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Which Black Artists have never Sold Out? And in the end do all big-time Black Artists have to sell out to make it? | |
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Prince
Curtis Mayfield Rick James Anita Baker Isley Brothers The Roots Common Donny Hathaway Roberta Flack Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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***Rick James---in a 1982 interview,he said that he could easily make rock records and reach a huge crossover audience but that he wasn't interested in doing that.
***George Clinton---he once famously said "Sometimes when you cross over,you can't cross back".He also released a single called "Why Should I Dog You Out?",in which he pledged his allegiance to the funk,insisting that he would never sell out. | |
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silverchild said: Prince
Curtis Mayfield Rick James Anita Baker Isley Brothers The Roots Common Donny Hathaway Roberta Flack Do you think there is a difference between "selling out" and having a cross-over hit? [Edited 8/9/07 6:50am] | |
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millie jackson
betty davis (to a fault) | |
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silverchild said: Prince
your right. Space for sale... | |
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How would you define selling out? Been gone for a minute, now I'm back with the jump off | |
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JackieBlue said: How would you define selling out?
I guess by watering down your sound to deliberately appeal to the masses, well that's what I think. That's the reason I pose the question about distinguishing between a cross-over hit and being an out and out "Sell-out". My non-sell outs will be: Marvin Gaye- although he had quite a few cross-over hits, I wouldn't call him a sell out. Curtis Mayfield Millie Jackson [Edited 8/9/07 6:57am] [Edited 8/9/07 10:25am] | |
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Sade
Marvin Gaye Chaka Khan Stephanie Mills Phyllis Hyman Erykah Badu Anita Baker Rick James | |
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whatsgoingon said: silverchild said: Prince
Curtis Mayfield Rick James Anita Baker Isley Brothers The Roots Common Donny Hathaway Roberta Flack Do you think there is a difference between "selling out" and having a cross-over hit. Yes, because with "selling-out", you increase mass appeal or acceptability to the mainstream, but you are also regarded with disrespect and disgust with many people because you compromising your integrity and morality in exchange for money, success, and other personal gain. Having a crossover hit can be a positive and/or negative thing. With a crossing over, you can gain a whole new audience and have a more mainstream look and sound. And that's the good thing, but the negative falls into place when the more dedicated fanbase of an artist starts to criticize and become disappointed because they think it's just for money and the "pop excess". It's the artist's choice if he or she wants to follow that cross-over hit with another pop song or something they've done before to win back a particular fanbase they've had before. So, yes there's a difference! Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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silverchild said: Prince
Curtis Mayfield Rick James Anita Baker Isley Brothers The Roots Common Donny Hathaway Roberta Flack Uhm... Wonderful... the hip hop stuff of Urban Rhapsody... the contemporary R&B sound of Deeper Still It is not known why FuNkeNsteiN capitalizes his name as he does, though some speculate sunlight deficiency caused by the most pimpified white guy afro in Nordic history.
- Lammastide | |
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FuNkeNsteiN said: silverchild said: Prince
Curtis Mayfield Rick James Anita Baker Isley Brothers The Roots Common Donny Hathaway Roberta Flack Uhm... Wonderful... the hip hop stuff of Urban Rhapsody... the contemporary R&B sound of Deeper Still But it's still in the field of R&B. Basically, I'll have to say that most African-American artists have sold out because they had one song or album in their catalogue that was in the form of pop music and it was a hit. [Edited 8/9/07 7:19am] Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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I am not quite so sure about Prince not selling out. I mean, what about Rave (and to a lesser extent, Purple Rain)? If my memory serves me correctly, Rave was intended to reintroduce Prince into mainstream consciousness with the help of Clive Davis. | |
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Rodya24 said: I am not quite so sure about Prince not selling out. I mean, what about Rave (and to a lesser extent, Purple Rain)? If my memory serves me correctly, Rave was intended to reintroduce Prince into mainstream consciousness with the help of Clive Davis.
But he was knew how to return to form afterwards and not keep doing it all the time! You have artists like Diana Ross, Lionel Richie, Whitney Houston, and Michael Jackson who have crossed over and sold out a million times and never stop doing it. I remember when the audience booed Whitney at the Soul Train Music Awards back in 1987 or 1988, and I felt sorry for her because it was hard for her to actually appeal to many black audiences. And leaves me to wonder about why she really married Bobby!? Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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silverchild said: Rodya24 said: I am not quite so sure about Prince not selling out. I mean, what about Rave (and to a lesser extent, Purple Rain)? If my memory serves me correctly, Rave was intended to reintroduce Prince into mainstream consciousness with the help of Clive Davis.
But he was knew how to return to form afterwards and not keep doing it all the time! You have artists like Diana Ross, Lionel Richie, Whitney Houston, and Michael Jackson who have crossed over and sold out a million times and never stop doing it. I remember when the audience booed Whitney at the Soul Train Music Awards back in 1987 or 1988, and I felt sorry for her because it was hard for her to actually appeal to many black audiences. And leaves me to wonder about why she really married Bobby!? I know about you are talking about. Whenever I see that clip of Whitney being booed, I feel sorry for her as well. Question: what do you think about Michael Jackson's Invincible? In your opinion, was that his attempt to go back to his R&B roots? | |
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Rodya24 said: silverchild said: But he was knew how to return to form afterwards and not keep doing it all the time! You have artists like Diana Ross, Lionel Richie, Whitney Houston, and Michael Jackson who have crossed over and sold out a million times and never stop doing it. I remember when the audience booed Whitney at the Soul Train Music Awards back in 1987 or 1988, and I felt sorry for her because it was hard for her to actually appeal to many black audiences. And leaves me to wonder about why she really married Bobby!? I know about you are talking about. Whenever I see that clip of Whitney being booed, I feel sorry for her as well. Question: what do you think about Michael Jackson's Invincible? In your opinion, was that his attempt to go back to his R&B roots? One answer: YES And when that came out, MJ still didn't get alot of respect from urban audiences who thought he lost his touch after OTW and when he was with The Jacksons. [Edited 8/9/07 7:49am] Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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silverchild said: Rodya24 said: I know about you are talking about. Whenever I see that clip of Whitney being booed, I feel sorry for her as well. Question: what do you think about Michael Jackson's Invincible? In your opinion, was that his attempt to go back to his R&B roots? One answer: YES And when that came out, MJ still didn't get alot of respect from urban audiences who thought he lost his touch after OTW or Thriller. But, MJ's Dangerous (1991) features some awesome New Jack Swing music with the courtesy of Teddy Riley. In fact, "Remember the Time" and "In the Closet" did very, very well on urban charts. I consider Bad as MJ's "White Album," not Dangerous. Do you think his skin-color change and cosmetic surgeries have more to do with the perception of his selling out? | |
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Rodya24 said: silverchild said: One answer: YES And when that came out, MJ still didn't get alot of respect from urban audiences who thought he lost his touch after OTW or Thriller. But, MJ's Dangerous (1991) features some awesome New Jack Swing music with the courtesy of Teddy Riley. In fact, "Remember the Time" and "In the Closet" did very, very well on urban charts. I consider Bad as MJ's "White Album," not Dangerous. Do you think his skin-color change and cosmetic surgeries have more to do with the perception of his selling out? Not really because after Thriller hit big and he became the first black artist to ever have a video network on MTV, he became this "pop icon" and "the King of Pop" and many blacks began speculating on many things in his career. Money, epic music videos, ego-trips, and his behavior began to make him a sellout alone. And you are right about Dangerous. He turned more of the pop music and MTV heads around about that album than any other album he's done. Many thought it was the beginning of the end for him (which it was) because he was going more for a new jack swing, R&B style and he wasn't working with Quincy and Rod Temperton any more. I think it's a great album, but it was underrated for sure (even though it was #1 on the charts for many weeks) because much of the pop audience didn't understand his change of pace in my opinion. [Edited 8/9/07 8:14am] Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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I'm sorry to sound ignorant, but maybe some people 'sell out' as you put it because they're tired of doing the same type of music over and over again and being ghettoized. If anything, you should be happy about mainstream accepting black artists at a phenomenal level. A lot of you also realize that it was blacks that created rock and roll, right? Even if they weren't allowed to perform their music back in the 50's. So actually, "selling out" and going pop/rock for mainstream audiences is just a mentality and covering up the fact that doing rock is doing music that blacks were already doing. Some black artists could go for that sound and very well NOT be accepted in mainstream. Another time, an urban sounding song may be well received by mainstream and become a hit, that doesn't mean selling out. And if you ask me, this is the same kind of mentality when people in the schoolyard are called white for not talking in ebonics and wanting to go to a good college...very immature
as for dangerous and invincible, a lot of people my age bought the CD back then and were very much into r&b, hip hop, rap, reggae and pop, some alternative/rock as well. I can think of at least 20 people that I know have it from what I've heard, songs like butterflies, break of dawn and heaven can wait were heavily played on r&b/urban radio and could have easily become hits had mj chosen to release those and capitalize on the audience that was feeling him the most, but he was so out of it during that time period [Edited 8/9/07 8:21am] [Edited 8/9/07 8:22am] | |
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alphastreet said: I'm sorry to sound ignorant, but maybe some people 'sell out' as you put it because they're tired of doing the same type of music over and over again and being ghettoized. If anything, you should be happy about mainstream accepting black artists at a phenomenal level. A lot of you also realize that it was blacks that created rock and roll, right? Even if they weren't allowed to perform their music back in the 50's. So actually, "selling out" and going pop/rock for mainstream audiences is just a mentality and covering up the fact that doing rock is doing music that blacks were already doing. Some black artists could go for that sound and very well NOT be accepted in mainstream. Another time, an urban sounding song may be well received by mainstream and become a hit, that doesn't mean selling out. And if you ask me, this is the same kind of mentality when people in the schoolyard are called white for not talking in ebonics and wanting to go to a good college...very immature
as for dangerous and invincible, a lot of people my age bought the CD back then and were very much into r&b, hip hop, rap, reggae and pop, some alternative/rock as well. I can think of at least 20 people that I know have it from what I've heard, songs like butterflies, break of dawn and heaven can wait were heavily played on r&b/urban radio and could have easily become hits had mj chosen to release those and capitalize on the audience that was feeling him the most, but he was so out of it during that time period [Edited 8/9/07 8:21am] [Edited 8/9/07 8:22am] But selling-out is going the extra mile for being accepted in the mainstream. You have to look a certain way, act a certain way and sound a certain way to have the fame, popularity, money, and fortune. That's why so many black artists get criticized by other blacks and people of other races because of the many unprofound ways they get fame. It's almost like they forget where they come from. Crossing over is another topic for another day! [Edited 8/9/07 8:42am] Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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Stevie Wonder | |
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silverchild said: alphastreet said: I'm sorry to sound ignorant, but maybe some people 'sell out' as you put it because they're tired of doing the same type of music over and over again and being ghettoized. If anything, you should be happy about mainstream accepting black artists at a phenomenal level. A lot of you also realize that it was blacks that created rock and roll, right? Even if they weren't allowed to perform their music back in the 50's. So actually, "selling out" and going pop/rock for mainstream audiences is just a mentality and covering up the fact that doing rock is doing music that blacks were already doing. Some black artists could go for that sound and very well NOT be accepted in mainstream. Another time, an urban sounding song may be well received by mainstream and become a hit, that doesn't mean selling out. And if you ask me, this is the same kind of mentality when people in the schoolyard are called white for not talking in ebonics and wanting to go to a good college...very immature
as for dangerous and invincible, a lot of people my age bought the CD back then and were very much into r&b, hip hop, rap, reggae and pop, some alternative/rock as well. I can think of at least 20 people that I know have it from what I've heard, songs like butterflies, break of dawn and heaven can wait were heavily played on r&b/urban radio and could have easily become hits had mj chosen to release those and capitalize on the audience that was feeling him the most, but he was so out of it during that time period [Edited 8/9/07 8:21am] [Edited 8/9/07 8:22am] But selling-out is going the extra mile for being accepted in the mainstream. You have to look a certain way, act a certain way and sound a certain way to have the fame, popularity, money, and fortune. That's why so many black artists get criticized by other blacks and people of other races because of the many unprofound ways they get fame. Crossing over is another topic for another day! that's right, whitney gets flack for singing "white ballads", beyonce for going blonde and combining her r&b with pop which sounds REALLY GOOD by the way, when people like lil kim are accepted and loved when she's totally mutilated herself, total hypocrisy. Some people also don't realize that many blacks are biracial, mixed with white, or chinese, or native so some of the things that come out in their music, style or behavior may very well be a part of their identity, but some people are too caught up with their pride to realize this and want to tear others down to feel better about their own identity [Edited 8/9/07 8:42am] | |
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sexxydancer said: Stevie Wonder
I will partially agree with that cuz I Just Called To Say I Love You got on my nerves and it still gets on my nerves today. I'm just glad we have a classic album like Innervisions to forgive those 500,000 I Just Called To Say I Love You's... Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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alphastreet said: I'm sorry to sound ignorant, but maybe some people 'sell out' as you put it because they're tired of doing the same type of music over and over again and being ghettoized. If anything, you should be happy about mainstream accepting black artists at a phenomenal level. A lot of you also realize that it was blacks that created rock and roll, right? Even if they weren't allowed to perform their music back in the 50's. So actually, "selling out" and going pop/rock for mainstream audiences is just a mentality and covering up the fact that doing rock is doing music that blacks were already doing. Some black artists could go for that sound and very well NOT be accepted in mainstream. Another time, an urban sounding song may be well received by mainstream and become a hit, that doesn't mean selling out. And if you ask me, this is the same kind of mentality when people in the schoolyard are called white for not talking in ebonics and wanting to go to a good college...very immature
as for dangerous and invincible, a lot of people my age bought the CD back then and were very much into r&b, hip hop, rap, reggae and pop, some alternative/rock as well. I can think of at least 20 people that I know have it from what I've heard, songs like butterflies, break of dawn and heaven can wait were heavily played on r&b/urban radio and could have easily become hits had mj chosen to release those and capitalize on the audience that was feeling him the most, but he was so out of it during that time period [Edited 8/9/07 8:21am] [Edited 8/9/07 8:22am] I understand what you are saying. And I agree with you that many tend to label rock and roll as white music when it originated within the black community. One could even argue that MJ is creating music that he loves since he is obviously influenced by The Beatles as well as James Brown and Stevie Wonder. But like Purple Rain, Thriller was crafted to attract as wide an audience as it could (which it did). And this is where I think his skin-color change and cosmetic surgeries factor in in the perception of his selling out. Also, his drive to exceed the sales of Thriller and desire to create music for everyone must be taken into consideration. In fact, I cannot think of anyone else other than The Beatles whose music has appealed to so many different races, cultures, and generations. I mean to my knowledge, he has sold out stadiums not only the US, Mexico, Europe, but also in Korea, Japan, Chile, Israel, and Russia! So, does it mean that MJ has sold out? I am not sure. As for Invincible, I agree with you. Butterflies, Break of Dawn, Heaven Can Wait, and You Rock My World was received favorably by urban audiences. | |
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Rodya24 said: alphastreet said: I'm sorry to sound ignorant, but maybe some people 'sell out' as you put it because they're tired of doing the same type of music over and over again and being ghettoized. If anything, you should be happy about mainstream accepting black artists at a phenomenal level. A lot of you also realize that it was blacks that created rock and roll, right? Even if they weren't allowed to perform their music back in the 50's. So actually, "selling out" and going pop/rock for mainstream audiences is just a mentality and covering up the fact that doing rock is doing music that blacks were already doing. Some black artists could go for that sound and very well NOT be accepted in mainstream. Another time, an urban sounding song may be well received by mainstream and become a hit, that doesn't mean selling out. And if you ask me, this is the same kind of mentality when people in the schoolyard are called white for not talking in ebonics and wanting to go to a good college...very immature
as for dangerous and invincible, a lot of people my age bought the CD back then and were very much into r&b, hip hop, rap, reggae and pop, some alternative/rock as well. I can think of at least 20 people that I know have it from what I've heard, songs like butterflies, break of dawn and heaven can wait were heavily played on r&b/urban radio and could have easily become hits had mj chosen to release those and capitalize on the audience that was feeling him the most, but he was so out of it during that time period [Edited 8/9/07 8:21am] [Edited 8/9/07 8:22am] I understand what you are saying. And I agree with you that many tend to label rock and roll as white music when it originated within the black community. One could even argue that MJ is creating music that he loves since he is obviously influenced by The Beatles as well as James Brown and Stevie Wonder. But like Purple Rain, Thriller was crafted to attract as wide an audience as it could (which it did). And this is where I think his skin-color change and cosmetic surgeries factor in in the perception of his selling out. Also, his drive to exceed the sales of Thriller and desire to create music for everyone must be taken into consideration. In fact, I cannot think of anyone else other than The Beatles whose music has appealed to so many different races, cultures, and generations. I mean to my knowledge, he has sold out stadiums not only the US, Mexico, Europe, but also in Korea, Japan, Chile, Israel, and Russia! So, does it mean that MJ has sold out? I am not sure. As for Invincible, I agree with you. Butterflies, Break of Dawn, Heaven Can Wait, and You Rock My World was received favorably by urban audiences. There are so many reasons why MJ sold out and I don't even know where to begin. I think it's because of his behavior, the controversy, the music videos, his bloated ego. Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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Anxiety said: millie jackson
betty davis (to a fault) Damn Straight! | |
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sosgemini said: silverchild said: Prince
your right. Co- sign! | |
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So, does one have to be in constant connection with the black community for a black artist not to be considered a sell out? What if one marries someone of a different race? And how does class factor in here (if at all)? Some black entertainers are from more affluent background than others and have had little to no contact with people of their own race who are from lower-income families, and have more in common, one could argue, with white middle and upper-class Americans. Must a black artist limit him/herself to a genre of music that is dominated by blacks in order not to be considered a sell out? I feel as if I am touching sensitive ground, and I apologize to anyone beforehand if my comments are in any way offensive. | |
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it's easy to look at mj, past, present and future and say he sold out, but he can't help having vitiligo though he really shouldn't have gone far with the surgeries. Some of things he has done are questionable and he makes me raise an eyebrow too at times and I'm a huge fan, Maybe his physical changes and his sound changing made it convenient for people to call him a sellout or easily write him off as trying to be white.
[Edited 8/9/07 9:20am] [Edited 8/9/07 9:20am] | |
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alphastreet said: it's easy to look at mj, past, present and future and say he sold out, but he can't help having vitiligo and all that. Some of things he has done are questionable and he makes me raise an eyebrow too at times and I'm a huge fan, Maybe his physical changes and his sound changing made it convenient for people to call him a sellout or easily write him off as trying to white.
listen to the second disc of HIStory, then listen to Bad, then go back and watch some of the videos he has done throughout his career and tell me that ain't the definition of selling out. Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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