i think top 40 hip-hop is to today as hair metal was to the 80s. it's cheap, disposable, replaceable, it's dictated by trends, it's disingenuous, and unfortunately a lot of talented people have to follow a tired template if they want to get the mainstream success they're banking on. i think in less than ten years' time, a lot of the superstar rappers of the past few years are going to look awfully silly in retrospect. but i guess that could be said for virtually any kind of top 40 music coming out right now.
i think it's unfair when people make a wholesale condemnation of hip-hop, or when people condemn any genre, for that matter. there is good and crap in every genre, and i think there is a lot of challenging, quality music people are missing out on when they say stuff like "i enjoy all music...except for hip-hop." why create those borders? why limit yourself? you don't have to go to the other extreme and force yourself to appreciate something that clearly may not be your bag, but if a hip-hop song passes your ears and you happen to wanna tap your foot, then go ahead and tap the damn thing. nobody's keeping score. | |
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Vainandy, you make some good points about the record industry focusing on music that is cheap to make however I believe there is a flaw in your reasoning.
If you've got drum machines you can turn them up to any BPM you want to. It's not like they are limited at some mid-tempo ceiling so I'm not quite sure what you're getting at. It doesn't cost any more or less money to make a fast tune or a slow tune, does it? There are a ton of laptop artists using Pro Tools that sound like whole bands. Am I missing something here? | |
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if anyone has good taste in music. they would not like the lollipop song by lil wayne or this rap crap thats out.
what mature adult wants to listen to that. and what parent would let their kids/elementary and highschool listen to that crap. So really it should be very few people listening and buying this hip hop. I also don't like the young kids who are apart of the hip hop culture cause they are very disrespectful just like the music and they are a careless reck. Its summer time and when i go out i see some of those kids up to no good. | |
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TotalAlisa said: if anyone has good taste in music. they would not like the lollipop song by lil wayne or this rap crap thats out.
what mature adult wants to listen to that. and what parent would let their kids/elementary and highschool listen to that crap. So really it should be very few people listening and buying this hip hop. I also don't like the young kids who are apart of the hip hop culture cause they are very disrespectful just like the music and they are a careless reck. Its summer time and when i go out i see some of those kids up to no good. | |
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laurarichardson said: vainandy said: I love to throw that around as an insult. I have absolutely nothing against classical, opera, or symphony music. Even though those types of music bore me, they are extremely talented singers and musicians, probably moreso than any funk or rock act around. However, when I was growing up, someone who listened to those types of music were considered the biggest nerd or dork of the school and if someone was accused of listening to it, they were ready to fight. If you ignore the stupid thug image and lyrics in shit hop and just pay attention to the music alone, you will definately see that it is of the same tempo as those classical types of music and never gets faster. I love to throw that comparison out as an insult to shit hop. There are some people my age (who never fully grew up and worship shit hop just like these kids do). The ones my age do get pissed because they grew up in the same era that I did when only nerds and dorks listened to classical music or slow music only. However, I don't think the younger folks understand the comparison so it doesn't piss them off. Hell, they've been raised on nothing but slow music their entire lives so they don't know to be insulted. I guess we just have a new generation full of closet nerds and dorks who wear a thug outfit as a disguise. In order to kill shit hop, we have to find something that makes shit hop look "uncool" to these kids. That's the only way to kill it. Talking about negative images and lyrics won't do it because those things are considered "cool" and that helps the genre to grow even larger. Disco died when it started being considered "uncool" because of folks like Ethel Mermon making a disco record. It's just a matter of figuring out what this new generation considers uncool and then applying it to shit hop. One way or another, it needs to die. . . . [Edited 8/6/08 9:28am] ----- Good points about the slow tempo of some of shit/hop who would have ever belived that black folks (the inventors of the groove) would want to slow the tempo of rap. WTF. Noone knows how to jam anymore Sooooo true. I have thought the exact same thing but just haven't said it because people are so "politically correct" these days and would accuse me of "generalizing an entire race".....as if I didn't realize that there have always been some dull black people just like there have been dull white people. Andy is a four letter word. | |
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TotalAlisa said: I also don't like the young kids who are apart of the hip hop culture cause they are very disrespectful just like the music and they are a careless reck.
Joke account or true ignorance? | |
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DakutiusMaximus said: Vainandy, you make some good points about the record industry focusing on music that is cheap to make however I believe there is a flaw in your reasoning.
If you've got drum machines you can turn them up to any BPM you want to. It's not like they are limited at some mid-tempo ceiling so I'm not quite sure what you're getting at. It doesn't cost any more or less money to make a fast tune or a slow tune, does it? There are a ton of laptop artists using Pro Tools that sound like whole bands. Am I missing something here? OK.....take an old fast rap song like "Flamethrower Rap" by Felix and Jarvis. That song is rapped at a fast pace (and the lyrics are understandable) to the point that it is damn near a tongue twister if you wanted to recite those raps. There's no talent these days. The slower the pace, the easier it is to "talk" over the beat. And the lyrics still aren't understandable even at the slow pace. Not to mention the homophobia that exists in shit hop these days. Men don't dance these days, all they do is bob their heads and swat their hands as if they were swatting off flies. They see dancing as something that the sluts do on the poles for their pleasure or something that the gay men do. Back in the day, men shook their asses just as much, if not better, than the women. It was all about everyone dancing, having a good time, and enjoying themselves. It wasn't about a bunch of insecure motherfuckers trying to prove their manhood. . . . [Edited 8/6/08 11:59am] Andy is a four letter word. | |
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IdentityCrisis said: TotalAlisa said: I also don't like the young kids who are apart of the hip hop culture cause they are very disrespectful just like the music and they are a careless reck.
Joke account or true ignorance? I say both | |
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DakutiusMaximus said: Ethel Merman made a disco record?
Man, I wanna hear that just for the novelty of it. For real? Meloh, obviously you have a deep grasp of the idiom that surpasses most people and I can see how there is great talent involved in being able to mix and scratch and choose compatable samples to blend, etc. etc. and I agree with you that it's a valid art form. I don't agree with vainandy that anything below his preferred BPM level is shit. I happen to think that some of the head noddin' stuff by artists like Madlib and Guru is the shiznit... but then I'm 60 years old. Good music is good music whatever speed it is. The problem as I see it is the use of skill and talent in the service of ildignified values. While the technical components of a production may shine with genius the attitude and lyrical content can easily sour the overall effect. In the words of George Harrison, "Isn't it a pity; isn't it a shame..." As an exercise I could attempt to figuratively hold my hand over one ear and disregard the lyrics while listening to the musical production with the other ear but that would not amount to a pleasurable listening experience. wordplay was a major part of Hip Hop, Hip Hop didn't mean you grabbed a microphone and said something frivolous, and that was that. the wordplay, the timing, clever punchlines, cadence, delivery a flow that kept with the beat but at the same time a voice that brought something to the music and most of all content, anybody can go fuck, duck buck struck, thats not rhyming, this is all what made hip hop and art form, the rhythm of the word play and the flow and cadence and how it all went along with the beat
This is quite an astute observation and if you offer it to illustrate a chief feature of good rap music then it opens up the territory quite a bit. Check this out. Using the above criteria a case could be made that Frank Zappa presaged the appearance of rap by about 12 years. [Edited 8/6/08 10:29am] I can credit Zappa for that, when I listen to Zappa songs like "I Am The Slime" also Bob Dylan, neither of them may not be direct influences on Hip Hop, but I know a few rappers ( and poets ) personally that were influenced by Bob Dylan | |
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I don't have any strong opinions about hip-hop one way or the other but I do listen to Digable Planets and Q-Tip/Tribe Called Quest on a regular basis | |
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IdentityCrisis said: TotalAlisa said: I also don't like the young kids who are apart of the hip hop culture cause they are very disrespectful just like the music and they are a careless reck.
Joke account or true ignorance? NOPE and check my account again cause i added a special suprise. and YES those hip-hop kids are up to no good. Why is it that almost every black boy wants to be a rapper. Look at myspace and you will see the kids on their. I know its not all. But its just too many | |
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muse87 said: TotalAlisa said: if anyone has good taste in music. they would not like the lollipop song by lil wayne or this rap crap thats out.
what mature adult wants to listen to that. and what parent would let their kids/elementary and highschool listen to that crap. So really it should be very few people listening and buying this hip hop. I also don't like the young kids who are apart of the hip hop culture cause they are very disrespectful just like the music and they are a careless reck. Its summer time and when i go out i see some of those kids up to no good. funny but NOPE. | |
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vainandy said: I love to throw that around as an insult. I have absolutely nothing against classical, opera, or symphony music. Even though those types of music bore me, they are extremely talented singers and musicians, probably moreso than any funk or rock act around. However, when I was growing up, someone who listened to those types of music were considered the biggest nerd or dork of the school and if someone was accused of listening to it, they were ready to fight. If you ignore the stupid thug image and lyrics in shit hop and just pay attention to the music alone, you will definately see that it is of the same tempo as those classical types of music and never gets faster. I love to throw that comparison out as an insult to shit hop. There are some people my age (who never fully grew up and worship shit hop just like these kids do). The ones my age do get pissed because they grew up in the same era that I did when only nerds and dorks listened to classical music or slow music only. However, I don't think the younger folks understand the comparison so it doesn't piss them off. Hell, they've been raised on nothing but slow music their entire lives so they don't know to be insulted. I guess we just have a new generation full of closet nerds and dorks who wear a thug outfit as a disguise. In order to kill shit hop, we have to find something that makes shit hop look "uncool" to these kids. That's the only way to kill it. Talking about negative images and lyrics won't do it because those things are considered "cool" and that helps the genre to grow even larger. Disco died when it started being considered "uncool" because of folks like Ethel Mermon making a disco record. It's just a matter of figuring out what this new generation considers uncool and then applying it to shit hop. One way or another, it needs to die. I'm sick and tired of the Prince fans being sick and tired of the Prince fans that are sick and tired! | |
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TotalAlisa said: IdentityCrisis said: Joke account or true ignorance? NOPE and check my account again cause i added a special suprise. and YES those hip-hop kids are up to no good. Why is it that almost every black boy wants to be a rapper. Look at myspace and you will see the kids on their. I know its not all. But its just too many Okay. | |
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muse87 said: I don't have any strong opinions about hip-hop one way or the other but I do listen to Digable Planets and Q-Tip/Tribe Called Quest on a regular basis
Don't laugh at my funk
This funk is a serious joint | |
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I am looking at the BET hip hop awards and a rapper (won't say name) said that hip hop is necessary and powerful, thanks to him, ti, lil wayne, etc. I just don't think they are powerful. Then he says that they can be hip hop and still address the government or something to that effect. Lastly he holds up vic's t shirt and all the men and women stood up in support. He tells vic we still love you.
okay, there is everything wrong with what he said. Period. I guess it is okay for vic to do what he did. and it is powerful to degrade, cuss, sag, and be a bunch of men doing it huh? nipsy | |
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Moderator | I just don't get hip hop, it in no way shape or form moves me. I don't relate to it. In spite of the cost of living, it's still popular. |
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I hate seeing lil' chavs in the plebby clubs dancing to this stuff. Dancing itself I dont have a problem, its just the agression and image. I guess pricks listen to all kinds of music, I mean, jazz is known for having the snobbiest mf's around, ditto with Opera, but I swear its the "shit hop" loving ones that tend to cause the most trouble and intimidation.
Not saying "shit hop" is solely listened to by wanna be thugs, but I dont see EMO's doing that shit. Why people have to adopt some big larger then life image with music in general is beyond me? Still this isn't new. Look at the mods and rockers riots in the 60's in the UK. Or the Teddy boys or whatever? Riots essentially caused by people listening to different music. Who are these people that do this? At least goths tend to be kinda friendly LOL | |
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^ Although strangely enough the gig with the friendliest and tamest audience I've ever been to was Mos Def (who was on 2 hours late so we should have been pissed). The gig with the most violent unapologetic arseholes was Billy Idol, and all said twats were 40 year old men in business suits coming from work. | |
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These last couple posts bring a new twist to the conversation- the fact that music and rebellion go hand in hand.
And rebellion against what? Authority in all its manifestations whether it be mom and dad, the government, miss manners, schools and teachers, the police, etc. It's part of growing up, moving from adolescence to individuation. Kids gotta find a way to distinguish themselves as not their parents. Generally this takes the form of "trying to shock." In order to shock you have to violate the authority's values. If you can shock you can be confident that you've been successful in defining yourself as "not one of them." I was there for the mods and the rockers and the teddy boys and their American counterparts, the juvenile delinquents. Leather jackets, motor scooters, pointy toe'd shoes, cutting school, hair slicked back and a pack of cigs folded up in the tee shirt sleeves. James Dean in Rebel Without a Cause. West Side Story and later, Grease. Motorcycles and souped up cars. Then long hair, free love, peace signs, draft resistance, be-ins and psychedelic drugs. All of this was enough to sufficiently shock back in the day. But the problem is that as these rebels age they become the establishment and bear children who are now faced with the challenge of having to ratchet up the rebellious behavior in order to insure their individuation. Because of who the parents were in their youth it takes more to shock them. So now you get the punks and the goths and the emos and the thugs and everything escalates. Pot and mushrooms won't shock the parents so it's crack and crank and horse. Bell bottoms, boot and going braless are no big deal anymore so its on to piercings and tatts, body mods and spiked up purple hair. Switchblades, brass knuckles and chains won't do the trick so now its uzis, glocks and tek 9's. This is just a very wide view to contextualize how "shit hop" could come upon us like it has. The music industry has always exploited this "need to individuate" phenomena and supplied the sound track for each successive generation to make its move by. Cha ching. Let's sell the kids confirmation of who they're trying to be. It's a cinch. Cha ching. And so you get your Fiddys and your Snoops and your Tupacs and your Biggies and your Akons and your Lil Waynes and your Bustas. (I know I'm probably stepping on some toes here. I don't deny these guys have charisma and talent and have maybe even made some significant social commentary in some of their songs but the bulk of it is just posturing about getting paid and fuck the law [which is their right to express but knowing they are the role models for so many young people borders on being criminal IMHO]). (And I also know that as a 60 year old white man I will never be able to fully relate to or understand what it must be like to be a young black man in America trying to make a living). So I guess it boils down to a mattter of conscience... and if there is any left in the music industry and the hip hop artist community. Lyrics celebrate values. Adolescents are impressionable and need to look up to anti-authoritarizan role models. This is how they acquire the values they will live by. And their choices will become part and parcel of the greater social fabric. Personally I believe the music industry should accept and exercise more responsibility for what gets out there to shape young lives but I have little hope that it will ever happen. The money is too good and the morals have degraded too far. More and more you have the Juggalo and Thug Life mentalities taking root. News stories about kids being murdered for their Air Jordans or their sports jackets have become ho hum everyday events, the popularity of fight videos on Youtube, people being shot for holding their fingers in a certain position, women being seen as bitches and hos is now the norm. Gotta get that rope chain so I can look cool and aint no J-O-B gonna get me that kinda cash. You know what I gotta do and I don't give a shit who gets burned or whose life gets ruined in the process. It's all about the Benjamins. So at this moment I'm thinking that our values have degraded because of the need to shock and over the passage of time it has become more and more escalated. Shit hop is just the soundtrack of this natural evolution and I doubt if there's any putting the genie back in the bottle. And as far as the future is concerned... how are the gang banger's kids going to out-do their parents? Now there's a scarey thought. [Edited 8/7/08 10:24am] | |
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The thing is that the mainstream have made an embarassment to the real image of what Hip Hop used to be. It WAS INDEED about partying then Grandmaster Flash came out with The Message and it set a stage for Black Poets to stand up.
However now and days I am sad that I even have to say I like rap because if I do that means that I represent the mainstrem bullshit rap. The average joe doesnt know anything about MC Lyte's, the Whodini's The Fat Boys, how deep Kanye's albums are, Nas, Jay-Z non album cuts. So then i just dont say anything. Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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This is the Best thing I have read on this site in Ages !!!!
Thank You for sharing your wisdom ! DakutiusMaximus said: These last couple posts bring a new twist to the conversation- the fact that music and rebellion go hand in hand.
And rebellion against what? Authority in all its manifestations whether it be mom and dad, the government, miss manners, schools and teachers, the police, etc. It's part of growing up, moving from adolescence to individuation. Kids gotta find a way to distinguish themselves as not their parents. Generally this takes the form of "trying to shock." In order to shock you have to violate the authority's values. If you can shock you can be confident that you've been successful in defining yourself as "not one of them." I was there for the mods and the rockers and the teddy boys and their American counterparts, the juvenile delinquents. Leather jackets, motor scooters, pointy toe'd shoes, cutting school, hair slicked back and a pack of cigs folded up in the tee shirt sleeves. James Dean in Rebel Without a Cause. West Side Story and later, Grease. Motorcycles and souped up cars. Then long hair, free love, peace signs, draft resistance, be-ins and psychedelic drugs. All of this was enough to sufficiently shock back in the day. But the problem is that as these rebels age they become the establishment and bear children who are now faced with the challenge of having to ratchet up the rebellious behavior in order to insure their individuation. Because of who the parents were in their youth it takes more to shock them. So now you get the punks and the goths and the emos and the thugs and everything escalates. Pot and mushrooms won't shock the parents so it's crack and crank and horse. Bell bottoms, boot and going braless are no big deal anymore so its on to piercings and tatts, body mods and spiked up purple hair. Switchblades, brass knuckles and chains won't do the trick so now its uzis, glocks and tek 9's. This is just a very wide view to contextualize how "shit hop" could come upon us like it has. The music industry has always exploited this "need to individuate" phenomena and supplied the sound track for each successive generation to make its move by. Cha ching. Let's sell the kids confirmation of who they're trying to be. It's a cinch. Cha ching. And so you get your Fiddys and your Snoops and your Tupacs and your Biggies and your Akons and your Lil Waynes and your Bustas. (I know I'm probably stepping on some toes here. I don't deny these guys have charisma and talent and have maybe even made some significant social commentary in some of their songs but the bulk of it is just posturing about getting paid and fuck the law [which is their right to express but knowing they are the role models for so many young people borders on being criminal IMHO]). (And I also know that as a 60 year old white man I will never be able to fully relate to or understand what it must be like to be a young black man in America trying to make a living). So I guess it boils down to a mattter of conscience... and if there is any left in the music industry and the hip hop artist community. Lyrics celebrate values. Adolescents are impressionable and need to look up to anti-authoritarizan role models. This is how they acquire the values they will live by. And their choices will become part and parcel of the greater social fabric. Personally I believe the music industry should accept and exercise more responsibility for what gets out there to shape young lives but I have little hope that it will ever happen. The money is too good and the morals have degraded too far. More and more you have the Juggalo and Thug Life mentalities taking root. News stories about kids being murdered for their Air Jordans or their sports jackets have become ho hum everyday events, the popularity of fight videos on Youtube, people being shot for holding their fingers in a certain position, women being seen as bitches and hos is now the norm. Gotta get that rope chain so I can look cool and aint no J-O-B gonna get me that kinda cash. You know what I gotta do and I don't give a shit who gets burned or whose life gets ruined in the process. It's all about the Benjamins. So at this moment I'm thinking that our values have degraded because of the need to shock and over the passage of time it has become more and more escalated. Shit hop is just the soundtrack of this natural evolution and I doubt if there's any putting the genie back in the bottle. And as far as the future is concerned... how are the gang banger's kids going to out-do their parents? Now there's a scarey thought. [Edited 8/7/08 10:24am] | |
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