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Reply #180 posted 04/15/06 11:36am

StoneCrib

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Alasseon said:

A question for any of the crew here who've grown up in some hard places.

Most of these confrontations begin simply enough over some stupid sh*t. Stepping on someone's sneaker, bumping into someone on a dance floor, a look, a comment, and then it all escalates to hurt pride, bruised ego, and gunshots.

Has anyone here got some strategies for squashing a beef before it gets to a fatal stage? Anyone here walk out of the club and decide not to come back that night? Anyone here ignore an insult so that others don't get hurt? Anyone here intercede in a friend's beef to keep the peace?

Just curious. I've seen more guys instigate a small conflict into a major war, and I think we gotta keep our people focussed on real sh*t rather than insignificant, temporary, bullshit.

Yeah, unfortunately it's this ridiculous bravado already imbedded in men and then added to that is the whole gun culture of some of the Hip Hop world that's way the fuck outta control. Dying over some stupid shit as ridiculous as "King of Detroit" is truly sad. I always tell the youth that I mentor to "Fight FOR something not OVER something" and fighting over the mythical "King of Detroit" makes no sense.
Living to die and I'll die to live again - 360 degrees - comprehend
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Reply #181 posted 04/15/06 11:57am

CalhounSq

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ThreadBare said:

This thread has me torn, because I see it from both sides:

I totally think it's unfair to limit complicity in the perpetuation of genocidal music to the artists. They're encouraged, as has been stated already, through the significant monetary rewards offered by industry fat cats. Not just record deals -- movie deals, product endorsements, clothing lines... Given the chance to get out of the ghetto by rhyming, how many brothers would turn that down on philosophical issues? There's a breakdown in the perpetuation of morality here, and I blame the church for that one. (But that's another rant...)

Today, at my job, we were joking about a gag written by a colleague. He said something was "better than crack," prompting another coworker to say: "Hey, why don't you go down to (the black part of) Nashville and sell it on the corner?" She thought she was being funny, but her comment exposed how she associated drug selling and drug use with black people. I told her such a deal could be done in downtown (white, professional) Nashville and would be worth a whole lot more. I've had to correct other coworkers before who equated drug life with black people. So, I hate to see people jump to conclusions about rappers and black people in general.

HOWEVER, it's time for us to stop hurting, enslaving, betraying, offending, victimizing and killing each other. It's hard as all get-out to argue points about black responsibly when we seem to love dysfunction and irresponsibility so much that we rap and sing about them. Our movies and pop culture glorify them. We perpetuate the stereotypes of subhumanity, irresponsibility and artifice whenever we sell dope to each other, steal from each other or murder one another. And, we grow more callous about it, with each pointless death.

We debate rap's image to the point of detachment. Victims are no longer people. Gun-wielding brothers are "thugs" instead of the over-grown children caught in a trap that they really are. From childhood, they are steered toward self-hatred, crime, murder, genocide.

And a larger society pays more attention to the beats and bling that come out of that world, than to the horrific cadence of brothers' blood striking the pavement. When Cain killed Abel, God said the boy's blood cried out to Him. Imagine the deafening roar caused by this genocide. I suspect it would take an almighty God to be able to withstand it.

So, I find myself simultaneously repulsed and arrested by this hip-hop identified culture of violence. It is macabre, a celebration of death, a perpetuation of "never back down, never punk out, blast him before he blasts you." It's a lie from the pit of hell. Music and culture that minimize and exploit death, in truth, are really about the denial of humanity. Are really about denying the value intrinsic in every life. Tragedies such as Proof's are both the byproducts and perpetuators of hopelessness.

We. Must. End. This. Cycle.

We must take responsibility.

And we must begin to reward (monetarily, socially, communally) folks who create art that celebrates life, humanity, progress and decency.

We're gifted enough to create it. Brilliant enough to market it. In many cases, we're rich enough to support it. Are we compassionate and faithful enough to try?

If not, shame on us, the next time our society's art contributes to the abuse or murder of another human (regardless of their perceived race).

Peace unto us all.


eek OMG Threadbare, this is THE best post EVER exclaim clapping touched hug
heart prince I never met you, but I LOVE you & I will forever!! Thank you for being YOU - my little Princey, the best to EVER do it prince heart
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Reply #182 posted 04/15/06 6:41pm

purplecam

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ThreadBare said:

This thread has me torn, because I see it from both sides:

I totally think it's unfair to limit complicity in the perpetuation of genocidal music to the artists. They're encouraged, as has been stated already, through the significant monetary rewards offered by industry fat cats. Not just record deals -- movie deals, product endorsements, clothing lines... Given the chance to get out of the ghetto by rhyming, how many brothers would turn that down on philosophical issues? There's a breakdown in the perpetuation of morality here, and I blame the church for that one. (But that's another rant...)

Today, at my job, we were joking about a gag written by a colleague. He said something was "better than crack," prompting another coworker to say: "Hey, why don't you go down to (the black part of) Nashville and sell it on the corner?" She thought she was being funny, but her comment exposed how she associated drug selling and drug use with black people. I told her such a deal could be done in downtown (white, professional) Nashville and would be worth a whole lot more. I've had to correct other coworkers before who equated drug life with black people. So, I hate to see people jump to conclusions about rappers and black people in general.

HOWEVER, it's time for us to stop hurting, enslaving, betraying, offending, victimizing and killing each other. It's hard as all get-out to argue points about black responsibly when we seem to love dysfunction and irresponsibility so much that we rap and sing about them. Our movies and pop culture glorify them. We perpetuate the stereotypes of subhumanity, irresponsibility and artifice whenever we sell dope to each other, steal from each other or murder one another. And, we grow more callous about it, with each pointless death.

We debate rap's image to the point of detachment. Victims are no longer people. Gun-wielding brothers are "thugs" instead of the over-grown children caught in a trap that they really are. From childhood, they are steered toward self-hatred, crime, murder, genocide.

And a larger society pays more attention to the beats and bling that come out of that world, than to the horrific cadence of brothers' blood striking the pavement. When Cain killed Abel, God said the boy's blood cried out to Him. Imagine the deafening roar caused by this genocide. I suspect it would take an almighty God to be able to withstand it.

So, I find myself simultaneously repulsed and arrested by this hip-hop identified culture of violence. It is macabre, a celebration of death, a perpetuation of "never back down, never punk out, blast him before he blasts you." It's a lie from the pit of hell. Music and culture that minimize and exploit death, in truth, are really about the denial of humanity. Are really about denying the value intrinsic in every life. Tragedies such as Proof's are both the byproducts and perpetuators of hopelessness.

We. Must. End. This. Cycle.

We must take responsibility.

And we must begin to reward (monetarily, socially, communally) folks who create art that celebrates life, humanity, progress and decency.

We're gifted enough to create it. Brilliant enough to market it. In many cases, we're rich enough to support it. Are we compassionate and faithful enough to try?

If not, shame on us, the next time our society's art contributes to the abuse or murder of another human (regardless of their perceived race).

Peace unto us all.

Wow, one of the best posts I've ever read on the org.
I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that
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Reply #183 posted 04/16/06 2:29am

Eileen

SexyBeautifulOne said:

Check this out: Scary Truth


Thanks for the link... lots of good info and food for thought on that site.

Eileen
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Reply #184 posted 04/16/06 9:45am

SexyBeautifulO
ne

Eileen said:

SexyBeautifulOne said:

Check this out: Scary Truth


Thanks for the link... lots of good info and food for thought on that site.

Eileen


You're very welcome. It's always a pleasure for me to share information. biggrin
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Reply #185 posted 04/20/06 11:39am

wavesofbliss

Mourners Pay Tribute to Proof


Eminem, 50 Cent and about 2,000 other people crowded a Detroit chapel Wednesday to pay their last respects to slain D12 rapper Proof, who was shot to death in a nightclub last week.

The funeral service started 45 minutes late, according to the Detroit Free Press, held up to accommodate a line of people waiting to get in that wrapped around the building.

Once the pews inside the Fellowship Chapel were packed, a series of speakers, including Proof's D12 buddy Eminem, reminisced about the late hip-hop artist's positive effect on their lives.

"He taught me how to be a leader," Eminem said, choking back tears. "I'm sure everybody who has ever met him, even just once, can testify to the fact that he illuminated a room when he walked in it. I believe that Proof loved people and people loved him. He was a magnet. He lured you in. You wanted to learn about him, follow his swagger. Without Proof, there would be no Eminem, no Slim Shady, no D12. You're the man."
D12 was originally founded in 1990 by Proof, whose real name was Deshaun Holton, and fellow rapper Bizarre (born Rufus Johnson), but the group didn't really take off until Proof brought childhood friend Eminem into the mix. Their first album, Devil's Night, was released in 2001 and sold more than 4 million copies. The rest of D12 consists of Kuniva (Von Carlisle), Kon Artis (Denaun Porter) and Swift (Ondre Moore), all of whom attended the funeral.

Fellow Shady Records rapper and Detroit native Obie Trice also spoke, telling the crowd to rise in honor of Proof.

"Proof is the one. He is the pioneer of Detroit music," he said. "We got to stand up. Rest in peace."

Trice, a shooting victim himself, also called for an end to violence. He was shot in the head on New Year's Eve while driving in his hometown and a bullet remains lodged in his skull.

"I want to talk to the black men in here that's coming up in the hood, coming up in the struggle," Trice said. "We're killing each other, dawg. And it's about nothing. Nothing. Nothing. We're all dying. And we're leaving our kids, our mommas, our grandmas. Over nothing."

The Reverend Wendell Anthony, who conducted the memorial service, pressed the point made by Trice, condemning violence as the "madness that is infecting" their city. "Violence is the weed that is choking the life out of our community," he said. "Our community suffers the loss of another young man, who reflects that fact that those whom we love are dying too soon and leaving too quickly."

Proof, dressed in athletic wear and a Kangol cap, was laid to rest in a gold-colored casket with both his rap and birth names engraved on it.

He is survived by his wife, Sharonda, and five children.



pray tombstone pray
[Edited 4/20/06 11:40am]
Prince #MUSICIANICONLEGEND
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Reply #186 posted 04/24/06 10:36pm

lazycrockett

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The Most Important Thing In Life Is Sincerity....Once You Can Fake That, You Can Fake Anything.
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