ThePunisher said: How about David Lee Roth of Van Halen? Yeah I think "I'm Just A Gigolo" was a hit, But other then that, his career tanked after he left VH
I thought Skyscraper did well in the US? Love4oneanother | |
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TonyVanDam said: Mazerati said: without a doubt i would say Ralph Tresvant..he had a great voice and i thought he would be huge when he went solo but it just didnt work out except for the hit Sensitivity [Edited 1/21/07 18:13pm] I disagree. Sensitivity, Do What I Gonna Do, Stone Cold Gentlemen & Money Can't Buy You Love were hits too. On the other hand, Ralph Tresvant was the voice of a very successful group yet was the least successful of all the New Edition spinoff acts. Virtually all his hit singles came during the N.E. euphoria. I can consider Rizzo's solo career a disappointment. THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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superspaceboy said: FuNkeNsteiN said: Where'd the funk go mofo?!?! His wasn't THAT disappointing. His first 2 solos were huge. Thing went south during Dancing on the Ceiling and even WOrse the tepid Se La. He just came out with another solo album recently. I still laugh at the video for Hello though It was disappointing to me... I wanted FUNKY Lionel, not ELEVATOR MUSIC Lionel! That "Hello" video is too damn funny. I love that bust of Lionel's. I still haven't forgiven the Grammy's for giving him 'Best Album' over Purple rain. What kind of f-d up sh!t was that? [Edited 1/23/07 14:52pm] | |
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uPtoWnNY said: superspaceboy said: His wasn't THAT disappointing. His first 2 solos were huge. Thing went south during Dancing on the Ceiling and even WOrse the tepid Se La. He just came out with another solo album recently. I still laugh at the video for Hello though It was disappointing to me... I wanted FUNKY Lionel, not ELEVATOR MUSIC Lionel! That "Hello" video is too damn funny. I love that bust of Lionel's. I still haven't forgiven the Grammy's for giving him 'Best Album' over Purple rain. What kind of f-d up sh!t was that? [Edited 1/23/07 14:52pm] Yes, but this post is about folks who had disappointing solo careers. Not disappointing to you, but disappointing success wise. I can see them giving Lionel the Grammy. He had been with the Thunderbirds and had a huge album prior. Prince for the most part was "up and coming" even though PR was album #6. Prince was up and coming but came so quickly, never did get his grammy. Christian Zombie Vampires | |
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SoulAlive said: Coco from SWV---I bet most of you didn't even know that she had a solo career...lol...her solo album in 1999 flopped big time.It's a shame because she really is a good singer.It was a huge mistake for SWV to break up when they still popular.In recent years,they attempted a reunion but alas,it's too late.
co-sign because those who mind don't matter and those who matter don't mind." | |
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CosmicTalk said: TonyVanDam said: I disagree. Morris STILL kept it funky with Oak Tree, The Colors Of Success, and the Jam/Lewis produced Fishnet. Yeah, they were mild hits but I wouldn't necessarily call Mo'iss' solo career successful. If we're talking pop success, then Morris Day wasn't successful at all. But speaking for myself, I'm very happy that he didn't sell out too easily wanting crossover success too much. He sound way better in funk more than mainstream pop. | |
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Najee said: TonyVanDam said: I disagree. Sensitivity, Do What I Gonna Do, Stone Cold Gentlemen & Money Can't Buy You Love were hits too. On the other hand, Ralph Tresvant was the voice of a very successful group yet was the least successful of all the New Edition spinoff acts. Virtually all his hit singles came during the N.E. euphoria. I can consider Rizzo's solo career a disappointment. But then again, Ralph's motives as a solo act was different from the other NE members by design. Bobby Brown = New Jack Swing Johnny Gill = R&B/Soul Bell Biv Devoe = Hip-Hop/R&B.....with a pop appeal to it! Ralph Tresvant = R&B/Dance-Pop | |
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TonyVanDam said: "If we're talking pop success, then Morris Day wasn't successful at all.
But speaking for myself, I'm very happy that he didn't sell out too easily wanting crossover success too much. He sound way better in funk more than mainstream pop." No one is saying Morris Day was a disappointment because he didn't try to be a crossover artist, though. His solo career has to be considered a disappointment because he didn't have sustained success overall, given the profile he enjoyed as the lead singer of The Time. Day only had two Top 10 R&B singles and moderate success with his major album releases. [Edited 1/23/07 18:02pm] THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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TonyVanDam said: But then again, Ralph's motives as a solo act was different from the other NE members by design.
Bobby Brown = New Jack Swing Johnny Gill = R&B/Soul Bell Biv Devoe = Hip-Hop/R&B.....with a pop appeal to it! Ralph Tresvant = R&B/Dance-Pop It still doesn't change the fact that Ralph Tresvant had the least success as a New Edition spinoff, though. He always was considered the most crucial piece of the group and thought by many to be the one with the greatest chance of solo success. Part of being considered a disappointing solo artist, IMO, is said artist's failure to reach a certain level of success based on his or her profile and/or acclaim in a previous incarnation. Considering that the practically marginal back-up singers of New Edition had a greater impact and more success than Tresvant, it's fair to call his solo career a disappointment. [Edited 1/23/07 16:55pm] THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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Najee said: SoulAlive said: "Bobby Brown had one hugely successful album ('Don't Be Cruel' in 1988),but the follow-ups were disappointing.He did not have this great,big successful solo career.A successful solo career consists of more than one big album.It consists of longevity and an impressive body of work.When Diana Ross left the Supremes,she had a successful solo career that consists of movies,hit records,sold-out tours,Grammys,even an Oscar nomination for 'Lady Sings The Blues.' That's how I define 'successful solo career.'"
At the same time, you can't call Bobby Brown's solo career a disappointment. After all, when he left New Edition in 1985 he was known for little more than being the other guy besides Ralph Tresvant to sing lead on a song ("Mr. Telephone Man"). It's not like Brown had these massive expectations, a significant fan base or an inherently high profile when he left his situation (see Diana Ross). Brown racked up chart-topping songs before ("Girlfriend") and after ("Humpin' Around," "Good Enough," "Get Away") "Don't Be Cruel," so his career was a little more than one album. Quite frankly, if Brown went away after the release of his first album (1986's "King of Stage") no one would have labeled his career a disappointment -- because a whole lot wasn't expected from him. The fact he was able to garner a string of hit songs and two platinum albums that sold a combined 10-plus million units (plus "King of Stage" eventually going gold) was way more than what most people thought he could produce. To further support your point, Bobby actually has 3 platinum albums. Dance!... Ya Know It!, the remix album, also went platinum. "Whitney was purely and simply one of a kind." ~ Clive Davis | |
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AlexdeParis said: To further support your point, Bobby actually has 3 platinum albums. Dance!... Ya Know It!, the remix album, also went platinum.
I knew that Bobby Brown's "Dance ... Ya Know It!" went platinum, but I didn't count it as an "in-play" album of new studio material. THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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Najee said: AlexdeParis said: To further support your point, Bobby actually has 3 platinum albums. Dance!... Ya Know It!, the remix album, also went platinum.
I knew that Bobby Brown's "Dance ... Ya Know It!" went platinum, but I didn't count it as an "in-play" album of new studio material. I see. "Whitney was purely and simply one of a kind." ~ Clive Davis | |
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SoulAlive said: "Yeah,his solo career didn't turn out quite as planned.After 'Can't Slow Down',it seemed like he would continue to have big hits and multi-platinum albums.But his career quickly crashed and burned.In 2000,he was the opening act act on Tina Turner's farewell tour."
I find it rather bizarre that you're acting like Lionel Richie had some spectacular fall, a la MC Hammer. His 1986 release "Dancing on the Ceiling" -- the follow-up to 1984's "Can't Slow Down" -- sold four million units and produced four Top 10 singles and a fifth that just missed the Top 10. That hardly constitutes "crash and burn." As for opening for Tina Turner on her farewell tour, keep in mind they were the only acts on the ticket and since it was her farewell tour guess who came out first. It was billed as the final tour for a very significant artist with another significant artist as the opening act -- you're acting like Richie was reduced to carnival sideshow. People also keep forgetting that after "Dancing on the Ceiling," Richie took a near-decade sabbatical from the music industry until he released 1996's "Louder than Words." [Edited 1/23/07 22:31pm] THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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lionel ritchie was one of the biggest acts of the 80's, yes his music was boring middle of the road but he was a major success. bobby brown was also huge for a minute, i think his solo career was bigger than his career with new edition.and to even mention chaka is ridiculous, most people never include the name rufus even when talking about her hits with them.
my disappointments are el debarge aaron hall boy george howard hewitt | |
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lest we forget Chyna Phillips. | |
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damosuzuki said: John Lennon
Paul McCartney dude u r funny | |
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lowkey said: "lionel ritchie was one of the biggest acts of the 80's, yes his music was boring middle of the road but he was a major success. bobby brown was also huge for a minute, i think his solo career was bigger than his career with new edition.and to even mention chaka is ridiculous, most people never include the name rufus even when talking about her hits with them."
I'm like you. I can't see how someone who has won six Grammys like Chaka Khan has since leaving Rufus can be considered a disappointment (she won two more with Rufus, and one of those was in the midst of her solo career for "Ain't Nobody"). THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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Najee said: For every Michael Jackson who left The Jacksons, there have been plenty of recording artists who were successful in a previous incarnation -- usually, the lead singer or key person of a group -- who pursued a solo career that did not measure up. Let's discuss these artists who fell short of expectations.
Jesse Johnson, JT from Kool & The Gang, Boy George, Vanity, Rosie Gains, Aaron Hall. I'm sure I can think of others. | |
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Harlepolis said: I wouldn't go as far as to say that Chaka lost it. But she certainly lost a part of her forever that she didn't gain back when she became solo. Thing is with the Rufus days, they played things that suited and complimented her voice,,,while Arif Mardin was a great producer, he didn't know what do with her, he kept her in that BUSY production which didn't do shit IMO. Her 1st 3 albums with him were good, but after 1982, she kinda lost something, and eventually started to go with the motions, being under WB wasn't a funny thing either becoz they exploited her talent. I know the dumb bitch wanted to do the jazzy thing thats why she left the band, but I find her stuff with them FAAAAAR more improvisational than the stuff she did when she became solo IMHO. Rufus featuring Chaka Khan WAS the shit, but please don't call her a dumb bitch again or I'll punch you in the nose. | |
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SoulAlive said: some more...
Bobby Brown---Yes,'Don't Be Cruel' was a monster hit in 1988/89,but his follow-up albums went nowhere.If he hadn't married Whitney Houston in 1992,we wouldn't have even heard about in the media anymore.He would have faded away completely. Coco from SWV---I bet most of you didn't even know that she had a solo career...lol...her solo album in 1999 flopped big time.It's a shame because she really is a good singer.It was a huge mistake for SWV to break up when they still popular.In recent years,they attempted a reunion but alas,it's too late. Michael Cooper---former lead singer of Con Funk Shun I take issue with the Bobby Brown thing because his third album "Bobby" with humping around was a very good album. Listen to it again but because he married Whitney the press dogged it and him. He deserved to be dogged but the album was good. | |
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dseann said: Jesse Johnson, JT from Kool & The Gang, Boy George, Vanity, Rosie Gains, Aaron Hall.
I would say if anything, Jesse Johnson exceeded any expectations placed on him. He was simply known as the guitarist for The Time and had never shown any indication that he could have a recording career -- much less have a better solo career than his much higher profile bandmate, Morris Day. [Edited 1/24/07 5:31am] THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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Najee said: dseann said: Jesse Johnson, JT from Kool & The Gang, Boy George, Vanity, Rosie Gains, Aaron Hall.
I would say if anything, Jesse Johnson exceeded any expectations placed on him. He was simply known as the guitarist for The Time and had never shown any indication that he could have a recording career -- much less have a better solo career than his much higher profile bandmate, Morris Day. [Edited 1/24/07 5:31am] He might have exceeded your expectations of him but he still had a disappointing solo career. | |
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dseann said: "He might have exceeded your expectations of him but he still had a disappointing solo career."
How do you figure Jesse Johnson had a "disappointing solo career?" He was an unknown quantity with the music buying public at large when he left The Time. He had no expecations, no fan base and virtually no music profile when he left after "Ice Cream Castles." Johnson drops a debut album that sells nearly 1 million copies and turns out three Top 5 R&B singles, and then continued to score hits with the "Shockadelica" and "Every Shade of Love" albums. All this from a guy who was practically a relatively obscure sideman in a group where Morris Day garnered all the attention and that included the burgeoning talents of Jimmy Jam and Terry Lewis. If anything, public awareness of Johnson came BECAUSE OF his solo career, not IN SPITE OF it. A disappointing solo career is defined by the latter, not the former. More importantly, how are you going to compare Johnson's situation with someone like James "JT" Taylor's or Aaron Hall's? Do you actually think Johnson was as highly regarded in The Time by the music-buying public as Taylor was with Kool & The Gang or Hall with GUY? Talk in absolute terms, not relative terms. [Edited 1/24/07 6:28am] THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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My pick would be Wendy and Lisa. | |
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lowkey said: lionel ritchie was one of the biggest acts of the 80's, yes his music was boring middle of the road but he was a major success. bobby brown was also huge for a minute, i think his solo career was bigger than his career with new edition.and to even mention chaka is ridiculous, most people never include the name rufus even when talking about her hits with them.
my disappointments are el debarge aaron hall boy george howard hewitt How is Boy George a disappointment? Christian Zombie Vampires | |
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dseann said: Harlepolis said: I wouldn't go as far as to say that Chaka lost it. But she certainly lost a part of her forever that she didn't gain back when she became solo. Thing is with the Rufus days, they played things that suited and complimented her voice,,,while Arif Mardin was a great producer, he didn't know what do with her, he kept her in that BUSY production which didn't do shit IMO. Her 1st 3 albums with him were good, but after 1982, she kinda lost something, and eventually started to go with the motions, being under WB wasn't a funny thing either becoz they exploited her talent. I know the dumb bitch wanted to do the jazzy thing thats why she left the band, but I find her stuff with them FAAAAAR more improvisational than the stuff she did when she became solo IMHO. Rufus featuring Chaka Khan WAS the shit, but please don't call her a dumb bitch again or I'll punch you in the nose. x10 | |
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Kelly Rowland from Destiny's Child. | |
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superspaceboy said: lowkey said: lionel ritchie was one of the biggest acts of the 80's, yes his music was boring middle of the road but he was a major success. bobby brown was also huge for a minute, i think his solo career was bigger than his career with new edition.and to even mention chaka is ridiculous, most people never include the name rufus even when talking about her hits with them.
my disappointments are el debarge aaron hall boy george howard hewitt How is Boy George a disappointment? At the tender age of, like 12, I discovered Boy George and he became someone I looked-up to because there was no closet. He simply "wore" it! I loved his hybrid musical tastes and you have to admit -- it was good and he could sing. Then the first scandal happened right after "From Luxury to Heartache" came out and it was the first time one of my idols fell from grace. Fast forward 20 years and another incident proves Boy George is not only human -- but practically stupid with his actions. His attitude is too much to "play nice" with Culture Club, make-up, and move-on with new material. He pitches a fit over their decision to carry-on with Sam Butcher. And yet, the way he makes headlines is through stupid mistakes. What happened to a sense of humility or returning a favor or two to the very community that supports him? What happened to the role model? What happened to the music? | |
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purpleunderground said: superspaceboy said: How is Boy George a disappointment? At the tender age of, like 12, I discovered Boy George and he became someone I looked-up to because there was no closet. He simply "wore" it! I loved his hybrid musical tastes and you have to admit -- it was good and he could sing. Then the first scandal happened right after "From Luxury to Heartache" came out and it was the first time one of my idols fell from grace. Fast forward 20 years and another incident proves Boy George is not only human -- but practically stupid with his actions. His attitude is too much to "play nice" with Culture Club, make-up, and move-on with new material. He pitches a fit over their decision to carry-on with Sam Butcher. And yet, the way he makes headlines is through stupid mistakes. What happened to a sense of humility or returning a favor or two to the very community that supports him? What happened to the role model? What happened to the music? I guess maybe in that sense he is disappointing as a person and as a cultural Icon. But Boy George was never a nice person...always kinda bitchy with an ego to boot. The only person to really benefit from the CC days is him. Not sure exactly why he has shunned getting together with the best band he's ever had. I am sure it's tensions with the past, Helen and Jon. His drug use or being around drugs also isn't that surprising. After CC, however, Boy has enjoyed a quite successful carreer. Of course much of this success came after he cleaned up off of Heroin. His first 3 solo efforts did ok commercially and he kept producing decent music with an occasion hit. It was really the 3rd album, The Martyr Mantras (released under Jesus Loves You) that really showed him stretching and growing as an artist and producer. It is, for me his finest moment as a musician/artist. He was discovering all kinds of talent and helping produce their music and careers on the More Protien label. Really fantastic stuff was released on this label. Unfortuneately, the label went under (not sure why). SInce then, he has still produced music and such. Nothing terribly outstanding (though there is a LOT of material out there...some of it's great, some, not so much) Now he mostly dj's and isn't concerned with producing newer material. You should check out some of his solo material, if you haven't. I highly recommend The Martyr Mantras. Christian Zombie Vampires | |
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November said: Kelly Rowland from Destiny's Child.
I was gonna say her but her career is just starting so I gave her a "pass" until she drops at least a 3rd album. Cornbread, Grits, and Collard Greens/I got what you need/If you want it/Cuz I'm a pimp, girl/With a drippy, juicy Jheri Curl | |
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