ehuffnsd said: be afaird. it's like the cattiest gay bar you've even been to on steorids and meth http://www.madonnafanzine.com Thanks, for the link and the warning. | |
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fantasticjoy said: This cd is really growing on me. Sounds like Pharrel and Madonna had a good time.Incredible is my favorite.Last two tracks are my least favorite.Overall the cd seems very experimental to me.
"Incredible" is now my second favorite song I LOVE IT! The production is very fast and vibrant and I like Madonna's vocals on this track.I also like the "can't get my head around it" hook in the chorus.It's a clever,well-produced song. | |
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ehuffnsd said: jtfolden said: Hey, people have mentioned "Madonna forums" several times in these threads. Would anyone care to provide a link to 'the best' of these forums to visit?
Thanks! be afaird. it's like the cattiest gay bar you've even been to on steorids and meth http://www.madonnafanzine.com What ever happened to Madonnamad? Has Robster still not finished the new forum yet? It's been years since I last heard any news on that. I never went on any other Madonna forums. | |
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Interesting video of Madonna in 1984 stating herself as an white artist doing R&B.
http://www.mtv.com/overdr...&vid=64261 | |
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Did anyone get the "4 Minutes" maxi-single? My copy arrived the other day.I'm really diggin' the Bob Sinclair Space Funk Remix.It's funky and reminds me of Jamiroquai's recent music.
The other remixes are predictable....great for clubs,but nowhere else | |
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My favorite song on this CD is "Heartbeat". This song is just so damn hot and I'm always dancing to this song. Its the song that I always have to put on repeat when I play it. I just wish it was a little bit longer. This is one of those songs that Madonna MUST release as a single. The clubs would be brought to it's knees on this one. [Edited 5/5/08 6:13am] I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that | |
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i love madonna as much as i love prince but the fact is this lp is really not good.it sounds like she is tryin to imitate gwen and nelly furtado..and not doin a good job. | |
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purplecam said: My favorite song on this CD is "Heartbeat". This song is just so damn hot and I'm always dancing to this song. Its the song that I always have to put on repeat when I play it. I just wish it was a little bit longer. This is one of those songs that Madonna MUST release as a single. The clubs would be brought to it's knees on this one.
[Edited 5/5/08 6:13am] See Her booty get down It sound like she had so much fun making these songs Straight Jacket Funk Affair
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why is this shit still a sticky?
| |
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hellomoto said: Man I don't know whats wrong with me but I think the favourite 'Miles Away' is bland and boring and one of my least favourites, and the hated song 'Spanish Lesson' is one of my favourites, I love it, it's very fun, and the lyrics are nowhere near as bad as the lyrics on 'She's Not Me' or 'Candy Shop'.
I absolutely love 'Heartbeat', 'Beat Goes On', 'Dance Tonight', 'Spanish Lesson' and 'Voices', and I like Pharrells voice on the songs he sings on, I think they go well togther, he really adds to the tracks. 'The Devil Wouldn't Recognize You' and '4 Minutes' really grew on me from thinking of them as just typical timbaland songs. Those songs make it better than Confessions for me. 'Incredible', 'Give it to Me', 'She's not Me', 'Candy Shop' and 'Miles Away' are good but average, I don't really care for them but can still listen to them. Which songs are produced by pharrell and which ones by timbaland? I can kind of tell for most but want to know for sure. [Edited 5/4/08 18:26pm] Me too! Spanish lesson has amazing energy every time for me. They played voices on the radio today and it gave me shivers. I adore it! Have you had your + signs today? | |
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I'm sure this has been mentioned already, but you can totally sing parts of "She's Not Me" to "Supernatural" (and vice-versa). That said, "She's Not Me" is probably my favorite song on the album.
To me, this album is a mix of "Music" and "Confessions." It's got a 'play me in the clubs!' vibe to it, but the lyrics are a bit deeper than "Confessions" without trying too hard. (Okay, I'm sure someone will dispute that, but even "Spanish Lesson" is a step up from "Jimmy Jimmy" or "I Love NY.") This album is quite easy on the ears from start to finish. Sure it has its weak spots, but it's more cohesive than "Confessions" and more playful than "American Life." Plus, her voice sounds more like the 'young' Madonna than it has in a long time. Damn "Evita"! Can't you just picture yourself roller-skating to, like, half of this album? "She made me glad to be a man" | |
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jillybean said: I'm sure this has been mentioned already, but you can totally sing parts of "She's Not Me" to "Supernatural" (and vice-versa). That said, "She's Not Me" is probably my favorite song on the album.
To me, this album is a mix of "Music" and "Confessions." It's got a 'play me in the clubs!' vibe to it, but the lyrics are a bit deeper than "Confessions" without trying too hard. (Okay, I'm sure someone will dispute that, but even "Spanish Lesson" is a step up from "Jimmy Jimmy" or "I Love NY.") This album is quite easy on the ears from start to finish. Sure it has its weak spots, but it's more cohesive than "Confessions" and more playful than "American Life." Plus, her voice sounds more like the 'young' Madonna than it has in a long time. Damn "Evita"! Can't you just picture yourself roller-skating to, like, half of this album? yeah I agree with the quote that its not trying too hard. She definitley sounded DESPERATE to sound serious on American Life and thus captured the hearts of maybe 20 people. This album DOES IT for me. It is so fresh compared to anything on the radio. Straight Jacket Funk Affair
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horatio said: you know you love the HC album | |
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JoeTyler said: horatio said: you know you love the HC album | |
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RIP 1958-2016 Prince RIP 1947-2016 David Bowie | |
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jillybean said: To me, this album is a mix of "Music" and "Confessions." It's got a 'play me in the clubs!' vibe to it, but the lyrics are a bit deeper than "Confessions" without trying too hard. (Okay, I'm sure someone will dispute that, but even "Spanish Lesson" is a step up from "Jimmy Jimmy" or "I Love NY.")
You know, I thought "I Love New York" was corny the first few times I heard it. One day, out of the blue, a flip was switched and I've loved it ever since. I can't even explain it, but I almost broke out in hives when you compared it to "Jimmy Jimmy." This album is quite easy on the ears from start to finish. Sure it has its weak spots, but it's more cohesive than "Confessions" and more playful than "American Life."
I think Confessions is about as cohesive as it gets (and I have the unmixed version). "Whitney was purely and simply one of a kind." ~ Clive Davis | |
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there was a discussion which melodies madonna may have written, and which parts the others.
i tried to figure out the chords to the songs and I think chords are a good indicator. Heartbeat seems pretty Pharrell to me, especially the Chorus. Miles Away sounds like Madonna was the main part in teh creative process. I believe Madonna wrote the chorus for 4 Minutes. if someone is interested I could post the chords to most of teh songs | |
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graecophilos said: there was a discussion which melodies madonna may have written, and which parts the others.
#
i tried to figure out the chords to the songs and I think chords are a good indicator. Heartbeat seems pretty Pharrell to me, especially the Chorus. Miles Away sounds like Madonna was the main part in teh creative process. I believe Madonna wrote the chorus for 4 Minutes. if someone is interested I could post the chords to most of teh songs Yeah Madonna tends to have a distinct melody technique. She tends to do chord scales - progressing up then back down with the same chords. Miles Away sounds very madonna - as does Voices & Devil. Id definitely be interested in a disection of the chords / melodies on the album. | |
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CrozzaUK said: graecophilos said: there was a discussion which melodies madonna may have written, and which parts the others.
#
i tried to figure out the chords to the songs and I think chords are a good indicator. Heartbeat seems pretty Pharrell to me, especially the Chorus. Miles Away sounds like Madonna was the main part in the creative process. I believe Madonna wrote the chorus for 4 Minutes. if someone is interested I could post the chords to most of teh songs Yeah Madonna tends to have a distinct melody technique. She tends to do chord scales - progressing up then back down with the same chords. Miles Away sounds very madonna - as does Voices & Devil. I'd definitely be interested in a disection of the chords / melodies on the album. Yeah,"Miles Away" is pure Madonna.I'm pretty sure she wrote most of the lyrics and came up with the melody.Also,it's obvious that she wrote most,if not all of "Incredible" and "Candy Shop". | |
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SoulAlive said: CrozzaUK said: #
Yeah Madonna tends to have a distinct melody technique. She tends to do chord scales - progressing up then back down with the same chords. Miles Away sounds very madonna - as does Voices & Devil. I'd definitely be interested in a disection of the chords / melodies on the album. Yeah,"Miles Away" is pure Madonna.I'm pretty sure she wrote most of the lyrics and came up with the melody.Also,it's obvious that she wrote most,if not all of "Incredible" and "Candy Shop". Yes her lyrics are very well shown on this album compared to the terrible lyrics Pharell uses sometimes...SOMEtimes u can her his melodies "cant get my head around it, I need to think about it) used but otherwise. THIS is the album kelis shudda done. Incredible is VERY Kelis Straight Jacket Funk Affair
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Well I finally let "Give It 2 Me" play all the way through today.
So, no one mentioned the melodic interpolation of "Miss Broadway" by Belle Epoque? SoulAlive I know you know this song. Most obvious section arriving right before the "get stupid" breakdown. | |
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Cinnie said: Well I finally let "Give It 2 Me" play all the way through today.
So, no one mentioned the melodic interpolation of "Miss Broadway" by Belle Epoque? SoulAlive I know you know this song. Most obvious section arriving right before the "get stupid" breakdown. Is melodic interpretation the new trendy euphemism for rip-off? | |
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From hitsdailydouble Madonna moves 283k in week 1
LW TW artist / album label power index % change -- 1 MADONNA WARNER BROS. 282,785 -- HARD CANDY 1 2 MARIAH CAREY ISLAND/IDJMG 87,068 -51% E=MC2 2 3 LEONA LEWIS J RECORDS/RMG 81,803 -17% SPIRIT -- 4 LYFE JENNINGS COLUMBIA 76,332 -- LYFE CHANGE -- 5 ROOTS DEF JAM/IDJMG 54,710 -- RISING DOWN | |
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SoulAlive said: CrozzaUK said: #
Yeah Madonna tends to have a distinct melody technique. She tends to do chord scales - progressing up then back down with the same chords. Miles Away sounds very madonna - as does Voices & Devil. I'd definitely be interested in a disection of the chords / melodies on the album. Yeah,"Miles Away" is pure Madonna.I'm pretty sure she wrote most of the lyrics and came up with the melody.Also,it's obvious that she wrote most,if not all of "Incredible" and "Candy Shop". I want to see a Candy SHop video with Charlie Brown characters dancing to it. | |
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I think 'Give it To Me' is a horrible choice for next single. I like it, but I just don't think radio will.
If she were smart she'd already be releasing something new this week to radio. One of these 'Incredible' (I don't like it but I think top 40 crap radio would) 'She's Not Me' (The first half would make a really catchy radio edit) 'Heartbeat' 'Candy Shop' 'Devil Wouldn't Recognize You' The rest...I don't see any of it on radio. I'll leave it alone babe...just be me | |
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badujunkie said: I think 'Give it To Me' is a horrible choice for next single. I like it, but I just don't think radio will.
If she were smart she'd already be releasing something new this week to radio. One of these 'Incredible' (I don't like it but I think top 40 crap radio would) 'She's Not Me' (The first half would make a really catchy radio edit) 'Heartbeat' 'Candy Shop' 'Devil Wouldn't Recognize You' The rest...I don't see any of it on radio. I think "Dance 2nite" would work for radio, but I can certainly see the obvious argument against it being the follow-up to "4 Minutes." If "Sorry" wasn't a radio hit, radio is just too out of touch to matter. "Whitney was purely and simply one of a kind." ~ Clive Davis | |
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badujunkie said: I think 'Give it To Me' is a horrible choice for next single. I like it, but I just don't think radio will.
If she were smart she'd already be releasing something new this week to radio. One of these 'Incredible' (I don't like it but I think top 40 crap radio would) 'She's Not Me' (The first half would make a really catchy radio edit) 'Heartbeat' 'Candy Shop' 'Devil Wouldn't Recognize You' The rest...I don't see any of it on radio. "Beat Goes On" is begging to be a single, methinks. | |
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"Give It To Me" has entered the UK single charts at number 75 on download sales this week!
And it looks like she will have the double album and single number 1 again this weekend- cool! Also agreeing with GangtaFam that "Beat Goes On" needs to be a single- fingers crossed "There is no such thing in life as normal..." | |
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GangstaFam said: badujunkie said: I think 'Give it To Me' is a horrible choice for next single. I like it, but I just don't think radio will.
If she were smart she'd already be releasing something new this week to radio. One of these 'Incredible' (I don't like it but I think top 40 crap radio would) 'She's Not Me' (The first half would make a really catchy radio edit) 'Heartbeat' 'Candy Shop' 'Devil Wouldn't Recognize You' The rest...I don't see any of it on radio. "Beat Goes On" is begging to be a single, methinks. Yeah, I think so too. It's listed on the sticker too Anyway, this track is probably the most satisfying moment on the entire album for me. I can't believe it actually, considering how much I hated the original leaked version. But this does everything right, to me, even the Kanye cameo. And it's one of the few instances where you can actually hear her putting some style into the vocals, I think. "Try to remember how you used to feel about me
and think about how you're treating me now. Then try to reconcile them, if you can. But you don't even remember, do you?" | |
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