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There But for the Grace of God… Go I by Machine
I saw this on iTunes one day with an extended version and I can’t get it out of my head. I used to love this song but never knew who sang it. Carlos and Carmen Vidal just had a child A lovely girl with a crooked smile Now they gotta split 'cause the Bronx ain't fit For a kid to grow up in Let's find a place they say, somewhere far away With no blacks, no Jews and no gays Chorus: There but for the grace of God go I Poppy and the family left the dirty streets To find a quiet place overseas And year after year the kid has to hear The do's the don'ts and the dears And when she's ten years old she digs that rock 'n' roll But Poppy bans it from home Chorus Baby, she turns out to be a natural freak Popping pills and smoking weed And when she's sweet sixteen she packs her things and leaves With a man she met on the street Carmen starts to bawl, bangs her head to the wall Too much love is worse than none at all Chorus Been gone for a minute, now I'm back with the jump off | |
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I used to love that tune back in the day (78-79)!! Produced and co-written by by August Darnell (Kid Creole and and the Coconuts, and Dr Buzzard's Original Savannah Band) It was kind of interesting to have a disco tune with a message, during that period when most lyrics were about gettin' down and and gettin' your "Boogie" on.... ... ... " I've got six things on my mind --you're no longer one of them." - Paddy McAloon, Prefab Sprout | |
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That was the thing that always stood out to me... the lyrics. Pretty bold stuff. Then that beat was ridiculous but now that I see who produced it I can definitely hear the influence. Been gone for a minute, now I'm back with the jump off | |
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this is theeeee classic Disco record. | |
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That's a cut. | |
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Romera said: That's a cut.
sheeeeeit, i used to work that record in house sets, that breakdown works every fuckin' time..... comin soon..... THE FACTORY.... THE SECOND CHAPTER | |
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IAintTheOne said: Romera said: That's a cut.
sheeeeeit, i used to work that record in house sets, that breakdown works every fuckin' time..... comin soon..... THE FACTORY.... THE SECOND CHAPTER | |
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Romera said: IAintTheOne said: sheeeeeit, i used to work that record in house sets, that breakdown works every fuckin' time..... comin soon..... THE FACTORY.... THE SECOND CHAPTER oo shit nooooo,its just the most smoothest record to mix too | |
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IAintTheOne said: Romera said: The long version of this bitch is killer. I never get tired of hearing this song.
oo shit nooooo,its just the most smoothest record to mix too | |
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Romera said: IAintTheOne said: oo shit nooooo,its just the most smoothest record to mix too ghat dammit, that was my mix... lol fuckers,i used to use the acapella | |
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IAintTheOne said: Romera said: I have this Chicago House CD where they mix it right into You Ain't Really Down, all smoove and easy like.
ghat dammit, that was my mix... lol fuckers,i used to use the acapella | |
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Romera said: IAintTheOne said: ghat dammit, that was my mix... lol fuckers,i used to use the acapella cocksuckers.. lol | |
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love it "Pedro offers you his protection." | |
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IAintTheOne said: this is theeeee classic Disco record.
:NOD: | |
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it. Ditto times a million to everything said above. | |
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I used to have to play this song for 5 years straight everynight on tour...i love it but ...damn...If i never hear that synth line again that would be alright with me...I used to share hotel rooms with the dude who wrote it and played the keyboards in machine...kevin nance... | |
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Whoa! It's been YEARS since I heard that tune! That was the jam. Gotta go check iTunes! | |
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