they sing better? No. Do they play better instruments? No. Does it just plain sound better? No. I don't dispute your comment that it's here to stay because I absolute believe it. You are definately telling the truth about that. But I'll tell you why it's here to stay though. Because it is the cheapest form of music to make that can bring in the biggest profit available and the monopolies aren't about to let anything overthrow that formula. Now, if you want to be a damn sucker and fall into their trap (and I'm sure the major record execs are laughing at your ass for being content with such a cheap product), then by all means, be my guest. I, however, have more taste and sense than that. nothing you can do..... Don't be so sure of that. I personally may not be able to do anything about it but the death of it is definately possible. Just look what happened to disco. All it took was one famous DJ, a bunch of angry rock fans, and a record burning during a major sporting event to spark that death. The same could be done for shit hop if a major personality like Tom Joyner or Howard Stern had the balls to organize it. I do like the fact that shit hop is starting to enter into country music a little bit. If it ever starts getting bigger to the point that it begins to take over, those country fans would definately be the ones to fight back, especially since a large number of them are racist (like a lot of the previous disco haters were). | |
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Not really. A lot of us here came up in the funk era of the early 80s. A lot of the rap during that era reflected that era. A lot of the rap, well hell basically all of it, was basically funk itself with spoken lyrics rather than sung lyrics. Most of the songs had the same type drums or drum machines that the funk musicians were using. The songs had bass lines. Most of them were dance records.
And I remember a lot of the rappers of the late 80s complaining that R&B stations would not play their music on the air. Well, a lot of that underground stuff during the late 80s was stripped down, sample heavy, and midtempo which later started sounding even worse and came above ground and took over in the 1990s. But while those rappers in the late 80s were complaining though, groups like Egyptian Lover, LA Dream Team, Whistle, Pretty Tony and Freestyle, were all over the R&B airwaves. Hell, I can see why. Those were actually songs rather than just a slow beat and sample with some talking over it. Yeah, rap got played over the air but only the rap that could compete with funk. It's when the little white boys (who never liked funk or R&B to begin with) got into rap (which was that slow and dull shit) that rap started growing to the point of taking over everything. and black youth that grew up with the music. The only problem I have with u, Vainandy is that you say anything 1990s and beyond is bad music. I think the 90s had great music...u had grudge, alternative, dance and some great slow r&b songs. It just seems that rap/hip hop officially died when tupac and biggie died. I just can't stand how we will hav an upbeat fun song then have some stupid rapper ruin the song by spitting a verse. | |
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BoOTyLiCioUs said: and black youth that grew up with the music. The only problem I have with u, Vainandy is that you say anything 1990s and beyond is bad music. I think the 90s had great music...u had grudge, alternative, dance and some great slow r&b songs. It just seems that rap/hip hop officially died when tupac and biggie died. I just can't stand how we will hav an upbeat fun song then have some stupid rapper ruin the song by spitting a verse. That what i hate too! Leave the song alone, i mean really did Ciara Never,Ever really need Jezzy | |
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BoOTyLiCioUs said: Not really. A lot of us here came up in the funk era of the early 80s. A lot of the rap during that era reflected that era. A lot of the rap, well hell basically all of it, was basically funk itself with spoken lyrics rather than sung lyrics. Most of the songs had the same type drums or drum machines that the funk musicians were using. The songs had bass lines. Most of them were dance records.
And I remember a lot of the rappers of the late 80s complaining that R&B stations would not play their music on the air. Well, a lot of that underground stuff during the late 80s was stripped down, sample heavy, and midtempo which later started sounding even worse and came above ground and took over in the 1990s. But while those rappers in the late 80s were complaining though, groups like Egyptian Lover, LA Dream Team, Whistle, Pretty Tony and Freestyle, were all over the R&B airwaves. Hell, I can see why. Those were actually songs rather than just a slow beat and sample with some talking over it. Yeah, rap got played over the air but only the rap that could compete with funk. It's when the little white boys (who never liked funk or R&B to begin with) got into rap (which was that slow and dull shit) that rap started growing to the point of taking over everything. and black youth that grew up with the music. The only problem I have with u, Vainandy is that you say anything 1990s and beyond is bad music. I think the 90s had great music...u had grudge, alternative, dance and some great slow r&b songs. It just seems that rap/hip hop officially died when tupac and biggie died. I just can't stand how we will hav an upbeat fun song then have some stupid rapper ruin the song by spitting a verse. And having a rapper on your song don't always guarantee you're gonna get a hit, that's the mistake so many R&B singers are making. Just because Mary J. Blige did it don't mean you should. | |
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Timmy84 said: And having a rapper on your song don't always guarantee you're gonna get a hit, that's the mistake so many R&B singers are making. Just because Mary J. Blige did it don't mean you should. It was like what 2007-2008 lil Wanye was on everybody song and remix that was so chessy. Those artists and Wanye should be ashame of themself. | |
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Funny thread. | |
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tamewar said: Timmy84 said: And having a rapper on your song don't always guarantee you're gonna get a hit, that's the mistake so many R&B singers are making. Just because Mary J. Blige did it don't mean you should. It was like what 2007-2008 lil Wanye was on everybody song and remix that was so chessy. Those artists and Wanye should be ashame of themself. TPain and Kanye are all over everybody's record as well. And say it ain't so but Lionel Richie has enlisted the help of Akon. Now Lionel has really reached an all time low and we thought he did his best sellout job when he did a duet with Alabama in the 80's. Don't laugh at my funk
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phunkdaddy said: tamewar said: It was like what 2007-2008 lil Wanye was on everybody song and remix that was so chessy. Those artists and Wanye should be ashame of themself. TPain and Kanye are all over everybody's record as well. And say it ain't so but Lionel Richie has enlisted the help of Akon. Now Lionel has really reached an all time low and we thought he did his best sellout job when he did a duet with Alabama in the 80's. | |
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phunkdaddy said: tamewar said: It was like what 2007-2008 lil Wanye was on everybody song and remix that was so chessy. Those artists and Wanye should be ashame of themself. TPain and Kanye are all over everybody's record as well. And say it ain't so but Lionel Richie has enlisted the help of Akon. Now Lionel has really reached an all time low and we thought he did his best sellout job when he did a duet with Alabama in the 80's. Oh how can i forget Akon and T-pain talk about overkill. These artist don't even try to be diffrent. | |
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I realize much of Hip Hop has devolved into mass-produced garbage, produced by record companies cashing in on a trend that is readily consumed by easily influenced youths. While some Hip Hop I've heard over time has been worthy of a head-bob, toe-tap, or finger-pop or two, I have been fortunate as to have not ever been locked into one form of musical expression or the other. Moreover, I have found no shortage of music over the years that has provided me with much enjoyment and satisfaction, albeit very little of which is ever promoted on the radio or music television. And when other artists fail to inspire me with their music, I create my own (...even if I'm the only one to hear it, lol).
So for me personally, corporations can just go ahead and Hip Hop themselves to death, and whoever wants to buy into much of that mess can just knock themselves out. If they happen to come out with something I like, I'll snatch it up, gladly leaving the crap behind for those inclined to accept what mass media crams down their throat (...or in their ears). It makes no difference to me one way or the other. There is too much music in the world for me to get twisted up on one genre. I'm just too grown. | |
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tamewar said: phunkdaddy said: TPain and Kanye are all over everybody's record as well. And say it ain't so but Lionel Richie has enlisted the help of Akon. Now Lionel has really reached an all time low and we thought he did his best sellout job when he did a duet with Alabama in the 80's. Oh how can i forget Akon and T-pain talk about overkill. These artist don't even try to be diffrent. ugghh I cannot stand akon. | |
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Ifsixwuz9 said: SirPsycho said: ok...since no one answered my question/examples of sample occurrences...and this is a prince site...
how do you guys feel about 2pac's re-interpratation of Jamie Starr/The Time's "777-9311" here we have a song that is dancable, unapologetically thuggish, but basically a thematic continuation of the original subject matter for those that dont know...Pac was an admitted prince fan, and often played a big compositional part in the "beatmaking" process <==that being said, a thorough listen to his discography reveals a heavy prince influence (even if this particular song borrows the groove completely) Ok, something is just not quite right with that. Either Tupac is rapping too fast or off beat or the music has been speeded up too fast. Hate it. Not too fast IMO. But 2pac always knew how to rap at a faster pace. But his best uptempo rap track in his whole career is Holla If You Hear Me. [Edited 5/20/09 20:24pm] | |
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TonyVanDam said: Ifsixwuz9 said: Ok, something is just not quite right with that. Either Tupac is rapping too fast or off beat or the music has been speeded up too fast. Hate it. Not too fast IMO. But 2pac always knew how to rap at a faster pace. But his best uptempo rap track in his whole career is Holla If You Hear Me. [Edited 5/20/09 20:24pm] It's not a question of if Tupac can or cannot rap at a faster pace it's a matter of whether his flow on this particular record is too fast or off beat, or if the music has been speeded up too much. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I'll play it first and tell you what it is later. -Miles Davis- | |
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Ifsixwuz9 said: TonyVanDam said: Not too fast IMO. But 2pac always knew how to rap at a faster pace. But his best uptempo rap track in his whole career is Holla If You Hear Me. [Edited 5/20/09 20:24pm] It's not a question of if Tupac can or cannot rap at a faster pace it's a matter of whether his flow on this particular record is too fast or off beat, or if the music has been speeded up too much. actually the question was whether those who disliked sampling but liked covers- felt like this was an okay use of groove or found as immoral as they declared the majority sample use.. but you guys can continue your debate of course...just sharing | |
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Timmy84 said: I like it when hip-hop producers uses samples of old songs creatively, like take pieces of it and chop it up just so people can think it was an original song. And if the rapper has some creative lines like Q-Tip or Talib or somebody like that, then I can dig it.
pauls boutiqe by beastie boys has like 100 samples but i dont reconize one of them so its used in a creative way | |
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BoOTyLiCioUs said: tamewar said: Oh how can i forget Akon and T-pain talk about overkill. These artist don't even try to be diffrent. ugghh I cannot stand akon. I don't think anyone can "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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Akon, T-Pain, Black Eyed Peas
yeah.....all "shit hop" if that is what vaindaddy wants to call it Hammer, Vanilla Ice, Fat Boys? same story.....different year music is music and there will always be bad music.....always has been crappy white music is just as bad as crappy black music | |
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I think hip hop is one of the most brilliant and innovative forms of modern music to surface in the last 50 years.
I'm proud to be a part of it. | |
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Mara said: I think hip hop is one of the most brilliant and innovative forms of modern music to surface in the last 50 years.
I'm proud to be a part of it. Honestly.....what "music" is innovative from hiphop? | |
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I just hate hiphop, it's poisoning all over national radio here in Denmark, maybe I hate this genre because I'm old
I'm brought up with rock, pop, disco, funk, and I love a good melody, good music and people who can actually write a song and play an instrument, nothing about hiphop is about that, it's all about style and showing off, the endless sampling of old hits instad of playing, I just don't understand it, I know I hate hiphop 100% Prince 4Ever. | |
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thedance said: I just hate hiphop, it's poisoning all over national radio here in Denmark, maybe I hate this genre because I'm old
I'm brought up with rock, pop, disco, funk, and I love a good melody, good music and people who can actually write a song and play an instrument, nothing about hiphop is about that, it's all about style and showing off, the endless sampling of old hits instad of playing, I just don't understand it, I know I hate hiphop 100% you know...even tho i disagree with you i honor you in that you admit that you dont understand it. i respect that tremendously | |
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Graycap23 said: Mara said: I think hip hop is one of the most brilliant and innovative forms of modern music to surface in the last 50 years.
I'm proud to be a part of it. Honestly.....what "music" is innovative from hiphop? (i wont hold my breath but here you go, someone i'm positive few of you know of. and an artist i have listened to and admired for years) | |
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a new artist
"We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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Blu and Exile- Soul Amazing
Brandun Deshay- Go Fly A Kite Drake- Thrill Is Gone "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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