Afro Beat Samba groove.....
Nice baritone sax and afro percussion
Ghana in Motion

Guests include Stevie/Angie Stone/Common

Game Over

It's only been 5 years. Omar pulled a D'angelo. Finally....back out.

numero 6 wake up Omar fans!


Buy link:

http://www.amazon.co.uk/e...51-0790831







1 Lift Off
02 Sing (if you want it)
03 Be A Man featuring JC Bentley
04 Kiss It Right
05 Get It Together
06 Your Mess
07 It's So
08 All For Me featuring Angie Stone
09 Gimme Sum featuring Common, Rodney P & Ashman
10 Feeling You featuring Stevie Wonder
11 Lay It Down featuring Estelle
12 I Want It
13 Stylin' featuring Angie Stone
14 Ghana In Motion

OMAR 'Sing (If You Want It)'

After a five-year recording hiatus - during which time he’s built his own studio, set up his own label and been touring like a madman – the one and only Omar is back.

Sing [If You Want It], to be released on 15th May 2006 on Ether Records is the British soul supremo’s sixth and perhaps funkiest album so far. Featuring guest appearances from Stevie Wonder, Angie Stone, Common, Estelle, Rodney P, JC Bentley and Ashman, and with additional production from Omar’s brother, Skratch Professor, it’s a brilliant collection of music that manages to break new ground for the artist, yet at the same time re-establishes that unmistakable, unique Omar signature sound with his army of fans.

making the album…

“On the last album, Best By Far, I was very influenced by soundtracks and Latin jazz,” explains Omar. “This time I wanted something a bit more funky, something to put my music back in the clubs. I still use the live instruments and the strings when I feel them, ‘cause that’s me, but the kick and the snare are much louder this time. That’s why my brother’s more involved, ’cause he’s great with those hip-hop beats.”

It is, of course, a major coup for any UK recording artist to be able to call on the services of a musical legend like Stevie Wonder. The simple truth is that Stevie has been a fan of Omar’s music since he first heard There’s Nothing Like This back in 1992 – the same year he promised to write Omar “his first number one”. The 14-year wait turned out to be well worth it when, one day, Stevie called Omar out of the blue and told him he was in London and had just what he’d promised. A jam session later and the irrepressibly funky and melodic Feeling You, with Stevie on vocals and keyboards, was born.

As for the other star guests on the album, well, they’re all either long-standing admirers of Omar’s work and/or personal friends. Angie Stone, for example, had often dropped Omar’s name in interviews over the years, leading to a contribution to Omar’s last project when she stepped in to lay the co-lead vocal on one of Omar’s two duet versions of Be Thankful. She applies her distinctive stamp to two tracks on Sing [If You Want It], the gorgeous laid-back ballad All For Me and the driving seduction funker Stylin’. Conscious hip-hop don Common has also worked with Omar before: the UK soulman lent his talents to Common’s Electric Circus album whilst on one of his now increasingly frequent touring visits to the States; in return Common teams up with Brit-hop legend Rodney P and rising MC Ashman for the atmospheric, vibrant Gimme Sum, already being touted as a future single from the album.

Back home, MOBO winner Estelle supplies a poignant rap to the anti-gun tune Lay It Down, adding potency to one of Omar’s best ever lyrics. Meanwhile ace new vocalist JC Bentley flows sweetly over the bossa groove that is Be A Man.

All in all, it’s measure of Omar’s generous nature that he’s accepted so many accomplished performers onto his album at the same time, and of his self-possession and talent that at no time does Sing [If You Want It] sound like anything other than an Omar album, first and foremost. It’s a great way to christen his new studio, Back A Yard.

“I’m out in the open now,” says Omar. “I left a label and created a new joint venture with my manager – and so now I can do what I want, I’m in control. If I want to spend all day in the studio, I can and I don’t have to worry about the time or the cost I’m racking up. Plus now I can take my music direct to the fans.”

Which Omar has been doing at all opportunities during the past five years. He’s toured America a half-dozen times, for example, at last reaching out to a massive underground of support that he’d always known was there. More recently, he toured the Far-East with a UK all-star package put together by Incognito’s Bluey Maunick, a venture that brought him to audiences he wasn’t even aware had heard of him: 10,000 Indonesians singing back There’s Nothing Like This to him soon put him right on that score.

Like us, they’ve been following Omar’s adventures since he first came to prominence more than a decade-and-a-half ago, when his debut single for indie label Kongo Dance Mr. Postman/You And Me made him a hot name on London’s underground. It was soon afterwards that the success of his Ohio Players-influenced love ballad, the much celebrated There’s Nothing Like This, led to his signing to Gilles Peterson’s Talkin’ Loud label. Omar released a couple of albums for the Phonogram affiliate during 1992/3, the first a re-working of his Kongo set for the wider audience, the second, Music, a vastly more orchestral and organic affair that highlighted Omar’s maturing as a composer, arranger and vocalist. Aside from the memorable title song, standout tracks included the still requested Get To Know You Better and the brilliant duet with Carleen Anderson, Who Chooses The Seasons.

Thereafter Omar signed to RCA, for whom he cut two further albums that notched up acres of critical acclaim as well as introduced him to several of his musical heroes and heroines. On 1994’s For Pleasure, the set that includes such Omar signature songs as Saturday, Outside and the Erykah Badu favourite Little Boy, he worked alongside the legendary former Motown producers Leon Ware and Lamont Dozier. On ‘97’s This Is Not A Love Song, largely a collaboration with LA-based producer David Frank, he did a great cover of The Stranglers’ Golden Brown and got to sing with one of his all-time favourite vocalists, Syreeta Wright on two songs, including the sumptuous slowie Lullaby.

By 2000, Omar had moved on again, this time signing up with hip French imprint Naïve Records. The following year, now well established as the leading icon of the UK’s resurgent soul movement, Omar released his fifth album, Best By Far, a self-produced set on which he allowed his interest in cinematic soundtracks and jazz to rise to the surface. Once again, the star names turned out: on the album version of Be Thankful, a re-cut of the William DeVaughn seventies soul hit, it’s Erykah Badu who came good on her promise to work with our man. [On the version released as a single, it was Angie Stone on co-lead.] Meanwhile recent MOBO winner Kele Le Roc supplied the strident lead on the anthemic groove Come On, also a single edit.

A former principal percussionist of the Kent Youth Orchestra and later graduate of the Guildhall School Of Music in London, Omar has now been making music for more than 21 years. And while it would be true to say that during that time the high quality of his work has not really been reflected by number of pop hit singles he’s enjoyed, there’s certainly no sign of his being discouraged. Quite the contrary in fact: with Sing [If You Want It], Omar is just embarking on a new phase of his career, one that’s designed to bring him directly to a wider public than ever before.

“I’m enjoying life so much right now,” he says. “I play with great bands, there’s always new music to make, new styles to blend, new people to reach… man, I went to Sainsbury’s the other day and it felt like I’d been on Crimewatch or something, the amount of people looking over and coming up to shake my hand. It really feels like a new beginning for me.”
[Edited 5/7/06 13:44pm]
[Edited 5/7/06 13:44pm]

Japanese version was released February 28th...


see, you oughta frequent Okayplayer more regularly. You got threads devoted to you and everything.

You can hear snippets of the album at HMV's Japanese website...

http://www.hmv.co.jp/prod...ku=1412416

Just click the Japanese text next to the speaker icons and a media player will pop up.

BSK3601 said:

Japan? Well someone should have mentioned it here. Omar has jumped more labels/release dates than a Olympics hurdler. I lost track in 2003.
Man, that place moves too fast with the thread traffic. It's monsterous.
Major headaches trying to stay up with the thread traffic.
This place is good because it has a speed of a Hybrid Car on the freeway.

omar gets down !! respect !

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[Edited 5/8/06 12:39pm]

u2prnce said:

:begs: please don't be serious...
please don't be serious....
please don't be serious...

and I d/l'd it weeks ago.
It's wonderful.

I thought Omar was finished. I'm glad I was wrong.

Graycap23 said:

naw. He's been touring for the past 2 months. He was in Atlanta last week.

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[Edited 5/8/06 8:05am]

My sister put me up on this cat about ahhhhh 10 years ago.
He did the theme song to this British comedy I liked called "Chef."
I have his first or second release, the one with the song "Saturday."

you can hear his new stuff on his myspace page: myspace.com/omaruk.

mochalox said:

You gotta understand Mochalox. Alot people don't know Omar. RCA never gave Omar a chance to break out in America. They gave him scant press for 1 album back in 94. And then he went back to U.K. to release records. Anyways is this record going to be in America or am I going to have to order from Amazon.uk?

Does Ether have American distribution? They have alot releases from Trama label!

Trickology said:

Trickology said:

I can't keep on track practically every release that's coming out practically every week .
If i'm curious what an artist is doing these days , the google-engine is a great tool to start with .
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[Edited 5/9/06 10:46am]

mochalox said:

i hear ya...omarion ??? what the F%^$!!!!!

his album music is the one to get !!!

EXTREMELY underrated artist!!I have For Pleasure,Best By Far,and This Is Not A LOve Song.I want all ,but that Music one is kinda' expensive!!He has a nice cut on the aids benefit cd,red hot and rio. Stuart Zender from jamiroquai does work on Best By Far.Omar Lye-Fook is a very talented cat.