Earlier this summer, guitarist Les Paul celebrated his 92nd birthday. At an age when other musicians may be content to relax and collect an occasional royalty check, Paul still works.

Each Monday, he plays two shows at New York City's Iridium Jazz Club. Both shows always are sold out. Outside on Broadway, latecomers line the sidewalk and hope for last-minute tickets. They have come to see and hear a musical legend whose name is synonymous with the solid-body electric guitar he pioneered.

Paul's remarkable life story has been told many times, beginning at the age of eight playing harmonica in Waukesha, Wis., through a string of hit records with Mary Ford, to his invention of multitrack recording. This month, Les Paul tells this story himself in a new documentary from the PBS American Masters series called Les Paul: Chasing Sound.

Although he has been playing a regular Monday night gig for more than two decades, Les Paul still shows up for work four hours early. Most of that time is spent in a typically thorough sound check. Some of the time before the show is set aside for greeting well-wishers, like singer and guitarist Steve Miller.

Paul taught Miller his first guitar chords at the age of 4. The lessons paid off because in the '70s, the Steve Miller Band enjoyed great commercial success. In the American Masters documentary, Miller says he became a musician not for the money, but because Paul seemed be to be enjoying himself so much.

Miller says, "I looked at what he was doing and it looked like it was more fun than anybody I'd ever seen. And that was what I wanted to do."

Paul performs in spite of numerous infirmities. His right arm is locked in a permanent ninety-degree angle, the result of a car accident in 1948. The fingers of his left hand, which danced up and down the fret board when he was young, are now stiffened by arthritis. He wears hearing aids in both ears. All of which begs the question: Why continue performing, week after week? According to Paul, it is really doctor's orders.

"In 1980, 65 years old, I had a bypass," Paul says. "After the operation was over, the doctor asked me two things he'd like me to do: one is to be my friend, and promise me you'll work hard. I said, 'I thought that's what got me in here! I can't believe this!'"

Recovering in his hospital room after what was in fact a quintuple bypass, Paul made two lists. In the first column were all the things he did not like:

"I didn't want to play for big crowds. I didn't want a boss telling me that you ran over two minutes. I don't want a guy to direct the show and put a lot of pressure on me. I didn't want to do a lot of interviews. And I had no reason in the world to be famous."

In the other column, he discovered something surprising about himself:

"The best fun I ever had was in the little joint where I could do what I wanted to do, how I wanted to do it, play for a few of my friends. It would be great therapy, a reason to get me out of bed. I could always surround myself with young musicians that could play what I used to play or play better than what I played. And I could continue making new friends."

Many of Paul's old friends, including Tony Bennett, Keith Richards of the Rolling Stones, guitarist Chet Atkins, singer Kay Starr and others have joined him on stage throughout the years. But as seen in Les Paul: Chasing Sound, the new friends are the ones packing the audience. The documentary is now available on DVD from Koch Vision.

Copyright 2007 NPR

Follow this link to hear audio of the program: http://www.npr.org/templa...d=12871672

A Mea Culpa on Les Paul and Multi-Tracks


Weekend Edition Sunday, August 26, 2007 · In last week's profile of Les Paul, we reported that his hits with Mary Ford employed a multi-track recording technique that Paul pioneered. Listener Joe Zannieri sets us straight on that. He writes, "The 'new sound' hit records Les made with Mary between 1948 and 1954 were made using multiple overdubs.

"The machine used was a single-track Ampex tape recorder that was given to Les by Bing Crosby after Les's 1948 car accident. He modified it by adding an extra head, which permitted him to pick up the sound off the tape before the tape was erased, and bring it back through the machine and record another track added to what was previously on the tape."

Zannieri concludes, "This was not multi-track recording, since there were no discrete tracks, just the addition of a new part into the previous mix."

This man is so inspirational. Great player...

Hopefully he'll be at the Iridium in October.


tA

Tribal Disorder

http://www.soundclick.com...dID=182431

Tom Dowd who was working with multiple tracks and inventing the process with Atlantic, went into Les Pauls' basement and realized he had been doing the same thing only in a different process and had been for 20 years. This is according to the Tom Dowd documentary I saw.

theAudience said:

Check him out on Monday nights....I'm in NYC early December, and I plan to...

Slave2daGroove said:

Make sure you check this documentary out, too..

This month, Les Paul tells this story himself in a new documentary from the PBS American Masters series called Les Paul: Chasing Sound.

he looks good for 92

cubic61052 said:

Great documentary! I also recommend the book, "Les Paul, An American Original". Read it years ago at my local library. Very informative and a great read.