ButterscotchPimp said: Ronny said: MARVIN GAYE went through some shit and had to find his way back to making music again before he died and MARVIN GAYE is FIVE times the artist that Prince will EVER BE.
You're waay off but it's a matter of opinion. I don't think Marvin is 5x the artist prince is. In fact, I think it's the other way around. What I think we both agree on is that Marvin and Prince are of one league. D is not. Um, NO. PRINCE will NEVER be the artist that Marvin Gaye was. NOT IN A MILLION YEARS. SORRY. and so why do you spend so much time here? | |
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Oh gosh, this is funny
But also one of those really interesting threads that appear every once in a while on this site. Compairing Marvin Gaye and Prince and who's better for whatever reasons is just a waste of time. They're both good. So, back to D'Angelo. | |
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Ronny said: ButterscotchPimp said: Um, NO. PRINCE will NEVER be the artist that Marvin Gaye was. NOT IN A MILLION YEARS. SORRY. and so why do you spend so much time here? I can't answer for him, but I spend so much time here because I like it here. I like Marvin more than Prince, but I love both of them. "Whitney was purely and simply one of a kind." ~ Clive Davis | |
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midnightmover said: AlexdeParis said: Anyway, on what planet is "Come Get to This" obscure? Here on earth, it was the follow-up single to "Let's Get It On" and reached #3 on the charts.
Please. Go up to anyone in the street and ask them to name some Marvin Gaye songs. They will name the songs I mentioned earlier (IHITTG, LGIO, WGO, and SH). Basically all the songs with melodies written by other people. The fact that "Come Get To This" was a Top 10 hit and yet no one remembers it outside of Marvin's fanbase confirms everything I'm saying. Regardless, I think it's silly to underrate a songwriter who chooses to collaborate.
That's not what I'm doing. What I'm doing is pointing out that Marvin wasn't much of a melody writer based on the FACT that his best melodies were written by other people. It's not just the hits I'm talking about either. I always felt that the first half of the Let's Get It On album was flawless. Total perfection. The second half however was nowhere near as good. The only song that was almost on a level with the first half was "Distant Lover". Well, I later found out that Ed Townsend wrote the melodies for the first half of the album and "Distant Lover" was co-written with two other writers. The remaining songs (which had weaker melodies) were written by Marvin himself. Same thing with the posthumously released Dream of a Lifetime album which contains some of Marvin's best (and overlooked) material. The best songs on it were either written by others entirely ("Life's Opera" by Ivy Joe Hunter), or co-written with others ("Symphony" with Smokey Robinson). Granted, Marvin wrote the title track which was excellent, but his other songs on it like "Ain't it Funny" were typical of the tuneless drones he specialized in. Also, the Here, My Dear album does not have a single memorable melody on it. The best song on it is "Love", but even that works in spite of it's lack of a tune. I'm not taking anything away from Marvin. He was great, but to put him in the same league as Prince as a songwriter is just pure sentimentality. Bollocks! "When Did You Stop Loving Me" "Anger" "A Funky Space" .... are catchy as the flu. I do sort of agree with you about Marvin vs Prince. I love Marvin, but he was a complete underachiever. The pussy, the blow and his demons all got the better of him. "Midnight Lover" is the only one of his albums I actually can't stand and never play. Sexual Healing aside, it's a total cop-out. The rest of his albums are, I think, quite superb.In Our Lifetime is flawed, but nothing less than fascinating. Check out the expanded reissue, if you haven't already. It puts the album in a whole new context. Throw in Marvin's cocaine paranoia, tax problems and marital woes (this time with Janis), and well ... you get the album. And, I'm sorry but "Here My Dear" is a masterpiece. A mean-spirited, fuck you bitch masterpiece, but a masterpiece nonetheless. There are three sides to every story. My side, your side, and the truth. And no one is lying. Memories shared serve each one differently | |
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AlexdeParis said: eaglebear4839 said: According to wikipedia, a greatest hits album was released last month. My question is this - how does a label release a greatest hits album on an artist that has only recorded 24 songs on two albums?
Because it also collects the songs he recorded that were not on those two albums (mostly soundtrack cuts/covers). One of my favorite D'Angelo songs is "I Found My Smile Again" from Space Jam. I think that compilation is a wasted opportunity. Who's it aimed at? The fans have both the albums and don't need to hear highlights when they can burn their own mix. Teenagers aren't going to give two shits about D'Angelo. They should have collected ALL the songs he cut for other projects and compiled those instead. Would have appealed to fans. There are three sides to every story. My side, your side, and the truth. And no one is lying. Memories shared serve each one differently | |
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Ronny said: ButterscotchPimp said: Um, NO. PRINCE will NEVER be the artist that Marvin Gaye was. NOT IN A MILLION YEARS. SORRY. and so why do you spend so much time here? because i CAN. I've been a Prince fan longer than some of you have been ALIVE. sometimes ya'll piss me off (like on this thread) but most of the time i get some hearty laughs from ya'll. mostly because i like to school the youngins. http://www.facebook.com/p...111?ref=ts
y'all gone keep messin' around wit me and turn me back to the old me...... | |
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ButterscotchPimp said: Ronny said: and so why do you spend so much time here? because i CAN. I've been a Prince fan longer than some of you have been ALIVE. sometimes ya'll piss me off (like on this thread) but most of the time i get some hearty laughs from ya'll. mostly because i like to school the youngins. lol.....u are NOT doing much schooling making comments like Marvin is better than Prince at ANYTHING related 2 music. | |
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Graycap23 said: ButterscotchPimp said: because i CAN. I've been a Prince fan longer than some of you have been ALIVE. sometimes ya'll piss me off (like on this thread) but most of the time i get some hearty laughs from ya'll. mostly because i like to school the youngins. lol.....u are NOT doing much schooling making comments like Marvin is better than Prince at ANYTHING related 2 music. says you, youngin. says you. http://www.facebook.com/p...111?ref=ts
y'all gone keep messin' around wit me and turn me back to the old me...... | |
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Shapeshifter said: AlexdeParis said: Because it also collects the songs he recorded that were not on those two albums (mostly soundtrack cuts/covers). One of my favorite D'Angelo songs is "I Found My Smile Again" from Space Jam. They should have collected ALL the songs he cut for other projects and compiled those instead. Would have appealed to fans. That's basically what they did. There are 7 songs that aren't on Brown Sugar and Voodoo. Were you talking about guest appearances? "Whitney was purely and simply one of a kind." ~ Clive Davis | |
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AlexdeParis said: midnightmover said: Please. Go up to anyone in the street and ask them to name some Marvin Gaye songs. They will name the songs I mentioned earlier (IHITTG, LGIO, WGO, and SH). Basically all the songs with melodies written by other people. The fact that "Come Get To This" was a Top 10 hit and yet no one remembers it outside of Marvin's fanbase confirms everything I'm saying.
That's such a silly argument, particularly when you claim you don't equate artistic excellence with popularity. I'll take "Come Get to This" over "Sexual Healing," "Human Nature" over "Thriller," "You Haven't Done Nothin'" over "Superstition," "Don't Let Me Down" over "Hey Jude," and "Mountains" over "Purple Rain" -- I don't care what "anyone in the street" thinks. The argument was that "Come Get To This", despite your attempts to claim otherwise, is not as well known as Marvin's other songs. And why are you bringing up The Beatles, Prince and MJ when I already said it's only in MARVIN'S CASE that his best known stuff ranks as some of his best work? Talk about moving the goalposts. There are certainly lesser known tracks of his that are fantastic too, but the problem is those ones were mostly co-written too. The list of solo Marvin compositions you typed up earlier proved my point. I don't think many people would say a song like "Praise" can hold a candle to "Inner City Blues (Makes Me Wanna Holler)". I don't think you could seriously say "Got To Give It Up" is in the same league as "Let's Get It On". I don't think you could say "Heavy Love Affair" is in the same galaxy as "What's Going On". And I'm sorry, but imo "You Sure Love To Ball" does not compare to "Sexual Healing" or "Please Stay (Don't Go Away)". I'm a big Marvin fan, but unlike some others, I don't let sentimentality cloud my judgement. Marvin was great, but if you want to rank songwriters then Bob Marley, Prince, Stevie Wonder and literally a hundred other writers would all have to go above him. As someone else said, Marvin was an underachiever. Only a raving sentimentalist would argue with that. He was jealous of Stevie for a reason. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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Shapeshifter said: midnightmover said: That's not what I'm doing. What I'm doing is pointing out that Marvin wasn't much of a melody writer based on the FACT that his best melodies were written by other people. It's not just the hits I'm talking about either. I always felt that the first half of the Let's Get It On album was flawless. Total perfection. The second half however was nowhere near as good. The only song that was almost on a level with the first half was "Distant Lover". Well, I later found out that Ed Townsend wrote the melodies for the first half of the album and "Distant Lover" was co-written with two other writers. The remaining songs (which had weaker melodies) were written by Marvin himself. Same thing with the posthumously released Dream of a Lifetime album which contains some of Marvin's best (and overlooked) material. The best songs on it were either written by others entirely ("Life's Opera" by Ivy Joe Hunter), or co-written with others ("Symphony" with Smokey Robinson). Granted, Marvin wrote the title track which was excellent, but his other songs on it like "Ain't it Funny" were typical of the tuneless drones he specialized in. Also, the Here, My Dear album does not have a single memorable melody on it. The best song on it is "Love", but even that works in spite of it's lack of a tune. I'm not taking anything away from Marvin. He was great, but to put him in the same league as Prince as a songwriter is just pure sentimentality. Bollocks! "When Did You Stop Loving Me" "Anger" "A Funky Space" .... are catchy as the flu. I've heard all of those songs several times and I still can't hum a single one of them. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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midnightmover said: AlexdeParis said: That's such a silly argument, particularly when you claim you don't equate artistic excellence with popularity. I'll take "Come Get to This" over "Sexual Healing," "Human Nature" over "Thriller," "You Haven't Done Nothin'" over "Superstition," "Don't Let Me Down" over "Hey Jude," and "Mountains" over "Purple Rain" -- I don't care what "anyone in the street" thinks. The argument was that "Come Get To This", despite your attempts to claim otherwise, is not as well known as Marvin's other songs. And why are you bringing up The Beatles, Prince and MJ when I already said it's only in MARVIN'S CASE that his best known stuff ranks as some of his best work? Talk about moving the goalposts. There are certainly lesser known tracks of his that are fantastic too, but the problem is those ones were mostly co-written too. The list of solo Marvin compositions you typed up earlier proved my point. I don't think many people would say a song like "Praise" can hold a candle to "Inner City Blues (Makes Me Wanna Holler)". I don't think you could seriously say "Got To Give It Up" is in the same league as "Let's Get It On". I don't think you could say "Heavy Love Affair" is in the same galaxy as "What's Going On". And I'm sorry, but imo "You Sure Love To Ball" does not compare to "Sexual Healing" or "Please Stay (Don't Go Away)". I'm a big Marvin fan, but unlike some others, I don't let sentimentality cloud my judgement. Marvin was great, but if you want to rank songwriters then Bob Marley, Prince, Stevie Wonder and literally a hundred other writers would all have to go above him. As someone else said, Marvin was an underachiever. Only a raving sentimentalist would argue with that. He was jealous of Stevie for a reason. my only response, because i'm tired of going back and forth with this is i bet if you talked to the majority of Prince's ex-bandmates, MOST of them would tell you that they ghost wrote a ton of songs over the years. just because P made everyone sign agreements before even joining the band, basically forcing them to not only give up all of their songwriting credits but to also not be able to talk about him in the press afterwards, i don't think you can assume that Prince wrote most of his hits by himself. That's what he WANTS YOU TO THINK. that's different. http://www.facebook.com/p...111?ref=ts
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mozfonky said: midnightmover said: And I'll leave the last word on the subject to Marvin himself who had this to say when he was asked how he created What's Going On. He said.... "What you're really asking me there is "Am I really a genius or am I a fraud?" Alas, I fear I am probably a fraud". His words, not mine. and you really believe he said that with no irony, straight faced and serious? As if he would come out and admit such a thing. Sarcasm. You either didn't read Divided Soul (where the quote comes from) or else you know nothing about Marvin. Marvin was one of the most self aware and self critical pop stars EVER. He admitted to all kind of things that you would never expect. When Nelson George put it to him that Midnight Love was a sell out Marvin candidly said he agreed. When talking to David Ritz he confessed everything from his sexual insecurities to his petty jealousies and fears. I don't think anyone who's read Divided Soul would think Marvin was joking. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
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ButterscotchPimp said: Graycap23 said: lol.....u are NOT doing much schooling making comments like Marvin is better than Prince at ANYTHING related 2 music. says you, youngin. says you. Seems u have drank 2 much of what ever that is is your avatar. | |
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midnightmover, I'll repeat what I said earlier:
AlexdeParis said: Yeah, we can just wrap this up now. We're never going to agree. It's nice that you have an opinion; it's even better if you realize that's exactly what it is.
"Come Get to This" is a better song than "Sexual Healing" IMO. Period. I get that you disagree, I just don't care. [Edited 8/8/08 9:49am] "Whitney was purely and simply one of a kind." ~ Clive Davis | |
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midnightmover said: Shapeshifter said: Bollocks! "When Did You Stop Loving Me" "Anger" "A Funky Space" .... are catchy as the flu. I've heard all of those songs several times and I still can't hum a single one of them. Then you're tone deaf mate. A statue could hum those. There are three sides to every story. My side, your side, and the truth. And no one is lying. Memories shared serve each one differently | |
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midnightmover said: mozfonky said: and you really believe he said that with no irony, straight faced and serious? As if he would come out and admit such a thing. Sarcasm. You either didn't read Divided Soul (where the quote comes from) or else you know nothing about Marvin. Marvin was one of the most self aware and self critical pop stars EVER. He admitted to all kind of things that you would never expect. When Nelson George put it to him that Midnight Love was a sell out Marvin candidly said he agreed. When talking to David Ritz he confessed everything from his sexual insecurities to his petty jealousies and fears. I don't think anyone who's read Divided Soul would think Marvin was joking. Divided Soul is an amazing book (which came about because Marvin loved David Ritz's impassioned defence of Here, My Dear in a letter to Rolling Stone). Marvin was big on self-loathing at the best of times. He was pretty much at his absolute lowest ebb when he sat down with Ritz to do the book. He was in Ostend - no money, no career, no family, no country, no wife, basically living on the charity of a Belgian promoter. Combine the two and you'd get the mindset that would dismiss his crowning achievement and himself as a fraud. You also failed to go into the context of the quote. Marvin saw himself as a singer first and foremost. He wanted to be the black Sinatra, yet, he felt he'd never achieve this aim because he was viewed as a sex symbol (although that's hardly surprising, when you make an album called Let's Get It On - a bit like D'Angelo hating women screaming at him to get his clothes off after he'd done a video stark bollock naked ... I mean - DUH!). A self-loathing self-defeatist all the way. There are three sides to every story. My side, your side, and the truth. And no one is lying. Memories shared serve each one differently | |
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AlexdeParis said: Shapeshifter said: They should have collected ALL the songs he cut for other projects and compiled those instead. Would have appealed to fans. That's basically what they did. There are 7 songs that aren't on Brown Sugar and Voodoo. Were you talking about guest appearances? And those. Although it would probably be difficult vis a vis the rights. Shit - thy could have given us some damn outtakes, alternate mixes .... a whole extra live CD (which he was meant to release in 2002). There are three sides to every story. My side, your side, and the truth. And no one is lying. Memories shared serve each one differently | |
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I was going to say something rude but its pointless...
the nice version is...Anybody can hum any tune that they have taken the time to digest properly. midnightmover said: Shapeshifter said: Bollocks! "When Did You Stop Loving Me" "Anger" "A Funky Space" .... are catchy as the flu. I've heard all of those songs several times and I still can't hum a single one of them. | |
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Shapeshifter said: midnightmover said: You either didn't read Divided Soul (where the quote comes from) or else you know nothing about Marvin. Marvin was one of the most self aware and self critical pop stars EVER. He admitted to all kind of things that you would never expect. When Nelson George put it to him that Midnight Love was a sell out Marvin candidly said he agreed. When talking to David Ritz he confessed everything from his sexual insecurities to his petty jealousies and fears. I don't think anyone who's read Divided Soul would think Marvin was joking. Divided Soul is an amazing book (which came about because Marvin loved David Ritz's impassioned defence of Here, My Dear in a letter to Rolling Stone). Marvin was big on self-loathing at the best of times. He was pretty much at his absolute lowest ebb when he sat down with Ritz to do the book. He was in Ostend - no money, no career, no family, no country, no wife, basically living on the charity of a Belgian promoter. Combine the two and you'd get the mindset that would dismiss his crowning achievement and himself as a fraud. You also failed to go into the context of the quote. Marvin saw himself as a singer first and foremost. He wanted to be the black Sinatra, yet, he felt he'd never achieve this aim because he was viewed as a sex symbol (although that's hardly surprising, when you make an album called Let's Get It On - a bit like D'Angelo hating women screaming at him to get his clothes off after he'd done a video stark bollock naked ... I mean - DUH!). A self-loathing self-defeatist all the way. I did read the book, more than once. It was one of the main reasons I became such a Marvin fan, I could relate to him on so many levels. It was one of the most painful books i've ever read. Marvin did have ambivalence, that is why the book was called divided soul. Him saying he wasn't a great artist was like saying he felt "ridiculous" being a sex symbol. He wouldn't have done it if he didn't really want to and if he didn't have what it took. He did want to be the black sinatra and felt demeaned maybe, but he also was a freak. I'm sure he loved all the attention, the women. And also, even if he did believe he was a fraud, that's not really for him to say. That question belongs to his audience and we generally say he was a great artist, in my mind, one of the very best of the last 50 years. They don't make them like that anymore. His singing alone was probably some of the best ever, he along with Billy Holiday and a few others was a master of using his voice to express and also use it like a jazz instrument. Then, his versatility in his voice alone was just plain phenomenal. Prince became a great singer through hard work, Marvin was gifted. | |
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mozfonky said: Shapeshifter said: Divided Soul is an amazing book (which came about because Marvin loved David Ritz's impassioned defence of Here, My Dear in a letter to Rolling Stone). Marvin was big on self-loathing at the best of times. He was pretty much at his absolute lowest ebb when he sat down with Ritz to do the book. He was in Ostend - no money, no career, no family, no country, no wife, basically living on the charity of a Belgian promoter. Combine the two and you'd get the mindset that would dismiss his crowning achievement and himself as a fraud. You also failed to go into the context of the quote. Marvin saw himself as a singer first and foremost. He wanted to be the black Sinatra, yet, he felt he'd never achieve this aim because he was viewed as a sex symbol (although that's hardly surprising, when you make an album called Let's Get It On - a bit like D'Angelo hating women screaming at him to get his clothes off after he'd done a video stark bollock naked ... I mean - DUH!). A self-loathing self-defeatist all the way. I did read the book, more than once. It was one of the main reasons I became such a Marvin fan, I could relate to him on so many levels. It was one of the most painful books i've ever read. Marvin did have ambivalence, that is why the book was called divided soul. Him saying he wasn't a great artist was like saying he felt "ridiculous" being a sex symbol. He wouldn't have done it if he didn't really want to and if he didn't have what it took. He did want to be the black sinatra and felt demeaned maybe, but he also was a freak. I'm sure he loved all the attention, the women. And also, even if he did believe he was a fraud, that's not really for him to say. That question belongs to his audience and we generally say he was a great artist, in my mind, one of the very best of the last 50 years. They don't make them like that anymore. His singing alone was probably some of the best ever, he along with Billy Holiday and a few others was a master of using his voice to express and also use it like a jazz instrument. Then, his versatility in his voice alone was just plain phenomenal. Prince became a great singer through hard work, Marvin was gifted. There are three sides to every story. My side, your side, and the truth. And no one is lying. Memories shared serve each one differently | |
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ButterscotchPimp said: midnightmover said: The argument was that "Come Get To This", despite your attempts to claim otherwise, is not as well known as Marvin's other songs. And why are you bringing up The Beatles, Prince and MJ when I already said it's only in MARVIN'S CASE that his best known stuff ranks as some of his best work? Talk about moving the goalposts. There are certainly lesser known tracks of his that are fantastic too, but the problem is those ones were mostly co-written too. The list of solo Marvin compositions you typed up earlier proved my point. I don't think many people would say a song like "Praise" can hold a candle to "Inner City Blues (Makes Me Wanna Holler)". I don't think you could seriously say "Got To Give It Up" is in the same league as "Let's Get It On". I don't think you could say "Heavy Love Affair" is in the same galaxy as "What's Going On". And I'm sorry, but imo "You Sure Love To Ball" does not compare to "Sexual Healing" or "Please Stay (Don't Go Away)". I'm a big Marvin fan, but unlike some others, I don't let sentimentality cloud my judgement. Marvin was great, but if you want to rank songwriters then Bob Marley, Prince, Stevie Wonder and literally a hundred other writers would all have to go above him. As someone else said, Marvin was an underachiever. Only a raving sentimentalist would argue with that. He was jealous of Stevie for a reason. my only response, because i'm tired of going back and forth with this is i bet if you talked to the majority of Prince's ex-bandmates, MOST of them would tell you that they ghost wrote a ton of songs over the years. just because P made everyone sign agreements before even joining the band, basically forcing them to not only give up all of their songwriting credits but to also not be able to talk about him in the press afterwards, i don't think you can assume that Prince wrote most of his hits by himself. That's what he WANTS YOU TO THINK. that's different. ----- Here we go now it has gone from Prince not crediting people who helped (which I don't doubt but that was their stupidity) to he did not really write much at all. Nevermind that Albert Magoli said P had a 100 songs for Purple Rain and keep writing while they were filming sometimes coming up with stuff as he rewrote the script. Nevermind the musicians and studio engineers who discuss P comments about what the songs were about ( some are just to damm personal and weird to have involvement from others) and were around when he wrote them. I don't doubt P had help and don't doubt he has stockpiled enough music that he probaly has not written anything new in years but the idea that he has a secret group that helped him the whole of his carreer is ridculous and even if he did he was still more productive than Marvin who had the whole Motown song writing machine and probaly the mob behind him. | |
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popgodazipa said: Let me tell you guys something. All of these so called neo soul guys go through this dramatic..I need to find myself before I can make more music bullshit! It's like they are never comfortable with their success and the pressure of reproducing whatever sound got them into the dance..and they go Lauren Hill and Maxwell on us..screw them and all their deepness. Hey it's your fucking job to make music and yeah it can be a little stressful when you are at work...that doesn't stop tables from getting bused, food being served, and babies being delivered....Give me a freaking break!
popgodazipa said: And another thing..Stevie would have put out 10 albums, James Brown about 30 singles,and Prince would fill another vault in the time that it takes these jokers to put out 1 decent album!!!!! Don't get me started!
You are SOOO on point with this! Its sad but true ...love D'Angelo though, can't wait for the album If you will, so will I | |
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laurarichardson said: ButterscotchPimp said: my only response, because i'm tired of going back and forth with this is i bet if you talked to the majority of Prince's ex-bandmates, MOST of them would tell you that they ghost wrote a ton of songs over the years. just because P made everyone sign agreements before even joining the band, basically forcing them to not only give up all of their songwriting credits but to also not be able to talk about him in the press afterwards, i don't think you can assume that Prince wrote most of his hits by himself. That's what he WANTS YOU TO THINK. that's different. ----- Here we go now it has gone from Prince not crediting people who helped (which I don't doubt but that was their stupidity) to he did not really write much at all. Nevermind that Albert Magoli said P had a 100 songs for Purple Rain and keep writing while they were filming sometimes coming up with stuff as he rewrote the script. Nevermind the musicians and studio engineers who discuss P comments about what the songs were about ( some are just to damm personal and weird to have involvement from others) and were around when he wrote them. I don't doubt P had help and don't doubt he has stockpiled enough music that he probaly has not written anything new in years but the idea that he has a secret group that helped him the whole of his carreer is ridculous and even if he did he was still more productive than Marvin who had the whole Motown song writing machine and probaly the mob behind him. It's all perception. If you want to argue that Marvin didn't really "write" his songs because he had "help", then i'm arguing so did Prince. AND (and i really wish you kool-aid kids would deal with reality ONCE in awhile) this MYTH of how many "songs" are in the vault is just that. I'm sure that P had "100 songs" for Purple Rain, and i'd guess that 90% of those had THE SAME DAMN MELODY. I'm sorry. But having been a fan of P since the beginning, and having heard a TON of the bootleg stuff that's out there, i don't think there's tons of masterpieces sitting in that "vault". I'd wager a large majority of it is crap that he didn't want out there, because it's simply that. CRAP. When he's doing a Morris impression over a drum loop, i'm sorry that's not a fucking SONG, that's an UNFINISHED IDEA. Prince is not the fucking GOD OF MUSIC, and i wish ya'll would stop acting like he is. http://www.facebook.com/p...111?ref=ts
y'all gone keep messin' around wit me and turn me back to the old me...... | |
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ButterscotchPimp said: laurarichardson said: ----- Here we go now it has gone from Prince not crediting people who helped (which I don't doubt but that was their stupidity) to he did not really write much at all. Nevermind that Albert Magoli said P had a 100 songs for Purple Rain and keep writing while they were filming sometimes coming up with stuff as he rewrote the script. Nevermind the musicians and studio engineers who discuss P comments about what the songs were about ( some are just to damm personal and weird to have involvement from others) and were around when he wrote them. I don't doubt P had help and don't doubt he has stockpiled enough music that he probaly has not written anything new in years but the idea that he has a secret group that helped him the whole of his carreer is ridculous and even if he did he was still more productive than Marvin who had the whole Motown song writing machine and probaly the mob behind him. It's all perception. If you want to argue that Marvin didn't really "write" his songs because he had "help", then i'm arguing so did Prince. AND (and i really wish you kool-aid kids would deal with reality ONCE in awhile) this MYTH of how many "songs" are in the vault is just that. I'm sure that P had "100 songs" for Purple Rain, and i'd guess that 90% of those had THE SAME DAMN MELODY. I'm sorry. But having been a fan of P since the beginning, and having heard a TON of the bootleg stuff that's out there, i don't think there's tons of masterpieces sitting in that "vault". I'd wager a large majority of it is crap that he didn't want out there, because it's simply that. CRAP. When he's doing a Morris impression over a drum loop, i'm sorry that's not a fucking SONG, that's an UNFINISHED IDEA. Prince is not the fucking GOD OF MUSIC, and i wish ya'll would stop acting like he is. are you jealous of prince or something? yeah probably. what you may deem as crap others may view as a masterpiece, its all a matter of opinion, and if folks want to believe prince is the "God of music" then so what? you act like children are going to die or the world is going end or something. everyone has their own god of music. if folks believe its marvin gaye or whoever else then so be it. i'm only addressing you because you seem to get upset and resort to childish name calling when people here don't see things your way or when people say things in favor of Prince, on a prince site which is kind a stupid as you choose to continue to come here. [Edited 8/10/08 10:37am] | |
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wonder505 said: ButterscotchPimp said: It's all perception. If you want to argue that Marvin didn't really "write" his songs because he had "help", then i'm arguing so did Prince. AND (and i really wish you kool-aid kids would deal with reality ONCE in awhile) this MYTH of how many "songs" are in the vault is just that. I'm sure that P had "100 songs" for Purple Rain, and i'd guess that 90% of those had THE SAME DAMN MELODY. I'm sorry. But having been a fan of P since the beginning, and having heard a TON of the bootleg stuff that's out there, i don't think there's tons of masterpieces sitting in that "vault". I'd wager a large majority of it is crap that he didn't want out there, because it's simply that. CRAP. When he's doing a Morris impression over a drum loop, i'm sorry that's not a fucking SONG, that's an UNFINISHED IDEA. Prince is not the fucking GOD OF MUSIC, and i wish ya'll would stop acting like he is. are you jealous of prince or something? yeah probably. what you may deem as crap others may view as a masterpiece, its all a matter of opinion, and if folks want to believe prince is the "God of music" then so what? you act like children are going to die or the world is going end or something. everyone has their own god of music. if folks believe its marvin gaye or whoever else then so be it. i'm only addressing you because you seem to get upset and resort to childish name calling when people here don't see things your way or when people say things in favor of Prince, on a prince site which is kind a stupid as you choose to continue to come here. [Edited 8/10/08 10:37am] Couldn't have said it better I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that | |
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I got a question. When are y'all going to start talking about D'Angelo on this thread again? I thought that's who this thread was about, not Marvin Gaye or Prince. I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that | |
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purplecam said: wonder505 said: are you jealous of prince or something? yeah probably. what you may deem as crap others may view as a masterpiece, its all a matter of opinion, and if folks want to believe prince is the "God of music" then so what? you act like children are going to die or the world is going end or something. everyone has their own god of music. if folks believe its marvin gaye or whoever else then so be it. i'm only addressing you because you seem to get upset and resort to childish name calling when people here don't see things your way or when people say things in favor of Prince, on a prince site which is kind a stupid as you choose to continue to come here. [Edited 8/10/08 10:37am] Couldn't have said it better thanks. | |
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purplecam said: I got a question. When are y'all going to start talking about D'Angelo on this thread again? I thought that's who this thread was about, not Marvin Gaye or Prince.
and oh yes, back to the topic. | |
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wonder505 said: ButterscotchPimp said: It's all perception. If you want to argue that Marvin didn't really "write" his songs because he had "help", then i'm arguing so did Prince. AND (and i really wish you kool-aid kids would deal with reality ONCE in awhile) this MYTH of how many "songs" are in the vault is just that. I'm sure that P had "100 songs" for Purple Rain, and i'd guess that 90% of those had THE SAME DAMN MELODY. I'm sorry. But having been a fan of P since the beginning, and having heard a TON of the bootleg stuff that's out there, i don't think there's tons of masterpieces sitting in that "vault". I'd wager a large majority of it is crap that he didn't want out there, because it's simply that. CRAP. When he's doing a Morris impression over a drum loop, i'm sorry that's not a fucking SONG, that's an UNFINISHED IDEA. Prince is not the fucking GOD OF MUSIC, and i wish ya'll would stop acting like he is. are you jealous of prince or something? yeah probably. what you may deem as crap others may view as a masterpiece, its all a matter of opinion, and if folks want to believe prince is the "God of music" then so what? you act like children are going to die or the world is going end or something. everyone has their own god of music. if folks believe its marvin gaye or whoever else then so be it. i'm only addressing you because you seem to get upset and resort to childish name calling when people here don't see things your way or when people say things in favor of Prince, on a prince site which is kind a stupid as you choose to continue to come here. [Edited 8/10/08 10:37am] Not at all. And where's the "childish name calling"? Oh, i get it. Ya'll don't like being called "kool-aid kids". Ah, well. But it's the truth. There is no "god of music". It's not Marvin, and it certainly ain't Prince. And once again, i come here because i CAN. Been here longer than most of ya'll and will be there long after. I come here, because i've forgotten more about P than some of you know about him, and because i like SOME of the people that frequent this place, and once in a great while there's a good thread on here. Most of the time, i marvel at the pedestal that P's been placed on by some of you, and i take my shots when i can at TRYING to get some of you to face REALITY. So can we stop with the "why do you come here?" question just because i don't think P is the music messiah? He's talented for sure. But his albums of late have been ass, all of his movies have been ass (except SOTT), and every song he's done aren't all masterpieces. Period. http://www.facebook.com/p...111?ref=ts
y'all gone keep messin' around wit me and turn me back to the old me...... | |
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