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Reply #120 posted 03/17/09 12:38pm

namepeace

viciuzurban said:


great sentiments. i agree completely. You’re one of the most intelligent heads in this discussion who is really getting at the heart of the problem.

what is essential and needed more these days is education, not in the literal sense but an open dialogue. we constantly need to ask questions and dispell the myths about hip hop as just one dimensional, divisive and cancerous. there's more to it than just that. we need to discuss more accountabiliity for our actions and examine ourselves and our culture rather than internalising. and that begins with discrediting and discounting arguments from writers such as this. too many people buy into bullshit like its pre-made and packaged.


Thanks for the kind words and I do get what you're saying. I think the hip-hop industry shares a lot of the blame for its one-dimensional promotion of the music, and the black music industry can't escape responsibility for essentially pumping out regurgitated, watered-down hip-hop, which actually needs a robust black music scene in more ways than one. It's a shame that an MC like Q-Tip made a better R&B album than most of the big "R&B" acts last year.

Both genres need to diversify and differentiate themselves. The he author's piece, such as it is, made a couple of points about these issues, but like most everyone else, ignores the diverse and innovative acts in hip-hop bubbling below the surface.

There are a lot of facets to this, I agree. But the hip-hop/black music industries cause many of these problems by their own strategies/messages.

peace

PS -- for what it's worth, MuthaFunka is one of my boys here on the Org, and he and Angel345 are very astute on these topics. I think y'all might discover you agree on more than you disagree on. Y'all handle your business, just FYI.
Good night, sweet Prince | 7 June 1958 - 21 April 2016

Props will be withheld until the showing and proving has commenced. -- Aaron McGruder
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Reply #121 posted 03/17/09 1:29pm

MuthaFunka

avatar

namepeace said:

viciuzurban said:


great sentiments. i agree completely. You’re one of the most intelligent heads in this discussion who is really getting at the heart of the problem.

what is essential and needed more these days is education, not in the literal sense but an open dialogue. we constantly need to ask questions and dispell the myths about hip hop as just one dimensional, divisive and cancerous. there's more to it than just that. we need to discuss more accountabiliity for our actions and examine ourselves and our culture rather than internalising. and that begins with discrediting and discounting arguments from writers such as this. too many people buy into bullshit like its pre-made and packaged.


Thanks for the kind words and I do get what you're saying. I think the hip-hop industry shares a lot of the blame for its one-dimensional promotion of the music, and the black music industry can't escape responsibility for essentially pumping out regurgitated, watered-down hip-hop, which actually needs a robust black music scene in more ways than one. It's a shame that an MC like Q-Tip made a better R&B album than most of the big "R&B" acts last year.

Both genres need to diversify and differentiate themselves. The he author's piece, such as it is, made a couple of points about these issues, but like most everyone else, ignores the diverse and innovative acts in hip-hop bubbling below the surface.

There are a lot of facets to this, I agree. But the hip-hop/black music industries cause many of these problems by their own strategies/messages.

peace

PS -- for what it's worth, MuthaFunka is one of my boys here on the Org, and he and Angel345 are very astute on these topics. I think y'all might discover you agree on more than you disagree on. Y'all handle your business, just FYI.


Yeah, hopefully it was just a "bad start" and a misunderstanding on a topic. Hopefully.
nWo: bboy87 - Timmy84 - LittleBlueCorvette - MuthaFunka - phunkdaddy - Christopher

MuthaFunka - Black...by popular demand
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Reply #122 posted 03/17/09 1:36pm

bboy87

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"We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world."
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Reply #123 posted 03/17/09 1:50pm

MuthaFunka

avatar

bboy87 said:


lol
nWo: bboy87 - Timmy84 - LittleBlueCorvette - MuthaFunka - phunkdaddy - Christopher

MuthaFunka - Black...by popular demand
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Reply #124 posted 03/17/09 2:14pm

angel345

namepeace said:

viciuzurban said:


great sentiments. i agree completely. You’re one of the most intelligent heads in this discussion who is really getting at the heart of the problem.

what is essential and needed more these days is education, not in the literal sense but an open dialogue. we constantly need to ask questions and dispell the myths about hip hop as just one dimensional, divisive and cancerous. there's more to it than just that. we need to discuss more accountabiliity for our actions and examine ourselves and our culture rather than internalising. and that begins with discrediting and discounting arguments from writers such as this. too many people buy into bullshit like its pre-made and packaged.


Thanks for the kind words and I do get what you're saying. I think the hip-hop industry shares a lot of the blame for its one-dimensional promotion of the music, and the black music industry can't escape responsibility for essentially pumping out regurgitated, watered-down hip-hop, which actually needs a robust black music scene in more ways than one. It's a shame that an MC like Q-Tip made a better R&B album than most of the big "R&B" acts last year.

Both genres need to diversify and differentiate themselves. The he author's piece, such as it is, made a couple of points about these issues, but like most everyone else, ignores the diverse and innovative acts in hip-hop bubbling below the surface.

There are a lot of facets to this, I agree. But the hip-hop/black music industries cause many of these problems by their own strategies/messages.

peace

PS -- for what it's worth, MuthaFunka is one of my boys here on the Org, and he and Angel345 are very astute on these topics. I think y'all might discover you agree on more than you disagree on. Y'all handle your business, just FYI.

Let me say this: if both parties or more disagree or see things from a different angle, it does not justify mental bashing, calling folks idiots or slow. I notice that moderators have to snip his remarks. Well, I'm done here. Good day.
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Reply #125 posted 03/17/09 2:17pm

vainandy

avatar

BlaqueKnight said:

Labels have effectively placed black male singers in a box labeled "balladeers" and won't let them out. This is far more about marketing and money and the delusion of choice than it is about the artists themselves. Rap didn't kill the R&B singer; labels pushed rap to the forefront because from a business perspective, rap turns a higher profit because white kids buy into the stereotype of black males more than black people do and they run out and buy those sensationalized lies those fools tell in their music. Also, the same black male singers in the 70s and 80s that dropped the love songs also dropped the political awareness songs and the party songs, so they weren't pigeonholed into only singing love songs.


Damn right. Everybody didn't sing ballads only back then. That's what pisses me off more than anything. There is no, I repeat, NO JAMS whatsoever being made and it is fucking rediculous.

And I don't care what any of you say, Anthony Hamilton is a real, down home, southern soul singer. I understand not having a preference for his voice but dude is the truth when it comes to soul music. Maybe some can't understand it because they can't relate to where its coming from.


I heard he and his band rehearse for a live concert once. I could hear live drums and bass coming through the walls and it was sounding downright "funky". They were rehearsing a song about either a bigbone or redbone. Hell, I can't remember. However, when I got in the car and heard the same exact song on the radio, I didn't hear those funky drums and bass on it. The music on the radio version (CD studio verson) sounded very similar to what everyone else was making with the same type drum machines that the shit hoppers use. The mere presence of those type drum machines absolutely ruin a song for me.

What makes me furious though, is when I hear stuff like this on the radio but hear them using real drums and bass in concert. They need to be using them on the CDs because the studio versions are what the mass public is hearing and you can't change no musical styles and drive shit hop out of business if you throwdown only in concert. These record labels know this. I can bet you money that Anthony Hamilton would not even have a recording contract if he had recorded his album the way I heard him rehearse it for a live concert.
Andy is a four letter word.
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Reply #126 posted 03/17/09 2:33pm

Timmy84

vainandy said:

BlaqueKnight said:

Labels have effectively placed black male singers in a box labeled "balladeers" and won't let them out. This is far more about marketing and money and the delusion of choice than it is about the artists themselves. Rap didn't kill the R&B singer; labels pushed rap to the forefront because from a business perspective, rap turns a higher profit because white kids buy into the stereotype of black males more than black people do and they run out and buy those sensationalized lies those fools tell in their music. Also, the same black male singers in the 70s and 80s that dropped the love songs also dropped the political awareness songs and the party songs, so they weren't pigeonholed into only singing love songs.


Damn right. Everybody didn't sing ballads only back then. That's what pisses me off more than anything. There is no, I repeat, NO JAMS whatsoever being made and it is fucking rediculous.

And I don't care what any of you say, Anthony Hamilton is a real, down home, southern soul singer. I understand not having a preference for his voice but dude is the truth when it comes to soul music. Maybe some can't understand it because they can't relate to where its coming from.


I heard he and his band rehearse for a live concert once. I could hear live drums and bass coming through the walls and it was sounding downright "funky". They were rehearsing a song about either a bigbone or redbone. Hell, I can't remember. However, when I got in the car and heard the same exact song on the radio, I didn't hear those funky drums and bass on it. The music on the radio version (CD studio verson) sounded very similar to what everyone else was making with the same type drum machines that the shit hoppers use. The mere presence of those type drum machines absolutely ruin a song for me.

What makes me furious though, is when I hear stuff like this on the radio but hear them using real drums and bass in concert. They need to be using them on the CDs because the studio versions are what the mass public is hearing and you can't change no musical styles and drive shit hop out of business if you throwdown only in concert. These record labels know this. I can bet you money that Anthony Hamilton would not even have a recording contract if he had recorded his album the way I heard him rehearse it for a live concert.


Yeah that pisses me off too. Live performances by acts like Anthony and 'em show you what could be done if it was recorded for an album and released to radio but no one wants to do that and yeah, black singers have been typecast as "balladeers" and that's sad and disrespectful. Not every black individual who loves R&B just wanna hear tripe ballads, lol.
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Reply #127 posted 03/17/09 2:47pm

vainandy

avatar

Timmy84 said:

vainandy said:



I heard he and his band rehearse for a live concert once. I could hear live drums and bass coming through the walls and it was sounding downright "funky". They were rehearsing a song about either a bigbone or redbone. Hell, I can't remember. However, when I got in the car and heard the same exact song on the radio, I didn't hear those funky drums and bass on it. The music on the radio version (CD studio verson) sounded very similar to what everyone else was making with the same type drum machines that the shit hoppers use. The mere presence of those type drum machines absolutely ruin a song for me.

What makes me furious though, is when I hear stuff like this on the radio but hear them using real drums and bass in concert. They need to be using them on the CDs because the studio versions are what the mass public is hearing and you can't change no musical styles and drive shit hop out of business if you throwdown only in concert. These record labels know this. I can bet you money that Anthony Hamilton would not even have a recording contract if he had recorded his album the way I heard him rehearse it for a live concert.


Yeah that pisses me off too. Live performances by acts like Anthony and 'em show you what could be done if it was recorded for an album and released to radio but no one wants to do that and yeah, black singers have been typecast as "balladeers" and that's sad and disrespectful. Not every black individual who loves R&B just wanna hear tripe ballads, lol.


These labels know what they are doing. It's fine for an artist to play those instruments in concert because only a few people are going to hear it. If they recorded the CD that way, droves of people would hear it. And what would happen if those droves of people liked what they heard? They might want more of it from other artists. So what would happen then? The record labels would have to shell out more money for musicians as well as shelling out money for the artist. Hell, if they can afford to pay all those musicians on a nightly basis, why can't they pay for them in some recording sessions? Because they don't want live music to catch back on. They would much rather bring in the cheapest shit hoppers they can and let them push buttons on their little Fisher Price toys.
Andy is a four letter word.
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Reply #128 posted 03/17/09 2:57pm

Timmy84

vainandy said:



These labels know what they are doing. It's fine for an artist to play those instruments in concert because only a few people are going to hear it. If they recorded the CD that way, droves of people would hear it. And what would happen if those droves of people liked what they heard? They might want more of it from other artists. So what would happen then? The record labels would have to shell out more money for musicians as well as shelling out money for the artist. Hell, if they can afford to pay all those musicians on a nightly basis, why can't they pay for them in some recording sessions? Because they don't want live music to catch back on. They would much rather bring in the cheapest shit hoppers they can and let them push buttons on their little Fisher Price toys.


It's a cheap way out when you summarize it.
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Reply #129 posted 03/17/09 10:05pm

POOK

avatar


DO HIP HOP KILL HAIR METAL?

GUESS WHO TOP SELLING METAL BAND OF 2008

THAT RIGHT IT METALLICA AND THEY REAL OLD!

NOW KID BUY RAP AND HAIR METAL GUY UNEMPLOYED

THEY DISCRIMINATE AGAINST MULLET!

P o o |/,
P o o |\
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Reply #130 posted 03/17/09 10:06pm

POOK

avatar


OR MAYBE STOP LIVE IN PAST

P o o |/,
P o o |\
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Reply #131 posted 03/17/09 10:06pm

POOK

avatar


OH YEAH AND BUFFALO STANCE STILL POOK JAM

POOK OUT!

P o o |/,
P o o |\
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Reply #132 posted 03/18/09 12:09am

BlaqueKnight

avatar

POOK said:


DO HIP HOP KILL HAIR METAL?

GUESS WHO TOP SELLING METAL BAND OF 2008

THAT RIGHT IT METALLICA AND THEY REAL OLD!

NOW KID BUY RAP AND HAIR METAL GUY UNEMPLOYED

THEY DISCRIMINATE AGAINST MULLET!


You are truly one of my favorite posters, Pook.
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Reply #133 posted 03/19/09 10:42pm

Fauxie

I'd take Anthony David over Maxwell any day of the week. Maxwell's been in decline since his first album came out. Soulless croonings over Leon Ware/Stuart Matthewman's sound.

Van Hunt is all but dead to the industry, but his music is still strong.

D'Angelo - what the hell is he up to these days (years)?

Robin Thicke's starting to look real good. lol 'Dreamworld' is a great, soulful track though, I must admit.
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Reply #134 posted 03/19/09 10:56pm

MuthaFunka

avatar

Fauxie said:

I'd take Anthony David over Maxwell any day of the week. Maxwell's been in decline since his first album came out. Soulless croonings over Leon Ware/Stuart Matthewman's sound.

Van Hunt is all but dead to the industry, but his music is still strong.

D'Angelo - what the hell is he up to these days (years)?

Robin Thicke's starting to look real good. lol 'Dreamworld' is a great, soulful track though, I must admit.


eek Robin must be the lightest-skinned brotha EVER if he's Black. lol
nWo: bboy87 - Timmy84 - LittleBlueCorvette - MuthaFunka - phunkdaddy - Christopher

MuthaFunka - Black...by popular demand
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Reply #135 posted 03/19/09 11:06pm

Fauxie

vainandy said:

BlaqueKnight said:

Labels have effectively placed black male singers in a box labeled "balladeers" and won't let them out. This is far more about marketing and money and the delusion of choice than it is about the artists themselves. Rap didn't kill the R&B singer; labels pushed rap to the forefront because from a business perspective, rap turns a higher profit because white kids buy into the stereotype of black males more than black people do and they run out and buy those sensationalized lies those fools tell in their music. Also, the same black male singers in the 70s and 80s that dropped the love songs also dropped the political awareness songs and the party songs, so they weren't pigeonholed into only singing love songs.


Damn right. Everybody didn't sing ballads only back then. That's what pisses me off more than anything. There is no, I repeat, NO JAMS whatsoever being made and it is fucking rediculous.

And I don't care what any of you say, Anthony Hamilton is a real, down home, southern soul singer. I understand not having a preference for his voice but dude is the truth when it comes to soul music. Maybe some can't understand it because they can't relate to where its coming from.


I heard he and his band rehearse for a live concert once. I could hear live drums and bass coming through the walls and it was sounding downright "funky". They were rehearsing a song about either a bigbone or redbone. Hell, I can't remember. However, when I got in the car and heard the same exact song on the radio, I didn't hear those funky drums and bass on it. The music on the radio version (CD studio verson) sounded very similar to what everyone else was making with the same type drum machines that the shit hoppers use. The mere presence of those type drum machines absolutely ruin a song for me.

What makes me furious though, is when I hear stuff like this on the radio but hear them using real drums and bass in concert. They need to be using them on the CDs because the studio versions are what the mass public is hearing and you can't change no musical styles and drive shit hop out of business if you throwdown only in concert. These record labels know this. I can bet you money that Anthony Hamilton would not even have a recording contract if he had recorded his album the way I heard him rehearse it for a live concert.


Yes! Spot on, unfortunately. sigh
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Reply #136 posted 03/19/09 11:08pm

Fauxie

MuthaFunka said:

Fauxie said:

I'd take Anthony David over Maxwell any day of the week. Maxwell's been in decline since his first album came out. Soulless croonings over Leon Ware/Stuart Matthewman's sound.

Van Hunt is all but dead to the industry, but his music is still strong.

D'Angelo - what the hell is he up to these days (years)?

Robin Thicke's starting to look real good. lol 'Dreamworld' is a great, soulful track though, I must admit.


eek Robin must be the lightest-skinned brotha EVER if he's Black. lol


lol Yes, I did read the initial thread. Just sayin'

Funnily enough, Robin's wife is black.
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Reply #137 posted 03/20/09 12:36am

MuthaFunka

avatar

Fauxie said:

MuthaFunka said:



eek Robin must be the lightest-skinned brotha EVER if he's Black. lol


lol Yes, I did read the initial thread. Just sayin'

Funnily enough, Robin's wife is black.


And she's mighty damn fine, too. cool
nWo: bboy87 - Timmy84 - LittleBlueCorvette - MuthaFunka - phunkdaddy - Christopher

MuthaFunka - Black...by popular demand
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Reply #138 posted 03/20/09 12:48am

Fauxie

MuthaFunka said:

Fauxie said:



lol Yes, I did read the initial thread. Just sayin'

Funnily enough, Robin's wife is black.


And she's mighty damn fine, too. cool


She certainly is. nod
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Reply #139 posted 03/29/09 2:53am

bboy87

avatar

Fauxie said:

MuthaFunka said:



And she's mighty damn fine, too. cool


She certainly is. nod

nod
"We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world."
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Reply #140 posted 03/29/09 12:24pm

midnightmover

This article is so dumb I could almost swear it was written by an orger. The woman is..... CONFUSED!
“The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson
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Reply #141 posted 03/30/09 7:13am

paisleypark4

avatar

Fauxie said:

vainandy said:



I heard he and his band rehearse for a live concert once. I could hear live drums and bass coming through the walls and it was sounding downright "funky". They were rehearsing a song about either a bigbone or redbone. Hell, I can't remember. However, when I got in the car and heard the same exact song on the radio, I didn't hear those funky drums and bass on it. The music on the radio version (CD studio verson) sounded very similar to what everyone else was making with the same type drum machines that the shit hoppers use. The mere presence of those type drum machines absolutely ruin a song for me.

What makes me furious though, is when I hear stuff like this on the radio but hear them using real drums and bass in concert. They need to be using them on the CDs because the studio versions are what the mass public is hearing and you can't change no musical styles and drive shit hop out of business if you throwdown only in concert. These record labels know this. I can bet you money that Anthony Hamilton would not even have a recording contract if he had recorded his album the way I heard him rehearse it for a live concert.


Yes! Spot on, unfortunately. sigh


I agree. I went to go see Music Soulchild and I was SHOCKED at how GOOD his songs sounded live..rock guitars and crazy synths and pounding drums with some funky bass...I go and listen to the album...NOTHING....NOTHING like what I heard..needless to say I judst put the album down dissapointed. How are you supposed to sell to me when the sound isnt even the same?
Straight Jacket Funk Affair
Album plays and love for vinyl records.
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Reply #142 posted 03/30/09 7:23am

paisleypark4

avatar

namepeace said:



I am a child of a generation whose leading black male artists included Stevie Wonder, Al Green, Smokey Robinson and Isaac Hayes. This generation was born when cats like Ice Cube, Ice-T, Dr. Dre and Snoop ruled the scene. Hip-hop was and remains a part of my musical experience. For many of these young folk, hip-hop IS their musical experience. That's got to have an effect on what you're talking about.
.


Well i know that when i saw my little brother (12) drawing "thug life" and all this other stuff all over his arm and face and hands before we were going to the mall I said, "Where do you think you going looking like that!!!?" he said, "I want to look like Little Wayne".
I knew that this mess have gone too far. I just always forget how kids are so impressionable.
Straight Jacket Funk Affair
Album plays and love for vinyl records.
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Reply #143 posted 03/30/09 8:02am

bboy87

avatar

paisleypark4 said:

namepeace said:



I am a child of a generation whose leading black male artists included Stevie Wonder, Al Green, Smokey Robinson and Isaac Hayes. This generation was born when cats like Ice Cube, Ice-T, Dr. Dre and Snoop ruled the scene. Hip-hop was and remains a part of my musical experience. For many of these young folk, hip-hop IS their musical experience. That's got to have an effect on what you're talking about.
.


Well i know that when i saw my little brother (12) drawing "thug life" and all this other stuff all over his arm and face and hands before we were going to the mall I said, "Where do you think you going looking like that!!!?" he said, "I want to look like Little Wayne".
I knew that this mess have gone too far. I just always forget how kids are so impressionable.


Did you whoop his ass? lol
"We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world."
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Reply #144 posted 03/30/09 9:01am

paisleypark4

avatar

bboy87 said:

paisleypark4 said:



Well i know that when i saw my little brother (12) drawing "thug life" and all this other stuff all over his arm and face and hands before we were going to the mall I said, "Where do you think you going looking like that!!!?" he said, "I want to look like Little Wayne".
I knew that this mess have gone too far. I just always forget how kids are so impressionable.


Did you whoop his ass? lol


No I cleaned him up and told him that he cannot go into public looking like that, it's an embarrassment and that he is NOT Lil Wayne. Then I preceeded like an old man to tell him how he is influenced by Hip Hop too much.
Straight Jacket Funk Affair
Album plays and love for vinyl records.
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Reply #145 posted 03/30/09 9:06am

bboy87

avatar

paisleypark4 said:

bboy87 said:



Did you whoop his ass? lol


No I cleaned him up and told him that he cannot go into public looking like that, it's an embarrassment and that he is NOT Lil Wayne. Then I preceeded like an old man to tell him how he is influenced by Hip Hop too much.

Thank God I'm the youngest, I would've been like




But then again, my brothers were big hip hop fans while I was trying to be like THIS muthafucka



lol
"We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world."
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Reply #146 posted 03/30/09 9:09am

Timmy84

bboy87 said:

paisleypark4 said:



No I cleaned him up and told him that he cannot go into public looking like that, it's an embarrassment and that he is NOT Lil Wayne. Then I preceeded like an old man to tell him how he is influenced by Hip Hop too much.

Thank God I'm the youngest, I would've been like




But then again, my brothers were big hip hop fans while I was trying to be like THIS muthafucka



lol


I never bitch about why some of my siblings like some hip-hop, they know I prefer older shit and don't have a problem with it (mainly my closest oldest brother on my mother's side), he and I share that love for classic R&B. nod
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Reply #147 posted 03/30/09 10:53am

TD3

avatar

BlaqueKnight said:

Since women are the largest percentage of record buyers, couldn't it just as easily be said that the decline of popularity of black male singers is due to women purchasing less music by black male singers and more by said rappers?
Truth be told, there are probably just as many black male singers now as there was a few years ago. Record labels push a stereotypical image of black males by marketing this "gangsta" look, so much so to the point that it has poured over into the look of male R&B singers.


Labels have effectively placed black male singers in a box labeled "balladeers" and won't let them out. This is far more about marketing and money and the delusion of choice than it is about the artists themselves. Rap didn't kill the R&B singer; labels pushed rap to the forefront because from a business perspective, rap turns a higher profit because white kids buy into the stereotype of black males more than black people do and they run out and buy those sensationalized lies those fools tell in their music. Also, the same black male singers in the 70s and 80s that dropped the love songs also dropped the political awareness songs and the party songs, so they weren't pigeonholed into only singing love songs. Now, a lot of the songs sung by black men are "Ooh baby, I'm sorry" songs and effeminized lyrics that purely cater to women's' egos and make men out to be submissive co-women instead of the singers who would pour their soul into their music without losing their masculinity. Its no wonder sales are down. Perhaps if women would support more real music and stop buying into these stereotypes, labels would have to concede in favor of making money (and they would).And I don't care what any of you say, Anthony Hamilton is a real, down home, southern soul singer. I understand not having a preference for his voice but dude is the truth when it comes to soul music. Maybe some can't understand it because they can't relate to where its coming from.[/b]

[Edited 3/13/09 1:43am]


Well wait..... this doesn't add up?

As you mentioned in your post: Rap music became the cash cow for the music industry because of young White's being the "largest percentage of record buyers" of rap music. Cross-over appeal on steroid's. Yeah, women may be major players as consumers of music, but you have to ask, what types of music are they buying? Wouldn't you need to include demographics? I almost certain girls, young women, and older/mature women aren't listening to the same artist/music genre's/musician's. (hunch-shoulders)

I agree the young woman (Pearl Jr.) was helter skelter in her analysis, she could and failed as you mentioned to examine if "Gangsta Rap" killed "Political Rap" also.? At the same token for all the pushing Record Labels did of gang banging, violent thugs, and misogyny what responsibility do the those black men/rappers play in their willingness to sale their souls? Are they passive, shuffling Negroes who can blame the "Man" for making them do it? I think not... If some take issue with "effeminate lyrics" can you/we take issue the "violent hyper-macho masculent" lyrics"? Hmm.

Look, not for one moment do I believe Rap is the cause for the issues we face in our community, those issue have been long standing and festering. To scape goat Rap Music as an indicator are the cause of our problems is simplistic and silly. Our willingness to deny, excuse, stand still, or justify those issues/problems I think have put a significant percentage of our community in peril. The money grabbing at all cost isn't something that Rap music and it's musician's invented. Integrity, honesty, and ethics has become a foreign to many of use across the board; in private and in public people are willing to do what rappers celebrate. Maybe the real issue with Rap some are put off by their unwillingness to smile and lie at the same time. wink
[Edited 3/30/09 14:34pm]
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Forums > Music: Non-Prince > Did Rap Kill The Black Male Singer? (Article)