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Reply #30 posted 09/03/08 3:19pm

alphastreet

He was like the male Diane Warren wasn't he?

And I hated The Day as well, For the Lover In You was so boring and uninspired though it grew on me that time. Jody Watley's vocals saved the song.
[Edited 9/3/08 15:19pm]
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Reply #31 posted 09/03/08 3:32pm

thesexofit

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alphastreet said:

He was like the male Diane Warren wasn't he?

And I hated The Day as well, For the Lover In You was so boring and uninspired though it grew on me that time. Jody Watley's vocals saved the song.
[Edited 9/3/08 15:19pm]


I can see the Diane Warren comparison, but Warren is strictly a songwriter, whilst Babyface definately had production skills as vital as his songwriting skills.

I love Warren though. Infact, I think Babyface produced "unbreak my heart", which was a Warren composition. Iam pretty sure she wrote it anyway.
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Reply #32 posted 09/03/08 3:32pm

shorttrini

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alphastreet said:

He was like the male Diane Warren wasn't he?

And I hated The Day as well, For the Lover In You was so boring and uninspired though it grew on me that time. Jody Watley's vocals saved the song.
[Edited 9/3/08 15:19pm]



Really? I liked "The Day". To me it was his last good CD. Everything after that was just nonsense. I hated the his CD called, "Face To Face". The only good cut on that was "What If"...The rest of it was bullshit. But, this is only my opinion.
"Love is like peeing in your pants, everyone sees it but only you feel its warmth"
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Reply #33 posted 09/03/08 3:41pm

vainandy

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daPrettyman said:

vainandy said:

Hell naw. If he was such a genius, he could come up with a hard jam like "Body Talk" or "Material Thangz" like he used to make with The Deele, and turn it into a hit these days.

I agree with you. Hell, even his early slow jams were more "genius" than the later stuff he did. It's like after "Two Occasions", he kind of figured out a formula for a slow jam. He did the same thing with uptempo stuff. After "Rock Steady", he kept the same mode of uptempo songs. I'm not saying that they were bad, just he didn't stretch out creatively.

I remember hearing an interview with him about 10 years ago and they asked him about songs like Body Talk and Sweet November and it was as if he wanted to avoid that part of his life. It kind of pissed me off. How can you forget your early stuff.


I saw an interview he did where he said that the other members of The Deele used to laugh at him and called the songs he wanted to contribute as "waterfall type songs". They were a funk band and wanted to throwdown and, even back then, he wanted to do weak shit. Little did we know back in those days that weak shit would eventually dominate music.
Andy is a four letter word.
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Reply #34 posted 09/03/08 3:46pm

Harlepolis

daPrettyman said:

I remember hearing an interview with him about 10 years ago and they asked him about songs like Body Talk and Sweet November and it was as if he wanted to avoid that part of his life. It kind of pissed me off. How can you forget your early stuff.


Because Solar committed broad daylight robbery against him and Deele,,,HELL, against all of their artists. I don't blame him if he wanted to avoid that period of his life.

He's a smart business man, if anything else.
[Edited 9/3/08 15:47pm]
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Reply #35 posted 09/03/08 3:57pm

AlexdeParis

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shorttrini said:

alphastreet said:

He was like the male Diane Warren wasn't he?

And I hated The Day as well, For the Lover In You was so boring and uninspired though it grew on me that time. Jody Watley's vocals saved the song.
[Edited 9/3/08 15:19pm]



Really? I liked "The Day". To me it was his last good CD. Everything after that was just nonsense.

The Day pales in comparison to Tender Lover and For the Cool in You.

I would say he just misses being considered a genius. That being said, he's an excellent songwriter.
"Whitney was purely and simply one of a kind." ~ Clive Davis
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Reply #36 posted 09/03/08 4:36pm

Sdldawn

Not sure if he is a genius, but he perfects his form in music. I think his backup vocals are gold.. and I love alot of his stuff
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Reply #37 posted 09/03/08 4:46pm

shorttrini

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AlexdeParis said:

shorttrini said:




Really? I liked "The Day". To me it was his last good CD. Everything after that was just nonsense.

The Day pales in comparison to Tender Lover and For the Cool in You.

I would say he just misses being considered a genius. That being said, he's an excellent songwriter.


True, but those CD's are from a different time and are considered classics. "The Day", is what I consider to be the last of Babyface the songwriter as well as singer. Everything after that has been subpar. Even the things that he has written for others has just been weak.
"Love is like peeing in your pants, everyone sees it but only you feel its warmth"
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Reply #38 posted 09/03/08 4:58pm

alphastreet

what did you think of mj's you are my life and janet's thinkin bout my ex? I thought the latter was awesome, and the former was safe crap.
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Reply #39 posted 09/03/08 4:59pm

thesexofit

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Talking of face's decline just after the mid 90's, he almost ruined "when you believe" from "The Prince of Egypt" film....

...True, I dont expect it to be as great as the movie version, but Whitneys and Mariahs version was lifeless. Even worse was the middle 8 Babyface added. That Almost ruined the song completely.


Having said that, I liked his smooth production on Michael Jacksons "on the line". Though Michael (surprisenly) wrote it alone, theres no doubt who produced it. Production is spot on, And Babyface got some good vocals outta Mike on that one. (Iam pretty sure "on the line" is a HIStory outtake actually.)
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Reply #40 posted 09/03/08 5:01pm

thesexofit

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alphastreet said:

what did you think of mj's you are my life and janet's thinkin bout my ex? I thought the latter was awesome, and the former was safe crap.



"You are my life" I think is one of those Jacko songs that most people really hate. Its the worst track off "invincible" anyway for me by a long shot.
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Reply #41 posted 09/03/08 5:08pm

TonyVanDam

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Harlepolis said:

NDRU said:



I say once a genius, always a genius.


I agree nod

But alot of artists go with the motions as opposed to stick with their own style, and thats how they "get dried" out, so to speak.

Duke Ellington was the ONLY exception I could think of who lived to see his 70s and never lost his "IT" touch and thats mainly because he was stubbornly competing with himself, as opposed to beating his rivals and feeling content about his produced work.

With Babyface, eversince he let others produce for him(out of label pressure I suppose) he lost his IT,,,same thing with Luther Vandross, eversince he let others come and tell him to 2nd guess each and everything he did, he lost it.

Maurice White fell for the same trap as well,,,,and the list goes on.


Kenneth "Babyface" Edmonds = Lionel Ritchie
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Reply #42 posted 09/03/08 5:11pm

thesexofit

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TonyVanDam said:

Harlepolis said:



I agree nod

But alot of artists go with the motions as opposed to stick with their own style, and thats how they "get dried" out, so to speak.

Duke Ellington was the ONLY exception I could think of who lived to see his 70s and never lost his "IT" touch and thats mainly because he was stubbornly competing with himself, as opposed to beating his rivals and feeling content about his produced work.

With Babyface, eversince he let others produce for him(out of label pressure I suppose) he lost his IT,,,same thing with Luther Vandross, eversince he let others come and tell him to 2nd guess each and everything he did, he lost it.

Maurice White fell for the same trap as well,,,,and the list goes on.


Kenneth "Babyface" Edmonds = Lionel Ritchie



Nah, I still go by my Desmond child comparison. Just like Child did to rock/hair metal, Babyface took rnb, and watered it down and made it poppy/commercial. Lional never produced or wrote for anyone else as far as I know, nor did he have a sound of his own, like Child or Babyface had. Both of them gave the people they worked with the same sound they gave everybody pretty much.
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Reply #43 posted 09/03/08 5:12pm

TonyVanDam

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vainandy said:

Hell naw. If he was such a genius, he could come up with a hard jam like "Body Talk" or "Material Thangz" like he used to make with The Deele, and turn it into a hit these days.


Kenneth "Babyface" Edmonds = Lionel Ritchie

Both men were members of classic funk bands before going solo at the expense of turning their backs on The Funk.
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Reply #44 posted 09/03/08 5:12pm

Harlepolis

TonyVanDam said:

Harlepolis said:



I agree nod

But alot of artists go with the motions as opposed to stick with their own style, and thats how they "get dried" out, so to speak.

Duke Ellington was the ONLY exception I could think of who lived to see his 70s and never lost his "IT" touch and thats mainly because he was stubbornly competing with himself, as opposed to beating his rivals and feeling content about his produced work.

With Babyface, eversince he let others produce for him(out of label pressure I suppose) he lost his IT,,,same thing with Luther Vandross, eversince he let others come and tell him to 2nd guess each and everything he did, he lost it.

Maurice White fell for the same trap as well,,,,and the list goes on.


Kenneth "Babyface" Edmonds = Lionel Ritchie


barf

Trust me,,,,,he's bad, but no THAT bad disbelief
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Reply #45 posted 09/03/08 5:13pm

TonyVanDam

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thesexofit said:

TonyVanDam said:



Kenneth "Babyface" Edmonds = Lionel Ritchie



Nah, I still go by my Desmond child comparison. Just like Child did to rock/hair metal, Babyface took rnb, and watered it down and made it poppy/commercial. Lional never produced or wrote for anyone else as far as I know, nor did he have a sound of his own, like Child or Babyface had. Both of them gave the people they worked with the same sound they gave everybody pretty much.


Desmond Child still had edge though.
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Reply #46 posted 09/03/08 5:14pm

alphastreet

thesexofit said:

alphastreet said:

what did you think of mj's you are my life and janet's thinkin bout my ex? I thought the latter was awesome, and the former was safe crap.



"You are my life" I think is one of those Jacko songs that most people really hate. Its the worst track off "invincible" anyway for me by a long shot.


yeah on the line was totally amazing, but you are my life was the laziest filler song mj has ever done, it may have been nice for a newbie, but honestly that's a dude who did will you be there and he's singing something simple like THAT?
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Reply #47 posted 09/03/08 5:15pm

alphastreet

thesexofit said:

Talking of face's decline just after the mid 90's, he almost ruined "when you believe" from "The Prince of Egypt" film....

...True, I dont expect it to be as great as the movie version, but Whitneys and Mariahs version was lifeless. Even worse was the middle 8 Babyface added. That Almost ruined the song completely.


Having said that, I liked his smooth production on Michael Jacksons "on the line". Though Michael (surprisenly) wrote it alone, theres no doubt who produced it. Production is spot on, And Babyface got some good vocals outta Mike on that one. (Iam pretty sure "on the line" is a HIStory outtake actually.)


I liked it though I didn't love it, I was shocked it flopped though, I expected it to be huge, but then the fact it didn't made me realize that bodyguard wasn't going to repeat itself and the whole world was sick of shitney

speaking of which, I wonder what vainandy thinks of babyface
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Reply #48 posted 09/03/08 5:16pm

TonyVanDam

avatar

Harlepolis said:

TonyVanDam said:



Kenneth "Babyface" Edmonds = Lionel Ritchie


barf

Trust me,,,,,he's bad, but no THAT bad disbelief


An artist feeling force to turn his back on The Funk is bad news.
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Reply #49 posted 09/03/08 5:20pm

thesexofit

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TonyVanDam said:

thesexofit said:




Nah, I still go by my Desmond child comparison. Just like Child did to rock/hair metal, Babyface took rnb, and watered it down and made it poppy/commercial. Lional never produced or wrote for anyone else as far as I know, nor did he have a sound of his own, like Child or Babyface had. Both of them gave the people they worked with the same sound they gave everybody pretty much.


Desmond Child still had edge though.



As much as I love Desmond Child, he never had edge LOL. Balls to be uber cheesy? Yes LOL.

I remember Babyface is a big fan of Phil Collins. Face even produced Phils OK cover of Cyndi's classic "true colours".
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Reply #50 posted 09/03/08 5:22pm

thesexofit

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alphastreet said:

thesexofit said:




"You are my life" I think is one of those Jacko songs that most people really hate. Its the worst track off "invincible" anyway for me by a long shot.


yeah on the line was totally amazing, but you are my life was the laziest filler song mj has ever done, it may have been nice for a newbie, but honestly that's a dude who did will you be there and he's singing something simple like THAT?



Yeah, the track is the sorta thing Babyface had been doing in his sleep for a good 5 years by 2001.
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Reply #51 posted 09/03/08 5:22pm

shorttrini

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alphastreet said:

what did you think of mj's you are my life and janet's thinkin bout my ex? I thought the latter was awesome, and the former was safe crap.



I thought that they were both, subpar. To me, the best things that he has written for others have been

1. Breathe Again
2. Water Runs Dry
3. I'm Ready
4. End of The Road.
5. Shoop, Shoop, (Exhale).
6. Not gon' cry.

Those songs were baby face at his best...The funny thing is, when he writes for other people, his own material tends to suffer.
[Edited 9/3/08 17:26pm]
"Love is like peeing in your pants, everyone sees it but only you feel its warmth"
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Reply #52 posted 09/03/08 5:26pm

thesexofit

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shorttrini said:

alphastreet said:

what did you think of mj's you are my life and janet's thinkin bout my ex? I thought the latter was awesome, and the former was safe crap.



I thought that they were both, subpar. To me, the best things that he has written for others have been

1. Breathe Again
2. Water Runs Dry
3. I'm Ready
4. End of The Road.
5. Shoop, Shoop, (Exhale).

Those songs were baby face at his best...The funny thing is, when he writes for other people, his own material tends to suffer.


No offence, but "end of the road" is awful LOL. Sure its timeless and will never die, but I still hate it.
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Reply #53 posted 09/03/08 6:33pm

MuthaFunka

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TonyVanDam said:

vainandy said:

Hell naw. If he was such a genius, he could come up with a hard jam like "Body Talk" or "Material Thangz" like he used to make with The Deele, and turn it into a hit these days.


Kenneth "Babyface" Edmonds = Lionel Ritchie

Both men were members of classic funk bands before going solo at the expense of turning their backs on The Funk.


C'mon, now, TVD - Calling The Deele a "Classic funk band" is putting WAAAAY too much on it, don't ya think? lol
[Edited 9/3/08 18:34pm]
nWo: bboy87 - Timmy84 - LittleBlueCorvette - MuthaFunka - phunkdaddy - Christopher

MuthaFunka - Black...by popular demand
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Reply #54 posted 09/03/08 6:36pm

Timmy84

MuthaFunka said:

TonyVanDam said:



Kenneth "Babyface" Edmonds = Lionel Ritchie

Both men were members of classic funk bands before going solo at the expense of turning their backs on The Funk.


C'mon, now, TVD - Calling The Deele a "Classic funk band" is putting WAAAAY too much on it, don't ya think? lol
[Edited 9/3/08 18:34pm]


The Deele's funk hits weren't as big as their pop ballads, lol. "Two Occasions" and "Shoot-Em-Up Movies" were their biggest hits plus it wasn't like 'Face became the focal point of that group like Lionel eventually became in the Commodores.
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Reply #55 posted 09/03/08 6:52pm

shorttrini

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thesexofit said:

shorttrini said:




I thought that they were both, subpar. To me, the best things that he has written for others have been

1. Breathe Again
2. Water Runs Dry
3. I'm Ready
4. End of The Road.
5. Shoop, Shoop, (Exhale).

Those songs were baby face at his best...The funny thing is, when he writes for other people, his own material tends to suffer.


No offence, but "end of the road" is awful LOL. Sure its timeless and will never die, but I still hate it.


Again, it is an example of how Babyface, had the ability to get into the person's (who was going through the situation at the time), head. I know that I have felt that way, during a break-up, but really could not express it the way Face did in that song. That is why I liked him during that period.
"Love is like peeing in your pants, everyone sees it but only you feel its warmth"
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Reply #56 posted 09/03/08 7:22pm

lowkey

i dont consider anybody who write songs or play instruments a genius, so my answer is no, but he's one of the best songwriters in pop music history imo.
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Reply #57 posted 09/03/08 9:33pm

AlexdeParis

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shorttrini said:

I thought that they were both, subpar. To me, the best things that he has written for others have been

1. Breathe Again
2. Water Runs Dry
3. I'm Ready
4. End of The Road.
5. Shoop, Shoop, (Exhale).
6. Not gon' cry.

Those songs were baby face at his best...The funny thing is, when he writes for other people, his own material tends to suffer.

I'll take this opportunity to repost my list of favorite Face songs:


The tracks from Soul Food (1997) are the latest songs to make the top 50.
"Whitney was purely and simply one of a kind." ~ Clive Davis
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Reply #58 posted 09/03/08 11:19pm

PurpleJam

No, he certainly is not a genius. I think that word is just thrown around way too much nowadays towards people who don't deserve the title. I really think the problem is that you have alot of artists that are very talented, labled as being a 'genius'. These artists are way too numerous to even list. But there is a real difference in being talented and being a genius. There very word genius exits precisely because there as so few of them and that they only come along once in a great while. And of course there are many kinds of ways in which one becomes a genius(science, music, etc.). Babyface is clearly not one of these. As far as his talent goes, at least in being a singer of soul ballads, he's certainly not in the same league as Otis Redding, Jackie Wilson, Sam Cooke and Marvin Gaye. Now those guys are REAL SOUL SINGERS!
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Reply #59 posted 09/03/08 11:27pm

Timmy84

PurpleJam said:

No, he certainly is not a genius. I think that word is just thrown around way too much nowadays towards people who don't deserve the title. I really think the problem is that you have alot of artists that are very talented, labled as being a 'genius'. These artists are way too numerous to even list. But there is a real difference in being talented and being a genius. There very word genius exits precisely because there as so few of them and that they only come along once in a great while. And of course there are many kinds of ways in which one becomes a genius(science, music, etc.). Babyface is clearly not one of these. As far as his talent goes, at least in being a singer of soul ballads, he's certainly not in the same league as Otis Redding, Jackie Wilson, Sam Cooke and Marvin Gaye. Now those guys are REAL SOUL SINGERS!


clapping
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