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PrintableSassyBritches said: along with the live performances, i'm going to miss having continual tori updates on the org.
 Tell me about it. And downloads on all the various other sites.  | |
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Did everyone get their new email from ToriAmos.com?
The next two bootleg CD live shows have been announced: Manchester Apollo, Manchester, UK 6/5/05 and Paramount Theatre, Denver, CO 4/19/05. Exact release dates TBA. Also the previous two live shows from Chicago and Los Angeles will be available for download beginning Tuesday the 27th. | |
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sextonseven said: Did everyone get their new email from ToriAmos.com?
The next two bootleg CD live shows have been announced: Manchester Apollo, Manchester, UK 6/5/05 and Paramount Theatre, Denver, CO 4/19/05. Exact release dates TBA. Also the previous two live shows from Chicago and Los Angeles will be available for download beginning Tuesday the 27th. Nope! Did they give any other details? If I had my wish for the final 2, I would like the Boston show and either Montreal or Toronto to be released. Those shows were so tight. Boston and Montreal had a lot of tour debuts too. | |
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GangstaFam said: sextonseven said: Did everyone get their new email from ToriAmos.com?
The next two bootleg CD live shows have been announced: Manchester Apollo, Manchester, UK 6/5/05 and Paramount Theatre, Denver, CO 4/19/05. Exact release dates TBA. Also the previous two live shows from Chicago and Los Angeles will be available for download beginning Tuesday the 27th. Nope! Did they give any other details? No other details as of yet. | |
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i'll need to go and look up these setlists now, lol!
i was hoping the london show would have been chosen...maybe it still will be. i'd love to a soundboard quality recording of the songs with the choir! | |
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SassyBritches said: i'll need to go and look up these setlists now, lol!
i was hoping the london show would have been chosen...maybe it still will be. i'd love to a soundboard quality recording of the songs with the choir! Tori performed in Manchester, U.K. on Sunday, June 5, 2005 at Carling Apollo Manchester. Tori's special guest was Tom McRae and the show started at 7:30PM. Set List Special thanks to Matt Page and Richard G. for calling me with the set list after the show! Original Sinsualtiy Little Amsterdam Leather Beauty Queen Horses Liquid Diamonds Suede Strange Don't Look Back In Anger (Oasis cover) My Favorite Things (Rodgers & Hammerstein / Sound of Music cover) Winter Carbon Ribbons Undone Spring Haze The Beekeeper 1st Encore Not The Red Baron Never Seen Blue 2nd Encore Sweet The Sting Tori performed in Denver, CO on Tuesday, April 19, 2005 at the Paramount Theatre. Tori's special guest was Matt Nathanson and the show started at 8:00PM. Set List Special thanks to Matt Page for calling me with the set list after the show! Original Sinsuality Little Amsterdam Icicle Your Cloud Jamaica Inn Father Lucifer Cool On Your Island I Ran (A Flock Of Seagulls cover) Suzanne (Leonard Cohen cover) The Power Of Orange Knickers Cloud On My Tongue Space Dog Parasol Carbon The Beekeeper 1st Encore Leather 2nd Encore Putting The Damage On | |
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GangstaFam said: Tori performed in Denver, CO on Tuesday, April 19, 2005 at the Paramount Theatre. Tori's special guest was Matt Nathanson and the show started at 8:00PM.
Set List I Ran (A Flock Of Seagulls cover) Oboy! | |
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a review of tori's toronto show (moonsongs, gangstafam, check it!) courtesy of thedent.com:
When Amos took the stage, it was to a very receptive and appreciative crowd, given that it has been a little more that two years since her last tour stop in Canada. Opening her set with “Original Sinsuality” from her latest album The Beekeeper, Amos could have chosen to take this crowd down any number of musical paths with the remainder of the set list. On this particular night, Amos chose a slightly dark tone in her set list, and it would not be a show that casual listeners of her music could fully appreciate. Over two hours, Amos played only one single, which reached back to 1998, and she filled in a number of spots with some rare numbers and b-sides. Navigating between her signature Bosendorfer piano, a Rhodes keyboard and two B3 Hammond organs through the night, Amos played a passionate show highlighted by “Blood Roses,” “Spark,” and the 1992 b-side “Here in My Head.” The night’s “theme” seemed to centre on different senses of loss, and the set list was anchored by “General Joy,” a song from The Beekeeper in which Amos expresses some of her views on current world affairs. Opening the song with improvisation, Amos appeared to be lost in the song as she performed: “Ride the tanks boys / Ride the tanks boys / You feel me coming / Soldier girl / Ride the tanks boys / For these pieces / Over the body bags coming home / For the big boys deals / You’re coming home / Ride the tanks boys / Ride the tanks boys / Feel these pieces of Ishtar / Feel these pieces coming back to the heart.” A major highlight of The Summer of Sin tour and the previous Original Sin tour has been “Tori’s Piano Bar,” a brief break mid-show where Amos pays homage to her roots of playing in piano bars. Two pre-selected songs are chosen from suggestions emailed to Amos by fans for her to cover each night. On the Toronto stop, Amos made a very Canadian tribute during the Piano Bar segment, playing Gordon Lightfoot’s “If You Could Read My Mind” and Joni Mitchell’s “Both Sides Now.” Just before playing the songs Amos commented “If you don’t know these songs, you should be spanked.” Being solo on this tour and playing a venue like the Molson Amphitheatre not only gave Amos a chance to shine, but her crew as well. The Amphitheatre isn’t necessary great for acoustics, but Amos’ crew pulled together a very tight soundscape that night, and with the earlier sound problems of the opening acts, the solid work of Amos’ crew became that much more apparent. Despite the tone of the set, Amos was in quite a playful mood throughout the evening, with mischievous grins and numerous playful moments of dancing. Finishing the night with “Baker Baker” from Under the Pink, Amos brought her set to a soulful close that just happened to correspond with a fireworks display on the other side of the pavilion, pretty much directly in Amos’ line of sight. The last lines of the song were sung with a giggle, breaking any tensions that may have been left over from the heavy set list. oh how i miss her! | |
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SassyBritches said: a review of tori's toronto show (moonsongs, gangstafam, check it!) courtesy of thedent.com:
When Amos took the stage, it was to a very receptive and appreciative crowd, given that it has been a little more that two years since her last tour stop in Canada. Opening her set with “Original Sinsuality” from her latest album The Beekeeper, Amos could have chosen to take this crowd down any number of musical paths with the remainder of the set list. On this particular night, Amos chose a slightly dark tone in her set list, and it would not be a show that casual listeners of her music could fully appreciate. Over two hours, Amos played only one single, which reached back to 1998, and she filled in a number of spots with some rare numbers and b-sides. Navigating between her signature Bosendorfer piano, a Rhodes keyboard and two B3 Hammond organs through the night, Amos played a passionate show highlighted by “Blood Roses,” “Spark,” and the 1992 b-side “Here in My Head.” The night’s “theme” seemed to centre on different senses of loss, and the set list was anchored by “General Joy,” a song from The Beekeeper in which Amos expresses some of her views on current world affairs. Opening the song with improvisation, Amos appeared to be lost in the song as she performed: “Ride the tanks boys / Ride the tanks boys / You feel me coming / Soldier girl / Ride the tanks boys / For these pieces / Over the body bags coming home / For the big boys deals / You’re coming home / Ride the tanks boys / Ride the tanks boys / Feel these pieces of Ishtar / Feel these pieces coming back to the heart.” A major highlight of The Summer of Sin tour and the previous Original Sin tour has been “Tori’s Piano Bar,” a brief break mid-show where Amos pays homage to her roots of playing in piano bars. Two pre-selected songs are chosen from suggestions emailed to Amos by fans for her to cover each night. On the Toronto stop, Amos made a very Canadian tribute during the Piano Bar segment, playing Gordon Lightfoot’s “If You Could Read My Mind” and Joni Mitchell’s “Both Sides Now.” Just before playing the songs Amos commented “If you don’t know these songs, you should be spanked.” Being solo on this tour and playing a venue like the Molson Amphitheatre not only gave Amos a chance to shine, but her crew as well. The Amphitheatre isn’t necessary great for acoustics, but Amos’ crew pulled together a very tight soundscape that night, and with the earlier sound problems of the opening acts, the solid work of Amos’ crew became that much more apparent. Despite the tone of the set, Amos was in quite a playful mood throughout the evening, with mischievous grins and numerous playful moments of dancing. Finishing the night with “Baker Baker” from Under the Pink, Amos brought her set to a soulful close that just happened to correspond with a fireworks display on the other side of the pavilion, pretty much directly in Amos’ line of sight. The last lines of the song were sung with a giggle, breaking any tensions that may have been left over from the heavy set list. oh how i miss her! Man, what a night! | |
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