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Forums > Music: Non-Prince > One for the Ass: "So Ruff, So Tuff" by Roger
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Thread started 02/20/09 5:56pm

vainandy

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One for the Ass: "So Ruff, So Tuff" by Roger

This is one of the funkiest jams of all time. If this one don't make your ass shake then go to the doctor because your assbone is broken.

Give it up for "So Ruff, So Tuff" dammitt!
Andy is a four letter word.
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Reply #1 posted 02/20/09 6:21pm

funkpill

biggrin

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Reply #2 posted 02/20/09 6:29pm

Timmy84

Now wait a minuuuuuteeee, y'all...

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Reply #3 posted 02/20/09 7:33pm

minneapolisFun
q

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thats my jam
You're so glam, every time I see you I wanna slam!
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Reply #4 posted 02/20/09 7:48pm

eaglebear4839

this shoulda been on the first Zapp album.
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Reply #5 posted 02/20/09 7:51pm

eaglebear4839

got a question for the org - is there any consensus that Roger Troutmand and/or Zapp are responsible for innovating sounds, like George Clinton is claimed to innovate? I am going to bring it up with my music teacher if necessary, since Troutman's name is not listed.
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Reply #6 posted 02/20/09 8:04pm

Timmy84

eaglebear4839 said:

got a question for the org - is there any consensus that Roger Troutmand and/or Zapp are responsible for innovating sounds, like George Clinton is claimed to innovate? I am going to bring it up with my music teacher if necessary, since Troutman's name is not listed.


I guess you can say he influenced west coast and Chicano rap music, he was the precursor to the short-lived G-funk sound of the mid-'90s, plus he was obviously a big influence on Teddy Riley, DJ Quik and Fingazz when it came to melodic talk box vocals.
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Reply #7 posted 02/20/09 8:05pm

Shango

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Reply #8 posted 02/20/09 8:06pm

Timmy84

Shango said:




Nice find. This inspired "California Love". This was Roger Troutman's first and only number-one POP hit.
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Reply #9 posted 02/20/09 8:12pm

Shango

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Timmy84 said:


Nice find. This inspired "California Love". This was Roger Troutman's first and only number-one POP hit.

thumbs up!
Roger's mix is the roughest. That beat-hook is ruthless hard.
Hits ya like a mutha.
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Reply #10 posted 02/20/09 8:33pm

Timmy84

Shango said:

Timmy84 said:


Nice find. This inspired "California Love". This was Roger Troutman's first and only number-one POP hit.

thumbs up!
Roger's mix is the roughest. That beat-hook is ruthless hard.
Hits ya like a mutha.


Word. nod
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Reply #11 posted 02/20/09 8:40pm

vainandy

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eaglebear4839 said:

got a question for the org - is there any consensus that Roger Troutmand and/or Zapp are responsible for innovating sounds, like George Clinton is claimed to innovate? I am going to bring it up with my music teacher if necessary, since Troutman's name is not listed.


I think so. When "More Bounce To The Ounce" came out, I had never heard anything like that robotic voice. Come to think of it now, I think the only other time I heard a similar sound to that voice was Peter Frampton a little earlier but I think he used his machine as more of an musical instrument to make strange sounds rather than a voice, kinda like someone would use a harmonica. I can't remember because I haven't heard a lot of Peter Frampton's stuff and it's been a long time since I've heard any of his songs.

After Roger and Zapp, I started hearing more robotic type voices coming from groups like Midnight Star, The Jonzun Crew, and Soul Sonic Force. Their electronic voices had more of an outer space sound than Roger's. Then there was Pretty Tony/Freestyle and Newcleus who had an electronic speeded up type voice. I never heard similar type robotic voices to Roger's until Cher's "Believe" and tons of other people that followed after that song up until today. Their's is similar but not as strong as Roger's was though.

I guess you could say that Roger inspired a lot of the robotic electronic type voices in music that followed him, whether they used the same type machine as him or not. They were still electonic voices over music. I think there may have been someone who used an electronic voice before Roger (maybe Herbie Hancock, I don't know) but when you say the words "electronic voice", most people immediately think of Roger.
.
.
.
[Edited 2/20/09 20:42pm]
Andy is a four letter word.
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Reply #12 posted 02/20/09 8:46pm

Shango

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*double post*
[Edited 2/20/09 20:47pm]
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Reply #13 posted 02/20/09 9:45pm

anc282

eaglebear4839 said:

got a question for the org - is there any consensus that Roger Troutmand and/or Zapp are responsible for innovating sounds, like George Clinton is claimed to innovate? I am going to bring it up with my music teacher if necessary, since Troutman's name is not listed.


I think the story goes that George Clinton signed him to Uncle Jam, but then he wound up not releasing the album for CG's label and switched over to Warner Brothers, so there was a bit of a connection there too.
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Reply #14 posted 02/20/09 10:13pm

diamondpearl1

eaglebear4839 said:

got a question for the org - is there any consensus that Roger Troutmand and/or Zapp are responsible for innovating sounds, like George Clinton is claimed to innovate? I am going to bring it up with my music teacher if necessary, since Troutman's name is not listed.


Roger Troutman should definitley be mentioned 'cause he was R&B's version of New Wave just like George Clinton was after Sly Stone and James Brown....
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Reply #15 posted 02/21/09 3:04am

Militant

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moderator

'So ruff, so tuff' is one seriously bad ass jam.

DEFINATELY in my top 5 Roger jams.
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Reply #16 posted 02/21/09 6:54am

TonyVanDam

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Timmy84 said:

Shango said:




Nice find. This inspired "California Love". This was Roger Troutman's first and only number-one POP hit.


Sad but true. Even Roger's much more well-known crossover hit I Wanna Be Your Man only peak at #3 on Billboards Hot 100 USA Singles Charts.
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Reply #17 posted 02/21/09 7:08am

TonyVanDam

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vainandy said:



I think so. When "More Bounce To The Ounce" came out, I had never heard anything like that robotic voice. Come to think of it now, I think the only other time I heard a similar sound to that voice was Peter Frampton a little earlier but I think he used his machine as more of an musical instrument to make strange sounds rather than a voice, kinda like someone would use a harmonica. I can't remember because I haven't heard a lot of Peter Frampton's stuff and it's been a long time since I've heard any of his songs.

After Roger and Zapp, I started hearing more robotic type voices coming from groups like Midnight Star, The Jonzun Crew, and Soul Sonic Force. Their electronic voices had more of an outer space sound than Roger's. Then there was Pretty Tony/Freestyle and Newcleus who had an electronic speeded up type voice. I never heard similar type robotic voices to Roger's until Cher's "Believe" and tons of other people that followed after that song up until today. Their's is similar but not as strong as Roger's was though.

I guess you could say that Roger inspired a lot of the robotic electronic type voices in music that followed him, whether they used the same type machine as him or not. They were still electonic voices over music. I think there may have been someone who used an electronic voice before Roger (maybe Herbie Hancock, I don't know) but when you say the words "electronic voice", most people immediately think of Roger.
.
.
.
[Edited 2/20/09 20:42pm]


Before Roger/Zapp, Kraftwerk (from Germany) already had a cult following in the USA when the Trans-Europe Express album came out in the early 1970's. The title track have the "electronic voices".

One thing to remember is that Kraftwerk were using vocoders, which is the same devices that Herbie Hancock, Midnight Star & Dazz Band would used later on. Roger/Zapp were using a talkbox, which is the same device that Stevie Wonder once used as a vocalist & some blues artists were using for years as a gultar effect.
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Reply #18 posted 02/21/09 9:24am

Timmy84

TonyVanDam said:

vainandy said:



I think so. When "More Bounce To The Ounce" came out, I had never heard anything like that robotic voice. Come to think of it now, I think the only other time I heard a similar sound to that voice was Peter Frampton a little earlier but I think he used his machine as more of an musical instrument to make strange sounds rather than a voice, kinda like someone would use a harmonica. I can't remember because I haven't heard a lot of Peter Frampton's stuff and it's been a long time since I've heard any of his songs.

After Roger and Zapp, I started hearing more robotic type voices coming from groups like Midnight Star, The Jonzun Crew, and Soul Sonic Force. Their electronic voices had more of an outer space sound than Roger's. Then there was Pretty Tony/Freestyle and Newcleus who had an electronic speeded up type voice. I never heard similar type robotic voices to Roger's until Cher's "Believe" and tons of other people that followed after that song up until today. Their's is similar but not as strong as Roger's was though.

I guess you could say that Roger inspired a lot of the robotic electronic type voices in music that followed him, whether they used the same type machine as him or not. They were still electonic voices over music. I think there may have been someone who used an electronic voice before Roger (maybe Herbie Hancock, I don't know) but when you say the words "electronic voice", most people immediately think of Roger.
.
.
.
[Edited 2/20/09 20:42pm]


Before Roger/Zapp, Kraftwerk (from Germany) already had a cult following in the USA when the Trans-Europe Express album came out in the early 1970's. The title track have the "electronic voices".

One thing to remember is that Kraftwerk were using vocoders, which is the same devices that Herbie Hancock, Midnight Star & Dazz Band would used later on. Roger/Zapp were using a talkbox, which is the same device that Stevie Wonder once used as a vocalist & some blues artists were using for years as a gultar effect.


Sly Stone also used the talk box as did Johnny "Guitar" Watson. cool
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Reply #19 posted 02/21/09 9:35am

TonyVanDam

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Timmy84 said:

TonyVanDam said:



Before Roger/Zapp, Kraftwerk (from Germany) already had a cult following in the USA when the Trans-Europe Express album came out in the early 1970's. The title track have the "electronic voices".

One thing to remember is that Kraftwerk were using vocoders, which is the same devices that Herbie Hancock, Midnight Star & Dazz Band would used later on. Roger/Zapp were using a talkbox, which is the same device that Stevie Wonder once used as a vocalist & some blues artists were using for years as a gultar effect.


Sly Stone also used the talk box as did Johnny "Guitar" Watson. cool


nod Johnny is one of the blues artists that I was referring to. He use the talkbox for his guitar AND vocals. He still used it after crossover to The Funk.
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Reply #20 posted 02/21/09 9:43am

BlaqueKnight

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Roger said Stevie Wonder inspired him to use the talkbox.
So Ruff So Tuff was the JAM!!! music

[Edited 2/21/09 9:46am]
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Reply #21 posted 02/21/09 9:57am

Adisa

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BlaqueKnight said:

Roger said Stevie Wonder inspired him to use the talkbox.
So Ruff So Tuff was the JAM!!! music


When Zapp first came out all the folx I know said Roger was (quote) trying to be like Stevie. nod
And "So Ruff, So Tuff" is James Brown the cyborg.
I'm sick and tired of the Prince fans being sick and tired of the Prince fans that are sick and tired!
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Reply #22 posted 02/21/09 1:05pm

Timmy84

TonyVanDam said:

Timmy84 said:



Sly Stone also used the talk box as did Johnny "Guitar" Watson. cool


nod Johnny is one of the blues artists that I was referring to. He use the talkbox for his guitar AND vocals. He still used it after crossover to The Funk.


I can imagine him doing it pre-1970s. cool Johnny was just fucking cool. biggrin
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Reply #23 posted 02/21/09 1:41pm

AlexdeParis

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dancing jig Love that damn song! dancing jig
"Whitney was purely and simply one of a kind." ~ Clive Davis
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Forums > Music: Non-Prince > One for the Ass: "So Ruff, So Tuff" by Roger