Giovanni777 said: ...but going back 2 the subject of singers sounding like they R in a talent show, and over-blowing all the time... No sense of building the emotion through dynamics, etc...
Just listen 2 Mary Mary's "Yesterday"... Sounds like there R some singers out there, doing it right... 1st U must look at this thread: http://www.prince.org/msg/8/209712 Find the song. Listen 2 it, if U haven't yet heard it. Peace. [Edited 11/28/06 17:29pm] Great tune. I'm afraid you'd lose a lot of folks at the end of the 2nd verse. As soulfully and skillfully as she turned that note, she'd get the over-singing label from some. tA Tribal Disorder http://www.soundclick.com...dID=182431 "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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Those MaryMary sisters GET DOWN, I've seen them live! They would definitely be classified as "oversingers" to many of ya'll...especially Tina (redhead) who just been screaming lately. love is a fate resigned memories mar my mind love it is a fate resigned Over futile odds and laughed at by the Gods and now the final frame Love is a losing game | |
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Scorpion said: Those MaryMary sisters GET DOWN, I've seen them live! They would definitely be classified as "oversingers" to many of ya'll...especially Tina (redhead) who just been screaming lately.
Maybe so... But from the recorded version at least, they R on point, and the build-up is tastefully done. BUT... Since U seen 'em live, and I haven't, I don't know about Tina (redhead) screaming gratuitously. That's just 2 damn bad, if it's so, but she'll get over it. When U play live, U should always check yourself in review, and better yourself, so she will, if that's so. U gotta admit, the voice and the phrasing, all the way through the song, stand up 2 many classic R&B and Gospel songs... at least in a "this is way it's supposed 2 be done", respectful kind-of way, where the passion isn't contrived, but real. [Edited 11/28/06 18:59pm] "He's a musician's musician..." | |
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minneapolisgenius said: VoicesCarry said: I would have to agree with you on this. She has not yet learned how to sing softly. I really don't think she could if she tried. She already showed that she could http://www.supload.com/li...Ghf644jUrq [Edited 11/28/06 19:32pm] | |
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I just never dug Christina's voice...it's her "tone" or something that grates my ears...and so when she starts yelling I really feel assaulted. | |
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StillDirrty said: minneapolisgenius said: I really don't think she could if she tried. She already showed that she could http://www.supload.com/li...Ghf644jUrq [Edited 11/28/06 19:32pm] Didn't work for me. Regardless, if she CAN, she should DO IT A HELL OF A LOT MORE. | |
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^Well it's hella annoying to hear someone sing in falsetto the whole time not to mention just as damaging to your voice. Justin should know. He had to have his nodules removed because of the way that he sings. | |
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StillDirrty said: ^Well it's hella annoying to hear someone sing in falsetto the whole time not to mention just as damaging to your voice. Justin should know. He had to have his nodules removed because of the way that he sings.
I'm not talking falsetto, I'm talking about not yelling. I would like to hear her sing Hurt in a soft voice with a lot of emotion. [Edited 11/28/06 19:42pm] | |
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VoicesCarry said: StillDirrty said: ^Well it's hella annoying to hear someone sing in falsetto the whole time not to mention just as damaging to your voice. Justin should know. He had to have his nodules removed because of the way that he sings.
I'm not talking falsetto, I'm talking about not yelling. Well I don't know what to tell you because she has a lot of songs on her album where she isn't. Same with Stripped. | |
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StillDirrty said: VoicesCarry said: I'm not talking falsetto, I'm talking about not yelling. Well I don't know what to tell you because she has a lot of songs on her album where she isn't. Same with Stripped. I own all her albums. Her tone always sounds like she is yelling to me, even when she tries to lower the volume. Now I don't mind, but I would like to see her branch out in terms of her vocals a bit. Cyndi Lauper can yell (Money Changes Everything) but she can also do True Colors. Christina doing True Colors would be good practice. | |
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VoicesCarry said: StillDirrty said: Well I don't know what to tell you because she has a lot of songs on her album where she isn't. Same with Stripped. I own all her albums. Her tone always sounds like she is yelling to me, even when she tries to lower the volume. Now I don't mind, but I would like to see her branch out in terms of her vocals a bit. Cyndi Lauper can yell (Money Changes Everything) but she can also do True Colors. Christina doing True Colors would be good practice. Well then I'm pretty sure that you've heard Without You. Her vocals are soft throughout the whole song. If it was a song like Makes Me Wanna Pray or Mercy On Me I can understand the yelling. | |
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StillDirrty said: VoicesCarry said: I own all her albums. Her tone always sounds like she is yelling to me, even when she tries to lower the volume. Now I don't mind, but I would like to see her branch out in terms of her vocals a bit. Cyndi Lauper can yell (Money Changes Everything) but she can also do True Colors. Christina doing True Colors would be good practice. Well then I'm pretty sure that you've heard Without You. Her vocals are soft throughout the whole song. If it was a song like Makes Me Wanna Pray or Mercy On Me I can understand the yelling. Without You was a step in the right direction. BUT I think she really really missed the boat on Hurt because that thing would have been so much more emotionally powerful if she'd sung it softly. I am sure she will eventually find a balance in her vocals. Back To Basics is easily her best record yet. [Edited 11/28/06 19:58pm] | |
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VoicesCarry said: StillDirrty said: Well then I'm pretty sure that you've heard Without You. Her vocals are soft throughout the whole song. If it was a song like Makes Me Wanna Pray or Mercy On Me I can understand the yelling. Without You was a step in the right direction. BUT I think she really really missed the boat on Hurt because that thing would have been so much more emotionally powerful if she'd sung it softly. I am sure she will eventually find a balance in her vocals. Back To Basics is easily her best record yet. [Edited 11/28/06 19:58pm] I can see what you are saying. Well she does read her reviews so I'm pretty sure that she'll take their words into account. At the same time I have no problem with her showing her range. As long as there is no extreme use of melismas in it. I mean the interlude Welcome is easily one of the best songs she's ever done. I find it far superior to Hurt. Anyway she said that she was going to do "futuristic" next, (whatever that means) so I don't think that type of music would encourage the extreme melisma use that she usually ventures to. | |
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StillDirrty said: VoicesCarry said: Without You was a step in the right direction. BUT I think she really really missed the boat on Hurt because that thing would have been so much more emotionally powerful if she'd sung it softly. I am sure she will eventually find a balance in her vocals. Back To Basics is easily her best record yet. [Edited 11/28/06 19:58pm] I can see what you are saying. Well she does read her reviews so I'm pretty sure that she'll take their words into account. At the same time I have no problem with her showing her range. As long as there is no extreme use of melismas in it. I mean the interlude Welcome is easily one of the best songs she's ever done. I find it far superior to Hurt. Anyway she said that she was going to do "futuristic" next, (whatever that means) so I don't think that type of music would encourage the extreme melisma use that she usually ventures to. I think the album is on the whole fantastic, if a bit overlong. I am glad that she tried something so different. Now I didn't like ANOM, but most of the rest of the songs are much, much better. Understand is my jam, although I find the vocal sample unnecessary and distracting - it would have been beautiful on its own. I also like the visual themes she has come up with for the album and how she is carrying through with them for the entire project. This is rarely done today. | |
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VoicesCarry said: StillDirrty said: I can see what you are saying. Well she does read her reviews so I'm pretty sure that she'll take their words into account. At the same time I have no problem with her showing her range. As long as there is no extreme use of melismas in it. I mean the interlude Welcome is easily one of the best songs she's ever done. I find it far superior to Hurt. Anyway she said that she was going to do "futuristic" next, (whatever that means) so I don't think that type of music would encourage the extreme melisma use that she usually ventures to. I think the album is on the whole fantastic, if a bit overlong. I am glad that she tried something so different. Now I didn't like ANOM, but most of the rest of the songs are much, much better. Understand is my jam, although I find the vocal sample unnecessary and distracting - it would have been beautiful on its own. I also like the visual themes she has come up with for the album and how she is carrying through with them for the entire project. This is rarely done today. I think Understand is a perfect example of what you were saying previously. Besides the bridge I hate that song because of her vocals. They're too harsh and she sounds strained to me. The song that she sampled from, Nearer to You by Betty Harris' is much better in my opinion. I think that she should've used falsetto/head voice a lot more in that song. | |
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StillDirrty said: VoicesCarry said: I think the album is on the whole fantastic, if a bit overlong. I am glad that she tried something so different. Now I didn't like ANOM, but most of the rest of the songs are much, much better. Understand is my jam, although I find the vocal sample unnecessary and distracting - it would have been beautiful on its own. I also like the visual themes she has come up with for the album and how she is carrying through with them for the entire project. This is rarely done today. I think Understand is a perfect example of what you were saying previously. Besides the bridge I hate that song because of her vocals. They're too harsh and she sounds strained to me. The song that she sampled from, Nearer to You by Betty Harris' is much better in my opinion. I think that she should've used falsetto/head voice a lot more in that song. I agree. | |
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That Oprah per4mance & song are horrible. | |
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VoicesCarry said: I hate it, so all this talk of "method to her madness" has no effect on me. And I doubt it will on tA, either i agree with voices sorta i dont "hate her" lol or anything but im no fan really. i do think shes made some of the most interesting videos ive seen.... n i like oh so quiet the song. oh n when she took that reporter down! | |
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minneapolisgenius said: That's why I can't listen to Christina Aguilera. She always just YELLS things.
yeah! I've tried 2 listen 2 her last album, and some songs r good...but I can't listen 2 3 songs in a row...it's irritating!!! [Edited 11/29/06 5:32am] [Edited 11/29/06 5:33am] | |
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go2theMax said: minneapolisgenius said: That's why I can't listen to Christina Aguilera. She always just YELLS things.
yeah! I've tried 2 listen 2 her last album, and some songs r good...but I can listen 2 3 songs in a row...it's irritating!!! I remember that I loved the album when It was release...but after 2 weeks I couldn't stand listening to it! [Edited 11/29/06 5:18am] | |
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Still don't understand how any fan of Bjork can shit on The Dreaming.
Y'all weird. | |
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VoicesCarry said: Now see I like Kate Bush (okay, not her last one, which SUCKED - was she serious ?)
You're shitting me, right? | |
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Cloudbuster said: VoicesCarry said: Now see I like Kate Bush (okay, not her last one, which SUCKED - was she serious ?)
You're shitting me, right? Sorry, it was terrible. The washing machine song was a fucking joke - she's laughing at her fans. | |
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VoicesCarry said: Sorry, it was terrible. The washing machine song was a fucking joke - she's laughing at her fans.
Nah, I'm laughing with her. | |
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(Cues up horn part from "Sweet Soul Music")
Spotlight on Y O y'all. (Unn) Chilling with John and Paul y'all It'll make you smoke a puffy. Oh no oooh noooo. http://www.youtube.com/wa...YqCpvzXGTE "The first time I saw the cover of Dirty Mind in the early 80s I thought, 'Is this some drag queen ripping on Freddie Prinze?'" - Some guy on The Gear Page | |
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VoicesCarry said: Cloudbuster said: You're shitting me, right? Sorry, it was terrible. The washing machine song was a fucking joke - she's laughing at her fans. One song doesn't ruin a whole album. I think there are tons of great songs on there. | |
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Cloudbuster said: Still don't understand how any fan of Bjork can shit on The Dreaming.
Y'all weird. Sorry. I love Kate. I just hate that album. It makes me feel like I'm being drawn and quartered. Maybe someday I'll get it. Remember it took me 5 years to appreciate Choirgirl. | |
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dancerella said: I was watching Oprah when the Dream Girls cast was on and Beyonce sang "listen". I thought she was incredible but then I thought is it because she's yelling? I know in r&b the louder you sing the better a singer you are consisdered. Why is that? Someone like Kelis will never be considered great because she doesn't scream do those dreadful "runs" that everyone does. It's not just the pop artists, but the rock bands too. A good example is that Nickelback song when the leads singer screams "IT SOUNDS SOOOOO SWEEEEET!!!!!" UGGGGGHHHHH! | |
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[Comment snipped. - June7] All you others say Hell Yea!! | |
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Cloudbuster said: Still don't understand how any fan of Bjork can shit on The Dreaming.
Y'all weird. i think it's because most of us suffer the unpardonable crime of not being you. | |
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