Rodya24 said: Damn. Almost one page through, no MJ bashing. I think this is the first.
Give it time. | |
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Rodya24 said: Damn. Almost one page through, no MJ bashing. I think this is the first.
Don't speak too soon. It's only a matter of time really before it happens . "And When The Groove Is Dead And Gone, You Know That Love Survives, So We Can Rock Forever" RIP MJ
"Baby, that was much too fast"...Goodnight dear sweet Prince. I'll love you always | |
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alphastreet said: midnightmover said: I don't know the titles of today's songs. I just know them when I hear them. I know Ring The Alarm though and I can't hear any MJ influence in it whatsoever. maybe it's just the passion and edge beyonce has that reminds me of michael, the siren at the beginning of the song is so michaelish, think of something like street walker In other words a totally vague thing that's meaningless. Mike didn't invent "passion" or "edge". That song sounds absolutely nothing like MJ. With Prince's influence, it is specific. You can hear the "Purple Rain" chord progression Alicia Keys is ripping off on her newest track. You can hear the beat from "The Beautiful Ones" Timberland is ripping off on Justin's duet with Beyonce. You listen to Outkast or D'angelo and much of it sounds like it could almost be Prince himself. It's harder to pinpoint Mike's influence in music because he never had his own sound. It varied according to who he was working with and the fashions of the day. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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Cinnamon234 said: Rodya24 said: Damn. Almost one page through, no MJ bashing. I think this is the first.
Don't speak too soon. It's only a matter of time really before it happens . | |
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Rodya24 said: Cinnamon234 said: It was inspired by "Wanna Be Startin' Somethin" actually. Really? Still MJ-inspired then. I hear influences from off the wall and triumph on that song too, I knew it wasn't just me. Stuff like get on the floor, can you feel it, DSTYGE | |
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Out of the three iconic music videos - Thriller, Beat It, and Billie Jean, which one is your favorite and why?
Mine is Billie Jean. The atmosphere, the lit-up sidewalk, his dancing, etc. Wonderful. | |
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Cinnamon234 said: alphastreet said: I heard the michael influence in a lot of songs, though also prince. What about songs like Because of You, Makes Me Wonder, Lost Without You, Don't Stop the Music, Good Life, Just Fine, Lovestoned, What Goes Around Comes Around, Deja Vu, Ring the Alarm. Number One and so on? Indeed. I hear the Michael influence in all those songs as well plus MJ's music has been sampled by artists like SWV, LL Cool J, Tupac and more. I defenitely hear the influence as far as his music goes. [Edited 12/1/07 10:26am] Who hasn't been sampled? Virtually every R&B and hip-hop song from the last 15 years features samples so of course he's gonna get sampled sometimes too. That really doesn't mean much. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
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midnightmover said: alphastreet said: maybe it's just the passion and edge beyonce has that reminds me of michael, the siren at the beginning of the song is so michaelish, think of something like street walker In other words a totally vague thing that's meaningless. Mike didn't invent "passion" or "edge". That song sounds absolutely nothing like MJ. With Prince's influence, it is specific. You can hear the "Purple Rain" chord progression Alicia Keys is ripping off on her newest track. You can hear the beat from "The Beautiful Ones" Timberland is ripping off on Justin's duet with Beyonce. You listen to Outkast or D'angelo and much of it sounds like it could almost be Prince himself. It's harder to pinpoint Mike's influence in music because he never had his own sound. It varied according to who he was working with and the fashions of the day. To me, those examples you gave are very blatant, almost like tributes. MJ's influence has a lot to do with the "execution of all creative expression at once" - the look, the sound, and the feeling combined -- the performance. | |
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Cinnie said: midnightmover said: In other words a totally vague thing that's meaningless. Mike didn't invent "passion" or "edge". That song sounds absolutely nothing like MJ. With Prince's influence, it is specific. You can hear the "Purple Rain" chord progression Alicia Keys is ripping off on her newest track. You can hear the beat from "The Beautiful Ones" Timberland is ripping off on Justin's duet with Beyonce. You listen to Outkast or D'angelo and much of it sounds like it could almost be Prince himself. It's harder to pinpoint Mike's influence in music because he never had his own sound. It varied according to who he was working with and the fashions of the day. To me, those examples you gave are very blatant, almost like tributes. MJ's influence has a lot to do with the "execution of all creative expression at once" - the look, the sound, and the feeling combined -- the performance. That's what I'm saying. It's a performance thing more than a musical thing, which makes perfect sense. Most of Mike's appeal from "Thriller" onwards was down to the videos and performances, much more than the music. A lot of times people wouldn't actually like the songs until they saw the videos. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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Rodya24 said: Out of the three iconic music videos - Thriller, Beat It, and Billie Jean, which one is your favorite and why?
Mine is Billie Jean. The atmosphere, the lit-up sidewalk, his dancing, etc. Wonderful. how can I possibly choose one? I'll go with billie jean though | |
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Cinnie said: midnightmover said: In other words a totally vague thing that's meaningless. Mike didn't invent "passion" or "edge". That song sounds absolutely nothing like MJ. With Prince's influence, it is specific. You can hear the "Purple Rain" chord progression Alicia Keys is ripping off on her newest track. You can hear the beat from "The Beautiful Ones" Timberland is ripping off on Justin's duet with Beyonce. You listen to Outkast or D'angelo and much of it sounds like it could almost be Prince himself. It's harder to pinpoint Mike's influence in music because he never had his own sound. It varied according to who he was working with and the fashions of the day. To me, those examples you gave are very blatant, almost like tributes. MJ's influence has a lot to do with the "execution of all creative expression at once" - the look, the sound, and the feeling combined -- the performance. exactly my point! Even p.diddy's last night, which has a prince sound to it for sure, reminds me of can you feel it cause of the similar harmonies. Try singing that over it | |
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alphastreet said: Rodya24 said: Really? Still MJ-inspired then. I hear influences from off the wall and triumph on that song too, I knew it wasn't just me. Stuff like get on the floor, can you feel it, DSTYGE I suggest you listen to The Brothers Johnson, another Quincy Jones produced act from the time. Much of what you think of as Michael's sound is actually Quincy's sound. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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midnightmover said: alphastreet said: I hear influences from off the wall and triumph on that song too, I knew it wasn't just me. Stuff like get on the floor, can you feel it, DSTYGE I suggest you listen to The Brothers Johnson, another Quincy Jones produced act from the time. Much of what you think of as Michael's sound is actually Quincy's sound. I know who the brothers johnson are thank you very much. I come on this board for the reason that mj fans on other boards don't know any old school music other than mj. [Edited 12/1/07 10:38am] | |
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midnightmover said: alphastreet said: I hear influences from off the wall and triumph on that song too, I knew it wasn't just me. Stuff like get on the floor, can you feel it, DSTYGE I suggest you listen to The Brothers Johnson, another Quincy Jones produced act from the time. Much of what you think of as Michael's sound is actually Quincy's sound. Have you heard for the demos for songs like "Don't Stop Til' You Get Enough," "Working Day and Night," and "Billie Jean"? Clearly, these songs are the products of mostly MJ's creativity. | |
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Rodya24 said: Out of the three iconic music videos - Thriller, Beat It, and Billie Jean, which one is your favorite and why?
Mine is Billie Jean. The atmosphere, the lit-up sidewalk, his dancing, etc. Wonderful. Thriller. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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Rodya24 said: Out of the three iconic music videos - Thriller, Beat It, and Billie Jean, which one is your favorite and why?
Mine is Billie Jean. The atmosphere, the lit-up sidewalk, his dancing, etc. Wonderful. Yeah I'd have to say that "Billie Jean" is my favortie also. I still get goosebumps anytime I watch that video. "And When The Groove Is Dead And Gone, You Know That Love Survives, So We Can Rock Forever" RIP MJ
"Baby, that was much too fast"...Goodnight dear sweet Prince. I'll love you always | |
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Rodya24 said: midnightmover said: I suggest you listen to The Brothers Johnson, another Quincy Jones produced act from the time. Much of what you think of as Michael's sound is actually Quincy's sound. Have you heard for the demos for songs like "Don't Stop Til' You Get Enough," "Working Day and Night," and "Billie Jean"? Clearly, these songs are the products of mostly MJ's creativity. I know, but if you listen to The Brothers Johnson you'll be shocked at how many of the elements of Quincy's production he transferred directly into his work with Michael. Also, the demo for DSTYGE is a far cry from the final product. The overall sound (which still sounds great today) is down to Quincy putting layer upon layer of orchestration down, almost like an architect. The strings, the horns, etc. Strip that off and Mike's work was very much in line with what was happening at the time. Great, but not too different from what others were doing. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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midnightmover said: Rodya24 said: Have you heard for the demos for songs like "Don't Stop Til' You Get Enough," "Working Day and Night," and "Billie Jean"? Clearly, these songs are the products of mostly MJ's creativity. I know, but if you listen to The Brothers Johnson you'll be shocked at how many of the elements of Quincy's production he transferred directly into his work with Michael. Also, the demo for DSTYGE is a far cry from the final product. The overall sound (which still sounds great today) is down to Quincy putting layer upon layer of orchestration down, almost like an architect. The strings, the horns, etc. Strip that off and Mike's work was very much in line with what was happening at the time. Great, but not too different from what others were doing. see my post above midnightmover | |
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midnightmover said: Cinnie said: To me, those examples you gave are very blatant, almost like tributes. MJ's influence has a lot to do with the "execution of all creative expression at once" - the look, the sound, and the feeling combined -- the performance. That's what I'm saying. It's a performance thing more than a musical thing, which makes perfect sense. Most of Mike's appeal from "Thriller" onwards was down to the videos and performances, much more than the music. A lot of times people wouldn't actually like the songs until they saw the videos. So we agree. | |
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midnightmover said: Rodya24 said: Have you heard for the demos for songs like "Don't Stop Til' You Get Enough," "Working Day and Night," and "Billie Jean"? Clearly, these songs are the products of mostly MJ's creativity. I know, but if you listen to The Brothers Johnson you'll be shocked at how many of the elements of Quincy's production he transferred directly into his work with Michael. Also, the demo for DSTYGE is a far cry from the final product. The overall sound (which still sounds great today) is down to Quincy putting layer upon layer of orchestration down, almost like an architect. The strings, the horns, etc. Strip that off and Mike's work was very much in line with what was happening at the time. Great, but not too different from what others were doing. I am not denying Quincy Jones' work. No one in this thread is. But I think often outside of the hardcore fans, people forget that MJ was involved in the musical creative process as well. He provided the rhythm for some for his best songs. [Edited 12/1/07 10:59am] | |
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Cinnie said: midnightmover said: That's what I'm saying. It's a performance thing more than a musical thing, which makes perfect sense. Most of Mike's appeal from "Thriller" onwards was down to the videos and performances, much more than the music. A lot of times people wouldn't actually like the songs until they saw the videos. So we agree. Yeah, we always did. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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I think as a whole, most of the artist from that time period were creative and had some great music out there, and mj was a part of that, which is why in the 80's though I liked mj, I didn't exclusively say he's my favourite, cause there was good music around everywhere that I enjoyed even more than his. It was later on, I realized his stuff aged well and stood out from the newer artists, though I also loved them and was a big r&b/hip hop lover in the 90's | |
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midnightmover said: alphastreet said: I hear influences from off the wall and triumph on that song too, I knew it wasn't just me. Stuff like get on the floor, can you feel it, DSTYGE I suggest you listen to The Brothers Johnson, another Quincy Jones produced act from the time. Much of what you think of as Michael's sound is actually Quincy's sound. Well we'll have to agree to disagree here. I look at it as being both Michael's and Quincy's sound but the biggest song on the album which would be "Billie Jean" is Michael's sound. Not only did he write the song, but came up with the baseline for that song by himself and even Quincy said that in an interview. Anyway, I don't see what you're going on about here right now though, i mean who cares really? I thought this thread was supposed to be talking about your fave memories of Thriller. It seems like you just want to argue for the sake of arguing. "And When The Groove Is Dead And Gone, You Know That Love Survives, So We Can Rock Forever" RIP MJ
"Baby, that was much too fast"...Goodnight dear sweet Prince. I'll love you always | |
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So far, three votes for the Billie Jean music video and one for the Thriller music video. What do other orgers think? Thriller, Beat It, or Billie Jean? | |
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Rodya24 said: So far, three votes for the Billie Jean music video and one for the Thriller music video. What do other orgers think? Thriller, Beat It, or Billie Jean?
Thriller. | |
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I expect that MJ fans would enjoy them some Brothers Johnson and Heatwave. Let's see more reissues of that stuff! | |
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I like their stuff a lot, especially get the funk out of my face and stomp. I also like that song rod temperton wrote for michael mcdonald, which was posted a few weeks ago, but I'm sure I'd heard years ago cause it sounded familiar [Edited 12/1/07 10:54am] | |
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Rodya24 said: I am denying Quincy Jones' work. No one in this thread is. But I think often outside of the hardcore fans, people forget that MJ was involved in the musical creative process as well. He provided the rhythm for some for his best songs. Agreed. Michael is involved in every aspect of his career and that includes the creation of songs among other things. I dislike it when people act like MJ was just some puppett who Quincy Jones just took under his wing and made into a superstar. Quincy is not soley responsible for MJ's sound. It was a collaborative effort. "And When The Groove Is Dead And Gone, You Know That Love Survives, So We Can Rock Forever" RIP MJ
"Baby, that was much too fast"...Goodnight dear sweet Prince. I'll love you always | |
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Cinnamon234 said: Rodya24 said: I am denying Quincy Jones' work. No one in this thread is. But I think often outside of the hardcore fans, people forget that MJ was involved in the musical creative process as well. He provided the rhythm for some for his best songs. Agreed. Michael is involved in every aspect of his career and that includes the creation of songs among other things. I dislike it when people act like MJ was just some puppett who Quincy Jones just took under his wing and made into a superstar. Quincy is not soley responsible for MJ's sound. It was a collaborative effort. Michael is nothing without Quincy. Every Prince fan knows that. | |
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Cloudbuster said: Rodya24 said: So far, three votes for the Billie Jean music video and one for the Thriller music video. What do other orgers think? Thriller, Beat It, or Billie Jean?
Thriller. I would have to agree. That was the one everyone stopped what they were doing to see the debut of, which later became a tradition. I was gonna post a youtube link like as if y'all needed to see it again | |
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